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Photography: Juan Castro – Words: Chris Brooks
DJ Diesel, hit the decks at a one off exclusive club gig at 170 Russell in Melbourne on Wednesday the 24th of August, 2022.
Presented by Lucky Ent, Shaq blew the punters away with a night they’ll never forget.
DJ Diesel was supported by Balaram, Big Boss, Chenda, Miicha & Ryscu.
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From 13-16 October, Central Victoria’s biggest music conference returns for its second year, bringing together Victoria’s regional and Melbourne music communities for a host of panels, workshops, networking events, and a youth program.
Held on Djarra Country in Castlemaine, the conference sessions cover a myriad of topics and play host to an extraordinary array of music industry professionals including artist managers, booking agents, musicians, academics, activists and more.
The conference kicks off in style at The Taproom on Thursday 13 October with a launch of television and radio broadcaster Myf Warhurst’s book The Time of My Life – described as “a captivating and joyous memoir of wisdom, humour and heart that unleashes the music within us all”. Join Myf in conversation with Gold Sounds Director Fionna Allan, as she shares funny, fabulous and occasionally fraught tales.
Friday 14 October sees the event move to the Phee Broadway Theatre in the centre of Castlemaine. Conference programming will feature sessions on mental health wellness, music and activism, regional festival and venue programming, opportunities and tips when applying for grants and funding, and a session on creative collaboration.
“As our industry recovers from the last few years, focusing on how to look after our own and other’s mental health is as important as ever. Coupled with sessions on how grant funding organisations work, how regional festivals and venues are programmed, and the desire to make important work, either solo or with others, Friday has something for everyone,” said Ms Allan.
On Saturday 15 October, the focus turns to songwriting copyright and licensing, community radio, marketing and PR and youth-focussed events programmed in direct response to young people. Saturday will also feature a special Yarning Strong panel from Support Act, focussing on breaking down barriers for First Nations artists, including guests Mitch Tambo and Dallas Woods.
“The conference panels are a great opportunity to hear about the journeys of a diverse group of industry legends, from the lessons they have learnt over the years to where they are heading. The Yarning Strong session has Dallas Woods returning to the conference again, sharing his knowledge and experience alongside other talented and passionate First Nations people ,” said Ms Allan.
On Sunday 16 October, musicians take centre stage as songwriting clinics featuring Cash Savage another yet to be announced, held by APRA AMCOS.
“Having an esteemed songwriter like Cash Savage share their knowledge and sit with our local musicians to create something together brings us back to the heart of what we do – producing great music. These sessions are supportive, inspiring and a great springboard for budding songwriters to take that next step,” said Ms Allan.
Gold Sounds Music Conference will also feature music interview training and other practical sessions.
Tickets are on sale Thursday 1 September, 2022, via the Gold Sounds website. Last year’s inaugural conference featured keynote speeches by industry heavyweights Jen Cloher and Liz Stringer alongside workshops run by two of the region’s biggest stars, Dallas Woods and Jess Ribeiro. Held as Victoria was emerging from lockdown in late 2021, the Conference was delivered as part of Music Victoria’s Regional Music Development program. The inaugural event attracted more than 100 people from the music industry and community across the weekend, and won the Mount Alexander Shire Council Community Event of the Year. |
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Gold Sounds Music Conference 2022 schedule:
Thursday 13 October:
Myf Warhurst – star of ABC’s Spicks and Specks, SBS’s Eurovision coverage and ABC radio broadcaster and podcaster – launches her book The Time of My Life at the Taproom, Walker St Castlemaine. This event is supported by Northern Books and Shedshaker Brewing. All tickets include a signed copy of Myf’s book.
Friday 14 October:
Identity: The Music, The Mind, The Me Led by Music Victoria’s Mental Health Clinician/Consultant Bree Chapman-Stewart in conversation with Benny Clark (drummer, Baker Boy), BATTS (Musician/advocate) and Kiwat Kennell (Musician and Community and Project Manager at Music Victoria).
Under the Influence: Music & Activism A lively discussion including Berish Bilander (CEO, Green Music Australia), Dr Catherine Strong (Associate Professor, RMIT University) and more. This session will also present Green Music Australia’s ‘Sound Country’, a green resource for musicians and the music industry.
Where it’s At: Regional Festival & Venue Programming With Dina Bassile (Director, Tibi Access/Groove Tunes), Emma Ireland (Director, Chill Out Festival Daylesford / Spring Bliss Hanging Rock), Rebecca Strong (Collective Artists/Fairground Festival) and Justin Rudge (Program Director, Port Fairy Folk Festival).
