|
|
|
After garnering widespread praise from critics and public alike, Mushroom Group is thrilled to confirm The Sound will return to ABC screens with season two this November – just in time for Ausmusic Month!
The weekly hour-long show will make its return from Sunday 1 November at 6pm (local time). Viewers can watch The Sound on the tele each Sunday evening, or catch encore screenings on Saturdays at 1.30pm, or catch up with episodes via ABC iview.
It’s been seven months since COVID crippled Australia’s live music industry, leaving artists, venues, crew and music lovers without a vital part of our country’s culture and economy. Born out of this crisis, The Sound’s purpose is clear: to showcase Australian music.
With unique, multi-platform content curated and filmed by the Mushroom Vision team, season two will continue to highlight the vast array of local talent within our industry, with artists given the opportunity to perform for prime-time audiences on our national broadcaster.
In a word, season one was epic: 85 artists filmed at 58 locations nationwide. Performance clips on socials reached 1.68m+ viewers, while media resoundingly embraced the show with rave reviews:
|
|
THE SOUND
SEASON TWO
#TheSoundAU
SUNDAY 1 NOVEMBER, 6PM ON ABC TV + iview
ENCORE SATURDAY 7 NOVEMBER, 1:30PM
Stream on iview
AUSSIE ARTISTS TALK ABOUT THE SOUND:
‘ABC TV has a proud history of exposing local talent and it’s great to see them stepping up again at a time when live Australian music really needs some extra support.’
– Jimmy Barnes
‘It’s great to have our music back on free to air TV with ABC. All power to The Sound. Long may it run.’ – Paul Kelly
‘To have a show like this on TV that showcases Australian music is so important to our industry and the artists.’ – Guy Sebastian
‘I’m really excited about the show. Having a musical show with all sorts of people contributing… It feels old school but entirely fresh – and one of the things we all need right now.’ – Kylie Minogue
‘I’m very excited to be performing on The Sound, its format is really original. I’m honoured to be a part of it.’ – Missy Higgins
‘I was thrilled when The Sound began… If there’s anything to be glad for [in the pandemic] the whole of the country is facing inwards and supporting homegrown talent. That’s what we’ve always wanted.’ – Kate Ceberano
‘If this show is one of the results of this difficult time, then it’s good that we can see a positive thing come out of it, for musicians and Australian audiences. Very happy to be involved.’ – Julia Stone
‘As live music lovers, we’re all being confronted by this moment. The Sound connects live musicians to the audience – like the new in-between – and we’re grateful and excited’
– Electric Fields
‘I’m really happy to be performing on The Sound. In the tradition of great Australian music shows like Countdown, it’s amazing to have the opportunity to showcase the broad range of talent in the Australian music scene.’ – Illy
‘The Sound has arrived at exactly the right time. It’s amazing to have Australian artistry and music at home on TV as we all wait for live music to return. So stoked to be a part of it.’ – Ian Kenny (Birds Of Tokyo, Karnivool)
|
|
|
|
|
|
Hey guys, welcome to The Partae! Congrats on your ‘Wonderland’ release, your Kindisch debut. Where did the inspiration for this track come from?
T : Hey Partae, thanks for having us. Thank you so much, we’re super excited about this release. We love the track, the remixes and the label. We can’t be happier.
P : Regarding this track the inspiration came last year when I was watching a western movie. I can’t remember the name of it but I still remember the guitar loop. We did the track in 1 day or 2. We had this guitar sample and we wanted to use it like an endless riff that stuck in your head.
And there was born Wonderland and its unstoppable melody.
Where did you write it and what key gear did you use? Did it come together naturally?
T : We produced the track in our old studio in Paris. (We are now based in the countryside of France). We used the Korg minilog for the lead which appears on the main break. The bass was done on our ‘best friend’: the Moog Little Phatty. Finally, we use our singing talent to do the voice; that was a challenge because we’re not Adele.
You’ve got Maga and Carlita on the remixes, how do you know both of them? And why did you pick them for this release?
P : When Kindisch approved the track, straight away we wanted to do 2 remixes with 2 different vibes. We chat a lot with Carlita since the Abracadabra party in Tulum in January 2020. We love her style and her energy when she’s playing and we know that she produced very good tracks like Love Wins or El Rithmo del Tambor. It was quite logical to have her on board, and we love the remix she did for us.
