Where are you currently based?
Mike is in London & Phil is in Bristol.
Being long term friends, how did the Awkward Branches collab come to be and how did you arrive at this point?
We met working at events – mostly weddings – at an old chapel in Peckham and quickly learned that we were both musicians. Phil suggested collaborating on something and went round to Mike’s to record some pieces. The early demos were quite proggy and ambient, but we also seemed to be drawn to quite bouncy, catchy melodies, so we soon moved towards more pop-oriented structures. Over the years we’d occasionally work on things together, in-between other projects, and the loose ideas eventually coalesced into something tangible – songs that kept speaking to us until it was time to put a name to them.
What’s been happening recently?
Aside from releasing our debut single, we’ve been working on remembering how to play the songs together. It’s been a while since some of them were recorded, but they’re still in there somewhere, at the end of a neuron!
Your single ‘A Frame (Not a Window)’ is out now via Tip Top Recordings, what influenced the sound and songwriting?
I don’t think we ever talked much about shared influences at the beginning; there was something quite instinctive to it. We’ve undoubtedly unconsciously stolen ideas from all over the place and there are certainly crossovers in our tastes – too many to mention, but especially anything dreamy, with good interactions between guitars and synths.
How did you go about writing ‘A Frame (Not a Window)’?
Musically, this was actually one of the earliest pieces we worked on; Phil had the main guitar part already worked out, and Mike added some keys and percussion. We both had this instrumental version of the track on our phones for years, and never tired of listening to it. It always felt like a song-in-waiting, so eventually Mike added the vocals and it came together quite satisfyingly.
Where and when did you record/produce/master and who did you work with?
So far we’ve recorded and produced everything ourselves in Mike’s bedroom-studio, over the course of about 6 years. For the final polish on the track we turned to the trusty ears of Mathew Keightley.
How did you approach the recording/production process?
Tentatively at first; we had no plan and everything was quite instinctive. Phil kicked things off with the guitar parts and Mike added to them with keys, percussion and eventually vocals. In terms of production, we’ve tried to keep things quite simple and tangible and not add too many layers, as much as it is tempting.
What or who influenced the concept for the music video?
Mike made the video, initially inspired by a craft-paper collage Phil had made as a potential EP cover. We wanted it to have a tender, hand-crafted quality – slightly clunky, like the Mr. Men animations – despite it being a largely digital affair.
What do you like doing away from music?
We both thoroughly enjoy watching the worst Stephen Segal films ever made, which happens to be all of them.
Who are you listening to at the moment?
Mike: Beth Orton’s new album and Blood Orange’s latest EP.
Phil: caroline’s self-titled debut album
What’s planned for the remainder of 2022 going into 2023?
We have a few more songs that will form our debut EP due out in spring, we’re some new things, and hope to feel confident enough to start playing live soon.
Favourite food and place to hangout?
We like nothing more than heading to a little place called The Couch, sharing two of the largest pizzas Dominoes will provide, a bottle of the reddest of red wines, and the inevitable sense of dread that follows.
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Where are you currently based?
S: I’m currently based in the South West of Sydney, living with my band ‘beatnix’
How did you first start playing music?
S: I’ve been singing all my life but it actually came about when I was in Switzerland playing football in 2008. I was injured quite badly and found writing poems and noting my emotions helped me cope. At the time I was at an American international school in Zürich, and I was heavily influenced by the golden era of Hip Hop! So I wrote and rapped everyday for the next 6 years.
What’s been happening recently?
S: Gigs gigs gigs! I recently became a full time musician and am running my own business so the live aspect of entertainment has been flourishing. I am the front man for the trio ‘Beatnix’ so as well as solo and duo gigs, we are starting to make a name for ourselves. I’ve also been focussing on learning piano and exercise.
Your latest single ‘Testing The Waters’ ft Jhelisa is out now, how did you come to work with Jhelisa?
S: I’m so happy with it! Jhelisa had reached out to me via instagram (if I remember correctly), she had only one song out and sent me some references. I think it was mutual that we both wanted to create together, she has a really unique voice to match her incredible writing style!
Please tell us about the collaborative process:
S: The day we met was literally when we booked the studio session with my producer ‘Delipres’. Once we got acquainted there was an open conversation about our experiences. I actually came up with a figure on the keys but they both looked at me and said –
“I thought you wanted to write an upbeat, fun song Sam … those chords sound sad” 
haha!
They were right. It was all too natural after that … Jhelisa and I went back and forth to find the concept quite swiftly whilst Delipres found the right chords and groove. Once he hit that Jamiroquai style baseline I had the first verse written in 10 minutes! We did one more studio session after the draft day and then it went to mixing and mastering.
What influenced the sound and songwriting on Testing The Waters?
S; The positive, nonchalant energy of that original session really set the tone for the song I believe. We all spoke about influences such as Mac Miller, SZA, Dualipa, Gold-link and many more but the overall influence was each other’s skill sets and ability to find a creative process that day. Jhelisa wrote that hook so naturally which gave me so many ideas for my rap verses. Delipres (Patrick Clody) absolutely nailed the musical side of the session and kept that summer feel alive!
Where and when did you record/produce/master and who did you work with?
S: The original session was back in early June I believe, at Delipres’s home studio in Sydney. We always start an early AM session if we are creating from scratch and then take a week or two to listen to the first mix… from there we wrote and adjusted the song as well as the arrangement. Delipres did a marvelous job on the edits and first 3 mixes, that’s when I sent it over to ‘Ben Feggans’ at Studio 301. He has mastered a few tracks for me and is fantastic!
