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Music Interviews

Concrete Surfers

by the partae December 14, 2018

written by the partae

What is your name and role within Concrete Surfers?

Hey! I’m Jovi and I sing and play guitar.

Where are you currently based and what is the music scene like there?

We are currently based in Brisbane and we wouldn’t wanna be anywhere else! Brisbane has such a close knit music community where it’s so easy to make friends and be around nice, likeminded people. We are pretty lucky in this little city that everyone in the music industry here is so supportive of each other and get really psyched when they sell out a show, or go on a big tour and it’s just really really nice.

How did the band start?

Back in high school Trent, Jamie and I used to play in another band just playing covers, but it didn’t really work out with our singer at the time so we parted ways but decided that we still wanted to play music together so the three of us formed as a 3-piece and I thought that I would just give singing a go haha. Now Sean is in the band too as a guitar player and it just feels nice and complete! We wouldn’t want to have it any other way.

You’ve had a rad two years with shows playing bands like Good Doogs, White Blanks, Pist Idiots, Royal Blood, Ruby Fields, The Pretty Littles, how has your live show progressed since you started out?

When we fist started we were playing pretty small clubs and bars in the out-skirts of Fortitude valley and I guess we just got added to better lineups as time moved on! Releasing music definitely helped keep the ball rolling too. I guess just playing together a lot live has helped us progress and now we don’t even really have to think about what we are doing on stage. We can just have fun and make the most of it!

You’ve also featured on awesome lineups; the Bigsound Pre Party and Against the Grain festival with bands City Calm Down, Horror My Friend, Good Boy, Tiny Little Houses and Sweater Curse to name a few! How do your shows usually come about and what do you most enjoy about playing live?

Thanks! We are so lucky in Brisbane that everyone knows each other pretty well, so with lineups like Against the Grain it’s pretty much playing with bands we have played with before so it’s super friendly and fun. I think the best part about playing live is being able to look at the four of us on stage and see that we are all just having so much fun and it’s probably the best feeling for me personally. What makes that even better is looking out to the crowd and seeing everyone smiling and singing along with us; It feels pretty good knowing that our music can make so many people happy.

I hear that you are currently finalising your 2nd EP for Release in February/March with an accompanying tour, what has influenced the sound and songwriting for the EP?

The biggest thing sound wise for this EP is the songs have turned out to be quite a bit heavier both sonically and from a lyrical point of view from our previous releases. I think shedding light on issues like mental illness and politics has been a big focal point of my writing in the past year or so and that can definitely be heard in these songs.

Where have you been recording?

We recorded the EP at swan pond studios on a farm in Boonah which is about an hour away from Brisbane. Our friend Ali Richardson engineered the whole thing over 3 days. The best part about being out there was that if things were becoming tense in the Studio we could just take a walk around the paddocks or kick a footy around and I think this helped us produce a better end product.

What programs/equipment have you been using throughout the recording process?

Um in terms of instrumentation we tried to use as much of the gear we use live so it’s easier to recapture the sound when we play the songs live. Pretty much just fender guitars and amps and a whole bunch of overdrive and fuzz pedals. Trent actually used a Hofner violin bass which was different but really worked within the mix. We recorded using Protools and tried to keep it fairly simple.

Your Single Miscommunication just hit 70,000 plays on Spotify 1 year after its release! What do you attribute to the success of this track?

Yeah we are all really stoked on that! I think that song has been so successful because it has lyrics that everyone can relate to and combined with a few catchy chord progressions it turned out to be a song that we love playing too.

What do you like to do away from music?

Lately I’ve been getting back into skating which has been really good as a physical outlet and a way of clearing my head, other than that we just like hanging out really hahaha, I sometimes like to shoot film photography when I have the time which is also another good creative outlet. Trent’s pretty passionate about reptiles so he finds himself catching and releasing different lizards in his backyard.

Who are you listening to at the moment?

Lately I’ve been really digging bands like Shame, Beach Fossils, IDLES, some old hip-hop, and doom bands Conan and Bong-Ripper.

What’s planned for 2019?

Lots and lots of touring next year! Hoping to head down the east coast as much as we can next year and write some more music.

Favourite food and place to hangout?

My personal favourite food would have to either be pasta, ramen or pizza! And as far as hanging out, our favourite place is the Warehouse where we rehearse and write our music.

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December 14, 2018 0 comments

Lanisa Dawn

by the partae December 13, 2018

written by the partae

Where are you currently based and what is the music scene like there?

I live in Montreal and we definitely have a vibrant music scene here! We are the home to many poets, artists, dreamers that’s for sure :). There’s a plethora of restaurants, bars, and clubs that host open mics & live bands, big underground music scene, as well as festivals in practically every genre: the iconic jazz festival, Osheaga, Heavy Montreal for all the metalheads, POP Montreal celebrates many emerging acts from all over the world, the Montreal Symphony Orchestra for classical music. Party goers may get enjoy Piknic Electronik in the summer and Igloofest in the winter if they love electronic techno music. We have a massive french music festival called Les FrancoFolies. The list could go on and on – SO much happening here!

When and how did you first get involved in acting?

My first experience acting was at the age of 11 when I was given the lead role as a rabbit in the school’s theatre production of The Velveteen Rabbit. I got that role either out of pure talent, or most likely was type-cast since at the time my two front teeth stuck way out & I just looked perfect for the part 😉 (yay for braces in my future!). After high school, I studied acting at the DOME – Professional Theatre Program at Dawson College here in Montreal. I completed two out of the three years, then left to study something else because at the time I felt societal pressure to pursue a “normal” career. I only got back into acting years later when I attended the Summer Conservatory Program at the American Academy of Dramatic Arts in New York. Training in NYC for a summer was one of the most enriching artistic experiences of my life! Fast forward, after being involved in the musical theatre scene in Montreal, I was then selected for a one year contract as a “Resident Actress” for a theatre company based in Hong Kong. Right after the contract was complete, I was cast in my first feature film which shot on location for a little over a month in Kuala Lumpur, Malaysia. Haven’t stopped since and it’s been quite the adventure…the journey continues and never stops!

How has your acting career developed since you first started?

Unfortunately the film I did in Malaysia never saw the light of day due to post production issues and an investor had pulled out of the project. However, it was a great experience because it was my first time on a film set and it’s what got me my agent when I returned back home. Since having representation in the last couple years, I booked a national commercial which got me into the actor’s union ACTRA (equivalent to SAG-AFTRA in the states, but the Canadian version). I was also fortunate to work on a short film that was selected for screening at TIFF, an actor role in the CBC TV series The Detectives, recurring principal roles on two award nominated french web-series. I also had a major role in a horror film which is supposed to come out eventually. The investor was a new media digital platform called Blackpills…James Franco is also making content for this media space, so pretty cool! The last project I worked on was a feature film called Gut Instinct starring Josh Hartnett (my crush when I was a teen)! I had gone in to audition for a major role for that one, but didn’t get the part. I ended up being offered a small role in the production & it’s always amazing to be on a set and inspired by the whole cast and crew surrounding you:). I’ve been having a great time, and continue to develop myself as an artist!

How and why did you first start playing music?

Singing was a natural talent for me as a kid. My mom is a singer and we used to sing together by the piano when I was really young, so those memories are very dear to me. Adults would always tell me that I had a unique voice, and they would be surprised when this little girl would open her mouth to sing, and a deep full voice would come out. My vocal range for a woman is quite deep and was pretty much the same tone when I was a kid (you could say I grew into my voice haha) so it made even more of an impact coming from a small human LOL. When I started acting, I combined the two and was heavily into musical theatre, but then I found myself writing lyrics and humming melodies in the last few years, so I thought hey why not bring these words off paper and just create create create! So that’s what I’ve been doing. 🙂

Your single ‘Witness’ is out now, what influenced the sound and songwriting for this track?

Witness was the first song I ever wrote so it was a completely new artistic process for me. The bottom line was that I wanted to tell a story, and a story that people could relate to. The songwriting for this track was influenced by the feeling of inspiration, motivation and conquering your insecurities and fears. It’s not always easy, even for me, because I overthink a lot and feel things very deeply… but that is what WITNESS stands for – aim to be a witness to those negative times, reflect on it, but don‘t allow it to consume you. The human mind is complex and much stronger than we think and we have the power to control it. Life is beautiful! For sound, we went for a melodic tone, piano, lots of harmonies on the chorus, electronic pop elements, and of course because the song starts off as more of a slow ballad, we went for that uptempo pop chorus with a hook so it can get stuck in your head;).

Where and when did you record?

I recorded this song about a year ago or maybe more at a studio in Montreal, with a production team called “The Lost Boys”. I’ve been working on music with them since then. Witness was put aside for a little while after we recorded it, because I wasn’t sure what I’d release first. I was happy just going through the process of creating material, until finally I got antsy and wanted to make my debut. I’m happy I went with this track as the first. The reaction and feedback has been very humbling and positive!

How do you usually go about writing music?

I prefer collaborating with people because I believe as a team you can be way stronger. So far, anything I’ve written myself came to me in a few different ways: either I just get a jolt of inspiration out of nowhere and get myself into a state of conscious flow where I’m writing down whatever is in my head. Usually have a melody in mind as well, so that after I can structure it accordingly. Or a lot of times, I’m walking down the street and a phrase with a melody will pop into my head, so I’ll record it into my phone really quickly and develop it later. The easiest for me, is when an instrumental track is already made. I can easily get inspired through the music alone and then create lyrics and melody over that. I think a process which is very organic and probably the most fun though, is when you’re jamming with a bunch of your musical friends in a dark room, just singing absolute nonsense until you come up with something awesome:). I need to do more of that!

