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As we head into the weekend that would have been, the team at Splendour HQ are feeling a little (okay a LOT) nostalgic for our favourite weekend of the year.
We’re missing the 100+ bands across the 4 main stages, the 21 bars, 70+ food stalls, 60 market stalls, 240 showers, 842 porta loos (actually not really missing them that much), 185 site sheds, 4850 pallet walk boards, 20km of temporary fencing, 70 golf buggies, 750 lanterns, endless gaffa tape and more than anything the 3500+ staff, volunteers and crew along with tens of thousands of music lovers that come together at North Byron Parklands each year to create the magic that is Splendour in the Grass.
Splendour memories are starting to fill the social media feeds, giving us all the happy sads. So we thought we’d ramp it up a notch and drop this vid on you too!
Now you’re feeling all the feels, here’s how you can get involved in Splendour in the Grass right now!
LISTEN – TRIPLE J’s SPLENDOUR IN THE PAST
If you can’t be at Splendour IRL then tuning into triple j’s Splendour in the Past is definitely the next best thing! Listen on Saturday 25 and Sunday 26 July between 9am – 6pm for highlights from Splendour’s past including tracks from A.B Original to Yeasayer and everyone in between.
WATCH – DMA’S STREAM PERFORMANCE FROM SPLENDOUR’S AMPHITHEATRE
DMA’S are no strangers to Splendour in the Grass, having played the GW McLennan stage in 2014 and the Amphitheatre in both 2016 and 2018. 2020 would have been a triumphant return to a stage they hold dear. While the festival has been put on hold, you can still catch DMA’S when they stream a very special acoustic set from Splendour’s Amphitheatre. Fans will be able to watch the stream via the Splendour in the Grass and DMA’S Facebook pages, and DMA’S YouTube today (Friday 24th July) at 4:30pm (sunset slot).
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SUPPORT SPLENDOUR CREW & PURCHASE T-SHIRT HERE
100% of profits from the sale of these T’s will go directly to Splendour’s crew, who are doing it super tough during Covid, so rest assured this is a purchase that will have you looking and feeling extra good! And at just $40 + postage they are a total bargoon!
All money raised will be distributed via Support Act, which provides crisis relief, mental health and wellbeing services to Australia’s music industry community.
UK label Big Scary Monsters has announced a Virtual Popup store, which will open its doors at 4pm on 27th July, with ‘instore’ performances every day from illuminati hotties, Kevin Devine, We Were Promised Jetpacks, and Into It. Over It (see poster for full line up). The virtual store can be entered here on launch day, and will stock exclusive vinyl variants, rare test pressings and new merch, alongside interviews with Jamie Lenman, Delta Sleep and Martha and more.
Users will be able to click on sections of the store to reveal instores and live Q&As at relevant times. Activites include special live content exclusive to the store, such as a conversation between Chris Farren and Kevin Devine, live songs from ‘A Lull In Traffic’ from The Gloria Record, a very special live cover song from The Winter Passing, and a Q&A with Jamie Lenman to name a few.
The pop up aims to raise funds for Black Minds Matter UK and #saveourvenues, and there will also be a special t-shirt on sale with proceeds going towards these charities.
Talking about the store, label founder Kevin Douch said: “We absolutely love our popup shops. Having been to London, Cardiff, Glasgow and Brighton over the past couple of years, we decided there was only one possible destination for a summer like 2020; EVERYWHERE. The first ever BSM Virtual Popup shop provides all of the usual fun. We’ve got instores, talks, exclusive products, crazy discounts, test pressings and so much more. Our old friends Signature Brew are even providing the (mail order) beers! We can’t wait to open our online doors and see everyone next week.”
In aid of Black Minds Matter UK and #saveourvenues
More info here: bsmrocks.com/popup
IMS IBIZA ANNOUNCES INDUSTRY EXPERTS ANALYSING THE FINDINGS OF THE IMS BUSINESS REPORT 2020
LIVE INTERACTIVE WEBINAR PRESENTATION IN PARTNERSHIP WITH BILLBOARD DANCE
ON THURSDAY 16 JULY
Billboard Dance’s Director Katie Bain will moderate commentary and insight in a discussion featuring representatives from or connected to BBC Radio 1, BloodPop®, Creative Artists Agency, Grimes, Ministry of Sound Recordings and Ultra Music
CLICK HERE TO JOIN THE CONVERSATION
International Music Summit (IMS), the premier platform for business, culture and education today announce the industry experts that will discuss and debate the findings of the tenth edition of the IMS Business Report, authored by data analyst Kevin Watson. Considered a crucial resource in the electronic music industry, the report will provide detailed analysis of the last twelve months, including the impact of the global pandemic and the all-important value of the industry pre and post virus, which in 2019 stood at $7.2bn.