How did you approach the recording/production process?
S: All in that initial session. Jhelisa wrote the hook and bridge plus the call and response, whilst Delipres was swiftly creating the music. At the same time I wrote and polished off my verses and then we recorded it as the track runs so it felt natural. I find working in those environments immensely productive, especially when everybody involved is transparent and understands their role in the project!
What’s planned for future music and music projects?
S: I have a couple of singles up my sleeve that I will bring out in 2023. Delipres and I have spoken about an EP in 2023 but my main focus is getting original music written and produced with my band ‘Beatnix’. The boys are incredible musicians and I believe we are making music and art that is incredibly unique. But you’ll have to stay tuned and see it unfold for yourselves!
Who are you listening to at the moment?
S: This year alone I’ve had to learn over 50 covers so I can work and book gigs, but I’m actually listening to an array of different music. From Chopin recitals to Mac Miller’s whole catalogue. The boys and I got to do a gig back in June with Grammy winner Masego, so I listen to him and FKJ a lot. Tom Misch, Jordan Rakei, Stormzy, Ocean Wisdom, Joey Bada$$, Horrorshow and many more. I’m actually enjoying podcasts lately too! My Therapist Ghosted me and Huberman Lab are my favourites!
What do you like to do away from music?
S: I’m on that learning wave at the moment so plenty of reading! To be honest my life is music so it’s incorporated in almost everything I do however I do normal things like, beach, skate, work out, watch good movies and to be honest … cooking is one of my favourite pastimes! I love caring for people and watching their faces when they try my food. Spending time with my pugs is never a bad time either!
Plans for the remainder of 2022 going into 2023?
S: I’m a workaholic so doing everything and anything I can to keep business coming in and opportunities rolling. I have about 22 plus gigs to go before the year is out but around Christmas time I’ll switch off and spend time with family. I just became a Godfather so trying to get over to France to meet little Georges 
Favourite food and place to hangout?
S: Maaaan, have you been down to ‘Unamas’ at Coogee Pav? It’s exquisite! I’m all about my fine dining and boozy hangs. Give me that European tapas or just a cheese board any day!
Newtown is my Jam though and I could spend my whole day walking up and down the strip supporting all the local businesses … P&V Wine merchants is my spot though!
SOCIALS
Where are you currently based?
Currently living in Greater Geelong. Grew up here and am living here currently as my Dad isn’t in the best of health, so being near family (and the beach) is great but I really miss Melbourne, especially the local Thornbury music community where I lived in 2019.
How did you first start playing music?
Classical piano lessons were forced upon me as a kid, I called quits many times only to find myself writing my own songs, then wanting singing lessons, and then returning to lessons again. I really do value the skills I obtained from learning classical music. I always played music at high school in an array of different bands and projects.
What’s been happening recently?
It’s been amazing to have been able to ‘get the band back together’ so to speak. During lockdowns I didn’t really play much music, but earlier this year decided I should see if I could find someone local, especially to play my new material. Shoutout to Rael, who has been rocking up to practices these last six months, and of course my amazing bassist and main Tetris packer of 5+ years, Simon. He never lets me down. I really like playing as a three piece, but think we need a live guitarist too.
We also played in Ballarat at Volta on Thursday 3rd Nov and the feedback we got was overwhelmingly positive, which was such a relief! It was a good feeling especially for our first launch show.
Your latest single ‘Bloom’ is out now, what influenced the sound and songwriting?
Artists such as Broods and Lorde really influenced ‘Bloom’ itself. It’s definitely on the more pop side, but I find my songs generally fit across multiple genres, including indie and alt rock. It just depends how I’m feeling!
How did you go about writing Bloom?
‘Bloom’ was born from an impromptu jam, if I recall Simon was actually playing drums and I was on keys. Think this sometimes gets me pumped up a little more than if we were both playing melodic instruments.
Where and when did you record/produce/master and who did you work with?
Produced and recorded in July 2019 – feels like a lifetime now to be honest with the wonderful Joel Quartermain (Eskimo Joe).
What or who influenced the concept for the music video?
Video concept was a tricky one; I really wanted to steer away from flowers (this was definitely not what I was going for from the early inception of the song) and there are a few songs with the same title already.
Who did you work with to create the music video?
I sourced a local Geelong company called True South Film and it was directed by the wonderful James Duggan. He was very efficient and I felt really comfortable working with him. I knew from the beginning he was going to come up with something really special from seeing his previous work, as I really struggled with the visual side of things!
Please tell us about the most challenging and rewarding aspects of creating the music video?
I hadn’t made a clip in a really long time, so I felt a little rusty! Iit was a freezing night, and we finished really late. I really love the colours and the vintage lenses they used. Aiden Mair (DOP) is also very talented and could see how much he loves his work.
Who are you listening to at the moment?
I saw Hayley Mary live recently in Queenscliff and she blew me away. I already knew how great she was, but I am loving her solo stuff. I may have fangirled a bit at the merch bar. I am also loving a few Italian artists I’d dare say you’ve never heard of (Pinguini Tattici Nucleari/Mahmood); I really want to improve my Italian as I wish to travel (and perform there) as soon as possible as I have friends and family in Milan and in Tuscany. I have to say I am also digging Sam Smith’s new track with Kim Petras.
