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Music Interviews

Where are you currently based?  Currently I'm based in Tuscany, Italy where my girlfriend is from. We were  previously based in London but after the pandemic happened there was only so  long we could stay because of obvious financial reasons. My girlfriend grew up on a  farm here so we moved last June to be with her family.   How did you first start playing music?   Well I was writing from a pretty young age. I wanted to be a screenwriter/actor and  star in my own films so I was brimming with ideas for stories etc. I used to play  amateur rugby for my local hometown under 16s and broke my leg when I was  about 14. I had had an interest in music but it didn't really blossom til my mum  brought a copy of Walk The Line home to watch when I was at home in a cast. I  was just mesmerised with the Johnny Cash story and his music and that lead me  onto Rock bands and Blues artists like Led Zeppelin, The Rolling Stones and  Muddy Waters. I was still pretty fixated on screenwriting and acting, however, until  me and a group of friends snuck off to Glastonbury in 2009 when we should have  been doing our exams. There I saw Bruce Springsteen headline the festival and it  was like nothing I had ever seen. I didn't really know any of his music but after that  show I was totally converted. I felt like I was at church and I had found my religion.  Since then it's been all I want to do.   What's been happening recently and how has your Covid experience been? Well we've been in Tuscany for almost 10 months now and I couldn't be more  grateful for it. When the pandemic kicked off my girlfriend and I were not in great  financial situations. I had been busking full time in London for 4 years, at that point  trying to move onto gigging full time for various hotels, bars and agencies, and she  was a barista trying to get onto the London Underground for a better wage. Our  financial situations were precarious at best. When the pandemic happened I lost a  hotel residency I had in Kensington, the agency I had literally joined 3 weeks before  lost all their gigs and she was fired from her job. I had no money and had to take a  job working for the forestry commission on the Scottish border just to cover some  rent for the initial couple of months. When the job had finished by May it didn't take  us long to make up our minds and head back to her family's home where the  difference in pace, the familial solidarity, the weather and the food has certainly  made a huge difference on our mental health. Outside of working for her old man  I've really been able to sit down and focus on how I want to get my recorded music  out there.   Your track 'Come Bring Your Hype Here' is out now, what influenced the  sound and songwriting?  The song had a lot of influences to be fair. The opening riff came first which I kind of  felt was like what Alex Turner might do if he did an impression of Jimi Hendrix and  that kind of set the tone for the rest of the song. My band and I took a lot of classic  Funk and Disco style tropes and just kind of meshed them together but wanted to  keep that very British, Arctic Monkeys-esque attitude.   Then came the lyrical content. At the time I was busking there were protests  nearly every weekend and it was frustrating if you were depending on the weekend  for the vast bulk of your bread and butter. It could get a little frustrating because a  lot of the time you’d agree with the cause which made it all the more frustrating  when you couldn’t earn any money or get home. It was annoying when you’d speak  to people in the protests and they just wouldn’t seem to get that or, worse yet, even  know a damn thing about the reason why they were there almost as though they  were joining ‘a hype’. But one of the best things I noticed was come the evening  time us buskers, when we finished, usually cracked open a few cans and  sometimes even had a jam and that would attract all sorts of people over.  Sometimes you'd get two completely opposing opinions from the protests/counter protests and just watch as they'd argue and then just talk it out as human beings.  Agreeing to disagree.    Social media and mainstream news has us believing there are these huge  divides in society and they have a lot to answer for in my opinion. You’ll be  surprised how reluctant people often are to get into disagreements if they’re face to  face like human beings. Now, obviously it wasn't always the way but when it did  happen it was great. It reminded me of a Bill Hicks skit where he's making the  argument to legalise weed and how much the world would just be a better place if  they did. "Shut up and smoke this!". Well for me it was much more British. "Come  on, why don't we settle this over a pint?". So the song kind of evolved out of this  idea of 'what if utopia were this crazy dive bar where there was only one rule; you  leave your differences at the door'.   How did Come Bring Your Hype Here come about?  Well that was all the beginning of the song. After that I kind of based the bar on the  pub I worked in for two years when I was 19 which just made sense because it was  an Indie Rock Bar and the style of the song was very much heading in that  direction. The other great thing about it was that everyone in the town seemed to  pass through at least once in the night. It was class. It just had this universal  appeal. I'll never forget that.   Where and when did you record/produce/master and who with? So the funding for the track came about after a Kickstarter crowd funding campaign  I set up in the back end of 2019. My fans subsequently funded the recording of my  debut album, which is due for release October 22nd, and CBYHH is the next single  from that. The song has been recorded with one of my best friends who saw me  busking back in 2016. He was in his first year of a music production course at  university and asked if I wanted to work with him and we've been working together  ever since. Minus the drums, which we did at his university, the bulk of the album  was recorded in the various bedrooms he was staying in in London. Come Bring  Your Hype Here was his flat in Richmond I believe and was one of the ones we had  to finish during lockdown in May/June. I was renting Boris bikes and cycling to his  flat, avoiding public transport for obvious reasons, just so we could get the album  done before my girlfriend and I had to leave the country.   How did you approach the songwriting process? Well I always try to make sure the song is either playable or malleable to being  played solo because I can't always afford my band mates, The Ginkgo Milk, who  also play on this track. So it's important the songs are engaging with or without a  band. Interesting guitars are a priority as is a vocal melody. My main passion is for  the lyrics though. As a writer I try to make them as impactful as possible with  respect to the theme or mood of the song.   What programs/instruments did you use?  So the program we used was Pro Tools. Instruments wise it's your classic Funk  Rock song. Drums, Bass, Guitars. What else do you need, right? Haha   Who are you listening to at the moment?  At the moment I'm listening to a lot from the Black Pumas who I've been in love with  since that album came out. A lot of Frank Zappa too. What a genius he was! Hailu  Mergia and the Dahlak Band's album Wade Harer Guzo is not far from my ears  these days as well as various Jazz artists. I'm also pretty big on John Mayer and  Norah Jones.   What do you like to do away from music?  I've done MMA in my spare time, on and off, when finances have allowed since I  was about 20. It's purely amateur, hobby and fitness related though. I just find a lot  of them totally fascinating, character building and great fun. I'm hoping to compete  in amateur bouts some day but I think there's a long way to go. They also keep me  out of the pub which I think is my number one hobby as a true English man haha! I  also love film, literature, hiking/camping, cooking, history, politics...I'm a bit of a  Jack of all Trades master of sod all haha! So many interests so little time, I guess.   What's planned for 2021?  For 2021 I'm going to be releasing singles until the full album is out come October.  I'll also be growing my YouTube channel, recording more music and just trying to  connect with current fans and building new ones to the best of my ability. It's a great  time to be a musician because of this first hand access social media allows us to  have with our audience and I look forward to trying to use these tools to reach out  to potential listeners.   Favourite food and place to hangout?  Crisps and pubs haha!
Music InterviewsMusic News

Andy John Jones

by the partae March 19, 2021
written by the partae

“Andy John Jones brings a mesmerising mix of eccentric Funk/Disco mashed with a very British-esque unhinged rock n roll vibe, a fresh, brash and ragged sound that tingles every pore of the body.” – The Partae

Where are you currently based? 

Currently I’m based in Tuscany, Italy where my girlfriend is from. We were  previously based in London but after the pandemic happened there was only so  long we could stay because of obvious financial reasons. My girlfriend grew up on a  farm here so we moved last June to be with her family.  

How did you first start playing music?  

Well I was writing from a pretty young age. I wanted to be a screenwriter/actor and  star in my own films so I was brimming with ideas for stories etc. I used to play  amateur rugby for my local hometown under 16s and broke my leg when I was  about 14. I had had an interest in music but it didn’t really blossom til my mum  brought a copy of Walk The Line home to watch when I was at home in a cast. I  was just mesmerised with the Johnny Cash story and his music and that lead me  onto Rock bands and Blues artists like Led Zeppelin, The Rolling Stones and  Muddy Waters. I was still pretty fixated on screenwriting and acting, however, until  me and a group of friends snuck off to Glastonbury in 2009 when we should have  been doing our exams. There I saw Bruce Springsteen headline the festival and it  was like nothing I had ever seen. I didn’t really know any of his music but after that  show I was totally converted. I felt like I was at church and I had found my religion.  Since then it’s been all I want to do.  

What’s been happening recently and how has your Covid experience been?

Well we’ve been in Tuscany for almost 10 months now and I couldn’t be more  grateful for it. When the pandemic kicked off my girlfriend and I were not in great  financial situations. I had been busking full time in London for 4 years, at that point  trying to move onto gigging full time for various hotels, bars and agencies, and she  was a barista trying to get onto the London Underground for a better wage. Our  financial situations were precarious at best. When the pandemic happened I lost a  hotel residency I had in Kensington, the agency I had literally joined 3 weeks before  lost all their gigs and she was fired from her job. I had no money and had to take a  job working for the forestry commission on the Scottish border just to cover some  rent for the initial couple of months. When the job had finished by May it didn’t take  us long to make up our minds and head back to her family’s home where the  difference in pace, the familial solidarity, the weather and the food has certainly  made a huge difference on our mental health. Outside of working for her old man  I’ve really been able to sit down and focus on how I want to get my recorded music  out there.  

Your track ‘Come Bring Your Hype Here’ is out now, what influenced the  sound and songwriting? 

The song had a lot of influences to be fair. The opening riff came first which I kind of  felt was like what Alex Turner might do if he did an impression of Jimi Hendrix and  that kind of set the tone for the rest of the song. My band and I took a lot of classic  Funk and Disco style tropes and just kind of meshed them together but wanted to  keep that very British, Arctic Monkeys-esque attitude. 

 Then came the lyrical content. At the time I was busking there were protests  nearly every weekend and it was frustrating if you were depending on the weekend  for the vast bulk of your bread and butter. It could get a little frustrating because a  lot of the time you’d agree with the cause which made it all the more frustrating  when you couldn’t earn any money or get home. It was annoying when you’d speak  to people in the protests and they just wouldn’t seem to get that or, worse yet, even  know a damn thing about the reason why they were there almost as though they  were joining ‘a hype’. But one of the best things I noticed was come the evening  time us buskers, when we finished, usually cracked open a few cans and  sometimes even had a jam and that would attract all sorts of people over.  Sometimes you’d get two completely opposing opinions from the protests/counter protests and just watch as they’d argue and then just talk it out as human beings.  Agreeing to disagree.  

