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Festival NewsMusic News

DOM DOLLA ANNOUNCES FLIGHT FACILITIES AS SPECIAL GUEST FOR SOLD-OUT AUSTRALIAN TOUR

by the partae November 26, 2024
written by the partae

Fresh off winning an ARIA for Best Dance/Electronic Release for his record ‘Saving Up’, Dom Dolla is preparing to embark on his largest-ever Australian tour, with all dates sold out nationwide.

Ahead of the tour’s kickoff in Sydney this weekend, Dom has announced that everyone’s favorite duo, Flight Facilities, will join him as special guests throughout the tour.

General admission tickets are sold out, however fans can still upgrade their experience with a VIP add-ons which includes exclusive access to the VIP area, a dedicated VIP bar, VIP-only restrooms, priority entry via a dedicated VIP lane.

The countdown to the ultimate dance event of the year has officially begun!

Tour Dates:

Friday 29th November 2024 – The Domain, Sydney SOLD OUT

Saturday 30th November 2024 – The Domain, Sydney SOLD OUT

Saturday 7th December 2024 – Wellington Square, Perth SOLD OUT

Friday 13th December 2024 – Flemington, Melbourne SOLD OUT

Saturday 14th December 2024 – Flemington, Melbourne SOLD OUT

Friday 20th December 2024 – Riverstage, Brisbane SOLD OUT

Saturday 21st December 2024 – Riverstage, Brisbane SOLD OUT

Get connected:

domdolla.com.au

domdolla.lnk.to/follow

November 26, 2024 0 comments
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Festival NewsMusic News

Terminal V Festival announces initial lineup for 2025 edition

by the partae November 23, 2024
written by the partae
Date: 19th & 20th April
Tickets: https://terminalv.co.uk/festival
Website | Instagram
 
999999999, AK Sports, AZYR, Bad Boombox,  Blawan, Brutalismus 3000, Charlie Sparks x Parfait, Dax J x Daria Kosolova, Deborah De Luca, DJ Hyperdrive, Funk Tribu, Helena Hauff, Kettama, LB Aka Labat, OGUZ, Patrick Mason, Reinier Zonneveld, Testpress, X Club. and many more will all perform.
The famously high-octane thrills of Terminal V Festival are returning to Edinburgh’s Royal Highland Centre and Showground on the Easter Bank Holiday Weekend of Saturday 19th and Sunday 20th April 2025. With more than 100 world-class acts, six specially designed stages and 20,000 people per day – everything about Terminal V is supersized, which is why it is one of the most celebrated and largest techno festivals in Europe. This iconic annual event is sure to be sold out fast.
The festival stands apart from the competition thanks to a dedication to key details – innovative and explosive production, high spec sound systems and carefully curated artists that traverse a wide spectrum of techno, bass, electro and acid from red-hot new stars to venerated veterans.
 
 
Chief amongst them are the likes Brutalismus 3000 who are playing a Scottish festival for the first time ever and have a serrated blend of gabber, post-punk and techno, returning favourite Blawan who is a staple in the experimental techno world, bringing raw, industrial sounds that push sonic boundaries and he plays with Helena Hauff who has long been a leader of the electro and techno worlds as she commands the decks with raw, analogue-driven energy.
There will be fireworks when hard techno titans Charlie Sparks x Parfait step up and combine frenetic energy with a touch of rave nostalgia, while Dax J x Daria Kosolova promise a seamless fusion of hard-hitting industrial techno and cerebral rhythms and AK Sports has a hybridised sound that is always hard and fast whether taking in slamming techno, big breaks or earth-quaking bass.
 
Italian Deborah De Luca mixes melodic techno with pounding basslines to create a sound that is emotive and club-ready and DJ Hyperdrive takes things into the future with his innovative approach to techno and electro. Kettama offers euphoric, house-infused techno that’s as groovy as it is powerful. Contemporary breakout star LB Aka Labat brings a barrage of breaks, club and bass from with a modern edge.
There will be a superb Scottish contingent representing the fertile local scene with likes of Testpress who specialise in dark, punchy techno, fast-rising simOne who is all about hardcore beats and big, Eurotrash sounds, and Sikoti, a co-founder and resident DJ at Dark Room Sessions who plays it hard,  all stepping up.
Berlin legend Patrick Mason is known for his theatrical performances and combining commanding vocals with pulsating techno, Filth On Acid label head Reinier Zonneveld is a live techno wizard who has helped define the acid and hard techno revolution. Add in AZYR, who is up for Best DJ in the DJ Mag Awards, plus the famously high energy sounds and catchy melodies of Aussie duo X Club and these artists, along with tens more, promise a lineup that’s as dynamic as it is forward-thinking.
Held at Edinburgh’s Royal Highland Centre, Terminal V Festival offers many different and equally immersive experiences across six indoor and outdoor stages each with their own look and feel. This means you can dance the day and night away as you please and have your own musical adventure through the night, matching the music to your mood.
In all across the two days, 40,000 house and techno enthusiasts from across the UK and beyond all unite on the famously warm and welcoming dance floor. It is a safe space for all that makes this more than just a party – it’s a gathering of like-minded music lovers where lifetime memories and friendships are formed.
Terminal V is all set to kick off the 2025 festival season in spectacular fashion so make sure you are part of the story by getting your tickets now at https://www.terminalv.co.uk/festival
Line Up (A-Z)
999999999
ADRIAN MILLS
AK SPORTS
ALEX FARREL
ALT8
AZYR
BAD BOOMBOX X MISCHLUFT
BENWAL
BIIA
BLACK TRAFFIC
BLAWAN X HELENA HAUFF
BRUTALISMUS 3000
CADZOW
CARMEN ELECTRO x LAURE CROFT
CARV
CHARLIE SPARKS x PARFAIT
CLARA CUVE
CLOUDS
CLOUDY
DARIA KOLOSOVA x DAX J
DEBORAH DA LUCA
DJ HYPERDRIVE
DYEN
EARGASM GOD
ECZODIA
FANTASM
FISH 56 OCTAGON
FUMI
FUNK ASSUALT
FUNK TRIBU
HOLY PRIEST
JAZZY
JOWI
JUSTIN JAY
KETTAMA
KYLE STARKEY
LB AKA LABAT
LUCA AGNELLI
MISCHLUFT
NOISE MAFIA
ODYMEL
OGUZ
PATRICK MASON
PRADA2000
RIENIER ZONNEVELD LIVE
SERAFINA
SIKOTI
SIMONE
TESTPRESS
THE MUFFIN MAN
TOMMY HOLOHAN
VENDEX
WILDERICH
X CLUB.
ZWILLING.
+MUCH MORE TBA
November 23, 2024 0 comments
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Festival NewsMusic News

INTERVIEW: KYBBA on ‘Ba Ba Bad’ Sean Paul, Busy Signal Collab

by the partae November 23, 2024
written by the partae

“Ba Ba Bad” has already captured global attention—can you walk us through how the track came to life and how Sean Paul and Busy Signal got involved?

