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Music Interviews

Gian Varela Sheds Light on “The Other” Latin Culture on His Debut EP “L.O.C.” Out Now on Mixmash Records

by the partae May 7, 2023
written by the partae

Artists: Gian Varela
Title: L.O.C. EP
Label: Mixmash Records

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Dance music was long considered a counterculture, a fact that wasn’t lost on Gian Varela. The Latin producer found “La Otra Cultura,” (L.O.C.) or “the other culture,” when he fell in love with electronic music and entered it himself. He now honors the road less taken in the form of his “L.O.C.” EP, featuring six tracks that fuse traditional Latin culture and music with his favorite genre. With a fresh, modern take on rhythmic melodies combined with driving basslines on tracks like already fan-favorite “Ponme Loco” with Laidback Luke ft. Melfi and sultry lyrics with house beats on “Party Sexo Alcohol,” Varela brings and invites everyone to the dancefloor. The “L.O.C.” EP follows his recent single release “Lo Que Siento” with Tom Enzy, also a part of the EP, and introduces brand new track “Papi” with Chuwe to Gian Varela‘s discography. As an up-and-coming producer determined to break genre barriers with each release, Gian is only going up from here.

“L.O.C.” = “La Otra Cultura,” which means “the other culture” in Spanish. In Latin America, there is the “Para La Cultura” phrase, meaning “for the culture.” We use it a lot when we want to celebrate achievements that push the Latin culture forward. However, there is a whole culture of Latinos who do not fit that stereotype. For me, it’s about diversity and being different while always respecting my roots. My mother was a radio host, so I grew up with world music, from classic rock to Spanish rap, until I discovered dance music and its culture, which I fell in love with. There are many like me who connected with this “other culture” (dance music) instead of listening to, e.g., reggaeton, which was born in Latin America and was considered a purely Latin thing. To summarize, the EP is about “La Otra Cultura,” fighting stereotypes, and about Latinos who love their heritage and their roots but draw their inspiration from what happens outside of Latin culture. I want to push this more into the world through my music, and this EP, which consists of 6 tracks ranging from afro house to the strong side of tech house, perfectly represents my sound spectrum when I play and produce. Having Mixmash Records‘ support and their approval of this idea and my sound means so much to me.” – Gian Varela

Hailing from Panama and honed in the United States, Gian Varela is a dynamic and groundbreaking house music DJ, producer, and songwriter who has quickly risen to global acclaim. With an innate rebellious spirit, Gian‘s distinctive style of seamlessly blending Latin genres and electronic sounds has cemented his position as a master of his craft. His upbringing in Panama, the birthplace of reggaetón’s roots, and subsequent move to the US have resulted in a unique, globally oriented sound that has won him legions of fans worldwide. Gian‘s impressive track record includes viral collaborations with Latin superstars like Sech, Feid, El Chombo, and Maffio, as well as releases on some of the world’s top dance music labels, including Spinnin’ Records, Armada Music, and Mixmash Records. His tracks and remixes have gained support from top DJs and producers like Armin van Buuren, Sunnery James & Ryan Marciano, Laidback Luke, Hugel, Wax Motif, and Vintage Culture. With an innate ability to connect with crowds and transmit powerful energy, Gian has honed his craft through years of performing across the Americas. His mastery of the decks allows him to seamlessly transition from his signature Latin tech house on festival mainstages like Ultra Abu Dhabi to his Afro/Caribbean tech sound in more intimate venues. His creative vision has seen him push the Caribbean-infused house genre to new heights, and his dynamic live performances have electrified audiences across the world. From Afro house to peak hour tech-house, Gian elegantly blends his productions while always remaining true to his unique sound. This year promises to be a standout year for Gian, with high-profile collaborations and high-energy fusions in the dance music world that will showcase the full spectrum of Latin house music. With his signature global sound, Gian is sure to continue pushing the boundaries of what is possible in the years to come.

More info on Gian Varela / Mixmash Records:

Gian Varela: Facebook | Instagram | Twitter | Spotify
Mixmash Records: Facebook
 | Instagram | Website | Spotify
May 7, 2023 0 comments
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Music InterviewsMusic News

Vinnin

by the partae December 30, 2022
written by the partae

Where are you currently based?

Scarborough, Toronto, Ontario, Canada

How did you first start making music?

I first started making music when I was playing around on Garageband on my iPhone and used Apple AirPods to make a song. It was called Myself which I put out in my first year of highschool, I did get a lot of criticism and people appreciated my art. From that moment, I loved what people told me, it made me happy. I just knew that I had to start working on my craft and that I should create more songs.

What’s been happening recently?

Just released my new song Suits On featuring Stay Swaying on all platforms. Been collaborating with artists abroad from the UK and local Toronto artists.

What influenced the sound and songwriting of Suits On?

It was strongly influenced by a slow guitar and low 808’s produced by ProdXyv and BENHEET It has an up-beat yet mellow vibe to it, making it a perfect christmas song for karaoke challenges. Putting together experiences that were happening at the moment, Sway and I had put it all together in a song. With the hard beat switches, and classic kick drum the beat is finished as a certified RNB winter track.

How has Toronto affected your music?

The engagement from Toronto is absurdly high. Toronto pages haven’t been showing me love. Toronto music mainly revolved around the violence and that is something that I stay out of entirely. Taking my own route, I know Toronto gon’ notice me soon over time.

What is your best memory from the video shoot?
Just the process of making the skits and shooting the shots with my suit was the best memory. The creativity that the videographer, Sway and I had when shooting different scenes during the video, for example the mirror scene as it switched from Yasmeen, the model to Sway.

Where, when and who did you film with?
We shot this music video around my birthday in June, and filmed it with ShotAt11 in a photo studio that was a partially greenhouse.

Who are your favourite artists?
My favourite artists are The Weeknd, A Boogie Wit Da Hoodie, J.I the Prince of N.Y and RealestK.

Are you happy with conversations being had about your music?

I came to the conclusion that you actually have no influence over the setting or manner in which a discussion about your music occurs. Everyone has their own opinions, which they frequently voice online. I am aware of my supporters. I do read and keep up with everything that is happening. I value the criticism, and I take to heart everything that spurs my artistic development.

Who are you listening to at the moment?
Askae is an artist I truly love listening to at the moment.

What do you like to do away from music?
I play basketball, I feel it gets a lot off my mind and I just love the game. Recently, I started to meditate and read spiritual and self development books.

What’s planned for 2023?
I got a lot of music lined up for the year, just trying to shoot the music videos on my own time to plan out my marketing strategies. Just trying to grow as an artist and do better and more progress than the work I put in 2022.

Favourite food and place to hangout?

Favourite food has to be Lobster Thermidor and favourite place to hangout has to be the Harbor 60 Steakhouse in Downtown Toronto.

Follow Vinnin:

Instagram: https://www.instagram.com/vinninwinnin

TikTok: https://www.tiktok.com/@vinninwinnin

Spotify: https://open.spotify.com/artist/6RztJfcK7vYG4W2gu4afLl

Apple Music: https://music.apple.com/ca/artist/vinnin/1511237411

December 30, 2022 0 comments
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Introducing … Sonnee

by the partae December 16, 2022
written by the partae

Still in his early twenties, Manchester producer Sonnee is making waves right now. His 2022 debut EP ‘Your Love’ snagged swift support from key tastemakers, including Jaguar’s ‘Dancefloor Moment’ on BBC Radio 1 with ‘Leave the Water Still’, a Selector Radio ‘After Dark’ mix, and regular spins and shout outs from Radio 1’s Sian Eleri and many more who connected with his emotive sound and skilful production. 