Immediately after a presentation of the findings of the report there will be a live discussion examining the statistics and figures and their implications for the industry today. Moderated by Katie Bain, Director of Billboard Dance, the analysis will feature commentary and insight from the following leading voices:
- Daouda Leonard, CEO at CREATESAFE, a virtual management and multiverse development company. With a decade of service in the entertainment industry, he has worked as a manager, publisher, producer, A&R and creative director for Grimes, DJ Snake, Skrillex, BloodPop® and more.
- Dipesh Parmer, President of Ministry Of Sound Recordings. His current roster of artists includes the likes of DJ Fresh, Sigala, RCA signed and international star Doja Cat as well as BRIT-nominated/ Ivor Novello winning group London Grammar. His recent signings include Maceo Plex, Skream, KH (Fourtet), Paul Woolford and Regard.
- Jaguar, Broadcaster, Tastemaker and host of BBC Introducing Dance Sundays on BBC Radio 1. With a supercharged backlog of award-winning radio shows, electrifying mixes and the sharpest eye for cutting edge new music, Jaguar is one of the most impressive and exciting new DJs to break out on the scene.
- Maria May, Global Music Agent at Creative Artists Agency. Her roots in dance and electronic music run deep, with 25 years under her belt she has played a crucial part in the careers of many of the industry’s best-known talents including David Guetta, Black Eyed Peas, The Chainsmokers and many more.
- Patrick Moxey, President and Founder of Ultra Records, Ultra Music and Ultra International Music Publishing. A visionary pioneer and executive producer of three GRAMMY award-winning records, who has pushed past barriers to bring electronic music into the mainstream heart of America.
The report will include findings on artist income, festival and club cancellations, growth markets, DSP’s, streaming and associated revenue and how electronic music is competing with other genres. It will also examine the impact of the current pandemic and reveal how the electronic music industry has reacted to this turbulent year.
Participants of the interactive webinar will be able to engage with the assembled panel of experts, ask questions, provide opinions and vote in polls. Webinar places are limited and will be filled on a first come first served basis, to join the conversation click here. The presentation and debate will also be lived streamed on IMS and Billboard Dance Facebook pages for those unsuccessful with registering for a webinar place.
DATE: Thursday 16 July
TIME:
LINK TO REGISTER: Click here
The IMS Business Report 2020 in partnership with Billboard Dance to be presented via live webinar on July 16th at 17:00 BST
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Tickets On Sale Now
Tomorrow Angie McMahon was due to perform with her band at Latitude Festival in the UK.
This month Angie would have just kicked off her first headline band shows across the UK and Europe before spending some time in Ireland to write and explore. When the trip was cancelled in early March, Angie rallied to collect funds for a local charity Support Act, raising a target of $50,000 to go towards music workers in need of financial support.
In a search for a sense of connectedness amongst her band and team, as well as creating new work, Angie collaborated with local creatives to film and record An Online Solo Piano Concert. The online piano concert was filmed at The Perch Recording Studio, Castlemaine and recorded and mixed by Angie’s touring sound engineer, Jono Steer. The studio, based in regional Victoria, has been adapted in a way that allows for a solo artist to record in an isolated setting that abides by social distancing rules.
The videos were filmed by Angie’s manager Charlotte Abroms, edited by Angie’s regular editor, Lewis Parsons, a freelance editor based in Toronto, Canada. After the filming took place, Angie then recorded additional instrumentation for the tracks with the idea to officially release Piano Salt as an EP; a collection of reimagined piano versions of Angie’s original songs and some of her favourite covers. The tracks were mixed by Angie’s bass player and producer Alex O’Gorman and mastered by Adam Dempsey.
Angie and her team have felt connected, creative and collaborative working on the concert during the lockdown period. The concert is 35 minutes long, featuring Angie performing stripped back, reimagined piano versions of her original songs, a new song and a cover of one of her favourite songs. Tickets are on sale via Ticketmaster today.
“Practising the piano and recording something in isolation felt like the only thing I wanted to do when we were locked down, so it was really fun to turn this into a concert that will hopefully feel like an intimate live music experience while we can’t go visit our much loved venues. I got to reimagine songs off my record, and I currently prefer some of the piano versions honestly, so I hope people like them.”