 Social media and mainstream news has us believing there are these huge  divides in society and they have a lot to answer for in my opinion. You’ll be  surprised how reluctant people often are to get into disagreements if they’re face to  face like human beings. Now, obviously it wasn’t always the way but when it did  happen it was great. It reminded me of a Bill Hicks skit where he’s making the  argument to legalise weed and how much the world would just be a better place if  they did. “Shut up and smoke this!”. Well for me it was much more British. “Come  on, why don’t we settle this over a pint?”. So the song kind of evolved out of this  idea of ‘what if utopia were this crazy dive bar where there was only one rule; you  leave your differences at the door’.  

How did Come Bring Your Hype Here come about? 

Well that was all the beginning of the song. After that I kind of based the bar on the  pub I worked in for two years when I was 19 which just made sense because it was  an Indie Rock Bar and the style of the song was very much heading in that  direction. The other great thing about it was that everyone in the town seemed to  pass through at least once in the night. It was class. It just had this universal  appeal. I’ll never forget that.  

Where and when did you record/produce/master and who with? So the funding for the track came about after a Kickstarter crowd funding campaign  I set up in the back end of 2019. My fans subsequently funded the recording of my  debut album, which is due for release October 22nd, and CBYHH is the next single  from that. The song has been recorded with one of my best friends who saw me  busking back in 2016. He was in his first year of a music production course at  university and asked if I wanted to work with him and we’ve been working together  ever since. Minus the drums, which we did at his university, the bulk of the album  was recorded in the various bedrooms he was staying in in London. Come Bring  Your Hype Here was his flat in Richmond I believe and was one of the ones we had  to finish during lockdown in May/June. I was renting Boris bikes and cycling to his  flat, avoiding public transport for obvious reasons, just so we could get the album  done before my girlfriend and I had to leave the country.  

How did you approach the songwriting process?

Well I always try to make sure the song is either playable or malleable to being  played solo because I can’t always afford my band mates, The Ginkgo Milk, who  also play on this track. So it’s important the songs are engaging with or without a  band. Interesting guitars are a priority as is a vocal melody. My main passion is for  the lyrics though. As a writer I try to make them as impactful as possible with  respect to the theme or mood of the song.  

What programs/instruments did you use? 

So the program we used was Pro Tools. Instruments wise it’s your classic Funk  Rock song. Drums, Bass, Guitars. What else do you need, right? Haha  

Who are you listening to at the moment? 

At the moment I’m listening to a lot from the Black Pumas who I’ve been in love with  since that album came out. A lot of Frank Zappa too. What a genius he was! Hailu  Mergia and the Dahlak Band’s album Wade Harer Guzo is not far from my ears  these days as well as various Jazz artists. I’m also pretty big on John Mayer and  Norah Jones.  

What do you like to do away from music? 

I’ve done MMA in my spare time, on and off, when finances have allowed since I  was about 20. It’s purely amateur, hobby and fitness related though. I just find a lot  of them totally fascinating, character building and great fun. I’m hoping to compete  in amateur bouts some day but I think there’s a long way to go. They also keep me  out of the pub which I think is my number one hobby as a true English man haha! I  also love film, literature, hiking/camping, cooking, history, politics…I’m a bit of a  Jack of all Trades master of sod all haha! So many interests so little time, I guess.  

What’s planned for 2021? 

For 2021 I’m going to be releasing singles until the full album is out come October.  I’ll also be growing my YouTube channel, recording more music and just trying to  connect with current fans and building new ones to the best of my ability. It’s a great  time to be a musician because of this first hand access social media allows us to  have with our audience and I look forward to trying to use these tools to reach out  to potential listeners.  

Favourite food and place to hangout? 

Crisps and pubs haha!

LISTEN/DOWNLOAD

https://ampl.ink/2LzQJ

Facebook:
https://www.facebook.com/mrandyjohnjones/
Instagram:

https://www.instagram.com/mrandyjohnjones/?hl=en

Twitter:

https://mobile.twitter.com/mrandyjohnjones
Website:
www.andyjohnjones.com
March 19, 2021 0 comments
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Ben Wright Smith
Music InterviewsMusic News

Ben Wright Smith

by the partae March 19, 2021
written by the partae

This album is a collection of a bunch of creative phases for you, it seems – what does it mean for you to have this music packaged up in this way now?

I think the idea was just to release the album as we were making it. We wanted to keep touring and I just wanted to put new music out there too. It felt weird to be making stuff and having it sit there for a year or two. In the end we’d go in record four or five songs in a  row and then release it soon after. If anything I was more surprised that it actually felt like an album from start to finish when it was all done.

With regards to the new material on Echo Lodge, how does that music sit with you in terms of its significance now?

I really like those songs, although we’ve also not really had the chance to play much of the stuff from the rest of the album either as we’ve been on an enforced hiatus this way. We’ve just started playing shows and we’ve been playing a lot of the new songs. It’s been great to finally get the chance to perform them and reinvent them as we go.

It’s an ambitious thing to release music in this way – did you have any apprehension over the roll out?

I didn’t really think of it as ambitious. I’d just spent a bunch of time with the first record waiting and it bummed me out. I want to play the new songs as I made them. As a band it’s always  more fun to play the new songs we’ve just laid down. Recording wise we’re doing way more stuff at home now which means it’s easier to release music that way.

What does making music (the craft of it) mean to you now as we come off the back of 2020?

I think I appreciate it more than ever. Not being able to play for a while has been strange as most musicians have been doing this for as long as they can remember. We went into the studio to record some stuff recently and it was just so cool to play with the band again. I’ve been at some gigs just looking at the drummer of the band being like ‘Wow cool’ I forgot how fun it was to watch people do their thing.

You’ve been able to perform some shows recently, how were those experiences?

The shows were great and we’re hoping to play more. I think people are feeling the same way as I do, where these things we took for granted, cultural things like seeing a gig that now have a new feeling to them. It was so nice to see people coming out from the other side of 2020 and getting to chat at the shows as if we were just at a show again.

Being based in Victoria, how are you anticipating this year with regards to being able to bring your music to more stages as the year progresses?

I think at the moment we’re working on a new record so I think more than anything I just want to record new music and play more shows. We played in Castlemaine the other day but we’d love to play more anywhere that’ll have us. I’ve toured a lot around Australia and a lot in Victoria and there are places that we’d love to come back to, also of course going on some trips around the country too when we can.

https://www.facebook.com/benwrightsmithmusic

March 19, 2021 0 comments
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Flow & Zeo
Music InterviewsMusic News

Flow & Zeo

by the partae March 17, 2021
written by the partae

Flow & Zeo is a Brazilian duo – and husband-and-wife partnership – who came to our attention recently via their brilliant LP, Spacekraft. Released via katermukke, it tells the story of a duo for whom making music is clearly their very reason for being. A wonderful listen from start to finish, we just couldn’t stop listening to it from the first listen. We were naturally, keen to hear the guys backstory, so we put a few questions to them over email recently. Here’s what wewnt down…

This album takes the listener on a real journey of sorts. Is producing an album different to producing an EP in that respect do you think?

We are having this experience – of producing an authorial album –  for the first time. And has been a blast… we always had this aim. Living life during the pandemic, isolated, took us to a innervision and Spacekraft was conceived. Connected to nature in our garden where Studio “Árvore” was built we had an immersive connection with the cosmos…, looking to the sky, with our cats, lying on the grass, absorbing galactic energy, took us into a trip of a thematic album where music can take anyone to other dimensions. We realized that we could create our own journey through the solar system, honoring each planet with music.

It’s an immersive journey we’ve never done before. We explored a new way of producing music.

Did you have a general theme or vibe in mind when you were producing the album? Or was it more a case that you went into the studio and see what happened?

As we mentioned previously, sky observation brought us into this journey. The cosmos has so much to give and teach us ….. We absorbed a lot…. It’s infinite.

Our perception of the universe connected everything and we transformed this energy into music.

Which track came the most naturally? And which was the most challenging to produce?

The most natural was Terra, our mother earth “Gaya”. It was the last track produced of the album. We composed this track almost as a ritual, connected with our ancestrality. You can listen to the “Canto Sagrado da Mãe Terra” from a multiethnic Indian Tribe and we also used the sound of Schumann Resonance emanated from the earth in Space at 7.83hz. It sounds as an Ohm and flows through the track as a sub bass.

This mix of ideas during the creation process made us realise we should record a video clip for this track and this brought us into an historical indian tribe from Brazil, Tapaxós where we recorded the video clip.

https://youtu.be/MzqosUXneNQ

The most challenging was Pluto, the ninth planet from the sun. The last track and also the art cover of the album. It was challenging…

Pluto, since 2006, is classified as a dwarf planet. It is so unique, beautiful and mysterious. From there beyond you will find much more than our solar system. The universe. We felt we needed to use a message of empowerment to represent such an amazing celestial body. When you listen to the track you can feel a different touch from the rest of the album.

At what stage did you know you were done and it was finished? Do you find it difficult to know when a record is finished?

To declare a creation finished is always hard. There are so many possibilities. When it becomes something that is special for you, a deep relationship begins and it’s very difficult to give it away hahahaha….

Aside from one another, who is the first person you gave it to for feedback? How important is there feedback to you? And what did they say about it?

Our mastering engineer – Vantonio. He was the first to have the whole album.

We met him because he mastered a track we released on D-edge records (Flow & Zeo – Substantial). We really appreciated his work and got in contact with him to master our album as well. Since then, we became really close and exchanged a lot. He became a friend and music partner. We are very grateful and happy with all the feedback we are getting from Spacekraft album.

The release is out on German label, Katermukke. How did it end up on there? Why is it a great place for you to releaser the album?

We had the feeling during the album creation that it could fit there. And it happened. It could not be better. We have a long relationship with Berlin and Bar 25, where we’ve played and also did our label showcase. Katerholzig, Kater Blau. We love the atmosphere. We have good friends in Germany. We also had a previous release on the label, a remix we did of the Track Space Junk from Uone & Western, Andreas Henneberg. Thanks to Dirty Doering and the Katermukke team for having us on board! It’s an honor for us!!

Even the artwork features an image of a faraway planet. Who chose the artwork?

All the design and concept was developed in collaboration with Bussola Agency from our friend Diego Mey who lives in Miami. As we mentioned, the planet of the artwork is Pluto, the end of this journey… but also the beginning of a much bigger exploration. Considering that, there are infinite possibilities to plan a new mission on the future. Why not!?