Now London-based, Sonnee has brought new joy to dancefloors with single ‘Dancing Ain’t Enough’, featuring POLIÇA frontwoman Channy Leaneagh on vocals.The track has already hit over 1.2 million streams on Spotify alone, carving this newcomer’s mark deep in the dance music landscape. ‘Dancing Ain’t Enough’ is a gorgeous confection of shimmering synth strata with a softly insistent beat showcasing Channy’s sweet voice, given the Sonnee treatment to sound subtly pitch-shifted to give a mix of acoustic clarity with a nod to the 90s.

We grabbed some time with Sonnee to hear the process behind his production and the story behind this new track. Check it below…  

Hey Sonnee, thanks for speaking with us! Where are we catching you today? 

Hey The Partae! Thank you so much for me having me, I’m currently in my friend’s flat in East London where I’m looking after their Chameleon. Pretty random!!

 

Congrats on your new track ‘Dancing Ain’t Enough’. Where did the idea for this one come from? 

The idea for this one came from that simple synth line & vocal line at the beginning. I must’ve listened back to the way those combined for about a week, before I was like ‘yeah, I need to make an actual song out of this’.

What was the process in the studio? Did it come together quite quickly? 

Usually, tracks take me like two days to get the first draft done. This is the first track I left intentional room for a featured vocal on the first draft. Then we sent it to Channy of POLIÇA, she liked it, sent her amazingly beautiful vocals back & it kind of fell into place from there. 

Generally, do you find new music comes to you quite fast and easily? Or do you prefer to lock yourself away in the studio a bit and develop tracks over a longer period of time? 

This is always changing for me, some days I get an idea I’m really into within an hour, but then other days it can feel like I’ve completely forgotten everything and I’m starting again. I also used to rush tunes to being ‘finished’ as soon as possible but now I let them breathe a bit more, which I think helps them being better in the end as there is less stress in them. If that makes any sense haha. 

You often use vocal /vocal samples in your tracks, but this one seems to be the most lyrical. Do you think this is a direction you’d like to go in, or plan to go in more in the future? 

Vocals are my favourite thing to use when making a song, it’s always been like that. At the moment I’m definitely loving focusing on more lyrical stuff, so expect more of that. But there will definitely be just as many non-lyrical vocal tracks down the line too. 

How does it feel having POLIÇA on the record? Can you remember the first time you heard her/their music generally? If so, how did it make you feel/what was your verdict? 

 

It’s pretty mad to be honest. The first time I heard POLIÇA was watching Jools Holland with my parents as a kid. I was mesmerised. After that, my parents had the ‘Give You The Ghost’ album on repeat. It’s a proper full-circle moment that I could’ve never seen coming. 

You’re making waves in your career already even at this early stage. How did you get into production and music in the first place? 

I used to watch my brothers on FL studio for hours. I’ve never said this publicly but half the reason I started making music myself was because one time my brother was recreating ‘Crazy Frog’, I was passively watching like this is wild. He paused what he was doing and went to the shop, I took over and just started messing around with it and destroyed the masterpiece he had created. I kind fell in love with it that day really. 

What’s next for Sonnee, we hear there is new music in the new year?.. 

2023 is definitely going to be the busiest year for me yet. Loads of new tunes from the get-go, remixes, improving my live show & DJing. I honestly can’t wait.
…and maybe I should do a Crazy Frog Sonnee as a shoutout or something!

Sonnee ‘Dancing Ain’t Enough’ feat POLIÇA is out now on Inside Records, get it here: https://insiderecords.bfan.link/dancing-ain-t-enough 

Connect with Sonnee on Spotify | Instagram | Facebook | Soundcloud

Label: https://www.instagram.com/attackdecaysweetrelease/

December 16, 2022 0 comments
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Kyle Charles Hall

by the partae December 15, 2022
written by the partae

Where are you currently based?

Sydney.

How did you first start playing music?

I sang in choirs and did a lot of theater when I was young, but I didn’t really start playing music until I was around 13. I had to pick a skill to learn for a school project and it was between making a cook-book and guitar, lol.

What’s been happening recently?

I’ve spent the majority of this year in the studio writing. Working towards an album/ EP thing? It’s been a very unrestricted creative process. I feel so lucky to have so much time on my hands now that I have finished university. I feel really passionate about what I’ve been writing! 

Your latest single ‘In Love, 23’ is out now, what or who influenced the sound and songwriting?

It’s super hard to pin where this one came from. I think a lot of it was just ‘from the heart’. Sonically I really wanted to pair lofi sounds with some super hifi ones, so that it had lots of character and colour.

How did you go about writing the single?

I wrote this song super stereotypically, ‘edge of the bed, notepad and pen’ kinda vibe. This was unusual for me as all my songs typically start out as instrumentals and then I add lyrics and melody, whereas, this song came from a very organic storytelling place. I’m 25 now so I have been sitting on it for a while, I still love it.

Where and when did you record/produce/master and who did you work with?

I recorded everything as a more “bedroom” sound first at home and then took it into Mr Andy Lawson at Debaser studio where we recorded a real kit and vocals and mixed the track. Andy is an incredible producer and I feel super grateful to have worked with him and learnt from him as much as I have! We love collaborating together. Lastly we passed it onto Steve Smart of 301 Studios for the master who did a stellar job.

How has your sound changed over your career?

My sound has been undergoing a lot of changes over the past year! In Love, 23 and Blue Boy in particular were pivotal moments for me where I truly fell in love with the art of production. There is so much creativity and storytelling to be had just through playing with sounds and I think my music will now always be heavily influenced by my production ear.

Please tell us how the concept for the music video came about:

As I feel so passionately about this song, we wanted to make the music video super organic and performance based. We essentially found some gorgeous rolling hills (got super lucky with the weather) and made it up as we went. I grew up with the crew from ‘Lemonade City’ so it was honestly just a lot of fun.

Where and when did you film and who did you work with?

‘Lemonade City’ is a unique Art Collective from Adelaide. Shot/ Co-Directed by Tom Parolin, Co-Directed by Kamryn Henschke and edited by Nic Hutton, I felt super lucky to have such a passionate, talented team. We shot the video down in Victor Harbour/ Second Valley and we’re severely looked after by the film gods as the weather was abnormally misty and mysterious.

Who are you listening to at the moment?

Sunshine by Steve Lacy has been huge in my life this past month.

What do you like to do away from music?

I like to party and have a nice time. Also love running and overthinking.

What’s planned for the remainder of 2022 going into 2023?

Going to keep working on the album/ EP thing and probably get a couple songs out soon, also play some shows in Sydney!! We just moved here so I have been smitten with the place, keen to get playing.

Favourite food and place to hangout?

Lol I really love Grill’d and my favourite hangout place is 100% at home. 

 

SOCIALS 

TikTok: https://www.tiktok.com/@kylecharleshall?lang=en 

Facebook: https://www.facebook.com/Kyle-Charles-Hall-100786274631030/?ref=bookmarks 

Twitter: N/A

Instagram: https://www.instagram.com/kylecharleshall/ 

Youtube: https://www.youtube.com/channel/UC-rzjHfgk1c9NkBtyd28V1Q 

Triple J Unearthed: https://www.abc.net.au/triplejunearthed/artist/kyle-charles-hall/ 

December 15, 2022 0 comments
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Music InterviewsMusic News

JIMI HOCKING TALKS ABOUT DOUBLE FEATURE SHOW DEC 18 ZIGGY POPS WITH GEOFF ACHISON FOR DOUBLE TROUBLE BLUES SESSIONS

by the partae December 13, 2022
written by the partae

What’s it like as an established muso with his own distinctive style to pair up with an artist who likewise has his own profile and following?