Follow the Money: Grants & Funding An informative panel presented by representatives from Australia Council for the Arts, Creative Victoria and Regional Arts Victoria.
Team Work is Dream Work: Working in Creative Teams A panel discussion about the joy of collaboration with Meagan Loader (ABC’s Head of Music & Creative Development), Alastair Burns (Heart Stop Music – Julia Jacklin/Marlon Williams) and more to be announced.
Saturday 15 October:
Yarning Strong: Breaking Down the Barriers Yarning Strong is a series presented by Support Act that focuses on First Nations mental health and what it looks like in the music industry. This session will feature guest panellists Mitch Tambo (Artist), Dallas Woods (Artist), Larissa Ryan (Artist Manager/A&R Warner Music) and is led by Cerisa Benjamin (Support Act).
Shout it Out Loud: Marketing/PR: Getting Media Ready & Your Message out there With Jane Gazzo (TV & Radio Broadcaster/Writer), Emily Kelly (Deathproof PR), Eliza Hull (Musician/Writer/Disability Advocate) and facilitated by Josh Meadows (Artists/MainFM broadcaster).
On the Air: Community and Public Radio A fascinating discussion outlining why Community and Public Radio is so important, with Meagan Loader (ABC’s Head of Music & Creative Development), Shane Homan (Assoc Professor, Monash University) Richard Moffat (Programming Coordinator, MainFM) and more to be announced.
An Introduction to Copyright & Licensing With Chris O’Neill, Director – Membership & Stakeholder Engagement, APRA AMCOS – part of the public and youth conference program.
Songcraft: In Conversation APRA AMCOS presents a fascinating discussion and insight into the process of songwriting Jonine Standish (HTRK), Racquel Solier (Mod Con/Various Asses) and one more to be announced, led by Annaliese Redlich (Neon Sunset RRR, Imperial Leather).
Music Interviewing Skills A practical session led by music broadcaster Jane Gazzo, this 3 hour session will equip radio presenters and musicians with the skills to undertake great interviews. Presented by the Community Media Training Organisation and taking place at Castlemaine Community House.
Youth Program With support from The Push, Saturday’s program will include targeted sessions for Young People, curated in response to their direct requests. The sessions will cover topics such as songwriting, touring and more. Details of these sessions will be in the coming weeks.
Sunday 16 October:
321 Songwriting Sessions A day of in-person collaborative sessions curated by Cash Savage and another yet to be announced, presented by APRA AMCOS. 321 sessions are a fantastic opportunity to sharpen and hone songwriting skills. Participation is by application only. To register your interest, head to the Gold Sounds website for more information. |
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We are witnessing music history in the making; despite “growing up” in the same scene Social Distortion & Bad Religion have never toured together! Both bands have been excited about the possibility and have worked towards this end for YEARS. Last week the Los Angeles Punk and Orange County Rock n’ Roll legends Bad Religion & Social Distortion announced an Australia & New Zealand co-headlining tour. The tour will kick off on February 15 in Auckland and wrap Wednesday 22 in Perth.
General tickets are on sale now.
“I’ve been a huge Social Distortion fan for over 40 years, and I guarantee you no one is more excited about this tour than I am. Sick Digital Boys 2023!” – Brian Baker, Bad Religion
“We are really looking forward to this incredible tour with our good friends Bad Religion. It’s been years since we’ve played a show together and it’s about time we take it on the road. Not only are we excited for this reunion, but to also return to Australia and finally hit New Zealand!!! See you all soon!” – Mike Ness, Social Distortion
SOCIAL DISTORTION & BAD RELIGION
TOUR DATES:
WEDNESDAY 15 FEBRUARY 2023 – TRUSTS ARENA, AUCKLAND
FRIDAY 17 FEBRUARY 2023 – RIVERSTAGE, BRISBANE
SATURDAY 18 FEBRUARY 2023 – HORDERN PAVILION, SYDNEY
SUNDAY 19 FEBRUARY 2023 – MARGARET COURT ARENA, MELBOURNE
WEDNESDAY 22 FEBRUARY 2023 – RED HILL AUDITORIUM, PERTH
General tickets on sale now from destroyalllines.com.