The song started first with Busy Signal, he was in the studio with Crawba, they called me and asked for beats, the next morning I received the full vocal already, so I pieced it out and made a first demo. During one of my events in Amsterdam I just played the demo and the crowd reaction was insane, so the following day I uploaded the night footage and the track went immediately viral on both tt and ig. Then Leftside sent the track to Sean Paul and he loved it, so he dropped a verse and in literally a couple of days we released the track.

With the song initially going viral on social media, how did platforms like TikTok influence your decision to expand the track into this powerhouse collaboration?

It was just natural cause Leftside was trying to link me with Sean Paul for some months now, to do a collaboration between me and him, so I felt this was the right moment and the right song.

What was the most exciting or unexpected moment during the creation of “Ba Ba Bad,” especially working with legends like Sean Paul and Busy Signal?

I think the days I received both vocals, I felt the energy and it was special because both artists loved the project so much.

Dancehall has such a rich cultural history—how do you ensure your production stays authentic while bringing your own signature style to the genre?

I grew up listening to Reggae and Dancehall, I’ll always respect the originators and the Jamaican culture in general, that’s why I make sure in most of my tracks to feature Jamaican artists, and to collaborate with Jamaican producers too. My first song ever was with Leftside, who is one of my favourite Jamaican Dancehall artists and now also a good friend. I want to remark that my sound contains a lot of elements also from Shatta, which is a dancehall sub genre from Martinique, and Moombahton. The Basshall signature is a mix of all these sounds.

Your unique blend of Dancehall, Latin, and urban sounds has resonated globally. What inspires you to explore and merge such diverse influences in your music?

I think because I was first a DJ and then I started producing, and especially in my first days as a DJ I always loved to mix different genres and sounds, so my sets were definitely unique in that sense from the start. I basically translated my djing style into my record label sound signature and production style. I definitely have many inspirations from different genres and cultures, three of my fav artists/producers are Vybz Kartel, Manu Chao and Diplo, all of them versatile and unique in their own way.

Having already amassed over 100 million streams in your career, how do you approach creating music that connects so strongly with both core fans and new listeners worldwide?

I genuinely don’t know, I do not strategise a lot when it comes to my music creation, I just work on things that I like, then I hope my core fans as well as the new listeners will like it.

The Basshall Movement is a game-changer in the industry. How does being at the helm of a label, TV channel, and event brand impact your work as an artist and producer?

Well I like it but sometimes it is overwhelming, I’m not really good at delegating but I’m learning it and my team and management are helping.

What does it mean to you personally and professionally to have Sean Paul describe your production as ‘wicked’ and feel compelled to jump on the track?

Is like a dream come true, I grew up listening to his music so having my name next to his on a release it’s a huge achievement.

With appearances at festivals like Tomorrowland, how do you prepare to translate your studio sound into a live performance that captivates massive audiences?

I try to imagine myself in the crowd. So obviously a set I play in a club/boiler room type of set up will always be different than a big stage like Tomorrowland etc. I always stay true to my sound but I definitely shape my set differently when it comes to big stages.

What’s next for KYBBA? Are there any upcoming projects, collaborations, or surprises in the pipeline that you can share with your fans?

I’m working on my first EP, I have many collaborations I’m working on, one is with the legend Buju Banton. There are many other projects but I can’t share any details atm. I’ll also announce a world tour in the next few months!!

 

INSTAGRAM

November 23, 2024 0 comments
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Music News

Twine share final tease of New Old Horse LP (Dec 6) with ‘Fruit to Ripe’

by the partae November 22, 2024
written by the partae

Image Credit: Nash Blight

“Though there are only five members in their ranks, together Twine conjure up a mighty racket, with violinist Thea Martin adding additional layers to the rest of their bandmates’ boisterous and clattering.” – David Renshaw, The Fader

 

“A powerhouse example of the stellar music made in the South Australian capital.”
– Tyler Jenke, Rolling Stone Australia

 

“Twine are making music as cinematic as it is volatile, capturing a set of caustic feelings that always seem to erupt.”

– Dan Goldin, POST-TRASH

 

“Effortlessly cool.”

– Danika Baker, Tone Deaf

 

“A compelling and explosive live show – tight, angular, post-hardcore that occasionally teeters into moments of explosive noise.”

– FBi Radio

 

[Friday, November 22] Twine – one of Australia’s leading noise acts – uncover a final preview of their debut LP New Old Horse (out Friday, December 6 via Kitty Records) with new single ‘Fruit to Ripe’, alongside a Conor Mercury-directed music video. Listen to ‘Fruit to Ripe’ HERE. Pre-order New Old Horse HERE.

 

The discord between erotic charge and sexual anxiety is the subject of ‘Fruit to Ripe’, an unrelenting freak-out of roared vocals and manic instrumentation, recalling the noisier output of The Drones.

 

The accompanying music video, directed by Conor Mercury (Coldwave, The Empty Threats), captures the intensity of Twine’s electrifying live performances through a single-take clip that constantly shifts perspectives. Mercury shares, “The live energy of Twine is one that I’ve always experienced to be impassioned, uninhibited, and for real. I really wanted to shoot a traditional performance music video in a way that captured [Twine’s] nature of spontaneity.”

 

He continues, “I had always wanted to shoot a clip where the lens is changed without cutting, and thought it would be cooler to take that concept to the north degree, changing it as many times as possible in a single take.” To bring this idea to life, Mercury utilised a rotating perspex rig designed by Fletcher Whitehead, who also shot the video. The rig was equipped with various diopters—including classic diopters, a split diopter, a mirror, and a small DVCam mounted upside down—that Mercury operated remotely, while a focus puller managed a prime lens positioned behind them.

 

‘Fruit to Ripe’ joins New Old Horse singles ‘Sleeping Dogs’, ‘Same Old Problems’, ‘Future Exhale’ and ‘My God’, which found praise and plays from Apple Music’s Matt Wilkinson, The Fader, POST-TRASH, Rolling Stone, triple j and community radio across Australia, including PBS, 4ZZZ, RTR, 2SER, Triple R and fbi.radio (landing the station’s Independent Artist Of The Week earlier this year), with debuts on New Zealand’s Alt Airplay Charts).

Twine ‘Fruit to Ripe’ Music Video by Conor Mercury | Watch HERE

 

The two threads that twist together to make South Australian band Twine are barrelling noise rock and wounded, stinging country.  Their debut record New Old Horse is dazzling and devastating in equal measure; a tender yet eruptive exploration of wayward relationships and the aches of identity in flux. The dynamism of the album mirrors these disordered attachments and emotions — tracks of brute force quickly descend into mournful interludes from the violin, while slow tracks sprawl out and then explode into a pummel of noise and drums. Tom Katsaras’ unpolished vocals quiver and howl, giving each song a sorrowful depth.

 

The band began in Kaurna land/Adelaide in 2021, initially as a solo vehicle for Katasaras’ experiments into brash, country-inflected rock. But as the band members shifted and finally solidified into their current line-up — Tom Katsaras (Vocals / Guitar),  Matt Schultz (Guitar), Thea Martin (Violin), Alicia Salvanos (Bass) and Jackson Pagett (Drums) — the music became more of a collective effort, with Katsaras bringing his bandmates small fragments of songs that were then expanded and warped into new shapes. Part of the unruly power of New Old Horse (Mixed by Alex Farrar, who has worked with MJ Lenderman and Wednesday) comes from this communal approach.