Of course, it depends on who it is, but if you mean Geoff?? Well, of course it’s a pleasure as it’s not really about all that stuff… really, it’s about getting together and making some guitar music.

 

Is it possible to preserve your own artistic identity and flavour when playing with and alongside your `opposite number?’ Can we expect you to shed some of your unique recent experiences (with Screaming Jets) in your solo set prior to the all-in jam?

Well, people who have seen me before, know I am prone to a bit of a chat… so I’ll most likely mention the Jets tour that has just wound up, it was a huge success so I’m still on a high.

 

How do you expect to manage and lead Kaliopi & the Blues Messengers during the jam?

Every band is different of course, and I like to play some tunes I have written. I actually get a real kick out of seeing different musicians spin on my songs. It’s part of what I really enjoy about the blues scene.

 

You’ve been paired with each other before – how might your upcoming gig for Double Trouble Blues Sessions be different or similar? What can your followers expect or is it always a case of `expect the unexpected’?

Geoff and I don’t really rehearse together per se, on the occasion that we have sat down together it’s usually just to decide what songs we fancy doing and to drink coffee.

Our shows together are very much ‘in the moment’… and that is only possible when you have a player of such a high standard.

TICKETS HERE

https://www.facebook.com/jimi.hocking

info@doubletroublebluessessions.com

www.doubletroublebluessessions.com

www.kaliopi.com.au

www.facebook.com/doubletroublebluessessions
www.facebook.com/kaliopi.stavropoulos
December 13, 2022 0 comments
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Music InterviewsMusic News

Bel Kil

by the partae December 13, 2022
written by the partae

Where are you currently based?

I moved to Melbourne after school, where I’m currently based.

I grew up on a farm in the Northern Grampians with my two older sisters and cousins on either side. We had the best childhood, free to do whatever we wanted. 

How’s the Melbourne music scene at the moment?

There are so many brilliant local acts out there at the moment making the Melbourne music scene feel alive and electric. I live in fitzroy and it’s impossible not to go to at least one gig a week. There is such a great music community and If I’m not seeing my friends perform I’m stumbling across an awesome new act.

How did you first start playing music?

I was surrounded by a family with a love of music and entertainment and spent my childhood playing guitar, constructing and creating with an inquisitive mind. My dad taught me the guitar but he was left handed and played upside down which made it interesting. I grew up writing songs. But they were personal. I guess it was my form of a diary which meant I was shy to sing in front of others for a long time. I never studied music at school. It was always at the forefront but the confidence to pursue it as a career came later after a serious bike accident. 

I was always drawn to production and felt restricted with acoustic instruments. I wish someone told me that it was possible to study sound engineering straight out of school. I would have loved to assist and learn from others. I’d still love to assist some of my favourite engineers who just happen to be females, Laura Sisk and Anna Laverty..

Sound is so powerful and has the ability to change my mood instantly. So many of my nostalgic memories growing up are shaped by songs and their production. I love good lyrics but it is the sonic elements that stay with me. The way sound is used dynamically to take you on an emotional journey, happy or sad.”

What’s been happening recently?

Tbh, I can’t even tell you. Life has been crazy! 

Releasing an EP and organising a launch is full on. As an independent artist you take on the role of photographer, journalist, video editor, content creator, merch designer, booker and the list goes on and on. It’s a lot but it’s fun and my visual arts background helps. I’ve loved the journey but I am really excited to throw myself into creating new music. I also teach music production which is a great balance and keeps me busy..

Some of my recent gigs include supporting Odette at the Torquay hotel, performing alongside J.R Reyne at the Urbnsurf summer festival and of course my ‘Escaping’ single launch at the Leadbeater which was insane. So much fun! I’m really excited for my EP launch at the Toff in Town this friday night and lots of other exciting things planned for next year including playing at FRL festival in Eldorado. 

Your EP and Single ‘My Year’ are both out now, what influenced the sound and songwriting for the EP? 

I don’t write or produce to try to sound like anybody else. And I have no idea what I am going to create until I sit down in front of the keys or guitar and experiment with a riff, chord progression, melody, or sound effect that really resonates with me. Then the ideas come flowing. 

Having said that, I guess we are all innately influenced by something or someone even if we’re not aware of it at the time. I guess I’m subconsciously drawing from the influences I grew up with that have shaped my appreciation and love of music. The songs my parents and older sisters listened to when I was a little girl, consequently resulting in a sound that is versatile and unique yet distinct and easily recognizable.

I’m sure there’s probably a nod to artists like Beck, the Beatles, Cat Power, Lana Del Rey, Flume, Alt J, Kings of Leon, Tame Impala to name a few.

How did you go about writing the EP?

I didn’t plan to write an EP. Each song came from a different time and place. They are shaped by different observations and experiences and form incisive perceptions of life, love and dreams that are laid bare on a backdrop of cinematic and spirited beats. 

Escaping was originally written on an acoustic guitar when I was a teen and sat unfinished in the back of my mind for years. I felt restricted playing acoustic instruments back then without the audio and production knowledge that now allows me to transform a song sonically.

Backup Plan is an anthemic single exploring the emotions of being disappointed by a friend or loved one who constantly stands you up when you’ve made plans…

I was walking home from the studio on a balmy Friday afternoon, excited to have a beer with a friend, only to receive a text saying he couldn’t make it. I can remember feeling the let down and then when I walked past the pub we were meant to meet at, I started singing voice memos into my phone.

By the time I got home, I had the lyrics and the melody and was ready to produce the music.

Cards is the most personal and heartfelt track on the EP. I wrote it thinking back to the moment I found out that my childhood best friend’s older brother had died. I started producing the drum beat that forms the backbone of the song, followed by the piano and the words started flowing from there. James was one of the first people I knew to die young. Suddenly I was faced with the realisation that we are not invincible. To me the feeling of losing a sibling was incomprehensible. All I could think about was my best friend Suse and how there was nothing I could do to take her pain away. The lives of the family I spent almost everyday with as a child would never be the same. 

What does the single My Year mean to you?

 I started writing and producing ‘My Year’ just before covid hit. I was in a really good place and as a consequence struggled to find anything worthwhile to write about. Quite a few people close to me were going through breakups and I could totally relate to those feelings of utter devastation and emptiness – as though you’re never going to get past it and feel whole again. It’s ultimately a song about finding the strength to get through it and blends my own experience with that of my friends.

Bel Kil is a solo project when it comes to the creation of the music yet as a live performance my band is integral. Our live shows are fun, energetic, emotive and a damn good time so make sure you catch us at the Toff In Town on the 9th December for the EP launch.


What was the recording process like?


It was fun, disjointed, isolating and exciting!

There were definitely ups and downs during the process and I went down a lot of rabbit holes while producing and recording this. Too much time on your own makes it hard to make reliable decisions. 

 I’ve always dreamed of collaborating in a band or with another producer but at this point I write and produce everything solo. I get ideas and have to get them down very quickly. The Reality is it’s hard to find people who share the same vision so it’s easier doing it on my own and then getting a band to play live and I’m so lucky to have found Louis, Jet and Zoran to join me live. They’re amazing.