What’s planned for the remainder of 2022 going into 2023?
We’ve got a hometown show at the Door Gallery Café on November 19, but I am hanging out to play in Melbourne again, most likely in the new year. Please keep an eye out as I plan to drop another track ready to drop early 2023, so there will be more shows to play then too!
Favourite food and place to hangout?
My favourite all time food is a bowl of gnocchi with a bangin’ ragu. If I could choose anywhere to hang out it would be in Brisbane with my Brisbane babes Bri and Amelia whom I met at Bigsound in 2017 in an elevator to the then Rooftop bar 11. I’m really glad I took that wrong turn or the friendship may not have ever occurred!!!!
BELLA DEER ‘BLOOM’ LAUNCH SHOWS
Saturday 19th November Door Gallery Cafe Fyansford
BLOOM is out now.
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I’m based in Eora (Sydney) and work out of my studio in Marrickville.
How did you first start playing music?
I started learning piano when I was around 8 and would sing and play old Billy Joel and Elton John songs. I picked up guitar a bit later and started playing in rock bands which really solidified the passion. I haven’t really stopped since.
It’s so easy. She gets my vision and always has ideas on top of mine that bring it to the next level. I’m a very visual person, but find it hard to explain what I see in my head (I do that better with sound). So I really trust her with the jnr. brand; my aesthetic is definitely a blend of both of us.
I do a bit of everything. I love melody so much that when I’m producing I usually help out with the topline as well. But I’ve been working mainly with artists I meet online or through other people. Most recently, I co-produced and co-wrote Corrj’s latest single ‘Lie To Me’, which is a 00’s RnB-trap song (catch me on the ad libs as well). When there’s less pressure on me as a vocalist to perform in the studio I get to really dig into the production and experiment with new sounds that may not necessarily work for jnr.
The rest of the year is going to be finishing off songs that I want to put out next year, and working with more people outside of my circle. Lots to expect.
Harry’s House and Being Funny In A Foreign Language have been on rotation.
Instagram: https://www.instagram.com/jnrfullstop/
Tik Tok: https://www.tiktok.com/@jnrfullstop
Soundcloud: https://soundcloud.com/jnrfullstop
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Facebook: https://www.facebook.com/soundsbyjnr
Triple J Unearthed: www.abc.net.au/triplejunearthed/artist/jnrfullstop
Website: www.jnrfullstop.com
Individually we all have roots in music here and there. Some of us started playing music before having a full set of teeth, and some of us started a little later. We all met while studying music at university and formed a band there; Some of our stuff is still recorded there and we love coming back to our roots.
A LOT of things have been happening. Let’s see, we released Something Else in April which got some fantastic radio play around the country. We threw that single a release party at the Tuning Fork and had our biggest headline show yet. Then we jumped on tour with our mates Skram from Wellington, to celebrate their fresh album. We only just wrapped up the tour when we dived straight back in the studio to record this new single Better Days. That’s now been mixed and mastered and we’re sending it around Australia and Aotearoa to make sure it lands in the right ears.
We’re putting on a release gig at the Tuning Fork with some killer support acts to celebrate this new single on November 19 so our brainspace is very occupied by all the logistics around the release.
Straight out of the tour with Skram we dove into the studio to record the Drums for Better Days. At this point we already had pretty decent guide tracks to give our drummer, Max Earnshaw, a really good energetic mix in the headphones, with the idea that it would make Max play more energetic as well. We then made those drums sound even better with some nice plugins and even nicer outboard hardware, and Jonathan Meyer tracked the bass simply directly into the pre-amps. After that, guitarist and singer Koen Aldershof layered about 4 different guitar parts over multiple tracks, to get that popular indie-pop-rock sound, similar to Half-Alive, Grizfolk, Great Gable, The Happy Fits; the list is endless.The gang vocals in the chorus are what really makes this song stand out for us. It was quite fun, we asked our Instagram following if anyone wanted to sing along on our new single and we had an overwhelming response. We had a lot of musical and non-musical friends and followers sing along to the chorus lyrics “Higher and higher and higher” which created this huge wall-of-sound kind of vocal effect. It really sounds like there’s a small army of people singing and shouting the key song lyrics. Phew, so the song is done, recorded anyway, and in only 3 weeks. At this point we sent the song off to our previous lead guitarist and good friend Luan Meaker who mixed the song beautifully. Chris Chetland from Kog Studios, (who’s worked with some ridiculously amazing artists) mastered the single and in our opinion, the song is one of the best ones we’ve ever produced.
The recording of Better Days actually came about super quickly. We were a little pressed for time, not to mention exhausted, coming out of the tour across the North Island if we wanted to push a single out before the end of the year. We thought, it’s better to release it in November because as soon as December rolls around, nobody is going to listen to anything but Mariah Carey’s jingle bells. So we got stuck in, the way we always do, starting with drums first. If anything, we put less pressure on this single than we have done for previous tunes and I think it made for a really easy and relaxed way of getting the recording done.