T : We met Maga at the party in Tulum too (parties there are the best:)). We wanted him because he has such a great vibe on his productions. He knows how to build a track perfectly. His remix is amazing too.
With him and Carlita it’s THE dream team for us 😉
Generally what’s your structure in the studio, do you always work well together writing music? Or how does it normally flow?
P : We’re doing most of our stuff together. We like it that way; it’s like a good ping pong match, I bring an idea, he brings one too. But lately, due to covid, we’ve had to start almost every new project alone and then we finish or edit together.
T : It’s like an ‘E-ping pong’, but we’d rather be together when it’s time to produce.
You’ve been perfecting your live set, and recently did the incredible stream at a UNESCO site in France to raise funds for Bye Bye Plastic, the set up looks incredible! When did you switch to live, and what do you think the benefits are with live versus DJing?
T : It was one of our goals since day one. We always wanted to perform live. At our debut we had not enough equipment, then we were running out of time to really work on it. Actually it takes so much time to prepare for a whole live set!
P : I’m the musician of our duo, and for me it was so important to play live. For me, it’s what performing should be. I love to DJ, building a set during a party, but live is more challenging and brings a new dimension to our music. Wonderland for example was so powerful live.
What’s next on the horizon for you guys?
P : Many things from a production point of view: 2 remixes are coming out before 2021 on Cosmic Awakenings and Wayu, and for 2021 we should have 3 new EPs and remixes too.
We also want to work on a new live show asap. It’s like a drug now! 😉
Chambord’s ‘Wonderland’ EP is out now on Kindisch. Get it here: https://kindisch.lnk.to/KD182
Crocodylus are stoked to announce the Social Climber tour, hitting venues across NSW in November and December. They’ve also gifted us with a new single/video “Camouflage”, out today via Bargain Bin Records!
Boasting a classic Crocs feel, “Camouflage” is another tantalizing appetiser before the main course arrives in 2021. A ditty about a recurring eye infection and retreating from the world out of self-consciousness, “Camouflage” takes its cues from some of the punk rock greats. The accompanying video is the kind of cooked hallucinatory dream one has after isolating from the world for far too long and there’s a lot of skin-on-skin that will leave you screaming in these pandemic times…
Frontman Josh Williams elaborates: “At the start of each year I get this eye infection and that’s the time I know I need to hibernate to get better. So that’s what this song is about, an eye infection. I get kind of embarrassed, as you can tell from the opening lyrics ‘Don’t wanna be seen’. I hummed the song in my head at work and wrote it on guitar as soon as I got home. We then had a producing day with Owen Penglis and tightened the song up a bit. It’s influenced by such bands like The Saints, The Damned and The Clash maybe just not as cool.”
Jumping in the van next month to launch their Social Climber / Camouflage 7” (also out today!) the trio will bring their wares and a couple of new tunes from their forthcoming debut album to venues in Wollongong, Sydney, Byron Bay and Newcastle.
The Social Climber tour also marks their first proper run of dates since the pandemic put a halt to live music earlier this year. After a massive start to 2020 that saw Crocodylus selling out shows across the country, the band were only just getting warmed up until, well, we all know how the story of this year goes. Crocs haven’t been completely out of commission though, they managed to sneak in some socially distanced and very sold out live shows back in August. And don’t let the seated format fool you, the trio still slayed back-to-back sets with Monster Children witnessing the spectacle, saying “Croc boys tore the house down, rebuilt it, and tore it all down again.”
Released last month, “Social Climber” (the single) is Crocs most affecting song yet, revealing a new side to the band that was completely welcomed. The single premiered on triple j’s Home & Hosed and earned a perfect score from host Declan Byrne, rightly declaring, “Crocodylus have nailed this one”.
Tickets for the Social Climber tour are on sale now and we expect them to be snapped up really quick, so don’t wait.