Although Bel Kil is a solo project I have an incredible group of friends around me who also write, produce and mix which is the best source of feedback, inspiration and support. A good community of like minded people is so important, It keeps you sane.

I play and record all the elements of each song and in some cases I’ll overdub parts. In Escaping and Backup Plan I played the bass line on guitar and then pitched it down in the DAW to sound like a bass, then over dubbed it later with a real bass. I love cinematic music so I compose a lot of string, brass and wind sections using virtual instruments and blend this with a live recording. The chorus often consists of layers of my vocals recorded at home during the luls of lockdown construction.

Where and when did you record/produce/master and who did you work with?

I wrote, recorded, produced and mixed the EP throughout the lockdowns in Melbourne. After a bike accident I sustained a lot of hidden injuries; whiplash, concussion, FND (functional Neurological dissorder) which affects your brain’s messaging and I needed to have vocal surgery. I’m pretty sure I drove my next door neighbour insane during my recovery with my vocal recovery exercises before recording the vocals. 

It was so exciting to jump back in the studio when they opened up to overdub my programmed drums and bass parts with friends playing real instruments. 

I originally mastered the EP myself but decided it’s really important to have a fresh ear. Becki Whitton mastered it and she’s an insanely talented producer, mix and mastering engineer.

What inspired you to pursue a music career?

A guest speaker! 

I taught Visual Arts and I was mentoring year 9 boys at the time.  During a career pathways talk I found myself listening intently and implementing her advice. I was dreaming of a recording studio and making music. The very next week I quit my job and started Googling audio and music production courses. I don’t think the students were even listening and I don’t blame them. Who really knows what will fulfill you in year 9 and more to the point what that career will look like on a day to day basis.

When I started recording and producing I didn’t know if I wanted to pursue my own music. I just knew I wanted to be writing songs and creating a sonic world for them to live within, whether that be for myself or others. I had some incredible opportunities while studying – including being flown to Popakademie in Germany to write for Sony and I was selected for the top-tier American mix engineer Andrew Scheps’ workshop. These experiences were inspiring and validating. The more I produced, recorded and experimented with sound, the more I wrote myself. A serious bike accident also put things in perspective. After this I let down my guard and decided to write an EP and put my own music out into the world. 

What are a couple of your favourite moments within your music career?

I’d have to say my first headline show with my incredibly talented band Louis Spencely, Jethro Kalt and Zoran Lasich for the ‘Escaping’ single launch at the Leadbeater. The crowd got a sneak peak of ‘My Year’ and people were up on shoulders, singing along despite never having heard the song before.

I loved performing  ‘Cards’ for an entirely different reason. This is the most meaningful song I’ve written and it had the opposite effect. People stood still and listened intently,  you could hear a pin drop.

In what direction is your music headed?

I have an album worth of new songs up my sleeve. They’re in the demo stage at the moment and I can’t wait to throw myself back into the production of these tracks early next year. So you’ll have to wait to hear new music soon.

Please tell us about where the imagery used in your single/EP covers came from:

I had planned a  photoshoot with Claudia Sangiorgi Dalimore and of course the lockdown happened. I decided to sort through hundreds of family photos stashed in cardboard boxes. I didn’t realise how big a job it was going to be. Two weeks later I stumbled across photos of mum growing up in Portland in the 70s. Sun-bleached images of kids dressed up in oversized costumes, playing with yabbies, and climbing over rock pools which captured the sense of freedom and nostalgia that I explore in my music. I used the photos for my cover art.

Claudia Sangiorgi Dalimore later helped me recreate this nostalgic summer feel on a photo shoot at Half Moon Bay. She also captured some snippets of super 8 footage for me to edit with the old 16mm family footage as well as live gig footage to form the videos and visualisers. I didn’t want to shoot something that felt foreign to me, dishonest or unnatural so I guess we were forced to create an alternative that feels so fitting and authentic to me.

Who are you listening to at the moment?

Hmmm, I have the most random playlists of old and new music. For example, I love the theme song to Succession by Nicholas Brittell. I listened to it once and then spotify created an awesome mix of composers and theme songs. However,  I just made a playlist called BEL KIL – Nostalgia MixTape.  It’s got a bit of everything. Songs that make me feel and that transport me to a specific time and place such as a house party, road trip with friends, childhood holidays… You can check it out on spotify my spotify profile.. 

What’s planned for the remainder of 2022 going into 2023?

I’m really excited for my EP launch at the Toff on Friday the 9th of December. 

My dream is to play lots of music festivals and the first for 2023 will be the FRL, Folk Rhythm and Life festival in Eldorado.

I can’t wait to start recording and producing my next project that’s currently in the demo stage. There is a lot more of Bel Kil to come so stay tuned.

Favourite food and place to hangout?

Hmmm this is a tough question. I am spoiled for choice in Fitzroy with cafes, restaurants and awesome pubs on every corner. I live opposite the Marquis of Lorne and it’s hard to go past it particularly on a balmy night when people are sprawling out onto the street. 

And my favourite food! I love cooking all sorts of things but you can’t go past good Italian style pizza.

Bel Kil socials: 

Instagram https://www.instagram.com/belkil.music/

Facebook https://m.facebook.com/belkil.music/

Twitter https://twitter.com/belkilmusic

Tik Tok https://www.tiktok.com/@belkil.music

Spotify https://open.spotify.com/artist/1xGQIp6BuSDa22823Yh1Gm

Youtube https://www.youtube.com/channel/UCJCvJjd3m5tWCbcyc0gnsbQ

Triple J Unearthed https://www.abc.net.au/triplejunearthed/artist/bel-kil/

December 13, 2022 0 comments
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Clinton Hutton

by the partae December 12, 2022
written by the partae
Where are you currently based?
Wynyard North West Coast Tasmania.

How did you first start playing music?
I was in grade 8 when I really started getting into music, in particular Metallica, ACDC and all that good 80’s metal stuff. I fell in love with guitar then and it has been my passion ever since.

What’s been happening recently?
I am always playing music every weekend as a full time job but I have started to put a lot more time and energy into writing and recording my music of late. I’ve been working with other musicians on their music as a producer as well.

Your single ‘Can’t Handle Losing’ is out now, what influenced the sound and songwriting?
I really wanted to write an upbeat rock song that was catchy and fun to play. I love the crunchy guitar tones of Malcom Young from ACDC and the huge sounding gang vocals of Queen, it’s fair to say I’ve got a bit of these influences in this track for sure.

How did you go about writing Can’t Handle Losing?
For me, it all starts with a good riff or two and then the rest of the song just comes together. Most times it’s as simple as just getting that verse and chorus riff down. My biggest challenge has always been coming up with unique and interesting topics to sing about but thankfully, this song came together quite easily in the end. I’ve sat on many song ideas for literally years but this is one of those songs that was written quickly, probably because I was all inspired up at the time.

Where and when did you record/produce/master and who did you work with?
I recorded the song from my home studio back in April 2022 when I was in Isolation with Covid. Thankfully I had very minimal symptoms so I got to use my time productively. I made all the decisions, played all the instruments, recorded, mixed and mastered the song from home during that week. It truely was an independent project.