Favourite food, hahaha, what a random question. I mean, Lasagna always slaps, although you can’t beat a good plate of sushi. The best meal would be a potluck to nibble on a bunch of different flavours and cuisines and hang out with mates. Speaking of hanging out, anyone who hasn’t heard of Movespace needs to head over to their socials and follow them. It’s definitely our favourite place to hang out! It’s a creative space with room for co-working during the day but hosts gigs in the evening, both inside and on their rooftop venue. They’ve recently built a recording studio with the most incredible vibe and it’s THE space to meet cool like-minded people.Of course, we can’t go past our favourite venue, The Tuning Fork! It’s THE place to catch some of the up-and-coming kiwi acts and establishing overseas acts. We’re playing our second show at the Tuning Fork on November 19th and we can’t wait to be back on that beautiful stage!
Youtube: https://www.youtube.com/
Bandcamp: https://odds7ends.bandcamp.
Event tickets: https://www.moshtix.
Instagram: https://www.instagram.com/
Facebook: https://www.facebook.com/
Twitter: https://twitter.com/odds__
Where are you currently based?
I’m currently living in North Bondi.
How did you first start playing music?
I first started off playing trombone in primary school. When I was about 15 I was at a bit of a crossroads with music. I started to go to a few gigs and was really inspired to write songs. I became good friends with the Caravana Sun crew and they gave me some cool opportunities to play gigs with them while I was still at school. The rest is history, I guess.
What’s been happening recently?
2022 has been a bit all over the place for me. I moved from Fremantle to Byron Bay in June, and then I just moved to Sydney a month ago. I felt there was more opportunity for me down here, so I pulled the trigger.
I have been writing a heap through all the chaos and meeting a heap of new people. I’m pretty keen to settle into the big city life for a while and see where it takes me.
Your single ‘Nothing Lasts’ is out now, what influenced the sound and songwriting?
I wrote ‘Nothing Lasts’ in the studio with Jordi and Josh, a couple of weeks before I moved from WA to Byron Bay. At the time, I was staring down the barrel of leaving all my friends, family and the life I had created at home in WA. The song talks about moving on from a relationship, and even though it’s not the easy decision, you know it’s the right decision for both of you.
Lyrically, the track is pretty melancholy, so we tried to give it a bit more of a lighter, driving feel in the production. I think the polarity between the lyrics and production find a happy medium that complement each other.
How did you approach the songwriting process?
I had a bunch of different demos and ideas when I went into the studio with Jordi and Josh. We had recorded a song the day before and were looking to record a new song. The ideas I had weren’t really working, so we decided to just start again and write something from scratch. We wrote most of the song in one morning and just finished it as we were recording it.
Where and when did you record/produce/master and who did you work with?
I recorded ‘Nothing Lasts’ with Jordi Davieson and Josh Biondillo (San Cisco) in their home studio in Fremantle. We then recorded the drums with Dan Carrol at Rada Studios then got my good mate Dylan Olivierre (The Money War) to mix it.
Please tell us about the production process:
Josh and Jordi have some amazing vintage gear in their studio. I wrote the chord progression on Josh’s Fender Rhodes and we built the song around that. and used a Yamaha DX-7 for most of the synth/bass parts. This is probably the least guitars I’ve used on a track and it feels refreshing to take my music down a different direction. We built most of the track at their home studio then recorded drums at Rada Studios with Dan Carrol. I love looking back and seeing how many different hands one song passes through. The production of a track is a journey in itself, and I’m so lucky to have the opportunity to work alongside some amazing people.
Who are you listening to at the moment?
I’m listening to a heap of Whitney at the moment. I think there’s definitely hints of them in ‘Nothing Lasts’. I’ve also been listening to Marcus Mumford’s new album, The Strokes and Tyler, The Creator. My musical taste is a bit all over the place haha.
What do you like to do away from music?
Surfing is my main passion outside of music. It has always been a big part of my life and allows me to escape from all the chaos and keeps me sane. I find it hard to sit still. Being active is really good for my mental health. If I don’t make time to get in the ocean or do something physical I definitely feel it. Music and surfing are my meditation. They allow me to leave all my troubles at the door and let me brain reset.
What’s planned for the remainder of 2022 going into 2023?
I’m really excited to be creating heaps of music with new people. I’d like to do an east coast tour early next year and maybe even tie in a couple of shows back home as well. I’m still finding my feet in Sydney and trying to navigate life in a new city, which is pretty exciting. New people, new songs, anything is really possible.
Favourite food and place to hangout?
WA really punches above in terms of food and bars. For coffee, Ooh Coffee in North Fremantle without a doubt. For bars, Percy Flints is the favourite. One of the best beer gardens I’ve been to, food is pretty good as well. You can pretty much guarantee you’ll see your friends there on any given day of the week. I’m still finding my bearings over in Sydney. I really love The Royal in Bondi. It’s a bit grungy, the food is great and they have some sick bands playing. I saw The Beefs play there the other week, and Isabella Manfredi as well. There’s definitely a cool little scene there.
‘Nothing Lasts’ is out now.
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Where are you currently based?
Hey Team! Earlier this year I moved from Brunswick back into Fitzroy. It’s great to be closer to the action again. I love the nightlife here and the energy of Fitzroy is always a buzz.
You’ve recently joined forces with Ritchie Loop and Mark Dwyer, how did this collab come to be?
I had the idea for Break That Board and had come up with the basic rhythm & bassline. I knew that finding the right vocalists would be paramount. I actually connected with Mark first and he laid a killer verse. I knew that we needed a more dancehall style vocal for the chorus and Richie Loop has the perfect sound. The fact that he’s worked with some of my hero’s like Henry Fong & Vybz Kartel was obviously a major bonus. He added so much flavour to the track and really contrasted nicely against Mark’s verse. The track very quickly started to feel complete.