Do you think art and music are linked? Was the artwork and the aesthetics of the package very important to you in this way?

We let our senses talk through music. This is art. A subliminal communication. Art is the world’s salvation and it’s all linked.

Did this way of thinking influence your decision to release terra as a binaural track? Can you tell us a bit about that process also? Did you produce that track for 3D yourself? And what is it about 3d sound that you so love?

Binaural mixing is something new for us, but has been there for a long time, since the 50’s. Some of Pink Floyd’s music was mixed with this technique, among other artists. It’s so special…. The feeling you have when listening to it with headphones is indescribable. The sounds touch you and go in directions you never could imagine was possible.

Regarding Terra, at the first moment we produced it with “regular” mixing techniques, using Binaural Mixing only in one of the sounds of the track, as we also did in other tracks from the album.  During a conversation with Vantonio (our mastering engineer) he showed us a release from Max Cooper that  was Binaural recorded, It’s something out of this world. Respect!!

This encouraged us to make a version from Terra Binaural Recorded to be listened to with headphones, which is how you can get the full Binaural experience from it.

Its unique surrounding, everyone should try it.

What’s next for you guys following the album release?

We are giving the final touches on “The Sun” & “The Moon” , the protagonists of the solar system. Those tracks are going to be released on vinyl later this year.

Also other tracks from us that are not connected to the album will be out soon.

Besides that we have 2 new projects:

DFÜZE

It’s our side project Influenced by 80’s and 90’s baggage mixed with nowadays textures, a combination of Breaks, Electro and Miami Bass.

Zeo: My first contact with DJing was in the “Baile Funk” of Rio de Janeiro. The music played was the old classic “funk carioca” which is a mixture of Miami Bass and the sound of the soul of Rio Favelas. MPC, Drums Machines, MC’s. Lyrics of love, against violence, and of also violence. A scream from Rio’s ghetto population.

Our passion for broken beats is an old thing. During quarantine we had the privilege to free our minds and travel into DFÜZE and make it happen. DFÜZE has been part of our studio creation for a long time and now it’s finally released on D-edge Records with 2 original mixes. Propeller & Burst and great remixes by Renato Ratier, Joyce Muniz and L_cio. Feeling grateful.

FLUYD

Oriented to downtempo and seeks through sound a relief for the soul. Smooth melodic aspects, deep immersion among details of acoustic elements and unique texture exploring sensorial frequencies.

The first release was out on the Portuguese label Flow Records.

Flow & Zeo’s Spacekraft is out now via the Katermukke label. Buy/listen to the release here and keep up with Flow & Zeo on Facebook here.
March 17, 2021 0 comments
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What is your name and role within Inklines? Will - I sing and play guitar. Where are you currently based and how has your Covid experience been so far? We’re all based on the Northern Beaches of Sydney. The last year has been interesting, with how much the whole environment of live music has changed. There’s been a lot of down time but we’ve kept busy writing and recording new music. Jamming heaps!  How did Inklines form? I asked Tom if he wanted to drum with me after I saw him playing in a mate’s band, at a local show. My brother Jason was playing bass for a while, but he wanted to do other things so we called up Dan, who Tom knew from school, and convinced him to join. What's been happening recently? We’ve been jamming heaps which has been really good. Keeping busy with promoting and preparing singles. We played our first show in 12 months just a few weeks back, which was great fun!  Your new single 'Blossom' is out now, what influenced the sound and songwriting? I think I was mainly just going for simplicity. I got the idea for wanting to do a big outro riff from Madison Cunningham’s song – “Song In My Head”. How did Blossom come about? I recorded the riff into my phone recorder a year or so ago. It just randomly popped into my head one night and I started writing bass lines under the riff. For about a week, I would record a different little line or chord voicing and add it on there until I just worked out what I wanted, where.  Where and when did you record/produce/master and who with? We recorded this and 6 other songs in a house on a farm just outside of Goulbourn. Lachlan West engineered, produced, recorded, mixed and mastered the whole session. What programs/equipment did you use? You’d have to ask Lachlan about the programs – I think Logic? The guitars in this track are primarily a Fender Telecaster & a Gibson SG Custom, with a J45 for some extra percussive textures. Tom played on an old Ludwig kit that Lachy owns. Dan uses a J bass & a P bass, I’m not certain what he used on this track but my guess would be P. How did you approach the recording process? We always like to get the fundamentals down from a live session. So, all the bass & drums and some rhythm guitars are taken from one of the 7 or 8 takes we do, of each song. Then I add all the extra guitar layers and vocals in later. Who are you listening to at the moment? I’m not actually listening to much at the moment. I’ve just kind of been relistening to things from the last 2 or 3 years. My most recent obsession was The Neighbourhood’s “Chip Chrome and the Monotones”, and I still love to listen to that, but I haven’t much else that I’ve been super excited about since. What do you like to do away from music, now things are less locked down? Recently I’ve mostly been busy preparing to be a father! My daughter is due in May. So I’ve been spending lots of time with my girlfriend, building cots, shopping for small clothes and all the rest! We also have a small business so I’ve been focussing on pushing that as much as possible. You’re playing Saturday, March 27th Secret Location, Brookvale Sydney, what can we expect from an Inklines show? We’ve actually just rescheduled the show for April 2nd! Normally you can expect us to play loud and hard, but for this one we’re taking it down a notch and giving the acoustic “unplugged” thing a go. What's planned for 2021? We’ve got a bunch of songs to release so that will be the main focus! We’ll definitely play some shows when we can but it’s a strange world out there at the moment, so we aren’t rushing into anything.
Music InterviewsMusic News

Inklines

by the partae March 17, 2021
written by the partae

What is your name and role within Inklines?

Will – I sing and play guitar.

Where are you currently based and how has your Covid experience been so far?

We’re all based on the Northern Beaches of Sydney. The last year has been interesting, with how much the whole environment of live music has changed. There’s been a lot of down time but we’ve kept busy writing and recording new music. Jamming heaps! 

How did Inklines form?

I asked Tom if he wanted to drum with me after I saw him playing in a mate’s band, at a local show. My brother Jason was playing bass for a while, but he wanted to do other things so we called up Dan, who Tom knew from school, and convinced him to join.

What’s been happening recently?

We’ve been jamming heaps which has been really good. Keeping busy with promoting and preparing singles. We played our first show in 12 months just a few weeks back, which was great fun! 

Your new single ‘Blossom’ is out now, what influenced the sound and songwriting?

I think I was mainly just going for simplicity. I got the idea for wanting to do a big outro riff from Madison Cunningham’s song – “Song In My Head”.

How did Blossom come about?

I recorded the riff into my phone recorder a year or so ago. It just randomly popped into my head one night and I started writing bass lines under the riff. For about a week, I would record a different little line or chord voicing and add it on there until I just worked out what I wanted, where. 

Where and when did you record/produce/master and who with?

We recorded this and 6 other songs in a house on a farm just outside of Goulbourn. Lachlan West engineered, produced, recorded, mixed and mastered the whole session.

What programs/equipment did you use?

You’d have to ask Lachlan about the programs – I think Logic? The guitars in this track are primarily a Fender Telecaster & a Gibson SG Custom, with a J45 for some extra percussive textures. Tom played on an old Ludwig kit that Lachy owns. Dan uses a J bass & a P bass, I’m not certain what he used on this track but my guess would be P.

How did you approach the recording process?

We always like to get the fundamentals down from a live session. So, all the bass & drums and some rhythm guitars are taken from one of the 7 or 8 takes we do, of each song. Then I add all the extra guitar layers and vocals in later.

Who are you listening to at the moment?

I’m not actually listening to much at the moment. I’ve just kind of been relistening to things from the last 2 or 3 years. My most recent obsession was The Neighbourhood’s “Chip Chrome and the Monotones”, and I still love to listen to that, but I haven’t much else that I’ve been super excited about since.

What do you like to do away from music, now things are less locked down?

Recently I’ve mostly been busy preparing to be a father! My daughter is due in May. So I’ve been spending lots of time with my girlfriend, building cots, shopping for small clothes and all the rest! We also have a small business so I’ve been focussing on pushing that as much as possible.

You’re playing Saturday, March 27th Secret Location, Brookvale Sydney, what can we expect from an Inklines show?

We’ve actually just rescheduled the show for April 2nd! Normally you can expect us to play loud and hard, but for this one we’re taking it down a notch and giving the acoustic “unplugged” thing a go.

What’s planned for 2021?

We’ve got a bunch of songs to release so that will be the main focus! We’ll definitely play some shows when we can but it’s a strange world out there at the moment, so we aren’t rushing into anything.

https://www.facebook.com/inklinesband/
https://www.inklinesband.com/

March 17, 2021 0 comments
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Zac Stellars
Music InterviewsMusic News

Zac Sellars

by the partae March 16, 2021
written by the partae

Where are you currently based?

I’m currently based in Sydney. Thankfully now that COVID has settled down I’m starting to pick up some gigs in the greater Sydney area.

How did you first start playing and writing music?

I got my first guitar for my third birthday so my hopeful father started trying to teach me at a very young age. I really started writing in high school when I wrote “Lillooet” off my upcoming EP and decided this is what I wanted to do. Since then, I have been writing and learning every and any facet of the music industry that I can get my hands onto.

What’s been happening recently and how has your Covid experience been?

Just been preparing to release the next few songs in the lead up to the EP. Starting work on some songs for later 2021 and 2022 but at the moment I’m really trying to beef up my social presence and audience.

Thankfully COVID was actually a really productive time for me. It gave me the time to sort out production for the EP and connect with some really influential and knowledgeable people in the industry.

Your single ‘Atlantis’ is out now, what influenced the sound and songwriting?

I wrote this song when I was 17 and so I wrote it with a massive influence from Ed Sheeran who was and is a massive inspiration of mine. When trying to find the sound we thought about what context you might find this song in. We landed on quite a full, cinematic approach which turned out really great.

How did you go about writing Atlantis?

Despite being a 5 minute song it was one of the quickest songs to write. After having a bit of writers block I decided I would lock myself in my room and gave myself 1 hour to write a song. The song was based around a little crush I had in high school but knew she would never like me back, so I just experimented with the idea of unrequited love and after about 30-45 minutes ‘Atlantis’ was written.

Where and when did you record/produce/master and who with?

We recorded this one at LoveHz Studios in Leichhardt with my producer and engineer Jordan Leonard, we then shipped of the vocals for time alignment with Clay Agnew over in Nashville and got the track mastered by Seth Munson in Colorado. So we had quiet the team behind this track, this was the same process for 4 out of the 6 tracks on the EP.