CROCODYLUS SOCIAL CLIMBER TOUR
TICKETS ON SALE NOW VIA CROCODYLUSBAND.COM
Friday November 20
Wollongong Uni Bar, Wollongong
Tix here
With Lincoln’s Gold
Saturday November 21
Oxford Art Factory, Sydney
Tix here
With Misty Lanes
Thursday December 3
The Northern, Byron Bay
Tix here
With Flying Machine
Saturday December 5
The Cambridge Hotel, Newcastle
Tix for the 6pm show here
Tix for the 9pm show here
With Fungas
CROCODYLUS – SOCIAL CLIMBER / CAMOUFLAGE 7″
LISTEN / BUY HERE
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Photo Credit: Captura Obscura / Matt Puccinelli
Psychedelic Porn Crumpets continue to assert their status as one of Australia’s hardest working bands – pandemic be damned – in announcing the release of their new album, SHYGA! The Sunlight Mound, set for release February 2021. For the Perth group, creativity and production hasn’t stopped in 2020. Despite much of this year’s tour plans being put on pause, Psychedelic Porn Crumpets have used their time off road to continue preparing themselves for the release of their fourth studio release, and an eventual blistering return to stages around the world with a heavy-hitter of an album primed for the live space.
From SHYGA! The Sunlight Mound, Psychedelic Porn Crumpets share a new effervescent taste of music in their new single, ‘Tally-Ho’. As you may come to expect from the band at this point, ‘Tally-Ho’ revels in creative hedonism, written to engage the senses and make your ears tingle with excitement.
As frontman and songwriter Jack McEwan explains, the genesis of a song like ‘Tally-Ho’ can be found in the backyard at 3am of any house party, outside your local waiting for an Uber at the end of Friday night sesh. Those late night attempts to solve the world problems, fuelled by cooked inhibitions and over-thought mind ramblings.
“‘Tally-Ho reenacts the classic fable of late night gonzo talks on copious amounts of chemical enthusiasm. I wanted the lyrics to feel sporadic and impulsive, kinda like the conversation you’d have with a mate after a night out; where you just want to debate something, but most of your synapses are already fried, so you’re both blurting out gibberish, but really giving it a good go at sounding formal. A sober third party might assume you’re both morons but between the constant waves of inebriated dialogue you feel like you’ve activated God mode and are only a few online classes away from becoming a favoured politician that will solve all the world’s problems.” Jack McEwan, Psychedelic Porn Crumpets
Psychedelic Porn Crumpets have already given fans an early taste of the forthcoming SHYGA! era, with ‘Mr. Prism’ in August. Earning acclaim upon its release across Spotify, Apple Music, Triple J, BBC Radio One, Radio X and titles including NME, CLASH, The Line Of Best Fit and Rolling Stone Australia, ‘Mr. Prism’ signalled something special was building out on the West Coast; Psychedelic Porn Crumpets were gearing up for something big. The creation of SHYGA! The Sunlight Mound, especially off the back of 2019’s huge LP And Now For The Whatchamacallit, came together in a different environment for McEwan and the results speak to the band’s evolution and McEwan’s evolution as a songwriter.
“For the first time in a long time I was home without any tours booked, no work, no deadlines and I felt free to create. My writing process became ritualistic; every morning starting with a small walk to the local bottle shop at 11am and writing whatever flowed, allowing myself to design in all styles without boundaries, and not trying to theme the album early on. I haven’t had the luxury of writing this way since the first record, which I spent almost a year working on. It felt like I was myself again, creating without opinion or constraints. I was gliding through weeks with a day seeming to pass.” Jack McEwan, Psychedelic Porn Crumpets
2019 was a massive year for Psychedelic Porn Crumpets both at home in Australia and in the international market. A year of sold out shows across North America, UK, Australia and Europe, not to mention spots on lucrative festivals including Splendour in the Grass and Desert Daze, the Psychedelic Porn Crumpets was well received by thousands.
The release of the bands third studio album And Now For The Whatchamacallit landed at #1 on the ARIA Vinyl charts and reaped praise from all corners with support from Triple J, BBC Radio 1, NPR and noted publications including Q, Classic Rock and DIY have further cemented Psychedelic Porn Crumpets as a long lasting musical presence. With over 7.5 million Spotify streams and over 120k artist profile followers, Psychedelic Porn Crumpets rounded out 2019 triumphantly.
PRAISE FOR PSYCHEDELIC PORN CRUMPETS
“A surrealistic psych-rock anthem that showcases the band’s frenetic compositional style.”