Please tell us how the concept for the ‘Witness’ video came about?

It took some time with the production team to come up with the concept, but we absolutely knew we wanted the video to bring the song to life and tell a story that could affect people. We ended up using the concept of a young girl losing her parents and then growing up and finding peace. As a child we are at our most innocent and purest state, not yet jaded by the outside world, and so we wanted to show that even when the most negative things happen to any of us (no matter what it may be), as we grow we must move forward and be resilient, find our inner peace and happiness. You meet people who have gone through so much, and yet they are extraordinary! It’s truly inspiring. So we wanted to touch on that and felt that concept would make the biggest impact.

Where and when did the filming take place?

The filming for the video took place last winter! Fun Fact: The video was shot in a vintage home in Old Montreal that used to belong to the Papineau family who are big part of Quebec’s history. Although previously inhabited by citizens in the last few years, it’s now been repossessed by the City of Montreal to preserve its heritage, and this happened shortly after the owner let us shoot there!

Who did you work with?

For the video I worked with a production team called Rubicon Pictures & Media, who have collaborated with many of Montreal’s artists & they are such a fantastic team. Extremely professional and vibrant! I also worked with director Alberto D’Onofrio, who cast Florence (the little girl in the video), and I can honestly say the performances from both myself and Florence would not have been the same without him. The whole team was undeniably passionate. It was a great shoot!

What do you like to do away from music?

It’s pretty ironic that I’m saying this, because I have a huge fear of planes and yet I love traveling ha! One day I’d love to be able to take off for a good few months and travel all over. Go on adventures and discover more of the world. I’m fortunate to have been able to travel a lot already… but that’s what makes me crave seeing even more!:)

I’m also into hitting the slopes skiing in winter, I enjoy hiking and being outdoors in the summer, boating, waterskiing. I like going out, social events, networking with my peers, eating at good restaurants, delicious food, wine, etc.

Who are you listening to at the moment?

Ohhh boy, that is probably the toughest question for me of this entire interview because I listen to Spotify and my playlists are a mashup of so many different artists and styles. I can tell you recently I was introduced to Khalid and Post Malone, and I’m into that. Through listening to their music I also discovered H.E.R, love her deep vocals and music production is on fire. For the less mainstream stuff, I listen to Banks, FKA Twigs (her voice & style is crazy good), Howling, Bob Moses, Joy Williams – she’s an amazing folky singer, LOVE Labrinth he was my favourite for a while. As for the mainstream popular stuff: I’ve always loved the Weeknd, Bruno Mars (great performer!), Adele, Ed Sheeran, Sam Smith, Lana Del Rey… been into a few of Dua Lipa’s songs for fun easy listening recently, Alessia Cara, Daniel Caesar. I also listen to artists of deep house, techno, jazz, classical, rock & roll, old school tunes….. it really just depends on my mood, but everyday I’m listening to something different.

Plans for 2019?

Lots of plans! I finally have enough material for a solid acting demo reel, so I’ll be putting that together for the new year and aiming at getting more auditions and roles. I’ve also continued to work on new music, so there will be a lot more singles rolling out throughout the year. I’ve started conceptualizing my own short film ideas and I’d like to write those scripts and get into creating my own work. I think the best thing an artist can do for themselves is create their own opportunities, instead of sitting around and waiting for the phone to ring.

Favourite food and place to hangout?

Favourite food is sushi…but has to be good sushi, not like the fast food kind. Fave hangout spot…hmm… recently went for a Jam Night at Rosewood (it’s a restaurant/bar in the old port of Montreal that hosts different music nights, open mics for singers and bands first Tuesday of every month). My friends own the place, so I always know people there and it’s a good time! Other favourite place would have to be at home in bed, with my cats…haha. I can’t deny that! 😉

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December 13, 2018 0 comments

Music Interviews Music News

Sarah DeBorre (Music Victoria)

by the partae December 13, 2018

written by the partae

Please tell us how you became involved in Music Victoria and what you find most challenging and rewarding about your role:

I was employed by Music Victoria in November 2016 to run, what was then a newly created program called Live Music Professionals. Live Music Professionals is coming into its third year in 2019 and basically, it’s a free business coaching program for live music venues (band bookers, venue owners, venue managers) and independent promoters. Cultivate is a brand new program which is running in 2019 for the first time ever and I’m really excited about it! It’s somewhat similar to Live Music Professionals however it’s specifically aimed at those who identify as women and who are in leadership or management roles in the Victorian music industry. To be honest I can’t say I find anything really challenging in my project management role at Music Victoria but there’s so much that I find rewarding. I certainly don’t take working in music, and for an amazing organisation like Music Victoria, for granted; and then to be able to run programs that upskill people and help them realise their full potential while also helping them build support networks is definitely a highlight. Being in a position where I can help people on their business or leadership journey is just the best thing ever!

Music Victoria in partnership with the Vic Government has announced a new leadership program ‘Cultivate’ that is aimed at mid-career and established women in the Vic music industry who wish to wish to further their leadership and management skills, how and why was the Cultivate program created?

In April 2015 Music Victoria conducted a survey titled ‘Women in the Victorian Contemporary Music Industry’. There were over 300 respondents and many key themes were identified as barriers for women working in the contemporary Victorian music industry. Even though it’s taken a few years to get a project like Cultivate in action, it’s a great a result and massive step in the right direction of having a positive impact on some of the key issues addressed in that survey.

A quote from the report that’s quite relevant to the roll-out of this project is: “A brief examination of the number of men and women in senior positions (i.e. executive roles or board members) of selected industry organisations supports the perception that the music industry is a ‘boys club’ (see Appendix B). Only half of the organisations have 50% or more females in senior positions and several organisations have no females in senior roles. Of all the senior positions available across these organisations, only 28% are held by women. However, women are overrepresented in non-senior positions holding 58% of staff positions. These crude statistics show that like many other industries, women in the music industry do not have equal representation in the key decision making roles and face a ‘glass ceiling’.”

You can read the full report here: http://www.musicvictoria.com.au/assets/Women%20in%20the%20Victorian%20Contemporary%20Music%20Industry.pdf

Music Victoria would like to see more women within the music industry progressing on their leadership journey and we hope that a program like Cultivate will promote this.

Will this be an ongoing program?

At this stage, we only have funding through for one year but hopefully, we’ll be able to demonstrate the need for future funding and be able to run it more than just once!

Why have you chosen to target women only for the Cultivate program?

The program is funded by the Office for Women which is why we’re targeting women and those who identify as women on this project.

How many participants will be selected for the Cultivate program?

Spots are super limited for the program and we’ll only be accepting five people into the program as it’s a pilot program.

What do you hope to be achieved in the Cultivate program?

I hope that we can connect a group of women to amazing mentors who will be able to provide the support our participants need to aid them in progressing on a successful journey into higher leadership and management roles. I’d love to see more women in senior management roles in the music industry and I believe that we can do this!

What does 2019 hold for the Cultivate program?

2019 is when everything will roll out for the program. Once participants have been selected by our reference group we’ll launch the program with a full day of mentoring activities followed by masterclasses and then our participants will be involved in tailored leadership coaching or programs.

Music Victoria’s Cultivate Pilot Program 2019

Applications open now and close Monday 14 January 2019

Apply now at: www.musicvictoria.com.au/cultivate

Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview. The Cultivate reference group will decide on the successful applicants.

December 13, 2018 0 comments

Music Interviews Music News

Marco Resmann

by the partae December 13, 2018

written by the partae

Where are you currently based and what is the music scene like there?

I’m based in Berlin and the scene here is one of my favorites worldwide. Besides our history as one of the capitals of electronic music we still have an outstanding and unique club scene. The city offers plenty of great record stores and numerous important music companies are based here too.

You have a new 4-tracker EP called “Day & Night” coming out on Upon.You Records label on December 14th, where and when did you record?

I have recorded it over the year in my studio in Berlin.

Your studio has been located in Berlin at Holtzmarkt, please describe the setting and atmosphere:

I moved here in October 2017 and planned + built the studio in cooperation with a professional acoustic company from Berlin. I just wanted it to be perfect, after always having sound issues in my old studio. It’s quite comfy and much more organized than the previous one. I have a lot of analogue gear in the room as well as my minimized record collection. I love to come here as often as possible.

What programs/equipment did you use to demo ideas and also record?

Here’s a list of programs and equipment that I use the most in my studio.

Hardware: Programs:

Korg Mono/Poly Ableton Live 9 Suite

Roland Juno 106 UAD-2 (pretty much all Plug-Ins)

Moog Voyager Soundtoys 5

Elektron Analog Heat uh-e Diva & Repro-1

Roland Space Echo Native Instruments Komplete

Roland SH-101 Spectrasonics Omnisphere

Roland TR-8 Celemony Melodyne

Tegeler Audio Creme Fabfilter Pro Q

What influenced the sound and songwriting for the EP?

My new studio probably has influenced me the most. It is just another level of working. I’m much more productive and confident here. Furthermore every single experience I make has somehow an influence on me. Recently my kids inspire me a lot. Playing or listening to other people’s music influences me too as well as traveling.

Who are you listening to at the moment?

At the moment I am listening to the recent albums from Nils Frahm and Nu Guinea.

How did you first start playing music?

I was 12 years old when the Berlin Wall came down, so I missed these very special years between ‘89 and ‘92 when the music scenes of east and west Berlin hit each other and something new emerged. When I started to discover this new music, legend clubs like Tresor, E-Werk or Bunker already existed, the first hype was over and Techno and events like the Love Parade became more commercial. For me it was still something completely new and the whole Techno virus got me anyway. 1994 I’ve started to buy vinyl and my story began.