How did you approach the recording process?

Luckily Jordan knows Michale Carpenter who owns and runs the studio so we were able to book in some after hours sessions. This session was my first recording session in the studio and so I think this session took about 6 hours.

Major artistic influences for this record?

This song was initially inspired by some of Ed Sheeran’s music, as the writing was, but we started to drift away from that a bit towards a more cinematic style. It certainly didn’t turn out how I thought when I was originally recording the demo, however it turned out much more epic than I could’ve ever imagined.

What do you do besides writing and recording music?

I’m starting to get a few more gigs in Sydney so performing band practicing is taking up a fair bit of my time at the moment. I love going to the gym, my schedules been a bit hectic recently so I haven’t had a whole lot of time to go but I try to go 3-5 times a week at the moment. I also study music at JMC Academy in Sydney. And aside from that I work at a pub to help fund the passion and continue to keep releasing music.

Who are you listening to at the moment?

In 2020 I started getting into a lot of different artists. I really got obsessed with Lauv’s and Jeremy Zucker’s stuff. Aya Yves is also starting to shoot up in the Dark Pop game and I’ve been all over her new EP. Also super keen for Justin Bieber’s new album after some of the singles he’s released in the lead up to the EP.

Is there any artist you have based your image off of?

Not really any one artist in particular but I’m still starting to find a look I really like and feel comfortable with. I love the new trendy baggy clothes in circulation at the moment and I also love the old classy look so still trying to find a middle ground between those two, but I may end up completely ditching that in favour of something different. Whatever I truly land on is something I need to feel super comfortable with.

What’s planned for 2021?

More writing, more recording, and releasing the EP. My main focus is the EP, I am really excited about putting out these songs into the world and get as many ears onto it as possible. I really think the best is yet to come, some of the songs I’ve written this year alone have me really excited for what I’m gonna be releasing in the next 12 months.

Favourite food and place to hangout?

There’s this phenomenal pub near uni, it’s predominantly for the uni students, but the food for the price is unreal. It’s hard to eat healthy when I can get a schnitzel and chips for less than $10.

https://open.spotify.com/artist/4wuETDjPYqMdJ0gukF0yYH

https://www.instagram.com/zacsellarsmusic/

https://www.facebook.com/zacsellarsmusic
March 16, 2021 0 comments
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What is your name and role within Full Power Happy Hour?  G'day I'm Alex, I'm the lead singer & play rhythm guitar. Where are you currently based?  Brisbane/Meanjin How did you first start playing music?  I've been singing in choirs since I was like 5, but it wasn't until my older sister bought me an acoustic guitar for my 14th birthday, that I started writing songs and playing music. How did the band form?  I had a heap of songs that I'd written a while ago that didn't fit with my other bands, so I was playing them solo for a while. One day I decided I wanted to record them with a band and set about finding some people to record with. I'd played with Caroline and Joe in other bands before so got them on board, then did a call out for a lead guitarist and Grace put her hand up and became our resident shredder. I missed my friend Finn, and thought if he joined the band I'd see him more regularly. He played drums, but the drummer role was already taken by Joe, so Finn agreed to come on board as our tambourine player and also filled the role of resident hype person quite nicely. It began only as a recording project, but then people asked us to play shows so we did, and that's how we became Full Power Happy Hour. What's been happening recently and how has your Covid experience been?  We didn't see each other for about 4 months when we initially went into lock down, which was tough, but we were lucky that before Covid hit we managed to record our album. Basically the last 6 months or so have been all focussed in getting this album out. We signed with Coolin' By Sound which was bloody amazing, and we are so grateful for their help with all of this. It's been almost normal here covid wise, we are very lucky that we've been able to play some gigs to help promote the album, and we got to make a film clip a few weeks ago on a cute farm.  How did the transition from playing in the Brisbane punk scene into indie-folk/alt-country realms come about?  Folk and country were my first loves, I was a tween when I started listening to all the 60s folk songstresses like Joni Mitchell, Joan Baez, Peggy Seegar, which was probably really weird for a 12 year old in the 2000s but I was really into them so my songwriting was influenced by that whole vibe. So that was always at the back of mind, that one day I wanted to play that kind of music again. The only reason why I started off in the punk scene was because the first band I was in was a punk band. But in the background I've always been writing songs, and they just so happen to fit now into the folk/country genre. It wasn't really an active decision. I suppose I don't see that much difference between punk and folk except I was way more tired screaming in a punk band than I am now in Full Power Happy Hour!  Your album will be released on March 19, what's it called?  Full Power Happy Hour What influenced the sound and songwriting?  Friendships, growing up, getting rid of toxic people out of your life, nature, mental health, climate change, shit politicians. Musical influences include Joni Mitchell, The Clean, The Weather Station, The Pogues & Paul Kelly. How was the album written?  I wrote these songs a while ago, over about 8 years. A lot of them started off as poems then I put them to music, and played them solo for a while. When I formed the band, I just brought these songs to the rehearsal room, and we spent a year working through them, we were really focussed on working hard on the songs for as long as it took for us all to be happy with them.  Please tell us about the lyrical themes/threads for the album:  Hmm there's not really an overarching theme...I suppose what they have in common is that they all came about through my processing of various experiences of friendships, mental health issues, learning to grow as a person, and being absolutely sick and tired with the status quo in this country- the apathy and inaction on climate change, women's safety and First Nations rights. Where and when did you record/produce/master and who with?  We recorded over a few weekends with Nell Forster at The Moon Room here in Brisbane/Meanjin. She honestly was kind of a producer too, she definitely gave us heaps of coaching during that time. Then we sent the tracks off to Chris Chetland, at Kog Studio in Aotearoa/New Zealand, who we got recommended by Holly Arrowsmith (who we played a gig with when she came here) as we really liked the sound of her album.  How did you approach the recording process?  We rehearsed for about a year and then when we thought we were happy with the songs, we went into the studio. Often you don't really know what a song sounds like until you hear it recorded, so there was some tweaking that happened with the help of Nell, who was kind of like our band coach for those weekends as well as recording engineer!  How did the band end up with two drummers in the ranks with one (Finn) taking up the tambourine/backing vocals role?  So Joe was already on board as the drummer, but as Finn is a mate of ours, we wanted to have him in the band too, I think he was originally gonna to just come along as a back up vocalist, but I think he needed something to do with his hands, so we thought he could play some extra percussion. I think a tambourine was all we could afford to buy at the time, so that's how he ended up with that role, and we haven't' really expanded since haha Your live shows are really fun with a lot of laughs, is this intentional or just the band's default demeanour?  We're just vibin. Who are you listening to at the moment?   The Stress of Leisure, Bad Sext, A Country Practice, Loulou, King Stingray, Madboots, Megan thee Stallion, JK-47, The Weather Station's new album Ignorance. What do you like to do away from music?  I'm at Uni studying Early Childhood education which I'm really liking, but I also like to go for walks to see some nature, reading books, eating food with friends, netflix & chill. You'll be playing in Ballarat and Melbourne this weekend, what do you most enjoy about playing interstate?  Playing to new people and making new friends, playing with bands we've never played with before, and just seeing what music scenes are like in different places, cold weather!  What's planned for 2021?  Getting this album out, recording some new stuff, touring interstate some more, and fingers crossed covid pending an Aotearoa/New Zealand tour later this year!  Favourite food and place to hangout?  Burritos in my house.
Music InterviewsMusic News

Full Power Happy Hour

by the partae March 15, 2021
written by the partae

Photo Credit: Marnie Vaughn @marnie.net.au

What is your name and role within Full Power Happy Hour?

G’day I’m Alex, I’m the lead singer & play rhythm guitar.

 

Where are you currently based?

Brisbane/Meanjin

 

How did you first start playing music?

I’ve been singing in choirs since I was like 5, but it wasn’t until my older sister bought me an acoustic guitar for my 14th birthday, that I started writing songs and playing music.

 

How did the band form?

I had a heap of songs that I’d written a while ago that didn’t fit with my other bands, so I was playing them solo for a while. One day I decided I wanted to record them with a band and set about finding some people to record with. I’d played with Caroline and Joe in other bands before so got them on board, then did a call out for a lead guitarist and Grace put her hand up and became our resident shredder. I missed my friend Finn, and thought if he joined the band I’d see him more regularly. He played drums, but the drummer role was already taken by Joe, so Finn agreed to come on board as our tambourine player and also filled the role of resident hype person quite nicely. It began only as a recording project, but then people asked us to play shows so we did, and that’s how we became Full Power Happy Hour.

 

What’s been happening recently and how has your Covid experience been?

We didn’t see each other for about 4 months when we initially went into lock down, which was tough, but we were lucky that before Covid hit we managed to record our album. Basically the last 6 months or so have been all focussed in getting this album out. We signed with Coolin’ By Sound which was bloody amazing, and we are so grateful for their help with all of this. It’s been almost normal here covid wise, we are very lucky that we’ve been able to play some gigs to help promote the album, and we got to make a film clip a few weeks ago on a cute farm.

 

How did the transition from playing in the Brisbane punk scene into indie-folk/alt-country realms come about?

Folk and country were my first loves, I was a tween when I started listening to all the 60s folk songstresses like Joni Mitchell, Joan Baez, Peggy Seegar, which was probably really weird for a 12 year old in the 2000s but I was really into them so my songwriting was influenced by that whole vibe. So that was always at the back of mind, that one day I wanted to play that kind of music again. The only reason why I started off in the punk scene was because the first band I was in was a punk band. But in the background I’ve always been writing songs, and they just so happen to fit now into the folk/country genre. It wasn’t really an active decision. I suppose I don’t see that much difference between punk and folk except I was way more tired screaming in a punk band than I am now in Full Power Happy Hour!

 

Your album will be released on March 19, what’s it called?

Full Power Happy Hour

 

What influenced the sound and songwriting?

Friendships, growing up, getting rid of toxic people out of your life, nature, mental health, climate change, shit politicians. Musical influences include Joni Mitchell, The Clean, The Weather Station, The Pogues & Paul Kelly.

 

How was the album written?

I wrote these songs a while ago, over about 8 years. A lot of them started off as poems then I put them to music, and played them solo for a while. When I formed the band, I just brought these songs to the rehearsal room, and we spent a year working through them, we were really focussed on working hard on the songs for as long as it took for us all to be happy with them.