– Angie McMahon
The concert will be housed at a newly launched website called Kind Face Creative, a home for music and creativity during the pandemic and beyond. There are multiple ticket tiers which cater to various stages of lockdown around the world, allowing for fans to watch at home alone, with a group of people and for venues to screen to an audience.
A portion of the concert’s proceeds will be donated to Clothing The Gap’s
‘Free the Flag Campaign’, in a bid to fight to free the Aboriginal flag from its current licensing and see Aboriginal people have equal rights and access to their flag.
“Free The Flag is one of the Indigenous movements that I want to throw support behind as an artist living and working on this land, where Indigenous communities are always having to fight for their rights. I love repping their merch and having conversations about how we can show support and keep showing up, and I hope our contribution helps bring light to that. It’s just doing something small, instead of doing nothing. I think it’s important for artists to commit their voices and profits to the issues in the world around us!” – Angie McMahon
Wednesday 29 July 2020 (Worldwide)
Tickets on sale now via www.angiemcmahon.com
The Piano Salt EP is due for release in early October via AWAL and Dualtone (North America).
Davey Lane
Wednesday 15th July, 8pm
Join us (online) tonight, Wednesday July 15th as we live stream Davey Lane, direct from the Cherry stage! We’re delivering sensational performances every week whilst the COVID battle continues, beamed out from the live music capital of the world…
With a now two decades on lead guitar for You Am I along with fronting neo-mod rockers The Pictures, Davey Lane should need no introduction. Outside of these vital contributions, he remains an in-demand mercenary for local and international greats the like of Crowded House, Jimmy Barnes, Todd Rundgren, Vika & Linda Bull, Robyn Hitchcock, The Saints and one off supergroups such as The Wrights. Collaborative efforts that assist in the development of his craft, Davey continues to display a knack for true pop sensibilities, big choruses and a surreal turn of phrase.
Taking time out from the studio finalising 3rd LP “Don’t Bank Your Heart On It”, this performance is not to be missed!
Follow these Instagram accounts for details of upcoming sets!
“Charlie knows how to make a compelling track AND how to wring the last drops of emotion out of it.” – Dave Ruby Howe
“Charlie Gradon’s talent is seemingly uncontainable.” – Life Without Andy
Sydney melancholic storyteller Charlie Gradon revels in nature in the video accompaniment to his latest release ‘Blurry Ones”. He’s also announced his first real life show post-Covid lockdown on August 1st at The Lansdowne Hotel.
The product of an unexpected family collaboration the video showcases Gradon sampling nature with his vintage tape recorder. On the cusp of lockdown and visiting cousins from overseas, the idea snowballed and was filmed in one shoot that afternoon. “It was quite eerie as lockdown was just about to kick in so there was no one around.” He continues “I think the clip serves as nostalgia of a simpler time where we could go outside and enjoy the simple things.”
Since its release ‘Blurry Ones’ has been welcomed by radio with rotation on Double J and FBi Radio. From his forthcoming sophomore EP, the track was written when Gradon bought his wife a vintage camera which took, as he describes, “basically useless blurry photographs”. Born in his bedroom studio, the track sounds just like the blurry images Gradon sings of – nostalgic and reflective indie-rock.
Earlier this year Gradon resurfaced with the mellow single ‘Grieving’ which found a home on radio, reaching #3 on the AMRAP Metro Radio Charts along with adds on FBi Radio, 2SER and EDGE.
The products of a challenging period of change, both singles offer a glimpse of Gradon’s introspective upcoming sophomore EP – out later this year – which the talented multi-instrumentalist wrote and performed on his own.
This omnibus follows on from 2018’s ‘Self Doubt’ which intrigued audiences and garnered on-air support from Double J and FBi Radio and had him named in The Music Writer’s Poll for ‘Song of the Year’. Echoing this praise, he was recently a finalist in Happy Mag’s Needle in the Hay competition out of 2000 entries, and named in Life Without Andy’s Next Big Things for 2020.
With the world in an extended period of reflection Charlie Gradon is here with the perfect soundtrack.
CHARLIE GRADON
‘BLURRY ONES’
OUT NOW
performing on
Saturday, August 1st
The Lansdowne Hotel
TICKETS
Where are you currently based and where were you born?
Currently based in the St George area of Sydney. Born and raised in south-west Sydney – Campbelltown followed by Camden.
How did you first start playing the guitar/music?