ABOUT BAD RELIGION
Aside from essentially defining the California half-pipe punk blueprint, Bad Religion has defied the usual trend shifts or values-ditched ubiquities of the typical punk band storyline. The band morphed along with challenging album after album amid astoundingly consistent touring, retaining their core audience while roping in subsequent generations of anxiously energetic kids.
The band has long settled into the current lineup who have arguably enacted to most muscular Bad Religion ever to grace a stage: Greg Graffin (vocals) and Jay Bentley (bass) join Brian Baker (guitarist since ’94), guitarist Mike Dimkich (9 years in), and drummer Jamie Miller, who’s already been with the band for seven years.
Bad Religion is in an almost singular position in the history of punk. Having formed right on the heels of the original explosion, they led the west coast arm of hardcore’s birth, adding their melodic riffs, zooming harmonies, and viciously verbose lyrical punch to the basic bash of hardcore. Then the band continued to expand their template through the ‘80s and into the indebted “neo-punk” sound of the early ‘90s and weathered the questionable dichotomies of the “alternative rock” era by doing what they’ve always done – releasing explosive album after album to consistent acclaim from fans and critics. They’ve continued to throw songwriting and production wrenches into the works so’s not to bore themselves or their never-diminishing following. Their catalog of releases is extensive, including 17 studio albums, eight full decade-specific performances in their bio-documentary series Decades, and releasing a biographical accounting of their history in 2020 Do What You Want: The Story of Bad Religion.
The band’s rep, as socially aware thought-provokers, can’t obscure the fact they’ve remained one of the most viscerally powerful live bands on the planet, remembering the beats and riffs that get your ass off the couch in the first place.
FOLLOW BAD RELIGION:
WEBSITE | FACEBOOK | INSTAGRAM
ABOUT SOCIAL DISTORTION
Mike Ness (Guitar, Vocals) Jonny Wickersham (Guitar) Brent Harding (Bass) Dave Hidalgo Jr. (Drums)
Here’s how you know you’ve made it in the music business: You’ve stayed strong for four decades on your own terms, on your own time, by your own rules, and over that time your influence has only grown. Each of your albums has been stronger than your last. You’ve been brought onstage by Bruce Springsteen, because he wanted to play one of your songs. You’ve seen high times and low ones, good days and tragic days, but every night you give 100%, and every morning you wake up still swinging.
This is the short version of the Social Distortion bio — the long version could be a 10-part mini-series. But over the past 40 years, the punk godfathers in the band have all but trademarked their sound, a brand of hard rockabilly/punk that’s cut with the melodic, road-tested lyrics of frontman Mike Ness. Their searing guitars and a locomotive rhythm section sound as alive today as they did in ’82, as do Ness’ hard-luck tales of love, loss and lessons learned. “The most common thing I hear is, ‘Man, your music got me through some hard times,'” Ness says. “And I just say, ‘Me too.'”
Now in their fourth decade, Ness and Social Distortion have officially done one of the most non-punk things possible: They’ve failed to burn out.
Mixing Springsteen’s factory-overalls ethic with Southern California punk energy and black leather, Social Distortion formed with Ness and high school buddy, the late Dennis Danell, in the late 1970s; the group broke in 1983 with the thrashing plate of punk and displeasure “Mommy’s Little Monster.” Their 1988 follow-up, “Prison Bound,” hinted at a sonic change to come, and by the band’s self-titled 1990 record and 1992’s “Somewhere Between Heaven and Hell,” their sound had solidified into the instantly recognizable brand of rock n’ roll that’s defined them since.
Now, Social Distortion consists of Ness and longtime guitarist Jonny Wickersham, along with bassist Brent Harding and drummer David Hidalgo, Jr.
These days the band is rarely off the road for long, and continues to grip fans who have been around since “Mommy’s Little Monster” while drawing new ones who discover the band through hand-shot YouTube clips. “I see people bringing their kids to shows,” Ness says. “And I see kids bringing their parents.”
Social Distortion is a mix of potent power, appeal across all age brackets and a genuine satisfaction at reaching as many people as they have. “I write songs for myself, and I hope that other people will like them too,” Ness says. “I think every record you make is showing people what you’ve learned over the past few years. It’s showing people, ‘This is what I know.’ “
“Ness is one of the most underrated pure songwriters in rock.” – Los Angeles Times
FOLLOW SOCIAL DISTORTION:
WEBSITE | FACEBOOK | INSTAGRAM
Tetsuians have cemented themselves in the Melbourne/Naarm music landscape with their unique mixture of punchy indie riffs and melodic undertones. A warm indie pop-rock sound that takes influence from bands such as Wilco, Supergrass and Wild Flag.