How did you approach the recording process?
The best thing about having a decent recording setup at home is you can work when it suits you. Because I was in lock down and had a whole week to myself, the process was really enjoyable. I like to work in blocks of time and basically mix the song as I go. I’d record drums then take a break, come back later in the evening and then do Bass. Next morning I’d tweak anything if I needed to and then record all the guitars, take a break and then do vocals that night. The final mix and mastering stage takes the most time for me but my skills and confidence has got much better so I feel at ease doing it all solo these days.

Please tell us about your home studio setup?
My home recording setup is very simple but gets the job done. I have a good room that’s fairly well sound treated so I can record all instruments in that space as well as mix. I use minimal gear as possible, no outboard preamps or expensive microphones, just good computer and DAW with some nice plugins that gets me decent results.

Who are you listening to at the moment?
I’ve been listening to a lot of Australian music from the late 90’s to the 2010’s of late. I’ve been enjoying revisiting classic bands like Powderfinger, Jet, Grinspoon, The Living End and Thirsty Merc but there are some ripper new comers I love such as Captives, Luca Brasi, Big Alcatraz and Verticoli.

What do you like to do away from music?
I love playing sports like Golf and Squash. I enjoy a good hike and just hanging with my family, that all keeps me happy.

What’s planned for the remainder of 2022 going into 2023?
Lots of gigs, lots of writing and recording new music and lots of Golf!

Favourite food and place to hangout?
I can’t go past a green eggs breakfast from the coolest cafe “Bruces Cafe” in my hometown of Wynyard. I love hanging out in the wilderness of Cradle Mountain region, could spend all my days there no problems.

http://www.clintonhuttonmusic.com.au

https://www.facebook.com/clintonhuttonmusic/

https://www.instagram.com/clintonhutton/

https://www.youtube.com/channel/UCrgILxs_9DyUD94XCK-z4JA

https://open.spotify.com/artist/0vzXjmIZP3eRcpxeEm3S4T

December 12, 2022 0 comments
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Charlie Gradon

by the partae December 12, 2022
written by the partae

How has this year felt for you as a creative: what has been inspiring to you the most, as an artist?

Ups & downs always. This year I was determined to start releasing music. However, I often find inspiration in procrastination. With music videos to make, budgets to stress about, and all the things that come with releasing music, I found myself demoing out the next record instead.

 Who are you listening to right now, that would be your top new music recommendation?

Blake Mills is a new one for me. I love his approach to producing and sound design. Andy Shauf is yet to miss and Julia Jacklin’s new record is spinning a lot at our place.

What has been exciting you about your music community this year?

During lockdowns I started doing remote recording sessions. I wrote and recorded songs with people in Melbourne, Sydney and even Sweden and released them. It was a great way to keep the juices flowing and work on something without that emotional pressure.

Let’s talk ‘Black & White’ – what significance does the song have for you now it has been some time since the writing and recording process has been completed?

‘Black & White’ is about witnessing the breakdown of a relationship, and how quickly we label each other good/bad or more to the point black/white when in reality there is so much more nuance to it. It often reminds me to step back and withhold the judgement of others.

Can you tell us a bit about the process, while we’re on it, what was the best part about working on this song and what did you learn about yourself as a creative, as a result?

It’s taught me that I tend to process most of my deeper thoughts and feelings about what’s happening around me by writing. Which is a wonderful outlet to have, albeit a crutch. It’s got a lot of visceral aggressive energy, which is not something I feel comfortable expressing in the day to day. When we play it on stage I feel like the strongest man in the universe.

Is ‘Black & White’ part of a larger Charlie Gradon project and if so, can you tell us more about your plans for it?

 It’s the first single off my debut album to come next year. It’s the first body of work that I’m truly proud of. I can’t wait to share it with the world (and get started on the next one).

Do you find ideas for new music and songs come easily to you, or do you have to be in the studio for the inspiration to hit?

The home studio is a big part of it. Catching inspiration with your digital hands is such a gift. But my phone is also clogged with notes and voice memos of song ideas while I’m out in the world.

What’s your favourite thing to do when you need to chill out?

Drink coffee and make things worse.

Your favourite food spot?

If I’m alone I’ll often forget to eat. I wouldn’t say I have a favourite spot, but when I eat I do it passionately and fast.

Official Website | Triple J Unearthed | Facebook | Instagram | Youtube | TikTok

December 12, 2022 0 comments
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Clinton Hutton Releases ‘Can’t Handle Losing’

by the partae December 9, 2022
written by the partae

Tasmanian singer-songwriter Clinton Hutton is back with his new single “Can’t Handle Losing” which will be released on December 13. It’s a toe tapping, classic rock track that hits hard from the very first beat and never eases up until the end. Clinton’s songwriting and musical talent is undeniable and on full display in this song which features a clever arrangement, tasty guitar riffs and an incredibly infectious vocal performance that fully hooks the listener in. It’s a fun and relatable song about those super competitive people who love to win at everything, but just hate to lose!

Like all previous releases by Clinton, it’s another complete solo effort where he played all the instruments, recorded, mixed and mastered the song from his home studio. The catchy performance along with the professional production is outstanding and will make you hit repeat again and again. You can hear the influences of world class acts such as ACDC, Queen and the Foo Fighters in the track, but Clinton has his own vibe happening which is engaging and refreshing.

https://www.facebook.com/clintonhuttonmusic/

https://www.instagram.com/clintonhutton/

https://open.spotify.com/artist/0vzXjmIZP3eRcpxeEm3S4T

https://www.youtube.com/channel/UCrgILxs_9DyUD94XCK-z4JA

December 9, 2022 0 comments
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Lucky Polo

by the partae December 9, 2022
written by the partae

I’m originally from Sydney, Australia but moved to Irvine California so I could be closer to LA and pursue my hopes of working in a studio there with other great musicians I admire.

When I was 8 years old I began training in classical saxophone  through the school’s band program then coming into high school naturally I picked up guitar, bass, drums and keys etc. to fit into the music I was listening to such as The Moody Blues and Frank Zappa.

Recently it’s been an absolute whirlwind essentially picking up half my life and plonking it 15,000 kilometres away. I’ve been having a great time trying to set up new connections in California both within the scene and at university and trying to find new inspiration for writing. I finished a few singles a few months ago at Golden Retriever Studios in Marrickville so it’s exciting to be able to start releasing them. I’ve also started working on a longer length, more cohesive project also.

It’s only within the last couple of years that I’ve begun to explore electronic and sample based music such as Blank Banshee, Skrillex’s old EPs and J Dilla so I’ve been slowly harnessing my beat making skills. One thing that does stand out in Minimum Wage Dreamer is the use of that dirty spaghetti western style twangy guitar found in a lot of Ennio Morricone compositions. That sound is super untapped within mainstream music in my opinion and it really cuts through and contrasts nicely with the synths and 808 style drums. Honestly I’d just been watching a bunch of old westerns with my dad when I thought to myself that it could be a really great addition to the song.

Minimum Wage Dreamer was actually a joint effort between myself and childhood friend Heno. He’s a fantastic writer studying to become an English Teacher and wrote a great poem that he wanted me to use. I immediately got to work finding a melody I liked then from there built harmony and finally a catchy beat as foundation. Honestly it’s one of the quickest beats I’ve written because I just felt good that day.

I worked mostly with Antonia Gauci (from the band Gauci) at Golden Retriever Studios in Marrickville for engineering with up and coming artist Chloe Dadd as assistant engineer. It was then mastered by Simon Berckelman also at Golden Retriever. For the bass recordings on the record I had Charles Wilkinson and Dylan Catterall on drums in the outro who are both old friends of mine that I’ve known for years now.