 

Drawing inspiration from current contemporaries such as Wednesday, Sprain and Chat Pile as well as heritage acts like The Dirty Three, The Drones and Unwound (who handpicked the group to support them on their Australian tour earlier this month), the group pay homage to their influences with originality and earnestness.

 

New Old Horse comes off the back of the band’s reputation for bracing live shows. After an array of east coast tours supporting fellow Australian acts like Bad//Dreems, Dust, Mini Skirt, The Belair Lip Bombs, Grace Cummings, Armlock and VOIID, plus post-rock veterans Mclusky, Twine headed to Aotearoa/New Zealand for their first international tour, including a stop at Camp A Low Hum festival (Wednesday, Holy Fuck). The band continue to laud significant buzz across fans and media alike, performing to overflowing rooms for their SXSW Sydney debut, and across their ‘Sleeping Dogs’ east coast tour last month.

 

 

Twine New Old Horse LP

 

1. Future Exhales

2. Sleeping Dogs

3. Spine

4. New Cleaner

5. Same Old Problems

6. My God

7. Fruit to Ripe

8. Between States

9. New Old Horse

10. High Tide Loose Change

 

Album Credits:

 

Recorded by Matt Schultz at Interim Studios

Mixed by Alex Farrar at Drop of Sun Studios

Mastered by Greg Obis at The Chicago Mastering Service

Art by Tom Katsaras

 

Twine is:

 

Tom Katsaras (he/him): Vocals, guitar

Jackson Pagett (he/him): Drums

Alicia Salvanos (they/them): Bass

Matt Schultz (they/them): Guitar

Thea Martin (they/she): Violin

 

Keep up to date with Twine:

 

Instagram | Facebook | Bandcamp

November 22, 2024 0 comments
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Festival NewsMusic News

Coachella 2025 Lineup + Tickets

by the partae November 21, 2024
written by the partae

2025 Coachella Full Line Up

Above & Beyond, A. G. Cook, Alok, Amaarae, Amelie Lens, Amémé, Amyl and the Sniffers, Anitta, Arca, Artemas, Austin Millz, Basement Jaxx, Beabadoobee, The Beaches, Beltran, Ben Böhmer, Benson Boone, Beth Gibbons, BigXthaPlug, Blonde Redhead, Bob Vylan, Boris Brejcha, Ca7riel & Paco Amoroso, Charli XCX, Chris Lorenzo, Chris Stussy, Chase & Status, Circle Jerks, Clairo, Coco & Breezy, Damian Lazarus, The Dare, Darkside, Dennis Cruz, Desiree Triplosm, Disco Lines, Dixon x Jimi Jules, DJ Gigola, Djo, D4vd, El Malilla, Eli Brown, Enhyphen, Erez, Eyedress, Fcukers, FKA twigs, Francis Mercier, Gel, Ginger Root, Glixen, Glass Beams, Glorilla, The Go-Gos, Green Day, Gustavo Dudamel & LA Phil, Haai, Hanumankind, HiTech, Hope Tala, Horsegiirl, Indira Paganotto, Indo Warehouse, Infected Mushroom, Interplanetary Criminal, Ivan Cornejo, Japanese Breakfast, Jennie, Jessie Murph, Jimmy Eat World, Judeline, Julie, Junior H, Keinemusik, Keshi, Klangkuenstler, Kneecap, Kraftwerk, Kumo 99, Lady Gaga, Layton Giordani, Lisa, Lola Young, Los Mirlos, Maribou State, The Mariás, Marina, Mau P, Medium Build, Megan Thee Stallion, Meute, Miike Snow, Mind Against x Massano, Missy Elliott, Mohamed Ramadan, Moon Boots, Muni Long, Mustard, The Original Misfits, Parcels, Parisi, Pete Tong x Ahmed Spins, Polo & Pan, Post Malone, Prison Affair, The Prodigy, Ravyn Lenae, Rawayana, Rema, Saint Jhn, Salute, Sam Fender, Sammy Virji, Sara Landry, Seun Kuti & Egypt 80, Shaboozey, Shermanology, Shoreline Mafia, Snow Strippers, Soft Play, Sparrow & Barbossa, Speed, Still Woozy, Talón, Thee Sacred Souls, Three 6 Mafia, Tink, Tinlicker, Together Pangea, Tops, T-Pain, Travis Scott, Tripolism, Ty Dolla $ign, Tyla, Underscores, Viagra Boys, Vintage Culture, Vs Self, VTSS, Wisp, XG, Yeat, Yo Gabba Gabba!, Yulia Niko, Zedd, 2hollis, and 4batz

 

TICKETS

November 21, 2024 0 comments
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Festival NewsMusic News

LANY Lights Up Hordern Pavilion with Unforgettable Show and Emotional Highs

by the partae November 21, 2024
written by the partae

Images: @Gxbriellemxry

Words: Josh Ma

LANY transformed Sydney’s Hordern Pavilion into a haven of dreamy pop beats and heartfelt connections. The setlist, a rollercoaster of emotions, delivered everything fans have come to love about the trio: vulnerability, energy, and a sense of community.

The night opened with the fan-favorite “YOU!”, sparking immediate energy across the venue as Paul Klein and the band emerged from behind white curtains and 007 like spotlights, setting the stage for what felt like therapy on a Wednesday night. This show, part of their long-awaited tour, had been delayed due to Klein’s recent motorcycle accident, adding a layer of poignancy to their return to the stage since their last tour in Sydney in 2022. The crowd was in sync with every beat, and from there, LANY didn’t let up. “ex i never had” and “up to me”brought a mix of nostalgia and fresh energy that’s quintessential to LANY’s style. The wistful “It Even Rains in LA” and the introspective “I Pray” showcased lead singer Paul Klein’s emotional range, leaving fans hanging on every lyric.

In a particularly memorable moment, the band segued into “somewhere / Sugar & Cinnamon”, drawing fans deeper into the introspective core of their music before jumping into fan favorite “care less” from their 2021 album, gg bb xx. Klein’s raw vocal delivery paired with airy melodies set the stage for heartbreak anthems like “Congrats” and the soul-baring “I Don’t Wanna Love You Anymore” making everyone including me grove.

As the setlist progressed, LANY continued to guide the crowd through highs and lows, balancing upbeat anthems with reflective ballads. “dancing in the kitchen”sparked joy and movement, while “pink skies” added a magical atmosphere—complete with a surprise proposal. As the intro to this 2016 hit played, Klein invited a fan on stage with his partner where he got down on one knee, prompting cheers from the sold-out crowd at Hordern.

LANY kept the mellow vibe going with “Alonica”, “Thick and Thin”, and “Out of My League”, while “dna”resonated with deeper emotional undertones. The back-to-back performance of “Super Far / Mean It” brought a jolt of excitement, leading into Klein’s acoustic rendition of “13”, a moment fans had eagerly anticipated. The melodic, minor-key rendition of “Hericane” filled the room with raw emotion, even if played only partially, before the band transitioned seamlessly into “’Cause You Have To”.