Rolling Stone Australia
“Utterly face-melting!”
BBC Radio 1, Jack Saunders
“…The energy they pack into their live shows is incredible and it’s all backed up by soaring melodies and expert riffwork!”
Louder Than War
“Besides having one of the greatest band names in the country, PPC are one of Perth’s best live acts, building headbanging spectacles from their fuzzy psych rock nuggets.”
Triple J
“Who needs a roller-coaster when PPC are out here producing the same adrenaline? It’s always such a rush listening to ya’ll.”
Triple J, Bridget Hustwaite
“As Summer 2020 continues to crawl along a flat line of dread and uncertainty, Psychedelic Porn Crumpets are back to show that an alter-ego could be the cure for all our pandemic blues.”
Vanyaland
September 2020 saw Psychedelic Porn Crumpets make an initial return to touring in WA, thanks to easing of restrictions; a way for the band to reconnect with fans, and restart their engines ahead of their national tour with Ocean Alley, scheduled for February and March 2021.
PSYCHEDELIC PORN CRUMPETS TOUR DATES
Supporting Ocean Alley
Saturday, February 6th Hordern Pavilion Sydney SOLD OUT
Sunday, February 7th Hordern Pavilion Sydney Tickets
Friday, February 12th Fortitude Music Hall Brisbane SOLD OUT
Saturday, February 13th Fortitude Music Hall Brisbane
Licensed All Ages 6.30pm Show Tickets
Friday, March 5th Fremantle Arts Centre Fremantle Tickets
Friday, March 12th Thebarton Theatre Adelaide Tickets
Wednesday, March 24th Melbourne Arena Melbourne Tickets
‘Tally-Ho’ is released Thursday, October 15th
SHYGA! The Sunlight Mound is released Feb 5th 2021
Website | Facebook | Twitter | Instagram | YouTube
|
||
|
|
|
||||||||||||||
|
||||||||||||||
|
||||||||||||||
|
FOJAM PRESENTS LADIES WHO SING LEONARD
A LEONARD COHEN TRIBUTE EVENT
SATURDAY 7 NOVEMBER, 8.30PM – 10PM (ONLINE)
Presented by Triple R
“It’s been 20 years since I fell hard for the words of Leonard Cohen and the pictures he painted. It’s also been 20 years since I wanted to make my life about music, art and poetry. This project is inspired by my (sometimes confused) Jewish heritage, the spirit of my homeland and all the sex, love and death that falls in between. Leonard Cohen taught me that art can change the lives of the people around you.”
– Anita Lester, FOJAM Curator
Immersive contemporary cultural festival, Festival of Jewish Arts and Music (FOJAM) returns in 2020, showcasing an immense spread of local and international artists through the lens of Jewish culture and identity. Following the success of its inaugural event of last year, this year’s live festival has had to adapt to the current global COVID-19 restrictions and has translocated from the streets to the clouds, with its 2020 Homeward Bound online series. Continuing the celebrations of Jewish music, performance, dance, talks, storytelling and creativity, the virtual series seeks to spark discussion, empathy and curiosity through thought provoking panel discussions, live streamed performances and bespoke online events. A nod to the famed Jewish duo Simon and Garfunkel, the monthly series has been taking place over the past six months and is ready to reach its season finale with the unmissable Ladies Who Sing Leonard concert.
Coinciding with the four-year anniversary of his passing, the Leonard Cohen tribute concert will feature Ninet Tayeb (ISRAEL), Kate Ceberano, Katie Noonan, Deborah Conway, Kylie Auldist, Emily Lubitz, Gabriella Cohen, Emma Donovan, Kee’ahn, Loretta Miller (Jazz Party), Melody Pool, Imogen Clark, Alma & Hettie Zygier, Tamara Reichman (Tamara & the Dreams), Sophia Tuv and an in-conversation with Anita Lester. The impressive lineup of dynamic artists will weave Leonard’s words around their own unique narratives in an immersive and transcendental tribute like no other.