The production was a lot of fun, and Antonia was great at suggesting new ways to push sounds further and make the record sound overall way more huge than I ever could have on my own. The synths, bass and 808s were relatively dry in terms of production, which made a lot of space especially for the vocals and double tracked guitars. The vocals had a bit of grit applied as well as some simple reverb and compression, most of the work was done with Antonia’s amazing Neumann microphone and preamp. The guitars had a fair bit done, they were double tracked through an old Fender Twin Reverb with the preamp cranked panned left and right, then we used a huge vintage spring reverb box to get that ‘drippy’ sound. We then had the signal compressed with a small amount of delay. The drums in the outro had a bunch of EQing and panning done to them just to help them sit better in the mix with the guitars.

This track truly means a lot to me. Firstly, it’s the first time I’ve had my vocals on a recording which was super exciting. It’s the first time I’d more or less written the majority of the song also. It was great to work with Heno and give his lyrics a medium to be heard. The song’s message itself however also resonates deeply with me. It’s about how we become so caught up in and pacified by social media, hype culture and consumerism that we forget to stop and smell the roses. We become so obsessed with an image of what we want to be, that when we return to reality we can’t seem to fully accept our own lives in comparison to someone we admire such as a rapper etc. and I want to question the legitimacy of that lifestyle.

Honestly I’ve felt a little bored lately with my music listening habits, so have been turning back to metal which I used to listen to in highschool as well as in my opinion the electronic equivalent that is dubstep. Bands such as Meshuggah have been great for helping me to reconsider the rhythmic choices I make within my own music and it would be incredibly interesting to see if that could be somewhat reflected in a more mainstream genre.

Away from music I love to skateboard, in a way it’s another form of self expression and a great way to stay fit. I also love fashion, reading and learning Japanese so there’s definitely a good mix of things to do. For the remainder of 2022, I’m hoping to finalise artwork and dates for my next two releases which should be the main focus of the first part of 2023. For 2023 specifically I’m looking to really start putting my head down and grinding to make contacts and meet as many people as possible within the industry. I’d also like to travel to other musical hotspots within the US such as New York, Chicago, Nashville etc.

I’ve got a pretty big sweet tooth to be honest, so a good pavlova is always welcome for me. Especially with extra meringue. As for favourite places to hang out, it has to be the cafeteria at my university. Not only are there heaps of skate spots close by, heaps of variety with the menu but there’s always a few of my buddies there to kick it and study with.

Facebook: https://www.facebook.com/profile.php?id=100088454384520&is_tour_dismissed=true
Instagram: https://www.instagram.com/lucky__polo/
Tik Tok: https://www.tiktok.com/@lucky__polo?is_from_webapp=1&sender_device=pc
Linktree: https://linktr.ee/lachiepolo

December 9, 2022 0 comments
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Yawdoesitall

by the partae December 9, 2022
written by the partae

Where are you currently based?

Currently based in Sydney, Australia

How did you first start playing music?

Music started at church as I played drums for years before transitioning into production.

What’s been happening recently?

Recently I’ve been resting and writing short films I’m planning to shoot in the future.

Your EP ‘Life I Chose’ is out now, what influenced the sound and songwriting?

This ep was influenced by the drive to be a better artist. It shows a timeline of how music started for me and what it has become. From channeling my poems into songs to producing sounds that turn into beautiful music.

How did you go about writing the EP?

This ep is a reflection of my life so I drew from my life and placed it on this record. With my friend’s help, I was able to find my sound while improving my writing and performance.

Please tell us about the single ‘Hold On’ how it came about and what it means to you:

Hold on started as a motivational song I wrote for myself. I linked up with producer friend Finbar Stuart to create and we ended up with a part 1 version of this song that never came out. This song did well at shows but we wanted to better it and we had one more session while I was on tour and came up with this masterpiece. Hold on is basically a reminder to keep going and at this point in my life, I feel this message was needed a lot. It therefore means a lot to me and it’s beautiful seeing people resonate.

Where and when did you record/produce/master and who did you work with?

I worked with Finbar Stuart at Elefant Traks studios in Sydney after I came back for a break during the tour with baker boy. Fin re produced the beat and I wrote to it. We recorded it there and finished it off at his house. He then mixed the song and I linked up with Lewis Mitchel to master the song. This was also the last song for my ep so it was amazing when we finished it.

How did you approach the recording process?

We recorded without a stand hence I held the mic like a dynamic mic and basically performed the whole song. This was finished at fins studio and we knew we had a great song.

Who are you listening to at the moment?

I’m currently listening to JID, Amber Mark and Stormzy.

What do you like to do away from music?

I Love film. I’m mostly either watching or writing or working on pieces that I’m yet to put out.

What’s planned for the remainder of 2022 going into 2023?

After a hectic year, I think it’s time to rest so I’ll be spending time with friends and socialising and visit my friends’ events and shows.

Favourite food and place to hangout?

Favourite food is fried rice and favourite place to hangout is Milk beach in Vaucluse.

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December 9, 2022 0 comments
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We talk with Buffalo Paradise about their debut album The Kids Be Dancin’

by the partae December 8, 2022
written by the partae

Where are you currently based?

BP: We’re a Bondi-based outfit, though we grew up in wide-ranging suburbs over Sydney and Singapore – probably contributing to our eclectic musical influences and personalities.

How did you first start playing music?

BP: Each of us came to music from just enjoying it so much growing up and taking the natural step into playing ourselves, not to mention Jack Black’s School Of Rock that had a profound effect on our frontman Lachie. Most of the band have played their respective instruments for well over a decade and then came together early 2021 to share our love of music!

What’s been happening recently?

BP: We’ve just released our debut album The Kids Be Dancin’ and had a great night launching the album with all friends, fans and family, selling out The Vanguard. We’ve also been busy recording a heap of follow up tunes to keep everyone’s ears flooded with Buffalo Paradise goodness.

Your album – The Kids Be Dancin’ is out now, what influenced the sound and songwriting?

BP: The album kind of resonates all of our diverse music influences and covers a fair bit of musical territory. Someone could listen to the album and hear influences ranging from jazz, metal, modern day indie rock and anthemic rock songs. This greatly influenced the songwriting process, as the band relied heavily on taking a musical idea and fleshing it out in the rehearsal studio – culminating in the changing musical ideas throughout each of the songs.

How did you go about writing the album?

BP: A lot of the songwriting was shared by Lachie (vocalist) and Angus (lead guitar) in terms of coming up with an initial musical idea, then this was taken to the band as a whole, given a structure, seeing what we found to be the natural emphasis when we played it and adapted to make it complementary to the band as a whole. That being said, there are a lot of songs on the album that were truly a collaborative effort with the entire band bringing the idea to the final project – whether it be from a jam session, or just a semi complete idea becoming complete.

What does this album mean to you?

BP: This one means a lot to be honest. For many of the band members this represents our musical growth in a band setting with much of the experience being first time writing/recording/production, not to mention delays due to lockdowns etc. It’s a body of work we can all reflect on very fondly and see our progression as a band, and we all really value not only the music, but the bonding, process and experience we all shared together to get this album completed.

Where and when did you record/produce/master and who did you work with?

BP: We recorded at Ralph Street Studios in Alexandria with Aria nominated and all round great guy Greg Stace. All of the recording, production and mastering was done there.

What’s planned for the remainder of 2022 going into 2023?