You’ve been in the music industry for a long time, how have things changed since you started and where do you see the music industry going?

The biggest change is obviously the way of how people consume music nowadays. Streaming is the big thing now. In my case as a DJ it’s the way of how we deejay and from a producer’s perspective definitely the way of how we work in the studio these days. I really can’t tell what’s gonna happen in the future. Fingers crossed that the value of music won’t disappear completely. Listening to music became too cheap in my opinion. The process of writing, composing and producing music is completely underrated and not adequately paid these days.

You will be touring in china in the first week of December – 2018, what do you have planned for these shows?

It’s gonna be my first time ever in China, so I really can’t say what to expect. But I’m super excited and will do my thing as I always do and will be flexible within my range of styles.

Following China you will be hitting Bangkok, Sydney and Melbourne afterwards, what do you most enjoy about touring and what do you find most challenging?

I love to travel and discover new cultures, enjoying foreign cuisine and meeting new people. The most challenging is definitely to be away from home and my family.

What do you have planned for 2019?

I will start 2019 with less touring and more studio time.

Favourite food and place to hangout?

My favorite food is Thai, Lebanese and Italian. My favorite place to hang out is either my couch or my studio and definitely my parents in law’s terrace in Tuscany.

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December 13, 2018 0 comments

Music Interviews Music News

Kids At Midnight

by the partae December 12, 2018

written by the partae

What is your name and role within Kids At Midnight?

My name is Jane Elizabeth Hanley and I am the Singer, Songwriter, Engineer, Producer, Mixer, Record Label, CEO…lol yeah it’s just me.

Where are you currently based and what is the music scene like there?

I’m based between Brunswick and a little country town on the coast Cape Paterson where I grew up. I split my time fairly evenly. I romantically can’t let go. I’m just a small town girl.

How did you first start playing music?

I was always singing and dancing at dance school since I was a little girl. I played saxophone in the high school band in year 7 but you can’t sing with a sax in your mouth so I stopped… I kinda wish I hadn’t! But I knew I wanted to write songs so I bought a cheap second hand guitar when I was 16 and taught myself to play by watching Oasis videos.

You’ve recently released a single ‘By Your Side’ what influenced the sound and songwriting for this track?

It’s pretty unashamedly 80s. I’m someone who wears her musical influences on her sleeve. But the sound of a John Hughes soundtrack…the twinklie-ness of the final scene of an 80s movie, it’s just an unashamed romance that’s not cool anymore… that’s what I dig so that’s what I made.

How has ‘By Your Side’ been received by fans and critics?

I’ve had some really lovely messages from fans about it and Dec Byrne’s Unearthed review was pretty perfect he said, “swaying with my high school crush under the disco ball at the end of the year dance to this…” it’s like he pulled the mood file from my brain! So I think it’s being received well! As much as you can really know.

Who are you listening to at the moment?

Jack Rivers album is too sick for words. Haim and Phoenix will always be on rotation with me. And then my classics on rote. Heart, Tom Petty, Fleetwood Mac, Spandau Ballet… I run a Saturday night called ‘I Wanna Be Adored’ which is basically like a Bluelight Disco for adults, it’s all nerdy pop from all eras but it’s like the most amazing night. So I’m always inadvertently listening to the best songs of all time lol

How do you usually go about writing music?

If I’m at home I’ll jump on Ableton and start playing something on the keys or guitar, sing a long in gibberish until it starts to take form or story. Or if I’m driving (things come to me a lot when I’m driving to the coast) I’ll record little voice memos of lines or melodies.

You have an album coming out in 2019, can you please give us an idea of what to expect?

The album is a dreamy indie synth soundtrack to a movie that you can’t remember seeing but you somehow know. I hope it sounds like driving around the coast road in a thinking of the one you can’t have, LA nights, small town summers and slow motion 80s romance.

Where and when did you record?

It’s all recorded in my spare room. I call it the ‘studio’ but my boyfriend also has his computer in there so we have to call it the ‘Studio/Gaming Room’ but that’s just to be nice. He has a little corner.

I hear that you wrote, produced and engineered / recorded the whole album yourself, why did you choose to do everything yourself?

It’s a combination of things. The fact that I can is one. It gives me time to fit recording in with my everyday life but also money is a big thing for an independent artist. I’m one person so the cost of an engineer, studio time, producer, mixer is a little scary. So I did it all myself.

How and where did you learn the skills to write music and also produce and record?

In terms of songwriting think you learn over your life of listening. I wanted to write pop songs ever since I was little but I couldn’t, I didn’t play, so once I taught myself what chords were I just ferociously went at it. Songwriting is a luxury I don’t take lightly. In terms of recording, my brother and I went halves in a Tascam 4 track tape recorder in 1997. I tried as hard as I could to record little demos on that but really some years went past, I was in an electronic duo and the guy did all the producing. We got really into it and then he decided to not do music anymore and I was kind of like, “nnnoooooooo what am I going to dooooo??!” And then after a week or so of feeling sorry for myself I just thought, “ Well you’d better learn to do it yourself then hey!” And I got Ableton, watched the Tutorial CD over and over and just tried and failed until I was making things that sounded ok. Then the next thing sounded a bit better. And that took about 3 years until the first thing I released sounded really good.

What programs and equipment did you use?

I used Ableton (bless, saved my life) a Mac, Universal Audio Apollo Twin Duo, a Shure sm7b I’ve had for 7 years I bought because it was the mic Michael Jackson recorded Thriller on, midi keyboard, a Squire Strat because I can’t afford a real Strat and my Taylor Semi Acoustic.

Triple J has been showing you a lot of love, what do you think it is about your music the resonates so well with so many people?

I really don’t know. I don’t think you can know why people like your music. I’ve had some people mention similar things that they can immediately picture themselves in my songs like a movie, I write pretty cinematically, and that’s what I want people to feel., I used to exist solely to consume movies. I’ve always been a daydreamer. Pretending I was this character or that character so maybe, hopefully, that has switched to my songwriting.

You’ve had 2 million Spotify streams to date, how has this massive exposure helped to propel your musical career?

Spotify plays have exposed my music to so many more people than I could have myself. And people all over the world. It’s just opened up the net of people that would’ve heard my stuff. It’s helping with the album and the prospect of touring in the future because you can see where people are listening to there’s some cool stuff coming up. It’s also allowed me to do some mentoring to learning Producers with The Art Centres ‘Operator’ Series, which is pretty cool because when I was learning I felt like I didn’t have anyone to ask, so it’s been really awesome to be able to help other female and female identifying producers who are starting out.

Your previous single was synced with MTV’s infamous Jersey Shore, how did this come about?

That was a while ago. It happened from MySpace! That was when Rich (we’re still great mates) was in Kids At Midnight and we wrote these little electro pop gems and we got a message from the MTV Music Licensing Department and we were like, ‘Yeah right…SUUUUUURE you’re from MTV.’ But it turns out she was. And we signed and the track is on Season 3 and it comes up on the screen and I will always think that is so cool.

What do you have planned for 2019?

The album is out early in the year along with the second single so I just can’t wait for that! I’m completely busting! I’ll be doing a little tour for that. I want to go back to LA for a bit and write for other artists too, so I’m constantly writing tracks. I also want to release other artists on my label.

What do you like to do away from music?

Well I work as a DJ and a Dance Teacher so I’m never really away from music. But when I’m away from music I just want to sit near or IN the water and have some bevies with my mates and tell jokes and get up to shenanigans. I write a lot and have just gone back to tinkering with screenplays I’ve written in the past. Apart from 80s movies I also am a bit obsessed with British historical documentaries (I’m so cool)

Favourite food and place to hangout?

My Mums Spag Bol. Obvs. Fave place to hangout…a mates back yard, my sisters balcony, Cape beach, anywhere there’s my mates, my fam, a Bev, tunes.

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December 12, 2018 0 comments

Music Interviews Music News

Cream with a K

by the partae December 12, 2018

written by the partae

Where are you currently based and what is the music scene like there?

Recently it’s hard to put my finger on where I am most of the time. My life is scattered between Tokyo, London and LA right now. I would say I’m most actively working in Tokyo at the moment thanks to my previous band. The music scenes are all so different. I feel Japan’s scene is more entertainment driven..LA feels much more open and diverse… London…I honestly don’t know that much about the scene yet… I hope to get to know it better in 2019.

You have an upcoming album that will be released in 2019, the first two singles so far have been ‘Terrible Voices’ and ‘5:35’ how has the reaction from fans been so far?

Overall it’s been really positive. But to be honest, a lot of the Japanese fans from my old band were (unpleasantly?) surprised at my new direction…haha but some have stayed with me. My new audience is very different and I have made new fans all around the world since these 2 track releases… it gives me confidence to see that what I’m doing is being received the way I hoped.

Where and when did you record?

Terrible Voices is a bedroom recording, so to speak. I actually made the track in Starbucks in Tokyo, when I was still in Neko Punch. I generally play and record all the instruments myself but I made 5:35 last summer at Servant Records studio in LA.

What influenced the sound and songwriting for the album?

I’m not sure…I think I have to arrange the track to express things that I feel my voice can’t. I feel like I put a lot more detail into the arrangements than current artists. People say my album is more like a big 90s record. It makes sense because I still listen to a lot of late 80-90s music and I always go back to my childhood favorites like The Pixies and Nirvana when I’m short on motivation to write.

How do you usually go about writing and recording music?

I write for other artists sometimes and there are many ways to skin a cat – depending on the approach, the end-product can be completely different. I usually start with synth, bass, guitar or a beat. I don’t start with lyrics very often. I also tend to write loads of songs and pick out the ones I like the best.