The evening’s came with the trio’s powerful nostalgic fan favourite off their 2019 album “Thru These Tears” and “Malibu Nights”, both delivering the full scope of LANY’s signature sound: bittersweet lyrics and lush instrumentals that tug at the heartstrings which are suitable for those are in love or are heartbroken. For the encore, “ILYSB” brought the crowd to a fever pitch, with every word shouted back in a unified, emotional wave. Finally, they closed with the powerful “XXL”, a fitting end to a night that felt larger than life, with Klein diving into the crowd multiple times before the band bid farewell to Hordern in true Lonely Tunes style.

The crowd at Hordern Pavilion was left buzzing, carried by LANY’s effortless transitions between joy and heartache. The show was a reminder of how the band continues to build genuine connections with fans through their music and presence. Every track on the setlist was a perfect piece in the tapestry of an unforgettable evening, proving once again that LANY is more than a band—they’re a shared experience.

November 21, 2024 0 comments
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Music News

JET CITY SPORTS CLUB reveal bright new single ‘MINI SKIRT’

by the partae November 21, 2024
written by the partae

Photo Credit: Jack Moran

With soaring melodies and emotive lyrics, Sydney indie-rock group JET CITY SPORTS CLUB are back with a brand new single titled ‘MINI SKIRT’.

The band’s latest release is a strong addition to a catalogue that has included the Every Single Dream EP; a career defining moment for Jet City Sports Club, continuing to build upon the momentum the last few years have generated. As one of the East Coast’s exciting fresh players, Jet City Sports Club have been working hard on creating music that focuses on the vision they have for their music moving into a brand new year.

With a song like ‘Mini Skirt’, the band is taking strong steps into this new direction.

Recorded with Fletcher Matthews (Trophy Eyes, Dear Seattle, Stumps) at his studio in Glebe, Jet City Sports Club pulled influences from artists they love, including The Cure, Holly Humberstone and The Beaches, while pushing their honest brand of storytelling and delivery further than they had on previous releases.

Of the song, the band describes ‘Mini Skirt’ as being about “growing up” and realising there isn’t necessarily one right way to do things or move through life.

“…you don’t have to be perfect or conform to the ways your friends, family or the world might want you to. The story is narrated from the perspective of a young girl going through serious body image issues and pressure to be someone they might not necessarily be. The verses talk about this and the chorus aims to reclaim a sense of independence and self worth.”
JET CITY SPORTS CLUB

The vibrancy and confidence heard on this music matches the energy Jet City Sports Club have taken into their live performances in recent years as well. Since their debut in 2021, the group has gone from strength to strength, touring with artists including Ruby Fields, Old Mervs, Dear Seattle and more; while also performing sets at Lost Paradise and the Mountain Goat Valley Crawl and with upcoming summer spots at Rolling Sets and Party In The Paddock.

Extensive support via Triple J, Triple J Unearthed and community radio, as well as DSPs (Spotify’s Fuzzy, Fresh Finds; Apple Music’s NMD, Good Times, New Indie, Pop Chill and more), have established Jet City Sports Club as an Australian indie group to watch. With each release the band steps up to the plate and proves all of this and more.

PLAY/LISTEN

PRAISE

“A glimmering shard of sunshine through heavy curtains, ‘She Don’t Need No One’ contains many small moments of poetic romance: a seat belt tan line from driving topless in the sun; a momentary crush spawned from the brief touch of an arm; a city not feeling the same any more, despite a 40C day…”
THE GUARDIAN

“Holy s**t. Absolutely loving this sound, that build is so satisfying. Great vocals, great guitar, great journey you take us on.”
TRIPLE J, JESS PERKINS

“The kinda song to put a sweet little smile on your face. Love all the textures, it feels calming even when the guitar kicks in. Just gorgeous!”
TRIPLE J CLAIRE MOONEY

Summer 2024/25 is looking to be a busy one for the band, as they prepare to hit the road supporting both Annie Hamilton and Eliza and the Delusionals as well as playing Rolling Sets and Party In The Paddock from December through to February.

JET CITY SPORTS CLUB LIVE SHOWS

Saturday 7 December Rolling Sets Festival Central Coast 
Tickets

Friday 13 December The Lansdowne Sydney
Supporting Annie Hamilton
Tickets

Friday 31 January Jive Adelaide
Supporting Eliza and the Delusionals
Tickets

Saturday 1 February Howler Melbourne
Supporting Eliza and the Delusionals
Tickets

Thursday 6 – Sunday 9 February Party in the Paddock Launceston
Tickets

Friday 14 February Oxford Art Factory Sydney
Supporting Eliza and the Delusionals
Tickets

Friday 28 February The Triffid Brisbane
Supporting Eliza and the Delusionals
Tickets

 

PLAY/LISTEN

 

JET CITY SPORTS CLUB: Facebook | X | Instagram | YouTube | Triple J Unearthed

November 21, 2024 0 comments
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Festival NewsMusic News

REVIEW: Tate McRae – 12 Nov 2024, Hordern Pavilion, Sydney

by the partae November 21, 2024
written by the partae

Photo: Beth Saravo

Words: Zac Farr

THE GREAT POP REVIVAL

 

Static sounds and flickering lights… the screen teased retro super film as the subs began to tease the heart… a voice over transported us into a special place… the Hordern was ready… ready to witness something magical… an eagerness somewhat like when man walked on the moon filled the room… and there she was… the twenty one year old icon… taking her rightful place as the future of pop… taking us to brand new, magical places. 

She doesn’t just have a fantastic vocal range or songs that have become the anthems of millions of her fans lives. Tate McRae brings everything pop is onto one stage. The dancers, the sas, the sexy, the songs, the stage design… she has created her own little world and invited us along for the ride and it is no accident. We owe it to the sacrifice she made being placed in the spotlight at 13, a sacrifice that has equip her with a wealth of knowledge throughout all fascists of the industry to add spice where it is needed, write songs with depth, ensure her people are loved with rooftop pop ups and collude dance, lights and ballads to strike the hearts of anyone who found themselves in the Hordern Pavilion at 9pm on a Tuesday night. 

Tate showed off her spectacular taste having Seattle born Charlieonnafriday open the night with a wonderful little set full of his hit singles such as Enough, I’m not crazy and After Hours as well showing of pieces of his new album WILD CHILD with tracks such as When it Rains filling the room with pure joy. His eclectic sound that merges pop, country tones and a mellow hip hop forces heads to nod and the hips to sway. The perfect to vibe to warm up the Mcrazies for the main event. 

Opening with the heaving hitting Think later had the sea of Jerseys, high ponies and stuffed teddies going word for word alongside her from the get go. With vibrant dance breaks and guitar solos she and her team brought their A-game showing of her latest Album THINK LATER in all of the awe inspiring ways. She also gave the day ones some love including the tracks uh oh and she’s all I wanna be as well as the song that really put her on the musical map at sixteen you broke me first. There is something quite special when someone can bring together the die hards, the fathers, the broken hearted and the joy filled to sing together under one roof tracks like exes next to guilty conscience really emphasising how different people, from different worlds can have such powerful shared experiences. 