BP: For the remainder of the year we have a bit of downtime from live shows, focusing on writing follow up music and hoping to be back in the studio by the end of January 2023. We’ve got about 5 songs already recorded and ready to go, but planning to get that number much higher in 2023 to get a heap more BP music out into the world! And in true Buffalo Paradise fashion, there will be a good few high energy, fun loving shows in 2023 for sure.

Who are you listening to at the moment?

BP: Again, the band has a pretty eclectic mix of influences. There’s definitely a very heavy emphasis on the indie rock bands in the Australian scene at the moment, as we love the work of all of our contemporaries (Pacific Avenue, Lime Cordial, Hockey Dad, Spacey Jane, Winston Surfshirt to name a few), but then there’s a whole range of other genres in there as well.

Please tell us about any upcoming shows:

BP: None official at the moment – but tentatively pencil in mid Feb. All our shows are promoted online via the various band socials, so they’re the best place to stay up to date with all our shows!

Favourite food and place to hangout?

We’re lucky to have had a good chunk of our shows in Newtown which has some pretty wicked cuisine… there’s definitely been some pretty iconic BP band dinners there in preparation for or after our live shows that we can all reflect back on as critical in the formation of our bond as a band.

We have a tradition that after each show we make a stop at Indian Home Diner in Paddington for a luscious butter chicken kebab as we make our way back to Bondi. As to where we like to hang out, the beach!!

Socials

https://linktr.ee/buffaloparadise

December 8, 2022 0 comments
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Holly Alison

by the partae December 5, 2022
written by the partae

Where are you currently based?

Currently based on the NSW, Central Coast 

What’s the music scene like on the NSW Central Coast at the moment?

There are sooooo many emerging artists on the coast and everyone kind of rallies together to support each other, however, there isn’t a HUGE music scene as such in terms of performing at venues. Generally need to go to Sydney or Newcastle for that 🙂

How did you first start playing music?

I first started playing music when I began learning guitar. When I was younger, I used to create mini concerts with the songs that I had written (which by the way were terrible) in my living room and my brother was the lighting man, sound guy and ticket seller for my parents to come to viewings hahaha

What’s been happening recently?

I have been on a 3 year hiatus due to a few things. First reason, life can get very busy for me as I play semi-professional sport and am also a PE teacher. Second reason is that I wanted to spend time writing with some other people and really ensure that I honed my craft a little further. Now I have currently been recording a whole bunch of songs so I am prepared for a big 2023.

Your latest single ‘Doing Better’ Ft Ramzie and co-written with your friend Boy Soda is out now, what influenced the sound and songwriting?

The sound was influenced by pop, rnb, trap vibes. I am really loving artists like charlieonnafriday, KODE, Arizona Zervas and Justin Bieber so I wanted the sound to be somewhere within that zone. In terms of the songwriting, the inspiration came from a really shitty relationship that I was in that I had just got out of at the time. I always remember this one thing that they said to me which was “you will never do any better than me” so that is kind of where the idea came from. I could finally say look at me, I am doing much better hahahhaha

Please tell us about the songwriting process with Boy Soda:

The songwriting process with Boy Soda is always so EASY because he is an absolute freak songwriter. We basically felt out an instrumental and then began mumbling different melodies to it. As we mumble we start finding lyrics that fit both melodically and figuratively. We wrote 2 songs that day because we had a good flow with topics, melodies and lyrics. 

How did you come to work with Ramzie and how was the experience?

I came to work with RAMZIE due to Liam Quinn who produced, mixed and mastered the song. I basically had built the entire song but didn’t have a bridge and was unsure whether to leave an empty music space there, write my own bridge or get a rapper on it. Liam said he had contact with RAMZIE who is based in Atlana, US. He reached out and within a couple of days he had recorded a verse and sent it to me. It was awesome and fit super well so we used it 🙂

It was a super easy process because RAMZIE is so fast with the way he works.

Where and when did you record/produce/master and who with?

I recorded ‘Doing Better’ in 2019 as a demo initially with Boy Soda on the Central Coast. I then got it produced, mixed and mastered by Liam Quinn about a week later in his Sydney studio.

Liam Quinn (Peach PRC) produced the track, please tell us about how you came to work with Liam and the experience as a whole:

I reached out to Liam a while back because I had followed him on socials for a while and new his stuff was awesome!! My experience with Liam every single time we have worked has been amazing. I get along with him extremely well so it feels easy when we work together. There is a lot of trust in the process with him.

Please tell us about any artists from your area the we should keep an eye on:

ELASKIA is huge and always has been. She plays a lot of festivals and has her song on netflix TV shows including Dynasty as well as free to air TV like Home and Away. She is awesome and a great songwriter.

Who are you listening to at the moment?

My biggest influences at the moment are charlieonnafriday, The Kid Laroi, Justin Bieber, KODE, Arizona Zervas, FLETCHER, Blackbear.

What do you like to do away from music?

Away from music I am an athlete and PE teacher. I am actually heading to Ireland next year to play Oztag for the Australian team so that is really exciting. Besides that I just love being around my friends, eating food and playing with my crazy dog haha.

What’s planned for the remainder of 2022 going into 2023?

I will be finishing up some music projects and ensure that I am prepared for a huge 2023 filled with lots of different music.

Favourite food and place to hangout?

Any food is amazing, however, if I was to choose a cuisine it would probably be Thai. If I am being super specific though I JUST LOVE POTATO. Cook me potato in any form and I will be absolutely living for it!! Haha

Place to hangout is generally with my friends by my pool OR I do love the beach in summer.

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December 5, 2022 0 comments
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Krumple Krink

by the partae December 4, 2022
written by the partae
Where are you currently based?

I’m living in Perth at the moment, gigging around the place and recording music where I can.

How did you first start playing music?

Since I was a young child, maybe about 7 years old, I had this dream. I had this goal in life that I wanted to achieve. I had this vision of becoming a doctor or a lawyer. However, my parents insisted that instead of pursuing law or medicine, that I should get a real job, and start playing music on the streets. So I began to busk in Perth. After finishing high school, I moved to London where I busked in cool spots like Leicester Square, Trafalgar Square and Piccadilly Circus. Busking there I met some amazing musicians, who really inspired me to pursue music and make something out of it.

What’s been happening recently?

During the summer, I like to return to the city of Perth and busk through the summer, so in between a few gigs here and there, that’s what I’ve mostly been up to recently. Other than that, I went down a YouTube rabbit hole the other day of free solo rock climbing, and the story of Alex Honnold. So I’ve been imagining how cool it would be to do that. But then I remember my crippling fear of heights, and my inability to rock climb, so I’ll stick to experiencing that through YouTube.

Your latest single ‘Connected To Disconnection’ is out now, what influenced the sound and songwriting?

The idea with this music was to start with a cool song and dress it up in a lot of sound layers to make something unique and out there. Imagine starting with a Margherita pizza (the main skeleton of the song) and then deciding to spice it up by putting spaghetti bolognese on top. Weird, yes. But probably delicious. That’s the kind of thinking that inspired this song, a weird combination of musical flavours all blending together to create ‘Connected To Disconnection’.

How did you go about writing Connected To Disconnection?