What programs and equipment did you use to record the album?

The Softwares I use are Logic and Protools. Equipment wise – as I’m mostly a traveling DIY artist, to be honest, it’s not practical to use anything too fancy. I use a compact set up that I can travel with. It includes; a MacBook Pro, MOTU ultralite mk3 interface, AKG condenser microphone, Micro Korg, Midi Keyboard, Telecaster guitar and 4 or 5 of my favorite effects pedals. When I have access to a studio I normally re-record or re-amp stuff. I like to double up my fake drums with real drums and always put a real bass line on top of the synth sub bass. I think I probably work in a very weird way but after years of adaptation, I think I’ve developed a good system.

How have your first solo shows been as Cream with a K?

When I’m performing as Cream with a K, I’m so elated! I’ve had more fun playing live then ever before. It was a journey getting here but everything up to now seems to have had a reason and I’m so grateful I’ve made it to this point.

How was the Halloween show that you played in Tokyo?

It was a great turn out. The show was so packed, people couldn’t get in!! When I heard that, I felt so sorry that we didn’t do the show somewhere bigger but also happy that we completely exceeded our expectations.

Please tell us about your career in Japan:

I first got signed in Tokyo when I was 19 years old to a management called Oorong-Sha and got to work with my favorite producer of all time; Takeshi Kobayashi. Later, I major debuted in a group called Neko Punch from Universal Japan with a Management called Asobi System which is famous for having Kyary Pamyu Pamyu.

The music and image was a pretty far stretch from what I’m doing now so people don’t even recognize that it was me and I don’t generally advertise the fact either. I am grateful for the opportunities I got though, it really helped me carve out my art and technique as well as taught me professionalism. I’ve jumped a lot of hoops up to now so I can probably write any kind of song if I’m asked… and after singing songs in Japanese most of my life … singing in english is super easy! I’m especially fast at remembering lyrics too. Haha.

What do you like to do away from music?

I love styling and directing photoshoots. I also really enjoy modeling – especially now that I’m able to pick my own jobs. I love clothes so much and somewhere down the line I’d like to make a fashion brand or do a vintage select shop.

Who are you listening to at the moment?

I recently picked up Skateboarding as a hobby and I’m super into it. So, I started listening to Pavement and Weezer, whilst cruising around. I was never into those bands but I think I wasn’t listening to them in the right context, haha.

What do you have planned for the remainder of 2018 going into 2019?

The remainder of this year is busy. Currently I’m in Tokyo but I have some shows in London in the New Year, so I’m coming back next week to start rehearsals. I’m playing my first London show in January – I’m really excited.

Then, end of January, I’ll be heading out to the US.

Favourite food and place to hangout?

I love Crab! And obviously since last month my new favorite hangout is the Skate Park. My hair and make up artist also skates, so we hang out and skate around together. Sometimes we even go eat Crab too. Haha. It’s a pretty good life.

December 12, 2018 0 comments

Music Interviews Music News

Sugar Jacket

by the partae December 7, 2018

written by the partae

Where are you currently based and what is the music scene like there? I live in South Yarra Melbourne surrounded by yummy mummy’s in range drovers. Inspiring stuff. The music scene in strong in though. I’ve been so lucky to be introduced to some incredibly talented producers and musicians that have helped take my music to a place I would never have dreamed of when I was younger. People have been so supportive with my music down here. I’m currently working on a new track with a friend Alex O’Gorman whose a dream to work with. I’m super excited to show put it out. Alex produces and plays bass with Angie McMahon. He’s also just a true gentleman, the kind of people I’ve met in Melbourne. Truly kind people. Also, I live with two musicians, my girlfriend and brother.

How did you first start playing music? My Dad bought Mum an upright piano for her 40th birthday. She never played it. So I always used to pull up the lid and try knock out some early Coldplay tracks. I just taught myself by ear how to play that now cringe song ‘Clocks’. I started playing music by copying the bands I listened to when I was about 8 or 9. Whatever my family was listening to. My brother was heavily into bands like Interpol, Kings of Leon, The Strokes. So that’s what I was trying to play. That was my first time on a piano. My brother played drums. He was 16, I was 9, and I used to sit against his bedroom door tapping out the drums he was playing. Then when ever he’d let me, or if he was out, I’d go into his room and play the drums. So I was playing drums and trying to learn piano really early.

Who or what influences your sound and songwriting? My Brother and girlfriend definitely have a huge influence on my sound. My girlfriend is also a beautiful musician and has really great taste in music so a lot of stuff passes through her, which I love because she’s such a great songwriter. Also my brother, because, well he’s my big brother. You look up to your older bother and he’s always had such great taste in music which led me to some stuff I wouldn’t have heard at a young age if it wasn’t for him. As for what influences my music, I think that ageing has helped. Having new perspectives on life helps with the lyrical parts and the sound just slowly progresses I think. I hope. I write about the relationships around me. One’s involving me and always ones I see.

How do you usually go about writing music? I almost every time start with a drum beat. I might hear a melody in my head first but I always start with the beat then layer everything over the top. I use Linn Drum samples to program the beats into my pedal then layer synthesisers, then take it into the studio and put live instruments over the top. It usually happens really fast. I’m a master of starting songs and not finishing them, but when the right song comes out I’ll finish it because I know it’s ‘the one’ to finish.

Tell us about how your brother has played a part in your sound and musical taste: Your debut single ‘How Many Times’ is out now, where and when did you record? He’s just that classic older brother who influences the little bother. He tried to push me out of music a little bit because he knew how hard it was/is going to be. He’s been in it for nearly 15 years now so it takes it’s toll I guess. But he’s always taught me to be true to myself and reflect that in my music. He always coaches the best stuff out of me. It comes into the studio and plays drums on my tracks and usually ends up co-producing on the work. He’s got incredible ears and knowledge I completely trust his word. Musically.

How did this track come about? A close friend hurt me, I wrote a song about it. I don’t want to delve into it to much. I’ve made plenty of horrible mistakes myself and we’re good friends now. It’s a revenge track. It definitely helped.

You’ve just released a music video for ‘How Many Times’ please tell us how this video came to be: I really wanted to focus on the colours and camera movement in the video. Editing was always going to play a huge role. We just wanted to create something that enhanced the music. Not focus

on story to much, just try and match the image and audio for an easy watch. I hope that’s what we did. It’s no Childish Gambino, ‘This Is America’, it’s more ‘This a halfway house in Kew’. The director Jack Ralph and I just wanted to have fun with it. Not take it to seriously. The shoot ran from 2 pm till 1 am. We shot it it in my friends house which is quite literally the dankest house through winter, and not in a good dank way. A bad dank way.

What do you like to do away from music? Walk dogs, hang out in drive ways. Lawn bowls in the summer. Kick the footy. Shoot hoops. Golf a lot. Snowboard in the winter.

Who are you listening to at the moment? I’m listening to heaps of Randy Newman, Nick Drake and Brian Jones Town Massacre at the moment. Oh and Twin Peaks. I saw them at the Northcote Social Club a few weeks ago and the general feeling between friends was that it was the best show we think we’d ever seen. I know, big call! But it really was. They were just absolutely shredding and having so much fun. I think everyone in the room could feel it.

What do you have planned for the remainder of 2018 going into 2019? I’m currently finishing off my next single which I’m so so excited to release. It’s very different from ‘How Many Times’ energy wise, slower tempo, more instrumental but it’s still super poppy. This one’s got some real creamy bass, heaps of percussion and hopefully will make you want to dim the lights and swing your partner round on the porch. I actually wrote it the day after I saw Michael Kiwanuka at The Corner Hotel. That was also one of the best shows i’ve ever seen, close second behind Twin Peaks. I’m planning on releasing that with a run of shows early Feb next year.

Favourite food and place to hangout? Chicken Pot Pie, (Mum’s specialty). There are some really great parks and trails around the Yarra River just out of the city. I love going there with my girlfriend and all our friends and a couple of dogs they have. That’s quite simply my perfect afternoon. You forget you’re in the city for a moment which is always nice.

https://www.facebook.com/Sugarjacket/

December 7, 2018 0 comments

Where are you currently based and what is the music scene like there? I am currently based on the Gold Coast. Live music here is not too bad, there are a couple great venues to play and we seem to be getting more and more major artists booking in a stop on their tours on the GC. There does seem to be more of a buzz in Brisbane, which is only an hour way and not too far to get to. You recently collaborated with with Jarryd Shuker (The Art of Sleeping) please let us know what the both of you worked on? Yes I did. Jarryd produced Alive my debut single with me. We met up about once a week for a good couple of months this year and worked on Alive, as well as some new tracks hopefully to be released one day soon. He is a great producer and writer and he really believed in the project just as much as my self. I am super grateful to have been able to work with him on my debut release, and I am even more grateful to now call him a friend. I hear that you have an EP in the works, what has been influencing the sound and songwriting? Well it’s another big debut for me and by the time the release comes the aim is to have people sit up and take notice. The tracks I think are all so different, which makes total sense having all been written over a few years. The sound is influenced by a combination of the team of producers I have been working with and myself falling in love with electro pop music. The brief I set for this EP was I wanted to be able to groove hard! Very broad, I know. But I am pretty confident that we have come up with some serious jams. I am hoping that this collection of tracks will really show the potential I have to be in this industry and hopefully stir a serious buzz for d e n n i s. How do you usually go about writing music? Writing music varies a little for me. I really love to write with other likeminded producers/artists as well as on my own. However collaboration is definitely key for me. I believe collaboration is important; it keeps out creative minds on top of our game and sometimes it may feel as if we have met our rival, but healthy competition is good and it pushes us to want to create further than what we already know. When will you be releasing the EP? The date is yet to be confirmed, however it looks like the half way mark of 2019 and the debut EP will be here! Who are you listening to at the moment? Right now I am on the BROODS vibe. I am totally digging their recent releases and am so keen for more new music from them. The new E^ST EP is also a cranker! I also as cliché as it is right now am pumping the Xmas tunes! My absolute favourite is ‘Baby it’s Cold Outside” – Ella Fitzgerald & Louis Jordan. What do you like to do away from music? Honestly so many things but right now its perfect weather on the GC to be at the beach. So probably spending a day out on the water boarding and sunbaking is my top thing to do when I’m after a break from music. What do you have planned for 2019? I feel like I have set super big plans for myself in 2019! Releasing more music is number one. Playing some live shows will be super nice and hopefully I get to make some new music friends and starting building a name for my project! I’m pretty stoked for 2019 to get here already! How did you first start playing music? Music has been all I have ever known since I was pretty young. Everything sort of began because my neighbour showed me how she could play the piano and so then I wanted to be able to do the same. I am super lucky that my family and my Mum and Dad in particular saw that music was serious for me and encouraged me to pursue music as a career. Not everybody is fortunate enough to get that type of support so I really do consider myself lucky. Plus growing up in a small town, there isn’t always a lot to do! Favourite food and place to hangout? There is this pasta/pizza roof top bar – Justin Lane in Burleigh Heads (GC) right on the beach and its super hip and trendy. Definitely is where you want to be on a Sunday afternoon as the sun is setting and is also definitely where I plan to be all summer long.