Overall, Tate was five stars, she inspired the woman to own who they are, back each other, enjoy where they are at and being a little bitter sometimes isn’t such a bad thing. She currently holds a prominent space in the pop scene and with The Kid Laroi on her arm partnered with some of lasts years biggest and best pop songs there is not much stopping her from stealing all of Australia’s hearts.

November 21, 2024 0 comments
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Music News

KYBBA, SEAN PAUL, AND BUSY SIGNAL TEAM UP FOR HIGHLY ANTICIPATED NEW TRACK “BA BA BAD”

by the partae November 21, 2024
written by the partae

FROM VIRAL ON TIKTOK, TO AN UNEXPECTED COLLABORATION OUT NOW VIA BASSHALL RECORDS

KYBBA, SEAN PAUL & BUSY SIGNAL – BA BA BAD

LISTEN HERE


International DJ and producer KYBBA has joined forces with Dancehall icons Sean Paul and Busy Signal for the long-awaited track “Ba Ba Bad”. What started as a viral social media sensation (IG/TikTok) quickly evolved into a powerhouse collaboration, surprising fans with Sean Paul’s unexpected appearance alongside Busy Signal.

The hype for “Ba Ba Bad” began with KYBBA’s social media teasers, generating significant traction and capturing the attention of Dancehall legend Sean Paul. Originally featuring only Busy Signal, the track’s infectious beat and captivating rhythm spurred KYBBA to reach out to Sean Paul for a feature. In a whirlwind of creative energy, the track was recorded and finalized within a week, culminating in a collaboration no one saw coming.

“The energy on this track is mad,” KYBBA shared. “It’s been amazing to see it take on a life of its own through social media and to now have both Busy Signal and Sean Paul on it – it’s an honor.”

“Love the energy of this track and truly respect Busy Signal—always one of the realest voices out of Jamaica. It’s a pleasure to work with him again. Especially when I heard this one, I knew I had to jump on the rhythm. Big up to Kybba for the wicked production.” – Sean Paul

With its addictive beats and Dancehall allure, “Ba Ba Bad” is set to make waves worldwide. Having already amassed impressive numbers online prior to its release, fans and industry insiders alike anticipate the track’s explosive success following the official release. “Ba Ba Bad” will be available on all major streaming platforms, bringing KYBBA’s unique production style with the signature voices of Dancehall’s finest, Sean Paul and Busy Signal, for the world to enjoy.

“BA BA BAD” OUT NOW ON ALL STREAMING PLATFORMS VIA BASSHALL RECORDS

About KYBBA

Hailing from Italy, and currently based in Amsterdam, has been captivating global audiences. KYBBA is a force to be reckoned with in the dancehall and urban music scene.  Founder of the multifaceted Basshall Movement – a record label, TV channel, publishing arm, and event organizer dedicated to promoting these genres globally – KYBBA’s infectious energy and innovative spirit are undeniable. His unique sound, effortlessly blending dancehall, Latin, and other cultural influences, has garnered him a massive following.  With over 100 million streams on streaming platforms and hit songs like “Pon Di Ting,” “Heavy,” “CON TO,” “Dale,” and “Pilot,” KYBBA’s electrifying music translates into a thriving global touring career, with upcoming appearances at prestigious festivals like Tomorrowland.

About Sean Paul

Sean Paul, born Sean Paul Henriques in Kingston in 1973, has become Jamaica’s leading musical export with numerous chart-topping hits, Grammy and Latin Music Awards, and performances in over 120 countries. His international breakthrough began with “Infiltrate” in 1997, followed by dancehall hits like “Deport Them” and “No Bligh.” His collaboration with Mr. Vegas on “Hot Gal Today” further showcased his global appeal, making him VP Records’ highest-selling artist. Success continued with hits like “Gimme the Light” and “Get Busy,” culminating in his Grammy-winning album Dutty Rock. Sean Paul’s influence spans beyond reggae and dancehall, with collaborations alongside Beyoncé, Blu Cantrell, Busta Rhymes, Dua Lipa, and Clean Bandit, and hits like “Temperature” from Trinity cementing his global fame. Honored by the Jamaican Government with an Order of Distinction in 2019, Sean Paul remains a powerful ambassador of Brand Jamaica, his legacy resonating worldwide.


CONNECT WITH KYBBA

| INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD |

CONNECT WITH SEAN PAUL

FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD

CONNECT WITH BUSY SIGNAL

FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD

November 21, 2024 0 comments
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Festival NewsMusic News

BOBBY UNCLE shares new track ‘THE WAY YOU STAND’

by the partae November 20, 2024
written by the partae
Sydney’s BOBBY UNCLE shares new track ‘THE WAY YOU STAND’ from debut EP MIMES MISS THE BEACH

 

Continuing to delight with his own brand of indie-pop sounds, Sydney songwriter and performer Bobby Uncle has returned with a new single titled ‘The Way You Stand’.

 

Taken from the artist’s forthcoming debut EP Mimes Miss The Beach, ‘The Way You Stand’ serves as a great gateway into Bobby Uncle’s songwriting style, and the evolution of his soundscapes as we head into the end of the year. Leaning into ‘80s synth and ‘70s guitar-rock influences, ‘The Way You Stand’ encompasses the intoxicating feeling one gets when they come across someone who completely mesmerises them.

 

Following on from tracks including ‘February (I Know)’, ‘Tragedy Delight’ and ‘Coffee’, ‘The Way You Stand’ is a fun and immersive release from Bobby Uncle that provides cool insight into the rest of the EP project.

 

“I thought to myself, what is a silly characteristic about someone that makes them so special and in a league of their own, compared to everyone else? I thought, well obviously, the way they stand. I mean, who compliments someone by the way they stand? Yet, if you think about it, the way someone stands can really make them stand out from a crowd. Just look at supermodels and the way they stand on the billboards, or a Hollywood superstar in a movie. You can point them out even if they are walking with a stream of people. Nonetheless, the song is meant to be fun, energetic and to capture that good feeling of a summer love, hence why the lyrics are quite playful.” BOBBY UNCLE

 

‘The Way I Stand’ was recorded in Neutral Bay, Sydney, at Bobby Uncle’s home studio. The beginnings of the song were coming together in December 2023, though he only returned to it in September 2024 to finish it off into the bright final result we hear today.

Bobby Uncle has been on a strong upwards trajectory since emerging back in 2021 – with significant support from radio and editorial outlets alike. Previous single’s ‘Summertime (Make It Happen)’ and ‘Coffee’ both saw heavy airplay on stations such as triple J, triple J Unearthed, iHeart Radio, SYN and 4ZZZ; and have been praised by tastemakers such as Rolling Stone Australia, Scenestr, Frankie Magazine and AAA Backstage upon release.