I started with the music, I can’t remember if the drums or the guitar came first. But I had that and at that point it had a bit of a RHCP feel in my opinion. I sat with the instrumental for a few listens and one of the themes that popped into my head was our societal addictions to our phones. I feel like most of my generation (myself included) have become very absorbed in this virtual world brought about by smartphones. At the same time, our phones are an amazing thing that give us tools that in the past could not be dreamed of. So they’re extremely harmful in some ways, but extremely helpful in other ways. That’s part of what I was trying to capture in the lyrics when writing the song. Funnily enough, I wrote the lyrics on my phone!

Where and when did you record/produce/master and who did you work with?

I recorded/produced the track at my home studios with the assistance of copious amounts of coffee. I did a lot of editing on the sound by myself and then I took the song to Rob Grant, at Poons Head Studios who mixed and mastered the song for me. He gave me a lot of guidance as well with the arrangement of the track, and making all the sounds blend in and stand out at the same time.

How did you approach the recording process?

I recorded everything several times (ALOT of takes) and then cut and pasted the best parts of each take to make the best possible take. I get carried away sometimes while recording and don’t take enough breaks, which is what I did while recording this song. I think that fatigue made me go into an almost zombie-like state of exhaustion, which I think added some of the vibe of the song. It’s meant to seem energetic and tired simultaneously. Like a zombie dancing erratically.

Please tell us about how the music video came about:

I wanted to express the music visually to go along with the song. I felt the best way to do this was with lights. I had two ideas for the music – fire flow artists or a cool lighting show. Me being my excessive self decided to go for both. I worked closely with the team to find a way to make this work and allow both aspects of the video to stand out.

Where and when did you film and who did you work with?

I filmed the video with Ward Media, I had Orion Audio Visual doing the lighting and laser show and finally the amazing Shelby Jewel and Charlotte Noonan as the flow artists for the video.

Who are you listening to at the moment?
DIET – Denzel Curry
New person, same old mistakes – Tame Impala
Take a Slice – Glass Animals
Body Paint – Arctic Monkeys
Goodbye Angels – RHCP

And much more!

What do you like to do away from music?

I don’t have much outside music, I usually shoot the breeze with friends and get up to whatever shenanigans arise. To me, who I’m with is more important than what I’m doing. I try to live my life surrounded by music as much as I can though, I want to dedicate my life to creating interesting and unique art, and sometimes that means sacrificing other fun adventures like travelling in order to hone in on my craft.

What’s planned for the remainder of 2022 going into 2023?

The end of the year gets quite hectic with gigs so I’m busy riding that out. Once 2023 comes around I’m looking to record a new album early in the year. I’ve also got some more songs ready to be released coming out on my debut EP.

Favourite food and place to hangout?

Favourite food would need to be sushi. During the summer I like to busk, and I’ll go into a cycle of eating nothing but sushi during this time. Shout out to Sushi Hub in Perth City for fuelling my busking season. Another favourite place to go is Yelo or Canteen in Trigg, great spots. I’m actually writing this at Yelo right now.

Triple J Unearthed | Facebook | Instagram | Youtube
December 4, 2022 0 comments
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Music InterviewsMusic News

Barley Passable Interview with The Partae

by the partae December 2, 2022
written by the partae
Where are you currently based?

We are currently both based in Sydney on the Northern beaches which are where we have our studio as well.

How did you first start playing music?

It’s different for both of us but generally, we both started playing instruments really young. Kai started playing Bass and Guitar at around 8 and Davy started with piano super young at 5. Our parents are all avid music listeners and encouraged us both to play.

What’s been happening recently?

We have just been working really hard! Right now we are in the car to Byron to do some shows for Schoolies which will be fun and just probably pretty rock n roll.  We also just got off shooting the music video for ‘Til I Say So with our close friend and director Jarad Travers and we are literally right now looking at some of the frames and we are so stoked. Just constantly trying to improve our productivity and shows to make it the best it can be and different for both listeners and us at every one.

Your latest single ‘Til I Say So ft Betty is out on November 28, what influenced the sound and songwriting?

We always pull from everything we are listening to and also our own individual backgrounds in music and this was no different with ‘Til I Say So. Davy was in isolation when he started the track so he spent lots of time just trying to find the right mood in that loop he made. Maybe that influenced the cruisey nature of the song by him being in isolation, we honestly haven’t really thought about it too much.

How did you go about writing ‘Til I Say So?

It started off with Davy making a loop that ended up being the verse/chorus section and we both came together and finished off the instrumental. In the past, we have done this and then spent ages almost inorganically adding the vocals but this time around we just had this feeling that someone else might be better suited to singing on this track. We had recently played with and seen Betty play so she was fresh on our minds she is just an incredible vocalist and friend so we knew it would work with her voice.

You worked with Betty on this track, how did this come about and why did you choose to work with Betty?

The Sydney crew is generally pretty damn small once you start playing shows so we knew her and know her band as well. We had played and been to one of her shows super recently and so she was just on our minds. her voice is silky smooth and has lots of souls so with the instrumental we knew they pair together nicely.

How was it working with Betty?

It was such a pleasure, it felt like the perfect collaboration experience – which is crazy considering it was our first one. The song came out in literally one session over a day and then it was done besides finishing off some of the vocal passes. She is an amazingly kind and generous person so just being in a room with someone like that, even if what your doing isn’t productive is always a treat, and this felt super productive.

Where and when did you record/produce/master and who did you work with?

So we did all the recording and production from our home studio on the Northern Beaches. Mixing & Mastering are skills that we don’t have a clue about and feel like mystical arts so for those we sourced Matt and Riley who also happen to play in an awesome band called Ivey and for the master we had the wizard Wayne at Suture Mastering.

Please tell us about any upcoming gigs and the schoolie’s parties thus far:

So we are just on the way to the schoolie’s party, feels pretty funny when we mention playing at schoolies but it’s honestly such a fun crowd to play to, as we did it last year as well. We can’t wait to do two shows there at Byron Bay Beach Hotel as we are also staying in the area and doing some writing too. We then have Sunsets Festival on the Northern Beaches on the 3rd, a show with Ivey for their beautiful event called Adam’s Day in the Gold Coast on the 15th and our 2nd ever-headline show on the 23rd at Oxford Art Factory.

Who are you listening to at the moment?
As we are currently driving up to Byron let us just clue you in on what we literally have been listening to today:
— Warmduscher – at the Hotspot Remixed – EP
— Mac Demarco (we pretty much did it all, it’s so nice to drive to)
— Toro Y Moi – Outer Peace

— John Carpenter – Lost Themes album

You have an upcoming single launch at OAF Gallery in Sydney on Dec 23, what can we expect?

The usual level of high energy and some pretty crazy creative stuff. Every set we change it but since this show is special to us we are changing and redoing the whole thing. The way we play our set limits us in a good way so when we perform our songs it’s almost like a remix of the actual track. We have an awesome lineup of artists playing along with us so we really want to make it into a proper night. Also, we may or may not be making a plinth.

What’s planned for the remainder of 2022 going into 2023?

So we are keeping ourselves pretty damn busy for the rest of the month with playing live and just getting out and amongst it through the summer season. Besides playing live we will be working on editing and finishing off the music video for ‘Til I Say So and having a bit of a viewing party/just party when that comes out too and everyone is invited to drink champagne and come hang <3

Favorite food and place to hang out?

We are absolute suckers for Japanese food, and honestly, we are pretty local to the amazing Jipang in manly. We constantly find ourselves getting the chicken cutlet curry from there, it’s the perfect studio food.

https://linktr.ee/Barley_Passable

https://www.barleypassable.com/about
December 2, 2022 0 comments
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