Music Interviews Music News

dennis

by the partae December 5, 2018

written by the partae

Where are you currently based and what is the music scene like there?

I am currently based on the Gold Coast. Live music here is not too bad, there are a couple great venues to play and we seem to be getting more and more major artists booking in a stop on their tours on the GC. There does seem to be more of a buzz in Brisbane, which is only an hour way and not too far to get to.

You recently collaborated with with Jarryd Shuker (The Art of Sleeping) please let us know what the both of you worked on?

Yes I did. Jarryd produced Alive my debut single with me. We met up about once a week for a good couple of months this year and worked on Alive, as well as some new tracks hopefully to be released one day soon. He is a great producer and writer and he really believed in the project just as much as my self. I am super grateful to have been able to work with him on my debut release, and I am even more grateful to now call him a friend.

I hear that you have an EP in the works, what has been influencing the sound and songwriting?

Well it’s another big debut for me and by the time the release comes the aim is to have people sit up and take notice. The tracks I think are all so different, which makes total sense having all been written over a few years. The sound is influenced by a combination of the team of producers I have been working with and myself falling in love with electro pop music. The brief I set for this EP was I wanted to be able to groove hard! Very broad, I know. But I am pretty confident that we have come up with some serious jams. I am hoping that this collection of tracks will really show the potential I have to be in this industry and hopefully stir a serious buzz for d e n n i s.

How do you usually go about writing music?

Writing music varies a little for me. I really love to write with other likeminded producers/artists as well as on my own. However collaboration is definitely key for me. I believe collaboration is important; it keeps out creative minds on top of our game and sometimes it may feel as if we have met our rival, but healthy competition is good and it pushes us to want to create further than what we already know.

When will you be releasing the EP?

The date is yet to be confirmed, however it looks like the half way mark of 2019 and the debut EP will be here!

Who are you listening to at the moment?

Right now I am on the BROODS vibe. I am totally digging their recent releases and am so keen for more new music from them. The new E^ST EP is also a cranker! I also as cliché as it is right now am pumping the Xmas tunes! My absolute favourite is ‘Baby it’s Cold Outside” – Ella Fitzgerald & Louis Jordan.

What do you like to do away from music?

Honestly so many things but right now its perfect weather on the GC to be at the beach. So probably spending a day out on the water boarding and sunbaking is my top thing to do when I’m after a break from music.

What do you have planned for 2019?

I feel like I have set super big plans for myself in 2019! Releasing more music is number one. Playing some live shows will be super nice and hopefully I get to make some new music friends and starting building a name for my project! I’m pretty stoked for 2019 to get here already!

How did you first start playing music?

Music has been all I have ever known since I was pretty young. Everything sort of began because my neighbour showed me how she could play the piano and so then I wanted to be able to do the same. I am super lucky that my family and my Mum and Dad in particular saw that music was serious for me and encouraged me to pursue music as a career. Not everybody is fortunate enough to get that type of support so I really do consider myself lucky. Plus growing up in a small town, there isn’t always a lot to do!

Favourite food and place to hangout?

There is this pasta/pizza roof top bar – Justin Lane in Burleigh Heads (GC) right on the beach and its super hip and trendy. Definitely is where you want to be on a Sunday afternoon as the sun is setting and is also definitely where I plan to be all summer long.

https://www.facebook.com/thisisdenniss

https://www.instagram.com/thisisdenniss/?hl=en

December 5, 2018 0 comments

Music Interviews Music News

Youthfire X Diemne Interview Each Other

by the partae December 4, 2018

written by the partae

Youthfire to Diemne: Q1 – What inspired you to start rapping? Was there a specific artist that inspired you?

I remember the first time I ever thought I could start rapping was mainly due to the fact that I had done really well in English in high school, I figured ‘I can do that, string words and rhyme together, easy’. (laughs)

I guess hiphop music was basically always a part of my life from a pretty early age, which probably started by listening to Eminem and 50 Cent on family road trips in between sessions on the gameboy colour. But when I first started, a friend of mine was rapping and pushed me to get involved and we spent a lot of time hanging out and rapping together, so I guess my first influence to actually start was probably Brisbane artist, Midas Gold. Musically or stylistically I was listening to a lot of Kendrick Lamar and Tyler the Creator at the time, they were probably my biggest artistic influences, to begin with and now that I think about it, they probably still are.

Shoutout Franky Oceannn

Diemne to Youthfire: Q1 – Youve come so far on your musical journey, how do you think your life experiences have helped you as an artist?

I had an unusual introduction to making music. When I left high school I started making YouTube cover videos and released them once a week. I did this religiously for years which helped me to evolve and to grow.

Growing up being gay had a big impact on how I viewed myself and the world. I struggled with issues around self acceptance for quite some time. And went I came out I still battled with feeling like an outsider.

These experiences most definitely informed my musical journey with music and in many ways they still do.

Youthfire to Diemne – Q2 Where do you see yourself going with your music? What do you want to achieve?

Tough question!

I think my goals often shift back and forth. I’d like to make an impact on people’s lives in some way and I think that my music is one way to achieve that.

I’ve always said to myself that achieving local or national support would mean a successful career in the music industry… I think that touring the country and playing festivals around Australia would be the baseline for success with my music, it would definitely be something to look back on and say ‘yeah I did that, I made a go of it’. As long as you try your best right?

Outside of my own artistry, ever since I started making music, its been my number one priority and I don’t see that changing anytime soon. I grew up embracing hiphop culture and music has just become an extension of that. I think in the future I want to be involved with other emerging artists, helping them grow and achieve their vision.

Q2 Diemne yo Youthfire – if you could work with any three artists, alive or dead, who would it be any why?

It’ll be hard to only pick 3! But definitely on the top of my list is David Bowie, I’ve been inspired by Bowie from as long as I can remember. I love how he constantly redefined himself through his career and pushes boundaries. He also wasn’t afraid to try something that could fail. His fearlessness is so inspiring to me.

Next would be Prince. Except I think I’d be so nervous being in the same room as him. I think just overacting him in action would be enough of a learning experience for me.

Having the opportunity to work with Quincy Jones would be a dream, but again I’d probably feel more comfortable to observe him in action. I’m really inspired by producers and artists like Quincy who can bring out the best in the artists they work with.

Q3 Youthfire to Diemne – Was there something that surprised you, or that you didn’t expect would happen, when we wrote Emerging?

I think the songwriting process for emerging was the most interesting or surprising part of the process as It was the first time co-writing with another artist and exploring lyrics in new ways I hadn’t thought of before. During the process, we engaged with films and literature, identified key ideas or phrases and used those mediums to drive the vibe of the song, which ultimately led to a really cohesive sound, both lyrically and sonically.

I am also always astonished at the power of mixing. I think producers don’t get enough love in the music business and they make or break a record. Shoutout Youthfire for the production. You all make me sound drippy! 😉

Q3 Diemne to Youthfire – If you had one piece of advice too give to a young self what would it be?

I’d say, don’t be afraid to collaborate! Early on, I was very self-conscious to work on writing songs with other artists, songwriters, producers, etc. The story I’d tell myself was, I’m not good enough. In a way, I still feel this but I’ve learnt to value collaboration so much that it’s easier to override those thoughts now.

Q4 Youthfire to Diemne – what inspires you to keep pushing the boundaries making music? And do you see Melbourne as an inspiring place to do this being a rapper?

I think the most successful artists in history are those who continue to push boundaries and evolve as musicians. For me, I want to try and make music that not only resonates with people now but in the future as well.

Hiphop as a genre is still really young and has undergone dramatic changes since its inception, led by artists pushing boundaries and exploring outside the box. I think that’s what makes music so exciting for me, you never know where a project or song might take you as the genres start to blend and bleed into one another and eventually you end up with something completely unique.

And yes, Absolutely! Melbourne is a really inspiring place to create art. Coming from Brisbane only just over a year ago, I think the biggest difference is the urban nature of the inner city and the culture, which for me, brought on a bunch of new, eclectic experiences. I think the artists I resonate with most tend to tell their lived experiences in a very personal way and as such, the culture of Melbourne allows vulnerability to flourish. Its un-suppressive, open, diverse and those attributes are celebrated by the community.