‘Break That Board’ is the killer track that’s come from the collab, what influenced the sound and songwriting?
The tuned percussion is pure Watermelon Boy but I used a more twerky rhythm this time which gave it a different groove. When the vocal recordings came back to me, it all reminded me of 90’s fighting games like Street Fighter II so I recorded a bunch of samples that sounded like the commentary from those types of games. Adding those and the game soundFX really solidified the flavour of the track.
How did the songwriting process take place?
I had the “Mind like a rock, hand like a sword…” concept in my head and wanted to pay tribute to karate bad-assery. I’ve done karate since I was a kid and had never really crossed it over into music in any way. So I sent that to Mark with the beat and he wrote his verse around that. Same with Richie Loop. They both came back with their own lyrics that involved hard work and self improvement which are cornerstones of traditional martial arts. So the track has this “zen” to it which I think is so cool because there’s a correlation with being a musician or any kind of artist. The themes of working hard, honing your skills, so you can be creative, masterful and unpredictable.
Where and when did you record/produce/master?
It was very much a modern recording process with me producing and mixing from Melbourne while Richie recorded in Jamaica and Mark the US. It all came together earlier in the year
What programs/equipment were used?
I write in ableton live and mix internally, recently I’ve started doing a little “pre-master” where I run the track through some outboard gear to give it a little extra shine. I’m also finding that this helps me get a really nice mix because it shows up anything that’s unbalanced. So I’ll end up running the track out a few times and making fine adjustments before sending it to Klaus Hill for the final master. I use an SSL Fusion for a bit of colour as well as a buss compressor from Audioscape and a really nice Australian made EQ from High Voltage Audio.
What were the most challenging and rewarding aspects of creating Break That Board?
It’s always hard working in opposing timezones but if one isn’t in a hurry it can still be reasonable. Hearing the track come together and getting the master back was damn rewarding. It might be my favourite Watermelon Boy work yet. And that’s cool.. To continually make music you’re excited by.
Will we be hearing more tracks from this trio?
I think we’ll have to make more! This was such a ball and came out sounding so solid it’s inspired me to push this sound further.
Who are you listening to at the moment?
Hagan, Digital Afrika & BRYAN THE MENSAH are making some of my favourite music at the moment. I’m also really enjoying listening to Alex Jones get raked over the coals on the Knowledge Fight podcasts and being updated on Australian cookers and con-artists on The Conditional Release Program.
What’s planned for the remainder of 2022 going into 2023?
I’ll be playing Cloud 9 in Fiji on the 7th, 8th & 9th of December. It’s a perfect venue for Watermelon Boy; The tropical setting on the water, busting chill tunes with pizza and cocktails. Such a great way to spend a vaycay. On the 21st of Dec I’m hosting a Summer Solstice Variety Show at The Evelyn in Fitzroy with some VERY special guests that I’ll be announcing soon.
Favourite food and place to hangout?
For lunch I love any place with decent vegan sandwich options, that includes Viet Rose Bakery or Nico’s Sandwich Deli in Fitzroy. Around dinner time I’ll frequent one of the local institutions like Afghan Gallery, Madame K’s, Fina’s or The Rainbow Hotel. As far as bars go, we have so many brilliant ones around but you’ll likely find me at Nighthawks in Collingwood which is always a great place for a chat in the beer garden.
Socials:
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| Where are you currently based?
My hometown, West Wyalong in central NSW. But looking to move away next year just not sure where to just yet!
What was it like growing up in country NSW?
It’s funny, if you asked me this question 10 years ago I would say I couldn’t get to the city / coast quick enough. But as I’ve gotten older and seen more of the world it’s made me appreciate how good it was to grow up in the country. What I look back on now is the mateship that you build in the small country town and no matter how far I go or how long I am away for my mates and those friendships back home have never changed. My last release ‘Aint It Funny How’ explores all of this, give it a listen!
How did you first start playing music?
I was 12 years old when I first picked up the guitar. I had a couple of mates who were a bit older than me start a band and thought they were the best thing ever. And I guess I wanted to be like them so I started playing by myself and started writing songs pretty much straight away in a little notebook which, I have still have today. Some of the lyrics are hilarious.
What’s been happening recently?
I’ve been busy, it’s been a massive year actually. Now footy has finished up I have been playing gigs most weekend in a few new places such as Albury/Wodonga. I’ve just started working on some new tracks so hopefully will be able to release new music sometime next year as well!
Your single ‘Place I’ve Never Been’ is out on November 4, what influenced the sound and songwriting?
This song is a combination of a lot of difference influences. I loved acoustic punk-rock songs as a teenager and the guitar / strings element in this track defiantly draw upon those sounds from Dashboard Confessional, Jimmy Eat World and Angels and Airways. But what I love about this song is the subtle electronic songs. These songs were all drawn from my more recent influences such as Allday. This is a sound /style I really want to explore further in the future.
But the track completely changed from what I originally had in mind for it. The song started as just an acoustic guitar played lying on my lap as a percussion/guitar fusion, similar to how Ziggy Alberts made a lot of his earlier stuff. But the track kept evolving however, the originally chords were kept and we decided to add the electronic elements instead of the percussion elements to give the song a bit of extra punch.
How did this single come about?