“We are absolutely thrilled to present this divine tribute show on the anniversary of Leonard Cohen’s death. His work has had, and continues to have, such a deep impact on so many artists and people around the world. It’s particularly poignant that we will work to connect through his music at a time that has left so many feeling isolated and disconnected.” – Lior Albeck-Ripka, Artistic Director
“I have always seen the woman beneath his stories and it was important to me, when putting a tribute together, to truly embody his work, not simply focused on who can sing the songs the best.” – Anita Lester, Curator
“We really want this to be an immersive experience despite the digital limitations and are hoping we can create a feeling of connection between audiences and artists.” – Lior Albeck-Ripka, Artistic Director
FOJAM launched their Homeward Bound series back in June with the hugely successful online event Unorthodox: Stories of Escape, which brought together Unorthodox author, Deborah Feldman, trans-activist and author of Becoming Eve, Abby Stein and local activist and soon to be published author Dassi Erlich, in a live panel discussion to dissect the series and their own personal journeys of exodus. Since then, the FOJAM series has clocked over 6000 online attendees on a ‘pay what you can’ basis, to create access for those, not in a position to pay for their tickets. In the series’ next online experience, Ladies Who Sing Leonard will take place on Saturday 7 November via Zoom in honour of an exceptional Jewish figure and creative whose legacy has left its mark far and wide.
“We know there are many in the community who want to support the arts. By choosing to purchase a ticket at a level they are comfortable with, audiences can continue to show their support for the festival and the artists. FOJAM will continue its commitment to delivering high quality events and always paying artists.” – Jesse Lubitz, Festival Producer
Ladies Who Sing Leonard – A Leonard Cohen Tribute
Presented by FOJAM and Triple R
Saturday 7 November
Ninet Tayeb (ISRAEL), Kate Ceberano, Katie Noonan, Deborah Conway, Kylie Auldist, Emily Lubitz, Anita Lester, Gabriella Cohen, Emma Donovon, Kee’ahn, Loretta Miller (Jazz Party), Melody Pool, Imogen Clark, Alma & Hettie Zygier, Tamara Reichman (Tamara & the Dreams), and Sophia Tuv
Time: 8.30pm – 10pm ADST
Where: Globally via Zoom
Tickets: Pay as you can
Registrations essential via Eventbrite
More information at the Facebook Event / FOJAM website
About FOJAM
Founded five years ago as Shir Madness in Melbourne by ARIA award winning legend Deborah Conway and Willy Zygier, the Jewish music and arts festival reinvented itself in 2019 under the direction of Lior Albeck-Ripka and Jesse Lubitz, founders of Melbourne independent events and artist management agency, Hear Them Holler. The festival saw 1,500 people enjoy a dynamic swathe of music concerts, contemporary dance, drag performances, storytelling and talk series at Melbourne Recital Centre over 12 hours, in September last year. In May 2020, FOJAM announced they would be presenting a series of online events called Homeward Bound. They have had between 1,000 – 3,000 people register for each of their major online events. This is their fourth major online event.
A natural storyteller, Perth’s Jack Davies returns with his band, The Bush Chooks, with a brand new collection of music to wrap listeners up and soothe.
As the EP opener, ‘…Mouldy Tea’ is the perfect introduction to the Jack Davies and The Bush Chooks sound. A band who is effortlessly comfortable on record together, the WA group have been emerging as a strong act out west for some time now. Their new single is a definitive release from the group: the lyricism is earnest, while the arrangement of the music speaks to the heart of the band’s love for folk and country tones.
“For me, the song really grounds the rest of the EP. It feels true to how the songs have been written, sitting out the front of my house, singing it for the first time with George and Elise jamming along. Hector playing a little toy accordion, half the notes bust…it’s just a very homely song. A different perspective on the rest of the EP.” Jack Davies
Jack Davies and The Bush Chooks have been garnering acclaim for their music around the country, while also attracting industry praise too, having a WAM and SOTY award to their name, as well as a National Live Music Award for WA’s Best Live Act.
The past couple of months have seen the band return to performing to sold out crowds across the state, as restrictions continue to ease in Western Australia.
PRAISE FOR JACK DAVIES AND THE BUSH CHOOKS
“Every so often a voice captures a moment in time. Slow, melodic and deliberate song writing that evokes quintessential West Australian imagery, Jack Davies is the voice of a new generation of Perth storytellers.”