I definitely think its the hub of music, hip hop and culture in Australia.

Q4 Diemne to Youthfire –
What do you want to say with your music? What does youthfire mean to you?

Hard question… for me, Youthfire has always been about love and acceptance. And, at the core, acknowledging the power that we each have within us. I aim to create music that’s very real and honest drawing from my own personal experience as a queer person. I also think it’s more important than ever for people within the LGBTIQA+ spectrum to create and to share their art. And if I have the opportunity to be apart of a community of creative, unique and free thinking people, then this is my goal for Youthfire. x

Insta

@youthfiremusic

@diiiemne

Facebook

https://www.facebook.com/youthfiremusic

https://www.facebook.com/diemnemusic

Twitter

@youthfiremusic

December 4, 2018 0 comments

Music Interviews Music News

Cat Dealers

by the partae December 4, 2018

written by the partae

What are your names and your separate roles within Cat Dealers?

We are Pedro and Lugui. We work pretty much together in the project. Sometimes one of us has an idea, but we always talk about everything and come to a result together.

Where are you currently based and what is the music scene like there?

We live in Rio de Janeiro, our hometown. The music scene has grown a lot and we love playing here, maybe because it’s our city haha but it’s great. The people really love music and there are so many other great artists that we work or are friends with.

You recently opened for Shakira for two of her Brazil shows, how did this come about and how was the experience?

It was awesome! When we first heard that we were opening for her we got super excited! Excitement soon turned to nerves because we didn’t know if the fans would know us or what they were expecting, since they were there to see Shakira. It turned out great though, the crowd was amazing and we had the best time.

When and how did you first start DJing?

We’ve always been into music since we were kids, then came a time when we became really fascinated by electronic music. We started following it religiously and learning as much as we could about it. We liked it so much that we started producing our own music and in 2016 Cat Dealers officially began.

You’ve climbed a massive 26 places in this years DJ Mag Top 100 and you’re now sitting at the 48th position, what does it take to get to this level in the DJ game?

A lot of sleepless nights hahaha! I think that what really makes the difference is loving what you do and being willing to work hard. We are also really thankful for our fans and the team that work alongside us, without them all we wouldn’t have been able to achieve what we have.

Who are you listening to at the moment?

Right now I’m really into Rüfüs Du Sol’s new album. I really like them and I’ve been addicted to their latest releases.

You’ve just released a beautiful remix of Lauv’s ‘There’s No Way’ https://www.youtube.com/watch?v=P7eyg617PmQ how do you go about remixing music?

Remixing Lauv was awesome, he has such an amazing voice and great music. We love remixing in general because we get to put our own stamp on tracks, allowing us to include some of these awesome songs in our own sets!

What programs/equipment do you use?

We produce using Ableton Live, and our favorite synths are Sylenth1 and Nexus (that is not an actual synth, but it’s awesome!).

What do you like to do away from music?

While on tour, we really like to get to know the places we’re playing at so we try to sightsee as much as possible whilst touring a country and experience everything it has to offer. That’s not always possible though, sometimes we have to leave too early and don’t have enough free time, but we do appreciate when we are able to do that. When we’re at home, we love spending time with our family, pets and friends because we don’t get many chances to see them due to travelling so much. We also like to play videogames, watch series and movies, just like everyone else haha.

You recently released the music video for your single “Keep On Lovin” which features Brazil’s hottest trending actress Agatha Moreira – https://www.youtube.com/watch?v=vEdH1UY6YNE how did this music video come about?

The video was the result of incredible work by many people. We actually feature in the video and we were all so excited that it didn’t even feel like work, it was just so fun. Agatha loved the music and the idea of the video, so we were very happy she agreed to participate. In the end we were so proud of it, everything about the video made us smile.

What is your process for producing music?

We don’t have a normal schedule when producing music. Each one has a different process. Sometimes we start with the vocal, sometimes with the drop, sometimes we just like to have fun creating anything, so the process is just playing around hahaha.

You’ve just been on tour in Australia, how were the shows?

They were fantastic! It was our first time playing here and it’s amazing. The crowd is great, they make us feel really comfortable on stage and it’s been an awesome experience.

What are your impressions of Australia and the Australian music scene?

We’re in love with Australia. We always wanted to come here and it really is beautiful! Everything about it is awesome, the cities, the beaches, the people… We wish we could have stayed longer haha! The music scene is also pretty great! There’s so much going on and people are really interested in knowing and enjoying it. We surely will be back!

What do you have planned for the remainder of 2018 going into 2019?

We still got some great gigs coming up, we’ve just played in Ireland for the first time and now we’re headed back to Brazil. December is probably our busiest month, we’re travelling to so many great Brazilian cities. There’s still music to be released too, like our upcoming track My Way, by Spinnin’ Records. So we got a lot going on till the end of the year and we’re really looking forward to 2019.

Favourite food and place to hangout?

I would say that the food of BB Lanches (a food place in Rio de Janeiro) is the best! But we really LOVE Burrito California. It’s a burrito type that is really hard to find outside of Southern California. Favorite place to hang out… the beach for sure!

https://www.facebook.com/CatDealers/

https://www.youtube.com/catdealerstv

https://www.instagram.com/catdealers/

December 4, 2018 0 comments

Music Interviews Music News

Hussykat

by the partae December 3, 2018

written by the partae

Where are you currently based and what is the music scene like there?

I live in Sydney in Parramatta. I think I’m the only musician there lol like the closest thing to musicians there is people with $500 cars + $2000 sound system bumping loud Lebanese hit songs from the year 2001. The closest music scene to me is Newtown it’s like 25km/50-minute drive thanks to traffic in Sydney ☺. Parramatta is beautiful though! It’s close to both work and Uni and I have my chiropractor Daniel 500m away from home which is helping me keeping my back pain under control ☺

You grew up in Egypt, how was this experience and how has the Egyptian culture influenced your music?

People in Egypt breath music ! When I grew up there, music piracy wasn’t a thing so there was countless songs released daily and if you don’t listen you’ll be left out of conversations next day in school or at soccer practice. That helped shaping my diversified musical taste. Listening to music for musicians is as important as going to the gym is for bodybuilders.

How has it been adapting to the Australian culture?

It wasn’t easy, when we first arrived to Australia about 10 years ago we resided in a town in QLD called Yeppoon. It was definitely a culture shock and the fact that I couldn’t speak a single word of English didn’t help at all. I reckon it took me about 3 years or 4 to adapt. I was fortunate to have an amazing group of true Aussies making the process of adaptation smoother.

Your new album is very personal, please tell us about what influenced the sound and song writing?

The sounds were influenced by various artists, for example you can definitely hear some Miami Horror in Track 6 “Trynna Bring Us Down” There is a Flume feel to track number 1 “Feeling Lucky” I am sure that you can get a feel or a different artist on each of the 8 tracks on the album. The lyrics were inspired mainly by life events. I came up with “now I run the block you can call me scotty cam” while watching the block 2018! Which was a great season btw!

How did you go about writing the music for this album?

I start by making a beat, writing the music and lyrics for it, record it and send it to Stuart B to mix and master it. Then when I hear the final product I ask Stuart If he can make some changes with the production. I usually come up with my lines either on my way to work or Uni them polish them when I am recording with Neal. I wrote “Why do you hate me so much” in the studio with Neal after playing him the beat Stuart made. At the time I genuinely thought that my supervisor at the time hated me! then I found out that she didn’t hate me ! she just hated everyone so I kinda felt better about it.

What was it like working with Stuart B?

It was amazing. He’s the most chilled guy you’ll ever come across like we did nearly 20 drafts for some songs and he was totally ok with it. He’s based in Melbourne and I am in Sydney now so we did everything through emails. I found out about Dom Cork and Taka Perry through Stuart so I reached out to them and we did 2 tracks.

How do you go about balancing your work life with your music career?

Lots of coffees mixed with sleep deprivation. I work 2 jobs in addition to doing my masters at Macquarie university. I wish I can take some time off work to focus on music more but as an independent you have to pay for: Production, recording, mixing and mastering yourself! so taking time off is a luxury I can’t afford

What do you have planned for the remainder of 2018 going into 2019?

I’ll just see what life throws at me ☺ for now I’m just enjoying a break from Uni and enjoying to having to stress about getting the album done.

What do you like to do away from music?

Watching movies ! Playing soccer (before my lower back injury)! Watching soccer! Watching rap battles !

Who are you listening to at the moment?

Kendrick lamar’s section 80 ! Drake’s Take care ! Drake’s nothing was the same ! Meek mill’s Dream’s and Nightmares.

How did you first start playing music?

In 2011 I got a mac book and it had Garageband installed. I foundout that you can play piano or any instrument on your keyboard!! Then I got addicted to it until I upgraded to Logic pro

Favourite food and place to hangout?

When I used to live in Melbourne I loved hanging out in “Lucky Coq” on Chaple Street! Unfortunately we don’t have anything close to it here in Sydney. There is a very cool café in Bondi that I always go to, it’s called Preach. Also, the best burger in Sydney is at Nadia’s in Parramatta! It’s a cool café inside Westfield Parramatta.

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December 3, 2018 0 comments

Music Interviews

Johnny (From The Burbs)

by the partae April 27, 2018

written by the partae

Where are you currently based and what is the music scene like there?

I am currently based in Sydney’s Hills District, just a little further out from Parramatta. There is a lot of great music coming from around here – not just in hip-hop either. So many talented folks are putting out music around here.

You were recently in the U.S, what did you get up to?