I never really intended this song to be on the EP actually. But when I showed my procedure my original idea, he loved the concept of it and immediately saw the potential direction we could take the track so the track evolved and came together really quickly. Lyrically, I had this idea in mind of exploring what it’s like to realize you are falling in love for the time and rather than fight it, letting yourself open up to it and becoming vulnerable with someone again.
Where and when did you record/produce/master and who did you work with?
Nearly a year ago to the day I took the 12 hour drive to Byron to record the EP with producer Billy Otto who produced the whole track. Talents Bryon local, Phoebe Neumann also features on the track with the female backing vocals. The track was mixed by Caleb M. Harris who is based in Nashville Tennesse in the States. And the song was mastered by Trent Dobson who is based in the UK – so it was a bit of a global effort!
How was it working with (Producer) Billy Otto?
Working with Billy was incredible. I had zero experience recording music before and Billy made the whole process so easy and so much fun. Some of my best memories will forever be making the demos in the his little house on the hill.
How did you approach the recording/production process?
As this was my first experience recording I didn’t know what to expect so I just went in with an open mind and didn’t want to get bogged down by what I thought they tracks should song like. I am so happy for this because the songs turned out even better than I had imagined. It did get a little tricky after I had to move back home after 3 weeks because of covid, but we made it work and it was just such an amazing experience overall.
Who was responsible for the Artwork and Creative for this project and how did the concepts come about?
Ashley Cooper, who is a member of the Holy Moly Artist and Gum Records family designed the artwork and creative for this track. The track is all set in the early hours of the morning and the cover reflects what a dawn looks like in the country with Australian native fauna looking like shadows.
Your debut EP is on the way, please tell us about the writing process and some idea of what we can expect:
It is my debut EP and it is called ‘Avem Haven’. I started the writing process by booking an isolated cabin in the hills of Kangaroo Valley in NSW. I literally just spent 4 days, from sunrise to sunset, by myself coming up with song concepts, playing with some sound ideas and writing lyrics. Looking back it was one of the most rewarding things I have ever done. The cabin I stayed in was called ‘Avem Haven’ and I named the EP after it because without that trip there would have been no EP to release!
What are you listening to at the moment?
At the moment I am trying to really focus on what sort of sounding artist I want to be. A big thing for me is making my live performances sound like the recorded tracks using my loop station. So I am currently listening to Felipe Baldomir, I love how he structures his songs using a loop station and how he uses open guitar tunings. I am also listening to Ziggy Alberts who is a massive inspiration of mine. I love his lyrics and cannot wait for his new album ‘Dancing In The Dark’ to be released. And lastly I am also listening to the Melbourne band ‘Slowly Slowly’. Again I love there conceptual lyrical writing and their overall sound. I saw them live the other week of or the first time and they were honestly the best live act I’ve ever seen.
What’s planned for the remainder of 2022 going into 2023? This year, I have a few more shows planned in regional NSW. But next year I am planning my first every official tour to promote the release of my EP which I am super excited about. Expect shows to be down the south coast and in the major NSW cities such as Wagga Wagga, Canberra, Albury and Wollongong.
Favourite food and place to hangout?
I don’t know if I have one favourite food, anything cooked by mum never misses though. And being at home when all the family is home is always my favourite place to be! |
https://www.instagram.com/benokanemusic/
What’s planned for the remainder of 2022 going into 2023?
Where are you currently based?
We are currently based in Boorloo, Perth,, chillin.
How did you first start playing music?
I was given a guitar as a child, then was spoken to by the musical gods and learned my one true calling was to play music and with this, I began to write music. And with that, here we are. Welcome.
What’s been happening recently?
Music-wise we’ve started to really get into it, we’ve got a lot of new tunes we’re really excited about! We’ve just been playing a lot of shows and feeling them lows. We’ve also been a bit sad, and that’s not all bad. It’s important to feel as sad as possible when writing music so emotion can be successfully portrayed.
What influenced the sound and songwriting for your new single ‘Wish you’d show’?
Mainly Mac de Marco and Kate Bollinger, with a dash of Vampire Weekend. Big fan of how they can make such stripped back music sound so good.
How did you go about writing Wish you’d show and what does this track mean to you?
This track and “Sun may shine” were kind of written at the same time, Harry came over and did some Saxophone overdubs on a beat I came up with while Isaiah was asleep on the couch. Our old bass player Dan came around after and tracked some fantastic bass bits after. It’s by far our favourite song at the moment, and it’s a classic little love song. There’s definitely heaps out there, but they always mean the most to whoever’s making them!
Your debut EP is on the way, please tell us about your journey with this EP:
This EP has a special place in my head as it’s been completely produced and mixed in my room on GarageBand. Starting out I didn’t have too much to work with and I feel like a nice unique sound has come out of the process. I’ve been sitting on these tracks for a while, and was pretty unsure how they’d be received. We’ve had some awesome support lately, and it feels really good to get them out.
What can we expect?
Life. Thrills. Freedom.
Where and when did you record/produce/master and who did you work with?
All tracks were mastered with Gareth Henderson (thanks Gareth), everything else was done with the band in my bedroom.
How did you approach the recording process?
I usually just play around on the guitar or a synth and see if anything nice comes out of that, that’s usually the first step. Then I sing over whatever I have, and build everything else from there. Every song’s a little different!
Who are you listening to at the moment?
A lot of Kate Bollinger, and a local resurfaced band Butter who are just amazing.
What do you like to do away from music?