The bands third album Repairs and Alterations heralds a bigger sound, with thicker licks and refined song writing, set for release tomorrow on the 30th of August 2022.
The band have released a number of singles leading up to the album release, most recently Walk It Off and Shadow In The Sky.
The album launch is scheduled for Saturday September 3rd @Mama Chen’s Footscray, Melbourne
https://www.facebook.com/events/429796589066218
https://www.facebook.com/Tetsuians
https://www.instagram.com/tetsuians/
Spotify
https://open.spotify.com/artist/3asjMtKj3yCeZ3Lg2hVl4m?si=AoNbQV0yTyOm7QlWx0Gang
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Speaking to the making of ‘Situation 99‘, the band reveal “Lu dog had been sitting on these hectic chords for a while and we knew there was a banger in there. Lu and the rest of the band made the most pumping instrumental when we were recording at The Grove and then let Finchy take it home with him to spend a couple of weeks coming up with the lyrics. We took some time to cook up the perfect SPACE ROCK banger.”
Recorded at The Grove alongside Jack Nigro (Skegss, DMA’S, Julia Jacklin, Middle Kids), True Colour is infectious, fun, free-spirited and most significantly, creatively ambitious. Known for their easy-going, take-it-as-it-comes approach to life, The Terrys‘ debut album is a deeply contemplative release encouraging listeners to embrace the highs and lows as they happen, to find their own true colours. This October, The Terrys will perform across the country to celebrate True Colour‘s release – pre-sale tickets are on sale now, pre-save True Colour HERE to get exclusive access. GA tickets are on sale from 9 AM AEST tomorrow, Friday 26 August. For all upcoming tour routing info + tickets see BELOW.
Earlier this week, The Terrys announced their inaugural Battle of the Bands competition, in partnership with Fellr. Paying homage to a scene that has given so much to The Terrys, the band are giving away the chance win the support slot on their debut album national tour plus $3000 in cash, an A&R masterclass with James Tidswell (Violent Soho, Domestic La La), $1000 worth of clothes from Billy Bones Club and more. For information on how to apply and more visit theterrysband.com.
TRUE COLOUR LP
The debut album by The Terrys
October 7 via Domestic La La
GA tickets are on sale HERE from 9 AM AEST on Friday 26 August
‘Situation 99‘ is out now, buy/stream it here.
TOUR DATES
Sat 22 Oct – The Zoo – Meanjin / Brisbane
Fri 28 Oct – Jive Bar – tarntanya / Adelaide
Sat 29 Oct – Milk Bar – Boorloo / Perth
Tue 4 Nov – UC Hub – ngunnawal Land / Canberra
Wed 5 Nov – Oxford Art Factory – Eora / Sydney
Fri 18 Nov – Altar Bar – nipaluna / Hobart
Sat 19 Nov – The Corner Hotel – Naarm / Melbourne
Stay connected with The Terrys:
Website | Facebook | Instagram | Youtube
KALIOPI & THE BLUES MESSENGERS
Host band for DOUBLE TROUBLE BLUES SESSIONS supporting Ian Collard Sunday August 28 at the St Andrews Hotel. Tix available through Eventbrite
Partea caught up with a few members from the band since the inaugural sold-out July show.
Kaliopi & the Blues Messengers officially launched at the Glenmaggie Blues & Roots Festival earlier this year with a vibrant reception from festival goers starting their loyal fan base. Kaliopi & the Blues Messengers are Double Trouble Blues Sessions host band supporting national blues.
Lisette Payet, the band’s pianist explains, “I feel fortunate to have begun experiencing Memphis Minnie since joining Kaliopi & the Blues Messengers. It’s great to hear women singing the blues and get intriguing phrasing for which I’ve become a big fan. Playing piano as part of the host band for Double Trouble Blues Sessions with the Blues Messengers I appreciate how lucky am I to play with all these great musicians”
Les Oldman, drummer in the band expresses a profound respect for Memphis Minnie’s place in blues music history in awe of Mini’s story, “What a Story!”. When asked how he felt about being a part of Kaliopi & the Blues Messengers and playing in the host band for the Double Trouble Blues Sessions? “I’m very grateful to be included in this special project among such fantastic players who want to entertain folk in these current troubled times… times of Blues.. so to speak”.