Funnily enough, my trip to the US was more for leisure than anything music related but nonetheless it was sick, I went with my boys and we hit up Florida and New York. We were pretty active there, went to Universal Studios in Orlando which was mad, we saw Tyler, the Creator and Vince Staples at Madison Square Garden Theatre which was off-chops. We also ended up filming a music video for the EP opener ‘ELON’ while in Times Square.

What influence did this this trip make on your mixtape (i.e. the name, BRADENTON)?

It’s very funny cos, the mixtape was more or less finished before we got on the plane, and the name had already been picked before we left – but – the name was inspired by the trip. When we went to Florida we actually stayed in Bradenton because its where one of our closest friends lives with his amazing wife and they housed us for nine long days.

Some songs were inspired by my trip to the US from a growing excitement to visit – WINTER is actually about my excitement to go to New York. When I got back from the US however, I took a look back at BRADENTON and ended up recording another verse for the last track ‘ANTIDOTE/BRADENTON’ which was deffs inspired by the trip – y’all can hear it for yourself though hahaha.

How did this mixtape (Bradenton) come about?

I’ve been doing hip-hop just over 8 months now, I dropped my first tape ‘SPRINGTIME SORROWS’ on October 31^st and after that wanted to have a little chill. In December I started writing again and by the end of January had basically everything finished from beats to recorded vocals.

My goal going into it was to come across as more focussed, both on beat production and lyricism and flow. Going into writing and record I would research rhyming patterns and different flows for inspiration – I was (and still am) very heavy into Tyler, the Creator’s ‘Flower Boy’ so I think that played a huge part on the mixtape as well.

Where and when did you put this mixtape together?

Basically 99% of the mixtape was recorded in my house from the months of December to January. However, when I got back from the US, a mate and I re-recorded the vocals on ‘BASTARD’ at his studio in The Hills.

Did you work with anyone else? If so, who?

Yeah, a couple people actually. Shout outs Tim (TIMBA) who features on track three, ‘WINTER’, Tom Elliot who helped me re-record some of the vocals on ‘BASTARD’ and for featuring in the pre-chorus, and big thanks to Sam Lloyd (BLAINE STRANGER) who mixed and mastered the whole thing.

How did you first start playing music?

I’ve been playing in music in bands since like year 9 – so like, about 7 or 8 years ago. Jumped from a bunch of bands with my mates, to playing more semi-professionally in a heavy metal band known as Under Night’s Cover from 2013-2017 as the lead vocalist until we eventually dissolved as a band! (RIP UNC).

Who are you listening to at the moment?

I’m not listening to anything too specific at the moment actually, I’m listening to a couple scattered singles – JPEGMAFIA’s ‘1539 N. Calvert’ is a staple right now, Flower Boy is always on constant rotation. The new Drake tunes are really, really good too. I’ve also been listening to a couple local bands – Sagrada Familiar, who just dropped a killer debut album, and Papaya Tree who are killing the scene rn.

What do you like to do outside of music?

Outside of music, when I can find the time, I love cooking, hanging out with my boys and/or girlfriend hahaha – I love getting around the Mario Kart also. I’m also currently volunteering/interning at Lentil As Anything in Newtown, which can be pretty cool. We hold an open mic once a month if anybody wants to come down.

I just love down time, and like, sleep. Hahahahaha.

What do you have planned for the remainder of 2018?

I’m currently jamming with a couple good friends for live shows with a band in support of the mixtape. So hopefully the wheels on that can start spinning REAL soon. Asides from that, I’m setting my sights on recording a third mixtape before the end of the year, if not a debut album.

Favourite food and place to hangout?

I’m no stranger to a good feed but I’m a massive, massive fan of Asian cuisine – I go absolutely crazy for a fat bowl of Ramen from the Ippudo in Westfield in the city. My fave place to hang out is probs my house tho.

Insta: @johnny4rmtheburbs

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Unearthed: https://www.triplejunearthed.com/artist/johnny-burbs

April 27, 2018 0 comments

Music Interviews Music News

Van Oasis

by the partae April 16, 2018

written by the partae

Where are you currently based? Melbourne

How did you first start playing music and how did you progress into playing live?

I’ve been a drummer all my life and played various other instruments aswell but had an injury at one point three years ago that forced me to stop playing. Couple months when recovering I discovered Ableton and House music and started creating music. It was an alternative to playing actual instruments and aloud me to express myself musically still. Now I can play Instruments again and record them all the time in my tracks but without the injury I would of probably never picked up Ableton and started to make electronic house music.

Please tell a little about yourself:

I am a Melbourne based Producer/DJ under the alias of Van Oasis. Creating music that is a reflection of my love for several genres and styles such as house, disco, Italo and worldly beats. Combining these with my background of percussion and drums, I create unique electronic pieces that cannot be reduced to a single genre.

Your latest EP release entitled “KILLERS//LOVERS” https://soundcloud.com/van-oasis/sets/killerslovers

Vanoasis is full of natural elements and grooving electronic grooves, where and when did you record?

I record this ep in my bedroom with the help of a few friends (producers) and some late nights I produced this really dynamic EP last year.

What programs and equipment did you use?

I use Ableton as my DAW with alot of Sampling from old bargain bin records. I started investing in hardware though as I really found you couldn’t compare the sound of a real Korg M1 piano with a plug in version. So a use of hardware like the M1, a tr-8 is great for laying down drum beats really quickly and have just acquired some new synths with a Roland Ju-06 n Jx-03.

What influenced the tracks on this EP?

Been Djing for nearly two years at the time I was opening my horizons to lots of house music and electro beats. So very housey drum beats and staby chord lines were things that influenced me from the dj side of things but before I started listening to house music I really enjoyed some ambient and moody tracks from producers like Taylor Mcferrin, King Kurle and Tame Impala so there is some influences from these acts I still listen to all the time.

How do you usually go about writing songs?

I have a bedroom studio and I generally like to find samples off old records, sample them and try vibe out something that comes to mind when listening. Sometimes I just sit at my piano or a synth for hours and play around without the intention of making anything and usually something will come out of it and I will try develop them. I like to only make music in the studio though as it becomes the place of creativity instead of taking a laptop around the place making tracks. It feels like a good area to develop sounds.

Have you been working on any new material lately?

I have a next EP with another Melbourne Producer Tony Chocoloney – Together we have made an 80’s inspired disco house record full of fun grooving beats that will sure to tune some heads when it’s released. It is entitled ‘Body Balm EP’ and we are looking very forward to seeing what people think of it.

How has the collaborative process been with Tony?

Tony Is a musical genius and is really inspiring to develop music with. There is laughs and pure brilliants working with him. Together we really enjoy the same house and disco jams and discuss new releases and thing we could remix or work on together as we are just excited to make music for the fun of it.

How did the colab come about?

We just seemed know the same people and meet after been booked together on the same bill one night djing. Thought we would keep in touch and have a jam. When we did we wrote 3 of the 4 songs on the ep in 3 days. We just clicked so well together and will continue to do so.

Where will we be able to hear the new EP?

Well that one is under wraps when and where and how you can listen to it 😉 so you just have to keep on checking in on us to find out.

You run an event brand called HomeTurf, how’s HomeTurf going?

HomeTurf has been a really great way for me to experience and explore the music industry from a booker, promotor, manager and dj perspective. It has been a really organic and flowing journey learning about how a show runs or what is expected in the behind the scenes of running events. Slowly I will keep expanding the brand and hopefully create a label but for now we will keep doing what we are because it seems to be working. Party on!

How did HomeTurf start?

HomeTurf started after seeing a bunch of local talent around me not getting gigs because they didn’t know how to get bookings or where not involved in crews. So I just started running events with my friends and local artists. Then we went a step further doing free mixtapes of producers tracks as a hub to support and showcase some of their talent.

What do you have planned for the rest of 2018?

We have just started diving into booking international acts this year starting with Germans very own Black Loops we did back in January. Continuing to book some bigger acts and try get into as much different clubs and spread the word is the mission for the rest of the year. Hopefully turn HomeTurf into a record label next year though imprinting original records for vinyl aswell as still holding great parties around Melbourne.

Favourite food and place to hangout?

Melbourne is overfilled with places to hang out and eat but I’d say Favourite bar : Palm Royale – Little cocktail bar in richmond that plays some disco tunes, knows my drink orders ( A Harvey Wallbanger with pineapple Juice) and has a tiki theme decor. Very Van Oasis style. Favourite club : New Guernica – a cozy and interesting club with decor that changes as you walk through. One room is a Carnaval theme dance floor the other a Kitchen rave room, another a private country club quarters where you can have private conversations and relax, and favourite Food spot in Melbourne : Lazer Pig – Wood fire pizza with amazing choices I go there maybe every month with my girlfriend.

April 16, 2018 0 comments

Music Interviews Music News

Sam Feldt

by the partae April 12, 2018

written by the partae

Where are you currently based?

I’m currently based in the capital of my country Amsterdam, in the Netherlands.

Your new single Sam Feldt & Möwe – Down for Anything (feat. KARRA) is out, where and when did you record?

The track has been in the works for quite some time now, I think around half a year. Möwe approached me with this amazing vocal by Karra and the idea to make a track together. We hit the studio and connected really well creatively!

What influenced the song writing for this track?

Together with Möwe, we decided to create and produce a song that captures the feel of the warmer days that are ahead of us. We were really looking for a song that played well on the radio, has a catchy melody to it and sticks in your mind right from the beginning. Together with the sweet and poppy vocals provided by KARRA, I think we pretty much nailed it and we managed to get the results we were looking for.

How was it working with KARRA?

It was amazing, she has such a beautiful voice and she immediately knew what we wanted to achieve. It was an absolute breeze working with her. Next to being an incredible singer, she’s also one of the sweetest girls I know. I think we will be hearing a lot more from KARRA in the future.