 

PRAISE

 

“Sydney’s Bobby Uncle has brewed up “Coffee” – a fun pop single about sleepless nights over a crush who doesn’t feel the same way.”

ROLLING STONE AUSTRALIA (‘Coffee’, 2024)

 

“Bobby Uncle reels you in with luscious melodies and an upbeat tone – loving this new one <3”

TRIPLE J UNEARTHED, ANIKA LUNA (‘Coffee’, 2024)

 

“Your voice goes in some really interesting and unexpected places here. Bring on that EP!”

TRIPLE J, ABBY BUTLER (‘Summertime (Make It Happen)’, 2024)

 

“‘Coffee’ weaves through many different moods and tones throughout its runtime – creating a consistently compelling listen, filled to the brim with catchy ear worms that are sure to stick around long after the song has finished.” 

THE ROCKPIT (‘Coffee’, 2024)

 

“Here, whirring synths accompany Uncle’s voice, which on the chorus becomes distorted with a hazy vocoder flair. Pulling together such eclectic sounds, Uncle coalesces the track around an insatiable, ever-catchy rhythm, and some truly earwormy refrains.”

HAPPY MAGAZINE (‘Pendulum’, 2024)  

 

 

 Official Website | Facebook | X | Instagram | YouTube | TikTok | Triple J Unearthed

 
November 20, 2024 0 comments
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Festival NewsMusic News

SET TIMES FOR ANYMA ‘GENESYS’ – MELBOURNE / NAARM 2024

by the partae November 20, 2024
written by the partae

PURCHASE FINAL GA & VIP TICKETS

The event will include performances from an exciting array of both local and international talent featuring Cassian, Mind Against, Layton Giordani, Magnus, Paris, Oliiv, and Bound.

The forecast for Saturday is sunny and very warm, plan ahead and dress appropriately for the weather. There will be free water and sunscreen available throughout the site and shaded areas to keep yourself cool across the day.

There are a limited amount of GA and VIP tickets just listed for this sold out event! Secure yours now and don’t miss out.

The show is part of the ALWAYS LIVE programme, a 17-day celebration of live music across Victoria supported by the Victorian Government through Visit Victoria.

PURCHASE FINAL GA & VIP TICKETS

ANYMA PRESENTS GENESYS AFTER PARTY

For attendees looking to keep the energy alive after his debut, Anyma is set to deliver an unforgettable after party, where he will be joined by Cassian, Paris & more at Melbourne’s electronic dance hub, PICA.

The show is part of the ALWAYS LIVE programme, a 17-day celebration of live music across Victoria supported by the Victorian Government through Visit Victoria.

Final tickets selling fast!

AFTER PARTY TICKETS
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November 20, 2024 0 comments
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Festival NewsMusic News

PENNYWISE + MILLENCOLIN – AUSTRALIAN TOUR 2025

by the partae November 19, 2024
written by the partae

PENNYWISE + MILLENCOLIN CO-HEADLINE AUSTRALIAN TOUR 2025

In 2025, two of the all-time punk greats will return to Australian stages, with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge run down under next February and March.

With both metro and regional shows on the cards next year, PENNYWISE and MILLENCOLIN will kick off on Saturday 22 February in Wollongong, before hitting Newcastle, Sunshine Coast, Brisbane, Sydney and Adelaide, and closing out on Wednesday 5 March in Perth.

A band synonymous with punk rock and thought-provoking lyricism, PENNYWISE erupted out of the vibrant coastal setting of Hermosa Beach in California with their self-titled debut album in 1991, ultimately going on to change the sonic landscape and cultivate a sweltering legacy via their unique blend of DIY spirit, hardcore, skate punk and SoCal pop punk. Renowned for their ability to fuse raw emotion and ravenous energy with themes of empowerment and rallying calls for change, PENNYWISE encapsulate the essence of rebellion with anthems like Bro Hymn and Fuck Authority, while also remaining as fundamental to punk rock and hardcore as stage dives and guitars.

With twelve studio albums, including their Certified Gold records About Time (1995), Full Circle (1997) and Straight Ahead (1999), PENNYWISE have also showcased their formidable onstage presence across the globe for decades alongside the biggest names in the scene, most recently supporting Dropkick Murphys for a huge North American tour, and also for Aussie audiences last year as part of Good Things Festival. A band fluent in balancing the spirit of punk alongside subversion and celebration, PENNYWISE are primed to bring the revolution to Australian audiences in 2025.

For over 30 years, Swedish icons MILLENCOLIN have vividly put punk on the map. With their original lineup still intact since forming back in 1992, MILLENCOLIN‘s debut album, 1994’s Tiny Tunes, opened the floodgates that would shape the quartet’s staggering career to come. Skyrocketing their popularity courtesy of the 2000 full-length Pennybridge Pioneers, the rock-infused dive beyond the band’s earlier skate punk and ska leanings would ultimately spawn iconic tracks like No Cigar and Penguins & Polarbears, achieving infamy with No Cigar‘s addition to the soundtrack for Tony Hawk’s Pro Skater 2, and ultimately finding the overall album scoring an ARIA Platinum certification.

One of punk rock’s most famed and favourite acts to emerge out of Europe, MILLENCOLIN have played thousands of shows around the world, including as part of Warped Tour, Soundwave Festival and Big Day Out, multiple sold out headline performances, tours with the likes of Bad Religion and The Offspring, and, most recently for Australians, at Good Things Festival in 2022. And never ones to rest on their laurels,  MILLENCOLIN also continue to finesse their sonic creations, seen vividly via their 2019 album SOS, exploring political and darker themes without sacrificing their explosive energy and gripping melodics.

Do not miss your chance to witness PENNYWISE and MILLENCOLIN live in action in 2025, secure your spot to one of the biggest co-headline events of the year!

Early bird pre-sale tickets on sale: Wednesday 20 November @ 12pm local time

To Gain Early Ticket Access Register Here -> https://daltours.cc/PWMCsignup

General tickets on sale: Friday 22 November @ 12pm local time
Tickets from 
destroyalllines.com

PENNYWISE + MILLENCOLIN
AUSTRALIAN TOUR 2025

TOUR DATES:

SATURDAY 22 FEBRUARY 2025 – WAVES, WOLLONGONG
SUNDAY 23 FEBRUARY 2025 – BAR ON THE HILL, NEWCASTLE
TUESDAY 25 FEBRUARY 2025 – THE STATION, SUNSHINE COAST
WEDNESDAY 26 FEBRUARY 2025 – FORTITUDE MUSIC HALL, BRISBANE
FRIDAY 28 FEBRUARY 2025 – ENMORE THEATRE, SYDNEY
SATURDAY 1 MARCH 2025 – PIRATE LIFE BREWING FESTIVAL, ADELAIDE
SUNDAY 2 MARCH 2025 – PICA, MELBOURNE
WEDNESDAY 5 MARCH 2025 – METRO CITY, PERTH

General tickets on sale: Friday 22 November @ 12pm local time
Tickets from destroyalllines.com

November 19, 2024 0 comments
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Music InterviewsMusic News

Interview: TYLER HILTON – Returning to Australia

by the partae November 19, 2024
written by the partae

It’s been a few years since your last visit to Australia. What are you most looking forward to about reconnecting with your fans here?
The energy from the crowd was so exciting in 2017 because it had been a while since I played in a country for the first time. I wanted to come back sooner, and it didn’t work out. And I’ve been just dreaming about it since! I found the people so cool and exactly my vibe. I feel like Australians are like my people.