At 3 years old, I’d mimic my idols as well as my father who was a passionate hobby guitar player. If you asked my parents, they’d say that the only thing that came natural was my work ethic and passion to play. I’d lock myself in my room with a singles record player and try to copy my favourite riffs and guitar solos for hours on end. Eventually, my father began to nurture my passion by creating practice routines that ultimately put me on the path of being the guitarist I am today.
What’s been happening recently?
My focus has been divided amongst a few exciting things – completing my album, filming an episode of Australian Story, booking a tour as well as spending time connecting with the world on a new platform – Twitch.
Your new single ‘Before You Check Out’ is out now, what influenced the sound and songwriting for this track?
The vocals set the tone for the song. With the lyric being deep and at times confronting, I wanted the production to align a little more with the positive aspects of the message. I did this by keeping the tempo fairly up, and choosing appropriate instrumentation. Fingered acoustic, retro slide guitar, light percussion. On the flip side, I used 70’s influenced slide and trumpet to trigger “happy sad” emotions. Depth was achieved through big velvety keys, sub bass and piano from the bridge onwards. It was really important to me that the track stretched beyond simple folk production.
How did you go about writing Before You Check Out?
I wrote BYCO after attending a cousin’s funeral who sadly lost his battle with depression/anxiety. Having recently dealt with my own demons that resembled his, I identified strongly with what he went through and understood why he made such a permanent decision. One morning I woke up rattled with regret that I hadn’t reached out to him earlier and began to query myself on what wisdoms I would have shared. My life transformed for the better when I learnt how our thoughts and beliefs colourise our experience. When we aren’t aware of this, we can be misguided on what the source of suffering truly is. The chorus lines instantly came to mind – Before you check out, before you give in, just know you’re checking out of a place you’ve never been. Ironically, I wrote the rest of the song whilst sitting in front of a sunset that was right in front of me, yet too lost in thought to notice.
And you’ve got a new album due out August 6 too, you sure have been busy! Where and when did you record/produce and who did you work with?
Too busy!!! Ha! I’m looking forward to having my weekends back. The first 5 tracks were produced by myself, co-produced and mixed by Tony Buchen (Montaigne, Mansionair) with half of the recordings engineered at Free Energy Device by Richie B. I decided to take on the rest of the tracks by myself with help from the ears of friends to keep me from falling down unproductive rabbit holes! 😉
How did you approach the recording/production?
Many of these songs were written when I wasn’t intending to return to music. The demos were created over time purely from a place of catharsis. For most tracks, the aim was to do better versions of the demo and in some situations, we reverted back to takes used in the roughs! Influences were sub-conscious with flavours and styles forming organically with time. All songs bar one were chosen unanimously by myself and team. Let’s just say that if everyone around you passionately protests against the removal of a song -Listen! Fortunately, I did and with some love, it’s now close to one of my favourites.
What programs/instruments did you use?
Pro Tools for recording and mixing. Guitars, bass, real drums, sample drums, brass, keys, piano, vocals.
You’ve also made an amazing video to accompany the single, how did the concept for the video come about?
Synchronicity! I wasn’t intending on releasing a film clip with this song. Cornered by my team, the pressure was on to create a clip in 3 days. I had to come up with a simple idea that cost no more than $500 and remembered that I always wanted to do a clip with a projector. With the song being about how projections of the past can colourise our experience, I felt like the idea would make sense both visually and conceptually.
Where and when did you film and who did you work with?
I directed and edited myself with help from a DOP friend Andre Moonen who created the film clip for my song “Castles In The Sky”. Projector footage was archival from myself and 2 mates – Sean Boyd who did some work on a mindfulness clip I created some time ago for my vlog and a travel vlogger friend who had footage that took the visuals from being appropriate to also having a narrative.
What did you find most challenging and rewarding during the creation of the video?
Most challenging – committing to a deadline when I know little about film clips and had zero experience working with a projector!
Most rewarding was when we realised we had a clip that didn’t just aesthetically suit the song, but had an underlying narrative that helped to amplify the message.
Who are you listening to at the moment?
Broken Bells, Lana Del Ray, Khruangbin, Tame Impala, Father John Misty, Ry Cooder, Ennio Morricone 😉
What do you like to do away from music?
Go for hikes, take in beautiful views, enjoy all the simple things with my kids, TV series binging, surfing, training
You’ll be featured on Australian Story in early August, can you give us a clue as to what we can expect?
I can definitely guarantee that I’ll be seeing it for the first time when a million others see it! I believe it showcases my experiences as a child touring the world, battling Leukaemia and later in life how I came to get back in touch with myself and my art after dealing with relatable adversities.