 

Please tell us about the lyrical themes/threads for the album:

Hmm there’s not really an overarching theme…I suppose what they have in common is that they all came about through my processing of various experiences of friendships, mental health issues, learning to grow as a person, and being absolutely sick and tired with the status quo in this country- the apathy and inaction on climate change, women’s safety and First Nations rights.

 

Where and when did you record/produce/master and who with?

We recorded over a few weekends with Nell Forster at The Moon Room here in Brisbane/Meanjin. She honestly was kind of a producer too, she definitely gave us heaps of coaching during that time. Then we sent the tracks off to Chris Chetland, at Kog Studio in Aotearoa/New Zealand, who we got recommended by Holly Arrowsmith (who we played a gig with when she came here) as we really liked the sound of her album.

 

How did you approach the recording process?

We rehearsed for about a year and then when we thought we were happy with the songs, we went into the studio. Often you don’t really know what a song sounds like until you hear it recorded, so there was some tweaking that happened with the help of Nell, who was kind of like our band coach for those weekends as well as recording engineer!

 

How did the band end up with two drummers in the ranks with one (Finn) taking up the tambourine/backing vocals role?

So Joe was already on board as the drummer, but as Finn is a mate of ours, we wanted to have him in the band too, I think he was originally gonna to just come along as a back up vocalist, but I think he needed something to do with his hands, so we thought he could play some extra percussion. I think a tambourine was all we could afford to buy at the time, so that’s how he ended up with that role, and we haven’t’ really expanded since haha

 

Your live shows are really fun with a lot of laughs, is this intentional or just the band’s default demeanour?

We’re just vibin.

 

Who are you listening to at the moment?

The Stress of Leisure, Bad Sext, A Country Practice, Loulou, King Stingray, Madboots, Megan thee Stallion, JK-47, The Weather Station’s new album Ignorance.

 

What do you like to do away from music?

I’m at Uni studying Early Childhood education which I’m really liking, but I also like to go for walks to see some nature, reading books, eating food with friends, netflix & chill.

 

You’ll be playing in Ballarat and Melbourne this weekend, what do you most enjoy about playing interstate?

Playing to new people and making new friends, playing with bands we’ve never played with before, and just seeing what music scenes are like in different places, cold weather!

 

What’s planned for 2021?

Getting this album out, recording some new stuff, touring interstate some more, and fingers crossed covid pending an Aotearoa/New Zealand tour later this year!

 

Favourite food and place to hangout?

Burritos in my house.

Instagram & Facebook:
@fullpowerhappyhour
@coolinbysoundrecords
Twitter
#FullPowerHappyHour
@coolinbysoundAU
March 15, 2021 0 comments
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Bill Jr. Jr.
Music InterviewsMusic News

Bill Jr. Jr.

by the partae March 14, 2021
written by the partae

Where are you currently based?

Vancouver, Canada.

How did you first start playing music?

Around the house as a lad, borrowing my stepdad’s guitar (much to his chagrin).

What’s been happening recently and how has your Covid experience been?

Right now, I’m on a little west coast island trying to get into a songwriting headspace. I noticed that I wasn’t sitting down to play or write much at home this past year. For whatever reason, I’m sure Covid has something to do with it, I haven’t felt that inspired to write any music. One thing that is missing as a result of the pandemic is getting to play with other people, which can be a major source of inspiration for me.

Your new album ‘Homebody’ came out recently, what influenced the sound and songwriting?

The sound of the record had a lot to do with my other collaborators, namely the producer and bassist Daniel McNamara. I compose on guitar and write the lyrics and sing so we built around that foundation but he did a lot of the heavy lifting. The Athens crew of musicians and Daniel really helped give ‘Homebody’ it’s flare and colour.

I tried to write songs about my home (Vancouver) and about the people and places I was connected to there.

 How did you go about writing the album?

I started by setting up a schedule to practice regularly and just stuck to it. I try not to really worry about each day’s productivity but rather trust that as long as I keep showing up, things will come to completion in time. That’s how I approached ‘Homebody’.

Where and when did you record/produce/master and who with?

Chase Park Transduction Studios in Athens, Georgia is where we recorded and the record was mastered by CPS Mastering in Vancouver.

How did you approach the recording process?

We scheduled everything really well because recording studios cost lots of money each day that you rent them. We went into tracking pretty well rehearsed so that was helpful. After the beds were down, we brought in other musicians for keys, back up vocals, etc. At this point we were happy to express what we wanted them to do but were also open to their unique style and interpretation of a part. I think that this approach helped ‘Homebody’ sound so full.

What did you find most rewarding and challenging during the creation of ‘Homebody’?

Geez…all these people coming together around an idea that I had for an album was very rewarding. Them being onboard felt great and was so so necessary. Challenges arose for me when I had to let go of being in control of something.

How has the reaction been from fans?

Pretty good I think. Everyone I chat with about it has nice things to say. It’s certainly my biggest effort to date and I think fans felt that leap from the previous two records. Although, any song or album you put out, no matter the budget or effort or scale, has its own magic.

Your new single ‘Blue’ is out now, what did this single mean to you?

I like this song because musically speaking, it’s a good example of an “off” take on a traditional style. The weird twangs and the bridge and the chords kind of make it strange enough to feel interesting to listen to I think. Plus it’s personally interesting to me because it’s about wandering around my neighbourhood, thinking thoughts and feeling feelings, two things I do quite often. So, it felt great to write a tune that captured my own subjective experience of something that is wholly regular and benign.

How did the concept for the ‘Blue’ music video come about?

I wanted to make a video that looked and felt different than the other videos I was seeing. Parameters can help me focus so I applied this logic to the location of where we would play: my van. In the van we could only do so much, which felt comforting and I think we all felt pretty loose as a result. And, any musician will tell you that the best music comes when you’re feeling loose.

Where and when did you film and who did you work with?

November 2019. It was kind of cold actually, we may have run the vehicle for heat in between takes. Matt Sawatzky made the video, he did a great job.

Who are you listening to at the moment?

Aofie Nessa Frances, John Fahey, Cian Nugent, Rex Orange County.

What do you like to do away from music?

Body movement stuff, cooking, chit chatting the day away.

What’s planned for 2021?

We’ve got three more tunes from that same recording session in Athens that couldn’t fit on the record. So expect some more videos in unique settings.

Favourite food and place to hangout?

Chips, my couch.

Website | Spotify | Facebook | Instagram 

March 14, 2021 0 comments
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Where are you currently based? Toronto, Ontario, Canada How did you first start playing music? I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha.  After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since. What's been happening recently and how has your Covid experience been? If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing.  Your debut EP 'Only Pieces of The Truth' will be released on March 12, what influenced the sound and songwriting? The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP. How did you go about writing Only Pieces of The Truth? Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation.  Where and when did you record/produce/master and who with? I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho. How did you approach the recording process? Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right. What programs/instruments did you use? I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself.  What does the EP mean to you? This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine. Who are you listening to at the moment? Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few.  What do you like to do away from music? I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man.  What's planned for 2021? I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next! Favourite food and place to hangout? My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there!  https://www.jordanhartsound.com https://twitter.com/jordanhartsound https://www.instagram.com/jordanhartsound/ https://www.facebook.com/jordanhartsound
Music InterviewsMusic News

Jordan Hart

by the partae March 12, 2021
written by the partae

Where are you currently based?

 

Toronto, Ontario, Canada

 

How did you first start playing music?

 

I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha. 

 

After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since.

 

What’s been happening recently and how has your Covid experience been?

 

If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing. 

 

Your debut EP ‘Only Pieces of The Truth’ will be released on March 12, what influenced the sound and songwriting?

 

The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP.

 

How did you go about writing Only Pieces of The Truth?

 

Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation. 

 

Where and when did you record/produce/master and who with?

 

I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho.

 

How did you approach the recording process?


Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right.

 

What programs/instruments did you use?

 

I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself. 

 

What does the EP mean to you?

 

This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine.

 

Who are you listening to at the moment?

 

Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few. 

 

What do you like to do away from music?

 

I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man. 

 

What’s planned for 2021?

 

I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next!

 

Favourite food and place to hangout?

 

My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there! 

 

https://www.jordanhartsound.com

https://twitter.com/jordanhartsound

https://www.instagram.com/jordanhartsound/

https://www.facebook.com/jordanhartsound

 

March 12, 2021 0 comments
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jofi
Music InterviewsMusic News

Jofi

by the partae March 12, 2021
written by the partae

Where are you currently based?

I live in Sydney, Australia

How did you first start playing music?

I started piano lessons when I was 7 or 8. I first realised I could sing in year 6 of primary school when I auditioned for the school musical and got a lead role. I wrote my first songs on piano and self-taught guitar when I was 13 (I recorded me playing them on my webcam at the time- humorous content which I may leak someday)

What’s been happening recently and how has your Covid experience been?

Recently I’ve been doing a residency program at Church Street Studios and have been busy creating music there. I’m also working on songwriting and producing collaborations with a few international artists which I’m excited about!

I found myself making the most of quarantine- I wrote songs (I’ve got a quarantine-themed track called ‘All My Friends Have Boyfriends’), I became a better producer, I drank wine, and had plenty of time with my family and my dogs (one is sitting on my lap as I write this).

Your new single ‘Catastrophe’ is out now, what influenced the sound and songwriting?

I was listening to a lot of contemporary rnb around the time I made Catastrophe, artists like Snoh Aalegra, Lolo Zouai, H.E.R. I can definitely hear a combination of the genres of music that I love: pop, indie, rnb. I think my production style of including lots of vocal harmony is a defining factor to my music. I have a degree in classical composition which has influenced the way that I arrange vocal harmony in all my tracks, and especially in catastrophe.

How did Catastrophe come about?

Catastrophe was an assortment of different ideas that came together. I first had the ‘ah’ melody (which is heard behind the verse melody at the start of the song, and in the ‘breakdown’ sections).

I developed the main melody off of a few samples – I’ve never done production before melody before but that’s kind of how it turned out. I had the words ‘lean on me’ but I quickly realised the song was destined for a different meaning and it became ‘catastrophe’. The rest of the lyrics rolled out after that.

I’ve spoken a lot about the creation process on my Instagram (@jofimusic) if you’re interested to know more.

What does the single mean to you?

It was pretty cathartic to write about my character flaws and lay them all on the table for me to reflect on (and for everybody who hears it, whoops). Making the track was healing, to reflect on the times I did things I regret, learn from it and move forward with the hope of not being much of a catastrophe in the future.