Your new EP, No Land’s Man, feels like a fresh direction. What inspired this project, and how would you describe its sound and themes to listeners?
I got the opportunity to compose the score for my wife Megan Park’s new movie, My Old Ass, which put me in a whole different headspace musically for a while. When I was done with the project, I had some time to record songs I had written, but I didn’t want to leave the mellow space I was in from the score, which was really inspired by the sleepy lake town in Muskoka, ON — where the movie filmed. I wanted this music to feel like something that could be in a movie. I’ve been living in Canada raising kids, and it was really reflective of my current life tempo.

You’ve mentioned that performing live is important to you. How has the meaning of performing evolved for you, especially after the pandemic and spending more time on other projects?
I used to take it for granted, and now I realize how important it is to me personally, creatively, and musically. There’s a magic in performing live that can’t be replicated anywhere else, and it’s become necessary for my life in a way that it wasn’t before.

What are some of your favorite memories from your previous Australian tour, and what are you excited to revisit or experience for the first time?
Being introduced to flat whites in Sydney! It’s still my go-to coffee order. Being attacked by rain leeches with Kate Voegele on what was otherwise a beautiful tropical hike in Brisbane. And buying a beautiful acoustic guitar in Melbourne, made of Australian wood. I’m excited to revisit the coffee, the food and — if my daughter comes — the Bluey House in Brisbane.

A lot of fans know you from your role as Chris Keller on One Tree Hill. How does it feel to have that character still resonate with fans, and does that connection shape your music in any way?
It doesn’t shape my music, per se, but there’s so much of my own personality in Chris Keller that it does give me permission to have fun with a crowd in a way that we both can connect on — like an inside joke between me and 500 other people.

You’re bringing music from across your career to this tour. Are there any songs you’re especially excited to perform for Australian audiences?
The new songs are always the most meaningful because they’re most current with who I am now, but I’m so excited to be touring again that I’m just down to take requests and just have a blast playing whatever the fans want to hear!

With your work in music, film, and now a children’s book, you’re juggling a lot of creative roles. How do these different projects impact each other, and what inspired you to write a children’s book?
I just try to stay interested in what I’m doing, and it helps stave off boredom or feeling stale. As for the children’s book, I had my first kid and I was reading to her so much, and these books were such a part of our day that they started to read and feel like songs. Just felt like something I wanted to take on and try!

You’ve shared the stage with some iconic artists, including Taylor Swift and Keith Urban. What have been some standout lessons from those experiences that you’re taking with you on this tour?
It’s hard not to learn a lot by being around people who have been doing it on such a high level for so long. Longevity isn’t an accident. One thing I find across the board with people who have been successful that long is that they’re genuinely cool and are hard workers. There’s no shortcut for that kind of success.

The new tour is organized by MRG LIVE, marking their first major Australian production. How has the partnership been, and what unique elements can fans expect from this tour?
These have been some of the best promoters I have worked with. I would play anywhere in the world they wanted me to play. Good people, hard workers, and every show we’ve done together has been great! I couldn’t have a better partner to return to Australia with.

For fans who have been following you since the early days, what would you say to them about this tour and your current musical journey? What do you hope they’ll experience at your shows?
I’m just hoping for a lot of fun, and I’d love for them to have a night of singing along with some laughter, and if there’s a moment of goosebumps thrown in, that would be a bonus. There’s nothing like a good live show, and I’d love to be someone who gives that to people.

TYLER HILTON AUSTRALIAN TOUR DATES

Tickets via www.mrglive.com
MRG Presale: 9am AEDT, Wednesday 13 November
General Onsale: 9am AEDT, Thursday 14 November

Thursday 6 February Lefty’s Music Hall Brisbane Tickets
Friday 7 February Mary’s Underground Sydney Tickets
Saturday 8 February Northcote Social Club Melbourne Tickets

TYLER HILTON: Official Website | Facebook | X | TikTok | Instagram | YouTube

November 19, 2024 0 comments
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Music InterviewsMusic News

Interview: Taylor-Rae – Drunk Plans, Bold New Directions

by the partae November 19, 2024
written by the partae

“Drunk Plans” has such a relatable theme. What inspired you to write about unfulfilled plans and the honesty that comes with them?

This song started with the fact that I am notorious for making plans, especially when I’m out and about. I came in with the idea of writing a song about making brunch plans, which quickly turned into drunk plans. I just think it’s such a fun take on a universal topic.

How was it working with Brad Hill on this track, and what unique qualities did he bring to the production?

Working with Brad is always a lot of fun. He has such great intuition when it comes to the musical direction of a song and how to tie that to who I am as an artist. He’s really great at tailoring his production to each artist, so getting to collaborate with him has been pretty special.

“Drunk Plans” leads your upcoming EP. Can you give us a sneak peek into the themes or stories we can expect in the rest of the EP?

The upcoming EP feels pretty unapologetic. I really wanted to write what I felt and not worry so much about outside opinions so I could get back to the root of why I started music. A lot of the writing on this EP feels empowered, with a level of self-awareness in each song. It comes down to me dialing in who I am and acknowledging or poking fun at certain parts of my personality. It’s been pretty reflective writing this project, haha!

You’ve had a phenomenal year, from your debut at CMA Fest to performances with iconic artists. What has been the most surreal moment so far?

It’s been a pretty surreal year, that’s for sure. It’s hard for me to nail down one moment because there’ve been so many, but if I had to choose, it would probably be CMA Fest. Playing that festival has always been a dream of mine, and being invited to make my debut was a huge reminder that I’m on the right path.

Your ballad “If This Is Love” resonated with many fans. How did it feel to see it gain over 1.5 million streams and win you two BCCMA Awards?

That was a huge milestone for me. “If This Is Love” still stands as one of my favorite songs I’ve released, so to see a song I was so attached to find that success was such a career highlight.

After being named Rogers Media’s “One to Watch,” how has that recognition influenced your career or approach to music?

It reassured me to trust myself in the kind of music I want to create. Watching “If This Is Love” find success on radio and streaming was a big catalyst for creating this current project. It let me know that I can make the style of music I love and carve out a space for myself in the industry. That recognition changed a lot for me and my approach.

You’ve performed in diverse settings, from Canadian festivals to Nashville’s Song Suffragettes. How do these different audiences impact your performance?

It definitely prepares you for any situation. I’ve been lucky to be part of so many incredible shows, and I think it builds your performance chops. Writers rounds have made me more comfortable sharing my life and letting people into an experience, which has made me more open in bringing that same vulnerability into a full band show.

As an Alberta-raised, Nashville-based artist, how do these places influence your sound and songwriting?