Play with animals, change the world, and inspire the generation to come.
What’s planned for 2022 going into 2023?
We’re absolutely loving playing live gigs around town, so we’ll keep doing that! We love reworking the songs for live performances, keep its really fun for us and hopefully people who come see us as well. We’ve got another EP ready to go as well, stay tuned…
Favourite food and place to hangout?
We love getting burgers at Flipside in Freo, and see whatever is going on at Mojo’s. Perhaps even have a nice beverage, if we’re feeling crazy.
COCO ELISE SOCIAL MEDIA:
INSTAGRAM // SPOTIFY // FACEBO
Where are you currently based?
The sandy shores of Bondi Beach baby.
How did you first start playing music?
Each member found their love for music through different avenues, which we think makes the journey unique and exciting for the listener as you’ll begin to hear different experiences and memories captured in each song.
What’s been happening recently?
A healthy combination of recording, gigging and writing. We’ve headlined some sick shows this year (including a sellout at the Lansdowne), and we’ve polished off two EPs in the process, released our first single and shot 2 film clips. It’s been quite hectic.
Your latest single ‘Shallow Hellos’ will be out on the 27th of October, what influenced the sound and songwriting?
Shallow Hellos was a lockdown baby. Sonically, and maybe unintentionally, we leaned into a dark and moody twist on the classic indie sound which was quite reflective of what was happening around us. Although the core themes of the song are of isolation and alienation, the track finishes big with an energetic chorus which was kind of fitting, looking into an optimistic lockdown-free future.
How did you go about writing Shallow Hellos?
The opening riff was something Aron had in the bank for a long time. He took it to the band and it all came together real quick. Lee and Adam brought in that driving groove you hear in the second verse which left Mel’s vocals to shine flawlessly on-top. Very much a collaboration which is why we think it sounds so good.
Where and when did you record/produce/master and who did you work with?
We recorded the song at Parliament Studios in Annandale. Our longtime friend, producer, workhorse, shaman-in-sound and baby daddy Luke Payne produced it. He’s been with us since the start and he’s seen us hone our craft. He might tell you differently, but this was one of the smoother, funner recordings from our first EP.
Matt Fioravanti did the mixing and mastering. He’s a wizard. No two ways about it. He brought the track to life in ways we didn’t think possible.
How did you approach the recording process?
Initially, like a bull in an antiques store. We used to try and hustle a full track over a single weekend. By the time we got Shallow Hellos our process had improved a lot. We wrote it, demo’d it, drilled it, gigged it, and then recorded it amongst a batch of other tracks. So when you take the whole timeline into account, it was a matter of months.
Please tell us about how the concept for the music video came about and who did you work with?
We had worked with a great photographer Nick Gascione in a past photoshoot. He’s a true Aussie legend with a ‘straight-up’ way of doing things. He came around and we just smashed through the concept. We wanted to lean into the dark themes of the track and a real feeling of isolation/ fighting with one’s own inner thoughts. Next thing we were in his studio with Mel running on a treadmill all day. Max then took all the raw footage and edited it for 2 days straight and now we all can’t stop watching it. If you pay close attention, you’ll see Mel staring at 6 copies of herself at once haha.
You have an EP on the way, what can we expect?
You can expect the beginnings of band experimenting with finding an original sound. There’s just so many layers in each of the tracks. We’re so grateful to our producer Luke Payne who doesn’t know the meaning of the word ‘no’. Not once did he say, “nah that won’t work”. It was always like “yeh! Lets try that absolutely ridiculous idea.” We’re all super proud of it and it’s a real testament to our quest for originality. We look back fondly on all the laughs, cries, fights and late night Macca’s meals that went into making this beauty.
Any upcoming shows?
Ofcourse! We’re headlining a free show at the Royal in Bondi on Thursday the 10th of November. There’ll be plenty more too. Best to stay up to date with us on IG @lahgo_.
Who are you listening to at the moment?
Who aren’t we listening to? Such a diverse range of artists. From late 60’s Beatles records to 80’s Japanese disco-pop, 90’s boom bap, hard rock’n’roll, 2022 neo-soul, indie pop and everything current. If it’s good, we’re listening.
What do you like to do away from music?
We’re all into different sorta stuff, you know? Az loves his golf. Adam loves skiing, When she’s not spending time with her cats, Mel gets into nature walks. Lee loves his painting, Max digs on film-making.
Favourite food and place to hangout?
One of our rituals is to hit Fish Shop after a long session on a Saturday. If you haven’t had an O.G fish burger, stick it at the top of your bucket list. Also the Royal Hotel Bondi. It’s basic, but you just can’t beat a schooner and some Totti’s woodfired bread.
What’s planned for the remainder of 2022 going into 2023?
We’ve booked some time in a secluded house in the middle of no-where. We want to get away from the rat race for a minute to continue writing our next body of work. Then it’s a tour early next year and mid-late 2023 hitting festival season hard like a fly on a freshly laid doggy-doo-doo. 2023 is gonna be huge and we just can’t wait.
Where are you currently based?
Currently based in Manly! Sydney, Australia.
How did you first start playing music?
I started playing guitar throughout school, and slowly grew into singing and piano. Everything just kind of snowballed until I was confident enough to write my own stuff!
What’s been happening recently?
Moved house, finished touring, finishing up a new project, getting a lot more exercise and sleep in! The good stuff I guess.