Where and when did you record/produce/master and who did you work with?

Most of it I recorded and produced at home. I had mixing done by Jerome Blazé and a final mix + tightening of production ideas with David Muratore. The track was mastered by Becki Whitton (Aphir). I worked with Robbie Walcott on producing the retro-90s music video which you can find on my YouTube channel.

How did you approach the recording process and what programs/equipment did you use?

I lay down all the vocals at home, and I had the opportunity to redo some using a great mic at Noodle Music Studio. I originally took a can opening sample off the internet, but David and I recorded it live by opening a beer can next to a mic in the studio. Everything else heard in the track is midi! The DAW I use is Logic Pro X.

Please tell us about any new music on the way:

Catastrophe is the first single from an EP of tracks I made last year! Very excited to get more music out this year.

What do you like to do away from music?

Listen to true crime podcasts, read, go running.

Who are you listening to at the moment?

Becky and the Birds, Kelsey Lu, Sevdaliza.

What’s planned for 2021?

I’m currently working on a live show so definitely some shows plus more music!

Favourite food and place to hang out?

I’m too indecisive a person to know what my favourite food is. Favourite place to hang out is wherever live music is happening.

Official Website | Facebook | Twitter | YouTube | Instagram | Triple J Unearthed

March 12, 2021 0 comments
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Where are you currently based?  Locked down in Liverpool, baby.  How did Generation form?  We just fell into it, really. Music presented itself to us and we took to it like  fishes to water. We’re constantly changing.  What's been happening recently and how has your Covid  experience been?  We’ve just released a retrospective album with Tri-Tone - Full of teenage  angst and fast guitars. The whole covid thing has kind of put us on pause.  Gigs are looking *fingers crossed* like they may be happening again this  Summer, so we have that to look forward to, at least. Other than that  we’ve been writing. The sound has completely changed - we’re more  electronic now. Distorted saw synths, massive drum machines - that sort  of thing.   Your new mini album 'Suicidal Champagne' is out now,  what influenced the sound and songwriting?  It’s literally an album about us being dead young. We didn’t really think  about what it was about whilst we were making it, we probably didn’t even  know what music was back then. I guess it’s just about things we were  feeling at that time and the things every 17/18 year old goes through  (coping with becoming an adult by excessively drinking and partying). It’s  one big, self-indulgent party - and everyones invited.   How did the concept for the mini album come about? Drinking.  How did you go about writing the album? We write most days, so we just had loads of songs knocking about  with nothing to do but play them live (circa 2016), then Simon - who  we recently released the album with - approached us and threw us in  the studio. From there the songs just developed and became what  they are now.  Where and when did you record/produce/master and who  with?  It was in this lovely converted barn house in the countryside of Leeds  or something. There were two new foundland dogs (massive) that  would walk around the studio while you were tracking. Was a stay  over experience in the barn. I don’t think it’s there anymore. It was  with James Kenosha, who is a great producer and musician (he  played drums on the album also).   What programs/equipment did you use?  For all our demos we use Logic Pro X, but James probably used  Pro Tools, I can’t remember to be honest. In terms of gear, we  used all kinds. I remember putting my guitar through a vintage  Selmer bass cab, but that’s about it. The rest is clouded by red  wine and beer.   What did you find most challenging and rewarding during  the creation of Suicidal Champagne?  It’s always the vocals at the end. Trying to find the right tone for  deans voice. The most rewarding thing will probably happen  when we’re 40 and we listen back and go “ah remember that  time, we had a good time making that”.   Who are you listening to at the moment?  Loads of stuff. Our music taste has no range like. A lot of 90s rave  stuff, hip-hop, bit of industrial, bit of reggae/dancehall. A musical  cocktail of debauchery, really.   What do you like to do away from music? Tough question that one. All we really do is music. Feels like the  hobbies section on your CV this question. Should I put ‘Reading,  exercising…’  Urm, we do all kinds really. Mostly mad Sh** no one would believe or  even understand the reasons why. I guess we don’t either. Recently  got back into skating, which is a blast from the past.   What's planned for 2021?  HOPEFULLY, lots of gigs (toward the second half of the year). We’ve  been hard at work recording new songs as well, so there should be  some new music soon(ish).   Favourite food and place to hangout?  Tough one this ‘cos we’ve been in lockdown for like a year. I’d say Elif on  Lark lane provides the best scran. It’s a Turkish grill joint and it’s so good.  Favourite place to hang out right now is our mums conservatory aka the  beat laboratory.   wholovesthisgeneration.com  IG: @wholovesthisgeneration
Music InterviewsMusic News

Generation

by the partae March 9, 2021
written by the partae

Where are you currently based? 

Locked down in Liverpool, baby. 

How did Generation form? 

We just fell into it, really. Music presented itself to us and we took to it like  fishes to water. We’re constantly changing. 

What’s been happening recently and how has your Covid  experience been? 

We’ve just released a retrospective album with Tri-Tone – Full of teenage  angst and fast guitars. The whole covid thing has kind of put us on pause.  Gigs are looking *fingers crossed* like they may be happening again this  Summer, so we have that to look forward to, at least. Other than that  we’ve been writing. The sound has completely changed – we’re more  electronic now. Distorted saw synths, massive drum machines – that sort  of thing.  

Your new mini album ‘Suicidal Champagne’ is out now,  what influenced the sound and songwriting? 

It’s literally an album about us being dead young. We didn’t really think  about what it was about whilst we were making it, we probably didn’t even  know what music was back then. I guess it’s just about things we were  feeling at that time and the things every 17/18 year old goes through  (coping with becoming an adult by excessively drinking and partying). It’s  one big, self-indulgent party – and everyones invited.  

How did the concept for the mini album come about?

Drinking. 

How did you go about writing the album?

We write most days, so we just had loads of songs knocking about  with nothing to do but play them live (circa 2016), then Simon – who  we recently released the album with – approached us and threw us in  the studio. From there the songs just developed and became what  they are now. 

Where and when did you record/produce/master and who  with? 

It was in this lovely converted barn house in the countryside of Leeds  or something. There were two new foundland dogs (massive) that  would walk around the studio while you were tracking. Was a stay  over experience in the barn. I don’t think it’s there anymore. It was  with James Kenosha, who is a great producer and musician (he  played drums on the album also).  

What programs/equipment did you use? 

For all our demos we use Logic Pro X, but James probably used  Pro Tools, I can’t remember to be honest. In terms of gear, we  used all kinds. I remember putting my guitar through a vintage  Selmer bass cab, but that’s about it. The rest is clouded by red  wine and beer.  

What did you find most challenging and rewarding during  the creation of Suicidal Champagne? 

It’s always the vocals at the end. Trying to find the right tone for  deans voice. The most rewarding thing will probably happen  when we’re 40 and we listen back and go “ah remember that  time, we had a good time making that”.  

Who are you listening to at the moment? 

Loads of stuff. Our music taste has no range like. A lot of 90s rave  stuff, hip-hop, bit of industrial, bit of reggae/dancehall. A musical  cocktail of debauchery, really.  

What do you like to do away from music?

Tough question that one. All we really do is music. Feels like the  hobbies section on your CV this question. Should I put ‘Reading,  exercising…’ 

Urm, we do all kinds really. Mostly mad Sh** no one would believe or  even understand the reasons why. I guess we don’t either. Recently  got back into skating, which is a blast from the past.  

What’s planned for 2021? 

HOPEFULLY, lots of gigs (toward the second half of the year). We’ve  been hard at work recording new songs as well, so there should be  some new music soon(ish).  

Favourite food and place to hangout? 

Tough one this ‘cos we’ve been in lockdown for like a year. I’d say Elif on  Lark lane provides the best scran. It’s a Turkish grill joint and it’s so good.  Favourite place to hang out right now is our mums conservatory aka the  beat laboratory.  

wholovesthisgeneration.com 

IG: @wholovesthisgeneration

March 9, 2021 0 comments
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Where are you currently based? Currently my kitchen table; I haven’t moved for a while. How did you first start playing music? I first started playing as an 8 year old because my brother was learning guitar and I wanted to do everything he did. I actually learnt the trumpet as my first instrument. I’m pretty crap now but it’s a cool party trick (and I really respect anyone who’s actually good at it). Where are you currently based and how has your Covid experience been?  I’m super lucky to be quite sheltered from the virus over here in WA but the few months we were locked down were definitely instrumental (haha) in getting this song to a happy place. Obviously covid sucks, but in a strange way I appreciate it for the time it gave me. Your debut single 'Full Grown' was released March 5, what influenced the sound and songwriting? The song itself was written a couple years ago though it has come a long way since then. Because I started it yonks ago the production is super influenced by the artists I was pumping at the time, mainly Panama and Roosevelt. The lyrics are based on a struggle of mine at the time, as I felt ill-equipped to enter a relationship.  How did you go about writing Full Grown? I actually started producing the beat on a family holiday in a hotel room, but as with most things I make I just went through a stupidly long loop of producing, taking it away and listening, writing down notes then coming back and making changes. The lyrics were the complete opposite and finished in one sitting though. Where and when did you record/produce/master and who with? All recording and producing by myself, in a number of places actually but none of them being a proper studio. Then the legend James Newhouse fattened it up with his master. What does Full Grown mean to you? It means having it all together. Bit of a myth really. I feel like a kid a lot and I’m okay to admit it; sometimes it’s great thing and it sometimes it kinda sucks. Who are you listening to at the moment? At the literal moment I am listening to Candid by Sevier; some cool Perth dudes who happen to also share my release date. I’ve been listening to a bunch of Perth folk lately, such as Michael Day, Jacob Wylde, Grievous Bodily Calm and Kyle Charles Hall, among others. What do you like to do away from music? Mainly eating, reading, date nights and walks with my dog. Also love a good game of bananagrams, though I wouldn’t say I’m good at it.  What's planned for 2021? More releases, more eating, reading, date nights, walkies and defs more bananagrams so I can actually get good. Also very very keen to start playing live real soon around Perth! Favourite food and place to hangout? Always big on Mexican food. There’s a taco joint literally 2mins walk from our front door called Hermanos En Cantina which is kinda the go-to hangout for us. Big recommend. https://soundcloud.com/rhyanlj/full-grown/s-YZKjGTQkXsN Instagram: https://www.instagram.com/rhyan_lj/ Facebook: https://www.facebook.com/musicbyRHY/
Music InterviewsMusic News

RHY

by the partae March 9, 2021
written by the partae

Where are you currently based?