You have a massive Australian tour coming that’s kicking off in October followed by Bluesfest in 2021, what do you have in store for these shows?
Contrast to how I grew up playing on stage, these shows will see me play songs and tell stories as a hybrid duo (2 guitars, sampler and at times, a trumpet player). As a kid, I just wanted to play music but these days I enjoy telling a story. Whether it’s about how music helped the healing process when I was sick as a kid to not knowing who Jimmy Page was when he asked me to sign a CD for him. I’m also very open about my struggles and feats with the hope of inspiring.
How do you prepare for shows and what do you most enjoy about playing live?
That’s something I’m still working on. At the moment, after getting comfortable at sound check, I might have a nap followed by some sort of walking meditation to get my mind and body in sync. If nerves run too hot, I have mental “anchors” to help keep me grounded that are used while I shake out my body.
The moment I open my eyes after losing myself to realise that everyone was right there with me. It’s a connection that I’ve never felt off stage. To have so many different walks of life come together over a song or a story is pretty fucking special. Post-show bliss is pretty amazing too!
Any tips for aspiring musicians?
Know why you play and never lose sight of it. For me, one half of the purpose is self-expression and catharsis but equally as important is connection. This means that I not only need to ensure that I’m expressing myself in an authentic way, but the way in which I do this needs to translate! Otherwise, I’ve only satisfied one half of my purpose.
Favourite food and place to hangout?
Pizza! Fucking DF/GF so I haven’t had it in years 🙁
Takeaways on the beach.
DEMONS NATIONAL TOUR
Nathan and his team are working with all venues in line with government regulations in each state and territory, and will proceed only in accordance with safe social distancing and COVID-19 safety procedures on a show by show basis.
FRI 2 OCT | THE RHYTHM HUT, GOSFORD, NSW | ALL AGES – UNDER 18’s MUST BE ACCOMPANIED BY PARENT/GUARDIAN
Tickets available from www.humantix.com.au | 02 4322 5971| Venue Outlet
SAT 3 OCT | STAG & HUNTER, NEWCASTLE, NSW | 18+
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FRI 9 OCT | BRASS MONKEY, CRONULLA, NSW | 18+
Tickets available from https://brassmonkey.oztix.com.au/outlet/event/18d325c7-57f4-43f7-9779-069c5f32ad7d
FRI 16 OCT | THE PEPPER TREE, ALDINGA, SA | 18+
Tickets available from www.trybooking.com | 0400 144 467 | All Trybooking Outlets
SAT 17 OCT | THE WHEATSHEAF HOTEL, ADELAIDE, SA| 18+
Tickets available from https://tickets.oztix.com.au/outlet/event/6b22d472-26f5-44bb-924d-064150dd769c?utm_source=Oztix&utm_medium=Website&utm_content=EventGuide
FRI 30 OCT | CAMELOT LOUNGE, SYDNEY, NSW | ALL AGES – UNDER 18’s MUST BE ACCOMPANIED BY PARENT/GUARDIAN
Tickets available from www.stickytickets.com.au | 02 9550 3777 | Venue Outlet
SAT 31 OCT | SMITHS ALTERNATIVE, CANBERRA, ACT | ALL AGES – UNDER 18’s MUST BE ACCOMPANIED BY PARENT/GUARDIAN
Tickets on-sale soon
SUN 1 NOV | HERITAGE HOTEL, BULLI, NSW | 18+
Tickets available from https://codeone.oztix.com.au/outlet/event/a929a516-f7cd-4ab7-abab-fa2e8df6c7ea
THU 12 NOV | SOOKI LOUNGE, BELGRAVE VIC | 18+
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FR 13 NOV | THE CATFISH, FITZROY, VIC | 18+
Tickets available from www.trybooking.com | 0426 892 044 | All Trybooking Outlets
SAT 14 NOV | LIVE AT THE BUNDY, BUNDALAGUAH, VIC | ALL AGES – UNDER 18’s MUST BE ACCOMPANIED BY PARENT/GUARDIAN
Tickets available from www.trybooking.com| 0429 352 373 | All Trybooking Outlets
FRI 27 NOV | THE BAROQUE ROOM, KATOOMBA, NSW | 18+
Tickets available from www.trybooking.com| 0426 892 044 | All Trybooking Outlets
SAT 3 APR, 2021 | BLUESFEST, NSW | AA
Tickets available from www.bluesfest.com.au
SUN 4 APR, 2021 | BLUESFEST, NSW | AA
Tickets available from www.bluesfest.com.au
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Adelaide Guitar Festival is giving audiences a backstage pass to South Australia’s vibrant live music scene with today’s announcement of an online video series showcasing some of the state’s most talented guitarists.