Your latest single ‘ Dancin’ in the rain” is out now, what influenced the sound and songwriting?
I went through a massive RnB phase throughout lockdown, and went through about 6 months of experimenting with the type of sound that you can hear in the song.
How did you go about writing ‘Dancin’ in the rain’?
It came rather quickly actually! I had the sax sample recorded for a long time and wrote the song around that! The theme of the song is architected around the people that are close to me, and how they make me feel.
Where and when did you record/produce/master and who with?
I recorded most of the song at my home studio in Sydney, and then completed a final mix with Dan Natoli at Kiln Studios.
What’s the Sydney music scene like at the moment?
To be honest, whenever I’m asked this question, I don’t really know what to say. Sometimes it’s great and there’s a real sense of optimism within the shows I attend and shows of my own. However sometimes it can seem bleak, and there feels like this constant pressure to make artists into more than artists (content providers, accountants, media guru’s, etc).
What are your favourite venues to play and why?
I think my favorite venue has got to be my hometown venue of The Lansdowne. I grew up watching so many of my favorite artists play there, and was such an insane feeling when I got to sell it out myself a couple of times!
You have an upcoming tour, where are you headed and what do you most enjoy about touring?
Touring can be amazing, and can also be grueling. If I’m doing a solo part of the tour, airports can become a bit annoying after a while. We end the tour with a huge Byron show, which should mean the band and I get a bit of time in the sun!
Please tell us about any upcoming music/albums:
I have a new project in the works, which should be on the horizon early next year.
Who are you listening to at the moment?
Honestly, a lot of dance music, particularly house and jazz house. It’s such a fun and refreshing mixup to my normal stuff, and super fun to dj.
What do you like to do away from music?
I’m a pretty chill morning guy, and like the simple things like exercise, beach and reading. I also like just organizing day things with my partner and friends and making the most of the time we have!
What’s planned for the remainder of 2022 going into 2023?
I finish touring in mid-November and then I have the rest of the year off! Very exciting. I’m going to spend a little bit of it completing a new project, and then I’m going to relax!
Favourite food and place to hangout?
Anything to do with sashimi. I’m due for some actually.
Official Website: https://olyshermanmusic.com/
Facebook: https://www.facebook.com/
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Youtube: https://www.youtube.com/
Triple J Unearthed: https://www.abc.net.au/
Where are you currently based?
I am based in Naarm (Melbourne).
How did you first start playing music?
Off my brothers iPod! And eventually I just figured out how to make my own.
What’s been happening recently?
Well, I’ve been getting used to having a song out again after 5 years and taking it all in. I’ve been working to pay the bills and working on my music!
Your latest single ‘My God’ is out now, what influenced the sound and songwriting?
I just started off with a simple beat I made and melody. I don’t think anything in particular inspired it. Maybe just lived experience and trying to have fun with the lyrics. I wanted to do some wordplay with pop culture references so the movie ‘Friday’ with Ice Cube and Chris Tucker, Kill Bill, Michael Jordan & Dr Phil influenced that!
How did you go about writing My God?
I love 808’s, and I was playing around with an 808 melody on GarageBand & then experimented with some percussion samples and slam/kick FX and MIDI trumpets and as I was doing the beat making process, I came up with a melody and then wrote lyrics.
Where and when did you record/produce/master and who did you work with?
Over a year ago now, I was in a little bedroom and created the demo. I then took the demo to HAMLEY (producer) who beefed everything up and then Matt ‘Xiro’ Fioravanti mixed and mastered it.
How did you approach the recording process?
After having my version of the demo for a while, I got used to the original vocals I did and was pretty set on them being in the final mix. When I’m doing it on my own time I don’t feel pressure because I can take as long as I like and choose my environment. But I had to let go of what I was comfortable with, re-record them better quality and try to have the same energy as the demo which ended up sounding more powerful in the end.
You’ve recently taken a break from music to work on yourself, please tell us about this
process:
When I put my first song ‘Ocean’ out 5 years ago, I didn’t realise the extent of how much I had going on for myself personally and mentally which put a halt on me focusing on my music. I got addicted to drugs and I didn’t know I was addicted until I was really in the depth of it. I made a choice and didn’t realise the implications it would have. When I knew I wanted help, I made a choice to try and get it. I had definitely tried to get help in the past, but when it worked for me is because I wanted it for myself. Music definitely played a big part in my recovery because when the lockdowns hit, I just threw myself into creating music again.
How did you go about teaching yourself to produce and make beats?
GarageBand, and a lot of YouTube tutorials!
Who are you listening to at the moment?
JK-47. I love his realness and lyricism. A new inspiration of mine too! I can’t wait to see him play at First & Forever – A Celebration of Blak Excellence festival in November and all of the other incredible artists on the lineup.
What do you like to do away from music?
Talk to my cat Chonky, spend time with my loved ones, do backyard hairdressing for friends and myself, converse with people and learn how they see the world and experience it and I like stretching/yoga, I just want to do it more regularly!
What’s planned for the remainder of 2022 going into 2023?
Staying focused on my music and getting it out there! I have a hard drive full of songs I’ve been writing and I just can’t wait for the world to hear them. More released music, more time with friends and family, getting back into live performing, keeping healthy and staying open to learning from every experience!
Favourite food and place to hangout?
Asian food, especially dumplings. My favourite place to hangout is in my bedroom studio. Whilst eating dumplings.