How did you first start playing music?

I started playing the piano when I was around the age of 8, It didn’t take long before I decided I didn’t just want to play music, I also wanted to create it. When I was 11, I started DJ’ing for friends and family and before I knew it I was travelling with my dad across the country with my own drive-in DJ show. At age 17, I set foot in a club for the very first time. Right away, I knew this was something I wanted to pursue professionally. I wanted to be the guy who plays the records that people dance.

Your debut album From Sunrise to Sunset gained a lot of momentum just months after its debut in October of 2017, what influenced the sound of this album?

The Philosophy behind the two albums combined was to create music for each hour within a day. Whenever you listen to the album, you’ll find a song that perfectly matched the time of day. Sunset, which was released as a surprise album and is the follow up to Sunrise, tied the two albums together. Combined, they represent the 24 hours within a day, hence the title ‘From Sunrise to Sunset’.

How have things changed for you as a consequence of releasing Sunrise to Sunset?

I think releasing the album, shows the world the sound of Sam Feldt and is my gift to all the fans out there, It’s also the perfect opportunity to give new listeners a good idea what Sam Feldt is all about. I had so much music that I wanted to share with my fans, so I thought turning this music into an album would be the best way to do it. It also opened up the door to something I have been wanting to do for quite some time now and that is bringing all these live instruments that I use in my productions to the stage, together with my live band.

You supported the Sunrise Tour with the addition of band members and live instruments which led you to travel the world and play at the biggest venues. This year you will continue to travel the globe with your band in addition to your solo DJ sets. What do you find most enjoyable and challenging whilst touring?

The most enjoyable part about bringing the live band with me on tour is the extra dimension they add to the show. The energy goes through the roof and with the addition of live instruments you can really provide the audience with a complete different experience you normally wouldn’t be able to with just djing. The most challenging part might be streamlining all our agendas, because next to touring together we all have our own separate projects that also demand our time.

Do the crowds interact with you differently when you have the live band as compared to a solo DJ set?

Absolutely, when adding live instruments you get a much more dynamic performance on stage. People are not just looking at me to interact with but also the guys who are playing the instruments. In my opinion it gives the experience more depth for the people in the crowd, but also the interaction I have with the rest of the band takes it to another level and was something I always wanted to do. Seeing people play their instruments live simply adds that extra something.

In February you surprised us with your new remix album: ‘After the Sunset’ this is packed with 16 songs that are more club-oriented versions of tracks from your debut album, remixed by some amazing artists. Who did you work with on this remix album?

The remix album is packed with so many great artists, like Calvo, Mesto, Breathe Carolina, Zonderling, Toby Green, DJ Licious, Redondo and many more awesome producers. I was blown away by the end result and the remixes they delivered. It’s so cool to hear your music being remixed by others and to see what they made of the tracks. I’m super happy with the remix album and I feel blessed by what they did to the tracks.

Why did you decide to release a remix album?

Over the past 2 to 3 years, I worked so hard on creating my own album, which resulted in 24 tracks that represented the Sam Feldt sound, to the best of my abilities. Because I spend so much time on this album and having so much material, I not only wanted to share it with the fans, but I was also wanted to have other producers take my music for a spin and have them make their versions of some of the tracks. It’s just incredible to see this happen to you music and hear their interpretation of something that means so much to you. After receiving so much love from the fans from around the globe after my debut album and my supporting tour, I thought it would be the perfect gift to surprise them with a brand-new remix album, filled with tracks they know by heart, put into a more club oriented style. The album adds to the wide spectrum of music that Sam Feldt stands for and adds yet another chapter to the story I want to tell through my music.

What do you most enjoy about playing music?

In general, I think music is the ultimate universal language there is. Give people a bass drum and we automatically start to move. I think music is something we can relate to on a very deep and emotional level, so being able to play people music enables you to share a certain emotion and take them on a trip by guiding them through your musical journey. Being able to do that is such a magical experience.

To see the fans get excited and share their love for something you created is indescribable. You get so much love back from the people on the dancefloor and that on its own creates a very special connection that automatically strengthens itself, making me work even harder to deliver.

In March you returned to Miami Music Week with your Heartfeldt Poolparty. How was this show and how did the concept come about and come into fruition?

Miami Music Week on itself is always a special happening. This year we decided to do another Heartfeldt Poolparty like we did last year. Again, it turned out to be a huge success. We sold out pretty quickly and it was absolutely one I will remember for a long time. We had some incredible artists on the lineup such as: Goldfish, Hook N Sling, Jay Hardway and SNBRN. KARRA also joined me on stage to perform our newest single ‘Down for Anything’ together with me for the first time. Overall, we had the best time ever and the crowd seemed to love it from the moment the first records was played.

At the beginning of this year you hinted through an Instagram post about plans for a more sustainable world, please elaborate on this:

Traveling the world as a DJ has been what I wanted to do with my life from a very young age, but it comes at a cost however. With over 200 flights per year I consider myself to be among the most polluting persons in the world. In the upcoming weeks I will shed more light on the projects I’ve been working on lately. I’ll be announcing a way in which I’ll become carbon neutral from this day worth and who I teamed up with, in my pursue to these goals. There are a lot of projects I’m currently focusing on, so keep a close eye on my socials because more info is coming very soon. In the meantime, try to ask yourself, what it is that you can do to make a better world, starting today.

You run the App Fangage: How is this App progressing?

Very well! We are now hosting fan portals for over 35 top influencers in music and sports and allowing them to get closer to their fans. Right now, over 200.000 active users are using the application to access exclusive content they can’t find anywhere else and that number is increasing by 10% every month. We have so many cool new features in the pipeline that I can’t wait to show you guys!

What do you have planned for the remainder of 2018?

2018 is doing well so far, I’ve just released my brand new single together with Möwe and KARRA called ‘Down for Anything’, I’ve got a couple of other music projects on the horizon, which I can’t talk too much about. The festival season is also getting closer and looking at my tour schedule makes me super excited about the Summer months to come. We’ve got so many cool shows coming up, with my live band or as a solo DJ. I think the rest of this year is going to be awesome and I can’t wait to see my fans from across the world again

April 12, 2018 0 comments

Music Interviews

Black Stone Cherry

by the partae April 12, 2018

written by the partae

What is your name and role within Black Stone Cherry?

-Ben Wells and I play Guitar

Where are you currently based and what is the music scene like there?

-I live in my home state of Kentucky. It’s beautiful here! The music scene varies from country, bluegrass, rock, and indie. It’s very diverse!

You’ve had huge success with your last LP Kentucky – and the Blues covers EP Black to Blues was also well received, where and when did you record Family Tree?

-We recorded Family Tree the same place we did Kentucky and Black To Blues! It’s located in Glasgow, KY at Barrick Recording Studio. It’s a great place to record-great vibe and sounds! The owner/engineer, David Barrick is one of our longtime friends and is great to work with!

What programs and equipment did you use?

-We recorded to Pro Tools. As far as mics, I really can’t tell ya that… that’s not my department! Haha. But i used Gibson, Fender, Epiphone, and Gretsch guitars with a Budda SuperDrive 45 amp.

How did you first start playing music?

-Elvis Presley made we want to start playing music and entertaining He is my biggest influence hands down! My parents gave me a guitar for Christmas when i was probably 7 years old. Never looked back!

The new album Family Tree was written, recorded and produced in a very organic fashion – all the band members participated in the creation of it (and all BSC releases) – so very much a “family affair” what were the highlights of this process?

-Yes, we are all very much hands on when it comes to BSC. Highlights as far as writing would be the fact that we wrote most of this record while on tour on the bus. It was really cool because each day we would gather in the back lounge and come up with a new song! Recording is always fun. We don’t like a stressful work environment, so it was very laid back and fun!

I hear that the Album was influenced by all the music that you all grew up with such as Cream, Led Zeppelin and The Faces plus blues legend Muddy Waters, please describe your usual song writing process:

-There really is no method for us. Most of the time a song starts with a guitar riff or melody, then everything else falls into place as long as everyone in the band likes the particular riff. Someone will come up with an idea, and the rest of us will dive in! Or sometimes a song will come from jamming all together at soundcheck, which is really cool!

The theme of Family is very strong with Black Stone Cherry – you have been together a very long time and are a really tight unit. Your drummer John-Fred’s dad is in a band (still going) called Kentucky Headhunters –and BSC as a young band rehearsed in their practice house. How did BSC form and why did you think BSC has lasted so long?

-We formed in 2001. I met the guys in June of that year. The other 3 guys went to the same school-I was from another county over. When we all jammed the first time, it was instant chemistry! We knew we had a band. I think we all just shared the same common goal and focus to be friends and make music together. We have stayed together so long because we are family first-band second.

Legendary musician Warren Haynes is a guest on the album – and singer Chris’ 5 year old son sings backup on a track, how did both of these guests come to be on the album?

-Chris’ son was a very spontaneous thing! Chris’ wife and son dropped by the studio one day and he has been singing that song so we basically put a mic up to him, stood him up in a chair and had him sing it! It was so cool!

Warren has been an influence on us for many years. We met him several years ago and have always been fans. We knew he would sound great on “Dancin in the rain” so we asked him if he wanted to be a part of it. He said, absolutely, so we sent him the tracks to his studio and he knocked it out of the park! Very honored to have him on this record!

What do you have planned for the remainder of 2018?

-Touring and promoting the new album is the plan!

Will you be returning back to AU?

-We hope to return very soon! We have really enjoyed the past two tours we have done in Australia and can not wait to return!

“Breathe In, Breathe Out, Move On”

Ben Wells

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April 12, 2018 0 comments

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