RTRFM 92.1
“Jack is a special one. He and his coop spin a web of verbiage that you don’t mind getting tangled up in.”
Triple J Unearthed, Dave Ruby Howe
“I was thinking to myself today, wondering who of the modern Australian songwriters writing gentle, folk inspired songs have what it takes to be remembered in the long term, and I reckon Jack might be one of them. His songs cut straight to the core and put you in a time and place you didn’t know you were missing.”
Triple J Unearthed, Tommy Faith
JACK DAVIES AND THE BUSH CHOOKS EP LAUNCH SHOW
Friday, October 23 Freo Social Fremantle
EP Launch Show
with New Nausea, Nika Mo, Clove
‘Loving You’s Like A Mouldy Cup of Tea’ is released Wednesday, October 14th.
Songs For A Long Walk is released Friday, October 23rd.
Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
‘Music on My Mind’ is Sydney’s campaign to raise funds and awareness for mental health in the music community, run by electronic music platform Rave Reviewz!
Music on My Mind: Stream for Mental Health Event
On World Mental Health Day, Rave Reviewz teamed up with some of Sydney’s best House & Techno brands for a quality livestream fundraiser. The DJs performed live from Club 77 on Saturday 10th October, to a global online audience through partners ‘United We Stream’, attracting over 30,000 viewers in total!
Watch all the action from the night, below (Click on DJ’s name):
‘Music on my Mind’ campaign director and psychiatrist, Doc Kamran gave some sobering insights on the night also. He discussed rates of mental illness in the music industry, why working in the industry takes a toll on mental health and the impact of the tragic suicide of Sydney promoter: Paul Strange had on Sydney’s electronic music community. Watch these insights at the start of each DJ set above to find out more.
Fundraising for this year’s ‘Music on my Mind’ is off to a great start with over $1000 raised by the Stream for Mental Health! Donations are open til the end of October here: tiny.cc/MoMM. 50
Donate to support mental health in the music industry HERE
And keep an eye on the Music on my Mind social channels for fresh music-related mental health content!
For Press Kit Link & campaign Director Doc Kamran’s bio and all social media handles, click here!
For more info go to: www.musiconmymind.com.au
|
LISTEN: https://www.youtube.com/watch?v=EZklAcxveME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Music Victoria are excited to reveal the winners of the seven industry-voted awards handed out at last night’s first ever live-streamed Industry Awards event, along with the two 2020 Music Victoria Hall of Fame Inductees. The new format online event also marked the beginning of the voting period for this year’s public-voted categories with all nominees now revealed.
Industry stalwart Mary Mihelakos, and late blues musician Chris Wilson were revealed as the 2020 Hall of Fame inductees, with Chris’ family Sarah Carroll, Fenn Wilson and George Carroll Wilson honouring his induction with a special live performance of his track ‘Hand Becomes Fist’.
Last night also awarded a selection of winners for the year’s best venues, festival, producer and Outstanding Woman in Music. Music Victoria are thrilled to welcome Sarah Hamilton as the inaugural winner of the Outstanding Woman In Music Award for her incredible work with One of One alongside Joanna Cameron (Co-Founder) and Ellen Kirk (Director). One of One is a website that highlights women in the music industry and hosts a very special breakfast event on International Women’s Day. Joelistics (Joel Ma) was crowned the debut recipient of the new Best Producer category for his work on Mo’Ju & Joelistics Ghost Town EP. Joel will also receive a $1000 voucher from Award Sponsor Yamaha.
This year’s Best Festival winner, Golden Plains will receive three-years free subscription with festival management software Loadin.com. Regional Venue winners, Barwon Club Hotel, Geelong and Theatre Royal, Castlemaine will each receive a $3000 cash prize from Bendigo Bank, and the Best Small and Best Large Venue winners The Gasometer Hotel, Collingwood and Forum Melbourne will each have the opportunity to rep their own bespoke line of branded Brick Lane tinnies!
All nominees for this year’s awards will each receive a $100 voucher courtesy of Yamaha & Billy Hyde Music to spend on all Yamaha products and their associated brands including Line 6, Ampeg, Steinberg, Vox, Vater and EarthQuaker Devices. Voters will also go in the draw to win some of these vouchers! Plus, the good folk at Brick Lane are offering all voters the chance to win a slab of beer just for naming your favourite artists, songs and albums of the year, so be sure to check out the list of nominees below and head to the Music Victoria website before Friday 6 November and vote!