Currently my kitchen table; I haven’t moved for a while.

How did you first start playing music?

I first started playing as an 8 year old because my brother was learning guitar and I wanted to do everything he did. I actually learnt the trumpet as my first instrument. I’m pretty crap now but it’s a cool party trick (and I really respect anyone who’s actually good at it).

Where are you currently based and how has your Covid experience been?

I’m super lucky to be quite sheltered from the virus over here in WA but the few months we were locked down were definitely instrumental (haha) in getting this song to a happy place. Obviously covid sucks, but in a strange way I appreciate it for the time it gave me.

Your debut single ‘Full Grown’ was released March 5, what influenced the sound and songwriting?

The song itself was written a couple years ago though it has come a long way since then. Because I started it yonks ago the production is super influenced by the artists I was pumping at the time, mainly Panama and Roosevelt. The lyrics are based on a struggle of mine at the time, as I felt ill-equipped to enter a relationship.

How did you go about writing Full Grown?

I actually started producing the beat on a family holiday in a hotel room, but as with most things I make I just went through a stupidly long loop of producing, taking it away and listening, writing down notes then coming back and making changes. The lyrics were the complete opposite and finished in one sitting though.

Where and when did you record/produce/master and who with?

All recording and producing by myself, in a number of places actually but none of them being a proper studio. Then the legend James Newhouse fattened it up with his master.

What does Full Grown mean to you?

It means having it all together. Bit of a myth really. I feel like a kid a lot and I’m okay to admit it; sometimes it’s great thing and it sometimes it kinda sucks.

Who are you listening to at the moment?

At the literal moment I am listening to Candid by Sevier; some cool Perth dudes who happen to also share my release date. I’ve been listening to a bunch of Perth folk lately, such as Michael Day, Jacob Wylde, Grievous Bodily Calm and Kyle Charles Hall, among others.

What do you like to do away from music?

Mainly eating, reading, date nights and walks with my dog. Also love a good game of bananagrams, though I wouldn’t say I’m good at it.

What’s planned for 2021?

More releases, more eating, reading, date nights, walkies and defs more bananagrams so I can actually get good. Also very very keen to start playing live real soon around Perth!

Favourite food and place to hangout?

Always big on Mexican food. There’s a taco joint literally 2mins walk from our front door called Hermanos En Cantina which is kinda the go-to hangout for us. Big recommend.

https://soundcloud.com/rhyanlj/full-grown/s-YZKjGTQkXsN

Instagram: https://www.instagram.com/rhyan_lj/

Facebook: https://www.facebook.com/musicbyRHY/
March 9, 2021 0 comments
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Bridget Allan
Music InterviewsMusic News

Bridget Allan

by the partae March 8, 2021
written by the partae

Where are you currently based?

In the Mornington Peninsula. By the beach.

How did you first start playing music?

Thanks to my musical family and always enjoying listening to music in the car driving around.

What’s been happening recently and how has your Covid experience been so far?

It’s been ok! I’ve been picking up recording, so now I am doing it all on my own. Mixing and all the instruments. And also I got into Uni for music!

Your new single ‘Treading Water’ is out March 8, what influenced the sound and songwriting?

It’s very inspired by Julien Baker’s song ‘Funeral Pyre’ and it’s inspired by motion of water and the beach.

How did you go about writing Treading Water?

It is very literally inspired by swimming at the pool and beach, then it has the double meaning of treading water in your mental health.

How did you approach the recording process?

All done by me in my bedroom, I did it quickly just in the one day. I’m not really a perfectionist, I’m good at knowing when to let things go.

Where and when did you record/produce/master and who with?

I recorded it solo, then it is mixed by Calvin Lauber, we have worked together before on my solo song ‘Asphyxiation’ from my album Nihilism, and I just loved how it came out. So I reached out to him again.

What programs/instruments did you use?

I used my fender telecaster and recorded into GarageBand and Calvin mixed it in protools.

What does Treading Water mean to you?

It is a time capsule of my summer and metaphor for my mental health.

Who are you listening to at the moment?

Sooo much Montaigne, saw her at Summer Salt and it was awesome. Montaigne has such a magnificent voice and explosive songs.

What do you like to do away from music?

Lots of walks on the beach and animal crossing.

What’s planned for 2021?

After this song, I will be really focusing on my Composition course in Melbourne.

Favourite food and place to hangout?

Nandos!! I love the music they play, the food is 10/10. Also Belles Hot Chicken in Melbourne has most amazing vibe and best food.

https://Instagram.com/bridgetamusic 
https://Facebook.com/bridgetamusic 
https://bridgetallanmusic.bandcamp.com
March 8, 2021 0 comments
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Where are you currently based? Perth, Western Australia How did you first start playing music? I started making it after years of story writing and eventually poetry, but my first opportunity to really play live was thanks to GOAT 6K at The Bird. What's been happening recently and how has your Covid experience been? Covid slowed down the release of many visual stuff like the OUTLAW! Music Video for one, but gave me time to create heaps of innovative music and really experiment. I made heaps of music and watched a lot of movies too, which are usually my biggest inspiration for music Your single and video 'Outlaw' are out now, what influenced the sound and songwriting? The whole track and visuals were inspired by a short story I wrote ages ago called You Can’t Run From The Outlaw! where Wesley Black was a character who had to overcome vices and a bad conscience to become the best version of himself. The visual themes include a masked gang, a masquerade mask and a passenger seated Wesley, all working towards his journey in becoming the Outlaw- the alpha male, the best version of me How did you go about writing Outlaw? Inspired heavily by my short story, I wrote OUTLAW! as something positive and aggressive. It’s a track that reflects my un-anxious side, to say the least, which in a sense is the polar opposite to RED! This song is about achieving your highest heights and challenging yourself to the fullest. Where and when did you record/produce/master and who with? As I do with most of my tracks, I scout beats from a collection of Soundcloud trap producers. Once leased, I take my stems down to Shake Down Studios and record it, and then take it down to Boy Banks who co-produced and mixed and mastered this one. He is going to be mixing my entire EP, he really knows my sound. How did you approach the recording process? A lot of tea and a lot of energy. I rewatched Eyes Wide Shut before I recorded it, because that was such a big influence on this track, and helped me get into the whole Wesley Black character- I brought a lot of rage and energy to the session, and went hard on the ad-libs What influenced the video concept? The video was mainly inspired by my short story I wrote in my late teens about Wesley Black and the Outlaw, a neo-Western, where Wesley Black succumbs to his vices before turning around and standing on his own two feet. It’s just a cool revenge story I wrote, and a lot of visuals were also inspired by Eyes Wide Shut Where did you film and who did you work with? Justplay Media shot this one, and I directed and edited it myself using my storyboard I created a while back. We went all over the place, the red room scenes were shot in a sea container in Rockingham, the tea party were shot at a friends parents house and the horse scenes were shot at Sandeli Park. Everyone was super helpful. How has the creation of the video differed from your previous video's? In a lot of ways, it’s tied together. OUTLAW! features a lot of references to previous music videos, but it feels like a whole new level. I tried a lot of guerilla effects like crashing a car and using car mounts, but the lighting and camera movements feel much more cinematic, and the storyline works really well. Who are you listening to at the moment? A lot of Dominic Fike, Smino and Travis Scott. A strange mix, but they all offer something I’m really liking at the moment. What do you like to do away from music? Write stories, watch films and watch wrestling. All of these things inspire my music in the long run anyway. What's planned for 2021? A project I’m super proud of. The hardest tracks I can possibly do- it’s a whole new sound and i’m aiming to make a new subgenre off the backend of it. After that, I wanna try releasing something acoustic and raw. A whole variety this year. Favourite food and place to hangout? Haloumi cheese is the best. I love Asian and European food, Formosa Garden is sick too. Wesley is playing has a show this Friday 5th at Milk Bar in Perth FB - https://www.facebook.com/wesleyblacktv/ IG - https://www.instagram.com/wesleyblacktv/ TWITTER - https://twitter.com/wesleyblacktv
Music InterviewsMusic News

Wesley Black

by the partae March 4, 2021
written by the partae
Where are you currently based?
 
Perth, Western Australia
 
How did you first start playing music?
 
I started making it after years of story writing and eventually poetry, but my first opportunity to really play live was thanks to GOAT 6K at The Bird.
 
What’s been happening recently and how has your Covid experience been?
 
Covid slowed down the release of many visual stuff like the OUTLAW! Music Video for one, but gave me time to create heaps of innovative music and really experiment. I made heaps of music and watched a lot of movies too, which are usually my biggest inspiration for music
 
Your single and video ‘Outlaw’ are out now, what influenced the sound and songwriting?
 
The whole track and visuals were inspired by a short story I wrote ages ago called You Can’t Run From The Outlaw! where Wesley Black was a character who had to overcome vices and a bad conscience to become the best version of himself. The visual themes include a masked gang, a masquerade mask and a passenger seated Wesley, all working towards his journey in becoming the Outlaw- the alpha male, the best version of me
 
How did you go about writing Outlaw?
 
Inspired heavily by my short story, I wrote OUTLAW! as something positive and aggressive. It’s a track that reflects my un-anxious side, to say the least, which in a sense is the polar opposite to RED! This song is about achieving your highest heights and challenging yourself to the fullest.
 
Where and when did you record/produce/master and who with?
 
As I do with most of my tracks, I scout beats from a collection of Soundcloud trap producers. Once leased, I take my stems down to Shake Down Studios and record it, and then take it down to Boy Banks who co-produced and mixed and mastered this one. He is going to be mixing my entire EP, he really knows my sound.
 
How did you approach the recording process?
 
A lot of tea and a lot of energy. I rewatched Eyes Wide Shut before I recorded it, because that was such a big influence on this track, and helped me get into the whole Wesley Black character- I brought a lot of rage and energy to the session, and went hard on the ad-libs
 
What influenced the video concept?
 
The video was mainly inspired by my short story I wrote in my late teens about Wesley Black and the Outlaw, a neo-Western, where Wesley Black succumbs to his vices before turning around and standing on his own two feet. It’s just a cool revenge story I wrote, and a lot of visuals were also inspired by Eyes Wide Shut
 
Where did you film and who did you work with?
Justplay Media shot this one, and I directed and edited it myself using my storyboard I created a while back. We went all over the place, the red room scenes were shot in a sea container in Rockingham, the tea party were shot at a friends parents house and the horse scenes were shot at Sandeli Park. Everyone was super helpful.
How has the creation of the video differed from your previous video’s?
 