Professionally filmed in the wings of Adelaide Festival Centre’s Festival Theatre, The Backstage Sessions will feature 15-minute sets from Adelaide Guitar Festival favourites along with accomplished emerging artists.
Audiences will be treated to candid performances set against the unique backdrop of memorabilia collected from previous Adelaide Festival Centre productions.
Spanning rock, jazz, blues, classical and experimental, new videos will appear weekly on Adelaide Guitar Festival’s Facebook page from Friday, July 17, until the virtual event concludes on Sunday, August 9.
Adelaide Guitar Festival Artistic Director Slava Grigoryan: “After the loss of this year’s festival, we’ve looked for alternative possibilities for engaging some of our incredible local artists in a series of mini-concerts which capture the intimacy and joy of these rare collaborations. This is an initiative which we hope to continue long after social-distancing restrictions are lifted, and we’re seeing our audiences again ‘in the flesh’. We hope you enjoy watching these as much as we enjoyed making them!”
Adelaide Festival Centre Artistic Director & CEO Douglas Gautier AM: “This month was set to see the biggest Adelaide Guitar Festival yet, with performances scheduled to take place across the state from July 1 to August 9. So to revel in the spirit of the festival that would have been, we’ve created something very special for guitar enthusiasts.
“This is an important opportunity to support South Australian musicians at a time when they have faced significant challenges in making a living out of what they do best. We hope The Backstage Sessions encourages more initiatives to help the local music industry recover from what has been a very difficult year so far.”
The line-up for The Backstage Sessions includes Chris Finnen, Cal Williams Jr & Kory Horwood; Kelly Menhennett & Band; The Tom Kneebone Trio; Mike Bevan & Alain Valodze; The Django Rowe Quintet and The Yearlings featuring Slava Grigoryan.
Videos can be viewed at facebook.com/adelaideguitarfestival and on the Adelaide Guitar Festival website. Audiences are invited to like and follow Adelaide Guitar Festival on Facebook to receive notification of the latest posts.
Visit: www.adelaideguitarfestival.com.au
FB @adelaideguitarfestival IG @ADLGuitarFest
TW @guitar_festival Hashtag #ADLGuitarFest
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International Music Summit (IMS), the premier platform for business, culture and education in global electronic music, will present and publish the findings of the annual IMS Business Report on Thursday July 16 at 17.00 BST in an interactive Zoom webinar. The report will feature full and detailed data on the last twelve months in the electronic music industry, including the impact of the global pandemic and the total value of the industry pre and post virus.
For the first time in its ten year history the report will be debated, examined and fully dissected in a live debate directly after the sixty minute presentation by author Kevin Watson. Moderated by Billboard Dance Editor Katie Bain, the analysis will feature commentary and insight from leading industry experts, to be announced next week.
The IMS Business Report is an annual leading study that provides vital statistics on the growth of the electronic music industry across the previous twelve months. Used by professionals across the industry and referenced in widespread news reports and studies, it is an essential tool for the electronic music business. The 2020 edition will reveal the impact of the pandemic and illustrate how the electronic music industry has reacted to this turbulent and unprecedented year, helping to steer decisions that will lead to future recovery.
The report will provide a global snapshot and examination of many areas of our sector, including information on artist income, festival and club cancellations, growth markets, DSP’s, the impact of streaming and associated revenue and how electronic music is competing for a share of the global music ecosystem against other genres including Hip Hop and Rap.
Comprised of three sections, ‘In Review’ will highlight the electronic music business year pre COVID-19, including recorded music, DJs & live acts, clubs & festivals and companies & brands. ‘2020 So far’ will examine the direct impact of the pandemic, finally ‘Industry Value’ will reveal the all- important estimated value of the global electronic music industry, which in 2019 stood at $7.2bn.
Participants of the interactive webinar will be able to engage with the assembled panel of experts, ask questions, provide opinions and vote in polls. Webinar places are limited and will be filled on a first come first served basis, to join the conversation click here. The presentation and debate will also be lived streamed on IMS and Billboard Dance Facebook pages for those unsuccessful with registering for a webinar place.
DATE: Thursday 16 July
TIME:
LINK TO REGISTER: Click here
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