All remaining categories will be awarded at the official 2020 Music Victoria Awards, taking place on Wednesday 9 December at the Melbourne Recital Centre for the 16th instalment.
INDUSTRY AWARDS – WINNERS AND NOMINEES
Best Small Venue (under 500 capacity)
Winner: The Gasometer Hotel, Collingwood
Nominees:
Howler, Brunswick
Northcote Social Club, Northcote
The Tote, Collingwood
The Old Bar, Fitzroy
Best Large Venue (over 500 capacity)
Winner: Forum Melbourne
Nominees:
Melbourne Recital Centre, Southbank
Corner Hotel, Richmond
The Night Cat, Fitzroy
Hamer Hall, Southbank
Best Festival
Winner: Golden Plains
Nominees:
Brunswick Music Festival
Isol-Aid
Melbourne Music Week
Queenscliff Music Festival
Best Regional/Outer Suburban Venue (Over 50 gigs per year)
Winner: Barwon Club Hotel – Geelong
Nominees:
The Bridge Hotel – Castlemaine
The Eastern – Ballarat
Torquay Hotel – Torquay
Sooki Lounge – Belgrave
Best Regional/Outer Suburban Venue (Under 50 gigs per year)
Winner: *Theatre Royal – Castlemaine
Nominees:
The Blues Train – Queenscliff
The Sound Doctor Presents – Anglesea
Volta – Ballarat
Daylesford Cider – Daylesford
Outstanding Woman In Music
Winner: Sarah Hamilton (One Of One)
Nominees:
Anna Laverty (Music Producer)
Charlotte Abroms (Support Act Fundraiser, Music Management)
Coco Eke (Bad Apples, Barpirdhila Foundation and Ngarrimili)
Emily Ulman (Isol-Aid, Brunswick Music Festival)
Best Producer
Winner: Joelistics: Mo’Ju & Joelistics Ghost Town EP
Nominees:
Annika Schmarsel aka Alice Ivy: Sunrise’, ‘Don’t Sleep’, ‘Better Man’ (singles)
Anna Laverty: Milk on Milk (Milk! Records compilation)
Damien Charles: Coda Chroma ‘Inside The Still Life’ (Album)
Tom Iansek: #1 Dads – Golden Repair (Album)
HALL OF FAME INDUCTEES
TO BE INDUCTED AT THE MUSIC VICTORIA AWARDS
Mary Mihelakos (industry)
Chris Wilson (musician)
INDUSTRY-VOTED AWARDS NOMINEES
WINNERS TO BE ANNOUNCED AT THE MUSIC VICTORIA AWARDS
Best Regional/Outer Suburban Act
Benny Walker (Echuca)
Bones and Jones (Geelong)
Freya Josephine Hollick (Ballarat)
The Kite Machine (Geelong West)
The Teskey Brothers (Warrandyte)
Archie Roach Foundation Award for Emerging Talent
Alice Skye
Allara
Kee’ahn
The Merindas
River Boy
Best Blues Album
Aaron Pollock – Separated Through Time
Charlie Bedford – Good to Go
Joey Vincent’s Bakelite Radio – Rosary of Tears
*Lloyd Spiegel – Cut and Run
The Teskey Brothers – Live at The Forum
Best Country Album
The Cartwheels – Self-titled
Lost Ragas – This Is Not A Dream
Michael Waugh – The Weir
Mitch Dean – Holding Back the Levee
Tracy McNeil & The GoodLife – You Be The Lightning
Best Electronic Act
*DRMNGNOW
OK EG
Pugilist
Simona Castricum
Sleep D
Best Experimental or Avant-garde Act
Bridget Chappell
James Rushford
Maria Moles
Natasha Anderson
Robin Fox
Best Folk Album
Charm of Finches – Your Company
Fiona Ross & Shane O’Mara – Sunwise Turn
Liz Frencham – Love and Other Crimes
Louisa Wise – All of These Things
Ruth Hazleton – Daisywheel
Best Heavy Album
Carcinoid – Metastatic Declination
Dead – Raving Drooling
Diploid – Glorify
Internal Rot – Grieving Birth
Sithlord – From Out of the Darkness