Kaliopi draws from the great blues tradition and the powerful women who made it their own and has honed in on the works of Memphis Minnie as a mentor. Now in preproduction collaborating with the country’s best specialists for their debut studio album showcasing the works of Mini, the elite ‘Blues Messengers’ plan to followup this production with a tour.
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For the first time in three years, Beyond The Valley is returning. Join us at Australia’s premier New Year’s festival as we make our way back to our true form as an all encompassing combination of Music, Arts and Camping, December 28 – January 1. For our seventh edition, we are excited to welcome you to our new home at Barunah Plains, a lush oasis located on the lands of the Wadawurrung Peoples of the Kulin Nation and the Eastern Maar Peoples of Southwest Victoria, the perfect sanctuary as we step into a new era of BTV. Staying true to tradition, Beyond The Valley will feature a combination of international & homegrown top-tier and break-through bands, electronic & hip hop artists, spread across three distinct purpose-built, custom-designed stages — Main Stage, Dance Tent and the beloved Dr Dan’s stage. We can’t wait to come together and dance with you over four euphoric days as we bring in 2023 in true BTV style. Lineup announced Thursday 25th of August 12:20PM AEST. RSVP via the button below to be the first to know when it drops. |
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Only 1.5 hours out of Melbourne, Barunah Plains is a picturesque oasis featuring a natural amphitheatre, sweeping trees, rolling hills, a Wool Shed, mystic bridges and a winding creek, making it the perfect home for a new era of Beyond The Valley. Our camping area is located on flat land with increased space and accessible facilities, ideal for establishing your temporary home. The beauty of Barunah Plains extends well into the surrounding areas. En route via Geelong, explore Torquay, Ocean Grove and Lorne, renowned for their serene beaches and beautiful restaurants, the perfect pitstop on your way to BTV. |
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Beyond The Valley 2022 will be an oasis of experiences. A playground from your wildest imagination, step away from the music and go for a swim at Beach Club, or uncover Schmall Klüb, a concealed party with spontaneous sets from your favourite DJs only accessible via a secret entrance. For the first time at BTV, experience our Podcast Stage with live and interactive recordings of your favourite podcasts. A place for self discovery, step into The Sanctuary for daily meditation, yoga & workshops. If you’re after a more luxurious experience, our Lux Camp is the largest glamping offering in the southern hemisphere! With delicious options to suit all dietary requirements, our Food Village is the perfect place to refuel for a day of music & movement under the ample shade provided. Featuring a true combination of local art & community, explore our Market Stalls and stumble into your next best find. Find yourself continuously mesmerised by art installations scattered throughout the festival and endlessly entertained by — Poof Doof ‘Pride Patrol’, Drag Bingo, Speed Dating, Open Mic, Fortune Teller, Doof Stick Making, Yoga, Pilates, Meditation & more. |
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As an ARIA awardee with Collard, Greens and Gravy, a role model and a leader in the Australian Blues scene, Ian Collard is looking forward to headlining the newly established Double Trouble Blues Sessions at the St Andrews Hotel “It’s a fantastic Pub and I haven’t been there for many years”.
With a unique vocal timbre and solo guitar style, considered to be one of our country’s best harmonica players, Ian share’s his main influences…
“My main influences on the Harmonica are definitely a Little Walter, Big Walter, Junior Wells, Sonny Boy Williamson. My influences as a guitarist a Muddy Waters, John Lee Hooker, Lightnin’ Hopkins, Lewis Myers, Freddie King, Elmore James, Tampa Read, Robert Nighthawk, Earl Hooker”.
Ian has travelled to Memphis on a number of occasions. We asked Ian what it is that draws him there that he brings back to contribute to the vibe and satisfaction of his audiences at gigs?
“It’s great to go to the place where somebody influences have come from, understanding the geography of the United States and the different regional styles of blues music is very important to people who are presenting this great style of music.”
The front-man for a number of bands including Three Kings and Backsliders, Ian share’s how the COVID period of lockdown affected managing his projects and his outlook for the future?
“During Covid I affectively played no music whatsoever, I wanted to fight or was in flight mode and any ability to be creative was completely stifled. I’ve come back from the whole thing with a whole new perspective on what is important in life and what I enjoy about music. I am currently playing with a great group of human beings who also happened to be fantastic musicians, I am very lucky and feeling grateful for every moment I have on stage.”
Tickets to this Ian Collard this Sunday August 28 are available through Eventbrite
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