In a lot of ways, it’s tied together. OUTLAW! features a lot of references to previous music videos, but it feels like a whole new level. I tried a lot of guerilla effects like crashing a car and using car mounts, but the lighting and camera movements feel much more cinematic, and the storyline works really well.
 
Who are you listening to at the moment?
 
A lot of Dominic Fike, Smino and Travis Scott. A strange mix, but they all offer something I’m really liking at the moment.
 
What do you like to do away from music?
 
Write stories, watch films and watch wrestling. All of these things inspire my music in the long run anyway.
 
What’s planned for 2021?
 
A project I’m super proud of. The hardest tracks I can possibly do- it’s a whole new sound and i’m aiming to make a new subgenre off the backend of it. After that, I wanna try releasing something acoustic and raw. A whole variety this year.
 
Favourite food and place to hangout?
 

Haloumi cheese is the best. I love Asian and European food, Formosa Garden is sick too.

 

 

Wesley is playing has a show this Friday 5th at Milk Bar in Perth

FB – https://www.facebook.com/wesleyblacktv/

IG – https://www.instagram.com/wesleyblacktv/

TWITTER – https://twitter.com/wesleyblacktv

March 4, 2021 0 comments
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David M. Western
Music InterviewsMusic News

David M. Western

by the partae March 3, 2021
written by the partae

Where are you currently based?

Hi I’m based in Melbourne where are you? Can you see me? I’m the one in the blue t shirt waving

How did you first start playing music?

I first picked up a guitar in primary school but started playing real music and writing songs later in high school. I had some friends that could play Elliott Smith songs and I knew that I needed to be able to do that. 

What’s been happening recently and how has your Covid experience been?

My experience has been okay. I’ve been investing a lot of myself in getting the album together, and making sure these songs sound as good as they can. Lots of gardening and staying in touch with family and friends as much as I can. I was also lucky enough to work throughout the lockdowns here in Melbourne so I was able to get out of the house and hone my gardening chops more.

You’ve recently released your latest two singles ‘Instant Life’ and new one ‘Take Your Opportunities’ off your forthcoming debut album, what influenced the sound and songwriting?

I think the sound was influenced by the songwriting if that makes any sense. With this latest track, because the words just roll along, we needed the production to just tick along underneath the stream of consciousness style prose. I would say the songwriting was influenced by this want I had at the time to write a song that had a fun melody and a rollicking, rhythmic pentameter, at no point was I like ‘I need this to sound like The Beatles’ or whatever. 

How did you go about writing these singles and the album?

It’s all some form of self exploration I guess. I dive into some feeling I have or some world I feel like creating. Take Your Opportunities has a feeling to me. I wanted to write about being a weird, sorry weirdo looking for love.

Where and when did you record/produce/master and who with?

Recorded in Collingwood Melbourne. Engineered & mixed by Alex O’Gorman, and produced by Joe Orton. We all also did bits and bobs from our homes. We recorded the foundations of the track (drums, bass) in December 2019 but I went back to the studio in 2020 in between lockdowns to touch up vocals and guitar. 

How did you approach the recording process?

We recorded it live with us all playing together quietly. It used to be this barnstormer of a song but when it came to recording it there was a soul in the song that wasn’t fully being brought to light. Normally if something isn’t working we just try the complete opposite and see what happens and I think here it worked so well to go from hectic and in your face to more patient and charming. 

Who are you listening to at the moment?

Willie Nelson, Aretha Franklin, Bill Evans, Mary Littlemore, Mia Dyson and Neil Young

What do you like to do away from music?

I enjoy gardening and being a cowboy yeehaw 

What’s planned for 2021?

Two more singles and an album. And gardening. I wanna learn more about plants and dirt and shit 

Favourite food and place to hangout?

Fave food is tacos ! Little Hop on Brunswick Street I hope you’re ready.

 

LISTEN/WATCH
https://backl.ink/144210990

Bandcamp:

https://davidmwestern.bandcamp.com/

Apple Music:
https://music.apple.com/au/album/gallery-single/1464646925?app=itunes&ign-mpt=uo%3D4 

Spotify:

https://open.spotify.com/album/5hg9fUgDqYQrH2zTKWNdzP 

Insta:

http://instagram.com/davidmwestern 

FB:

http://fb.com/davidmwestern 

March 3, 2021 0 comments
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Where are you based?  I’m from a small town of Pravdinsk (Kaliningrad region, Russia). At the moment I live in one of the districts of Kaliningrad.   What influenced the sound behind your debut EP on Soma Records, titled Rave Is Dead? I started working on the release in the first wave of covid, when we were all at home, it was spring, I remember it like it was yesterday. It was warm enough and the windows of the house were constantly opened. A public warning system was often triggered on the street, where police told everyone through the loud speakers to stay at home and follow the rules. At that time only food stores and pharmacies worked. Everything was not clear, what's next?! This made me angry. But at the same time I had a lot of free time and was locked in 4 walls. It all pressed psychologically, I wanted to destroy these walls. So I began to write this EP.   What inspired the title of the EP? Rave Is Dead is a kind of "scream of despair". We're all locked up, the rave is out of breath and needs a new impulse. Hope it happens soon. Very soon ...   What is your creative process like and how much did lockdown influence this? At that time, nothing distracted me. I devoted most of my time to music, so I could distract myself from everything that was happening around. Only occasionally I watched TV series or my brother and I went into the woods to the old broken bridge so that the police would not catch us and issue a fine, then it was impossible to leave the house, and there we listened to new demos through small speakers. Then we discussed them. Sounds weird, but it was also a weird time.   How did you approach the recording and production process for the Rave Is Dead EP? When I sit down to work, I immerse myself in it. Sometimes I don't even hear when my family members call me from the next room. I have a laptop, sound card, microphone and headphones at my disposal. I record a lot of live sounds; how the car brakes outside the window or for example, the metallic sound of a pan, a lot of things. Then you process it all and choose the best moments. I experiment a lot.   Have you always been a fan of Soma Records? Yes, I've been following the label for a long time. And to be honest, I couldn’t even imagine that my tracks someday will be released on this label. I am very happy.   When did you first start playing music and how did this evolve into electronic music? It was about 2006, I don't remember exactly. I was in high school and began to make the first steps in creativity. I was listening to drum'n'bass and started to write it. Over time tastes and quality changed and in the end I came to the music that I make now.   Who would you say are your biggest musical influences? This is my brother. It was he who "hooked" me on music: The Prodigy, The Chemical Brothers, etc. I fell in love with this music.   Once the world can dance again, where are you most excited to play? Let me dream a little. I haven't traveled outside the country for a long time. Now it has become much more difficult, but I really hope that this is all temporary. I would like to visit and perform in cities such as London, Berlin, Amsterdam and many others.   What does the rest of 2021 hold for Namesis? New releases, new collaborations, preparing a live performance and that's not all. Soon you will definitely hear and see everything yourself!
Music InterviewsMusic News

Namesis

by the partae March 2, 2021
written by the partae
The dark & brooding sound of Russian producer Namesis debuts on Soma Records with the Rave Is Dead EP on 8th March. Taking inspiration from various electronic disciplines such as new beat, EBM and even industrial, Namesis has created a solid release consisting of superbly crafted dark, synth driven music.
He started working on the 5 track EP during the first wave of Covid when he was at home in Kaliningrad, the westernmost city in Russia. A public warning system was often triggered on the street with the police using loudspeakers, warning them to stay home and follow the rules. Experimenting with lots of live sounds from car brakes to the metallic sounds of a pan became a form of escape from the confines of home.

Where are you based? 

I’m from a small town of Pravdinsk (Kaliningrad region, Russia). At the moment I live in one of the districts of Kaliningrad.

 

What influenced the sound behind your debut EP on Soma Records, titled Rave Is Dead?

I started working on the release in the first wave of covid, when we were all at home, it was spring, I remember it like it was yesterday. It was warm enough and the windows of the house were constantly opened. A public warning system was often triggered on the street, where police told everyone through the loud speakers to stay at home and follow the rules. At that time only food stores and pharmacies worked. Everything was not clear, what’s next?! This made me angry. But at the same time I had a lot of free time and was locked in 4 walls. It all pressed psychologically, I wanted to destroy these walls. So I began to write this EP.

 

What inspired the title of the EP?

Rave Is Dead is a kind of “scream of despair”. We’re all locked up, the rave is out of breath and needs a new impulse. Hope it happens soon. Very soon …

 

What is your creative process like and how much did lockdown influence this?

At that time, nothing distracted me. I devoted most of my time to music, so I could distract myself from everything that was happening around. Only occasionally I watched TV series or my brother and I went into the woods to the old broken bridge so that the police would not catch us and issue a fine, then it was impossible to leave the house, and there we listened to new demos through small speakers. Then we discussed them. Sounds weird, but it was also a weird time.

 

How did you approach the recording and production process for the Rave Is Dead EP?

When I sit down to work, I immerse myself in it. Sometimes I don’t even hear when my family members call me from the next room. I have a laptop, sound card, microphone and headphones at my disposal. I record a lot of live sounds; how the car brakes outside the window or for example, the metallic sound of a pan, a lot of things. Then you process it all and choose the best moments. I experiment a lot.

 

Have you always been a fan of Soma Records?

Yes, I’ve been following the label for a long time. And to be honest, I couldn’t even imagine that my tracks someday will be released on this label. I am very happy.

 

When did you first start playing music and how did this evolve into electronic music?

It was about 2006, I don’t remember exactly. I was in high school and began to make the first steps in creativity. I was listening to drum’n’bass and started to write it. Over time tastes and quality changed and in the end I came to the music that I make now.

 

Who would you say are your biggest musical influences?

This is my brother. It was he who “hooked” me on music: The Prodigy, The Chemical Brothers, etc. I fell in love with this music.

 

Once the world can dance again, where are you most excited to play?

Let me dream a little. I haven’t traveled outside the country for a long time. Now it has become much more difficult, but I really hope that this is all temporary. I would like to visit and perform in cities such as London, Berlin, Amsterdam and many others.

 

What does the rest of 2021 hold for Namesis?

New releases, new collaborations, preparing a live performance and that’s not all. Soon you will definitely hear and see everything yourself!

 

Connect with Namesis:

Instagram

Facebook

Soundcloud

Connect with Soma Records:

Instagram

Facebook

Soundcloud

March 2, 2021 0 comments
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