Best Hip Hop Act
Birdz
DRMNGNOW
Jordan Dennis
Nomad
Sampa The Great
Best Intercultural Act
Amaru Tribe
Black Jesus Experience
Gelareh Pour’s Garden
No Borders Music
Sampa The Great
Best Jazz Album
Andrea Keller – Life Is Brut[if]al
Horns of Leroy – Big Night
JK Group – The Young Ones
Vanessa Perica Orchestra – Love is a Temporary Madness
ZEDSIX – The Shape Of Jazz
Best Reggae and Dancehall Act
Dub FX
Jah Tung
Marvin Priest
Monkey Marc
The Push Reggae Band
Best Rock/Punk Album
Cable Ties – Far Enough
Nuada – Beneath the Swamp
Pseudo Mind Hive – Of Seers and Sirens
RVG – Feral
Shepparton Airplane – Sharks
Best Soul, Funk, Gospel or RnB Album
Karate Boogaloo – Carn The Boogers
Sampa The Great – The Return
Surprise Chef – All News Is Good News
The Teskey Brothers – Live at The Forum
Various Artists – Over Under Away Volume 1: 10 Years of Hopestreet Recordings
PUBLIC-VOTED AWARDS NOMINEES
WINNERS TO BE ANNOUNCED AT THE MUSIC VICTORIA AWARDS ON WEDNESDAY 9 DECEMBER
Best Album
Cable Ties – Far Enough
Elizabeth – the wonderful world of nature
Rolling Blackouts Coastal Fever – Sideways to New Italy
RVG – Feral
Sampa The Great – The Return
Best Band
Amyl and The Sniffers
Cable Ties
King Gizzard & the Lizard Wizard
Rolling Blackouts Coastal Fever
RVG
Best Song
Baker Boy – Move
Leah Senior – Evergreen
Mildlife – Rare Air
RVG – I Used To Love You
Sampa The Great – OMG
Best Solo Artist
Angie McMahon
Baker Boy
Briggs
Courtney Barnett
Elizabeth
Gordon Koang
Leah Senior
Sampa The Great
Simona Castricum
Sui Zhen
Best Musician
Amy Taylor (Amyl and The Sniffers)
Erica Dunn (Tropical Fuck Storm, Palm Springs, MOD CON)
Gareth Liddiard (Tropical Fuck Storm)
Gordon Koang
Jen Cloher (Dyson Stringer Cloher)
Romy Vager (RVG)
Sampa Tembo (Sampa The Great)
SilentJay (Sampa The Great, Mandarin Dreams)
Stu Mackenzie (King Gizzard & the Lizard Wizard)
Tom Iansek (Big Scary, #1 Dads)
Best Breakthrough Act
Alice Skye
Elizabeth
Grace Cummings
Nat Vazer
Pinch Points
Best Live Act
Amyl and The Sniffers
Cable Ties
Gordon Koang
Sampa The Great
The Teskey Brothers
The Music Victoria Awards
Wednesday 9 December 2020
Melbourne Recital Centre
7.00pm
To be live-streamed on musicvictoria.com.au and broadcast on Channel 31
Voting for all public-voted categories NOW OPEN until Friday 6 November via musicvictoria.com.au/votenow
Music Victoria thanks Major Partners Bendigo Bank, City of Melbourne, Creative Victoria and Melbourne Recital Centre for their ongoing support of the Music Victoria Awards.
Spotify Playlists:
Industry-Voted Nominees Playlist here
Public-Voted Nominees Playlist here
The Music Victoria Awards
Wednesday 9 December 2020
Melbourne Recital Centre
7.00pm
To be live-streamed on musicvictoria.com.au and broadcast on Channel 31
Voting for all public-voted categories NOW OPEN until Friday 6 November via musicvictoria.com.au/votenow
Music Victoria thanks Major Partners Bendigo Bank, City of Melbourne, Creative Victoria and Melbourne Recital Centre for their ongoing support of the Music Victoria Awards.
Spotify Playlists:
Industry-Voted Nominees Playlist here
Public-Voted Nominees Playlist here