Growing up in Alberta, I was surrounded by country music. It was always playing around the house, and that’s where I really found my love for it. Moving to Nashville has been one of the biggest influences on my most recent writing style. Being surrounded by talent here builds confidence in your originality. There’s a lane for everyone, and Nashville has been pivotal in learning that.

Your recent single “Sendin’ Myself to Church” was well-received. What message or feeling were you hoping to convey with that track?

“Sendin’ Myself to Church” was such a fun song to write. I’d love to think I’m always level-headed and watching my P’s and Q’s, but I can admit that every now and then things tick me off, haha! I love the idea of admitting when we need a little help to keep it together because taking the high road doesn’t always feel like the easiest path.

With “Drunk Plans” out now, what are you most excited about for your fans to experience with this release?

I’m excited for people to get to know my personality a little more, and I think it’s a great indication of where I’m headed musically. “Drunk Plans” is a lighthearted take on the empty plans and promises we make, and that kind of self-awareness carries throughout this project.

Instagram: @taylorrae.official
Twitter: @taylorrae_music
Facebook: @taylorraeofficial
Website: taylorraeofficial.com

November 19, 2024 0 comments
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Festival NewsMusic News

PITCH MUSIC & ARTS REVEALS 2025 LINEUP

by the partae November 19, 2024
written by the partae

Pitch Music & Arts have unveiled the music and arts programme for their eighth iteration, returning once again to the picturesque Grampian Plains. Set to take place across four indulgent days from March 7-11, the lineup features a roster of illustrious artists from across the globe, including DJ, producer, and fashion icon Honey Dijon, Colombian born, Berlin-based Funk Tribu, hard-edged electro duo 2manydjs (DJ SET), a back-to-back set from Daria Kolosova and SPFDJ and the hugely anticipated 999999999.

Joy Orbison, whose tracks ‘better’ and ‘flight fm’ were teased in the most recent video [IG | YT] from Pitch Music & Arts will be making his long awaited debut in Australia, having never toured the country before. The vivacious ‘Ice Cream Dream Boy’ creator Shanti Celeste will bring her entrancing energy to the stage, FJAAK will debut their LIVE set, Gabber Eleganza will present their standout Hakke Show for the first time in Australia featuring a DJ, vocalist, multiple gabber dancers and their immensely hard techno, Afro Pasifika DJ, producer and trailblazer Lady Shaka is set to dominate the stage, while fan favourite Job Jobse is returning due to high demand.

Local talent this year includes UKG and speed garage pioneer Osmosis Jones, the technically impeccable Moopie who will go back to back with Gunai/Kurnai & Yorta Yorta artist DJ PGZ, Stev Zar, Jennifer Loveless and boundary pushing DJ and producer Mabel who will make her Pitch Music & Arts debut.

Other international artists featured on this year’s music programme include BASHKKA, Funk Assault, ISAbella, Ogazón, southstar, Midland, Dax J, Anetha, Audrey Danza, BADSISTA, Baraka (LIVE), D. Tiffany, Diffrent, DJ Fuckoff, DJ Gigola, DJ Paulette, Ela Minus (LIVE), Elli Acula, Fadi Mohem, GiGi FM, Kasper Marott, Lacchesi, Leo Pol, Maara, Maruwa, Mia Koden, Miley Serious, Objekt, Pablo Bozzi, Pegassi, Sugar Free, Surf 2 Glory, Taylah Elaine, The Illustrious Blacks, Trym, VOLVOX, and Y U QT

Continuing the representation of homegrown talent will be 2 LUBLY, 6 SENSE, Ed Kent, Guy Contact, Kia, Kuzco (LIVE), Mikalah Watego, Naycab, Ned Bennett, and Ollie Lishman bringing a rich tapestry of evolving sounds through state-of-the-art Funktion-One sound systems across Pitch’s three distinct, architecturally designed stages: Pitch One, Pitch Black, and the Resident Advisor Stage.

For the first time, Pitch Music & Arts have revealed their esteemed Arts program alongside the music lineup, featuring a range of Australian and international artists curated to encompass a broad scope of mediums and provide visual delight, rest, and play to patrons. This year’s program includes Adnate, Anatolik Belikov, Ash Keating, Builders Club, Clayton Blake, EJ Son, ENOKi, Georgia Treloar, Henry Howson & Ambrose Zacharakis, Jaqui Munoz, Joan Sandoval, Lukas Rafik Mayer, ØFFËRÎNGŠ (aka Melissa Gilbert), Petra Péterffy, Rachel Lyn & Cameron Trafford, Raquel Villa, Reelize Studio, Sam Hayes, TERRAIN, Tetrik, and UnitePlayPerform.

Returning to the festival will be the Pitch Pavillon and Pitch Precinct joined by new addition, Club Serra. Curated and produced by ØFFËRÎNGŠ (aka Melissa Gilbert ) – the creative force behind the UnitePlayPerform universe – Pitch Pavilion offers a hybrid habitat designed for the exploration of tangible artworks, contemporary performances and immersive sonic landscapes including ambient DJ sets, wellbeing workshops, inspirational talks and mindful activities.

Pitch Precinct, hidden among the campgrounds away from the main arena, will be hosted by some of Australia’s most revered, forward-thinking crews including Animalia, Kayzar, Kiki Bouba, Luna Blessings and Urban Analytics, fostering a safe space and eclectic music hub.

The newly added Club Serra, named after the rolling hills of the Serra Range in the Grampians, is designed as an ode to community and fostering connection. Club Serra will celebrate local talent with a lineup of collectives, labels, and parties such as Bex, Hannah D, Toni Yotzi [b3b], House of Silky, Mind Detergent, Vessel Records, Chuleo Club and Skylab Radio.

Following three consecutive sold-out events, tickets for Pitch Music & Arts will again be secured through the ballot system. This process once more requires patrons to agree to the ‘Pitch Pledge,’ which encourages positive contributions to the Pitch community, respectful behaviour, and a ‘leave no trace’ approach. Ballot registrations are now open and will close on Monday 25th November at 9am AEDT with tickets to go on sale to those drawn in the first ballot draw later that day.

Pitch Music & Arts invites patrons to escape the ordinary, immerse themselves in nature and delve into an amalgamation of music and art. The festival offers the opportunity to forge and foster connections with fellow electronic enthusiasts and savour the enrichment of shared experiences.

FULL LINEUP (A-Z):

2 LUBLY
2manydjs (DJ set)
6 SENSE
999999999
Anetha
Audrey Danza
BADSISTA
Baraka (LIVE)
BASHKKA
D. Tiffany
Daria Kolosova b2b SPFDJ
Dax J
Diffrent
DJ Fuckoff
DJ Gigola
DJ Paulette
DJ PGZ b2b Moopie
Ed Kent
Ela Minus
Elli Acula
Fadi Mohem
FJAAK (LIVE)
Funk Assault
Funk Tribu
Gabber Eleganza presents the Hakke Show
GiGi FM
Guy Contact
Honey Dijon
ISAbella
Jennifer Loveless
Job Jobse
Joy Orbison
Kasper Marott
Kia
Kuzco (LIVE)
Lacchesi
Lady Shaka
Leo Pol
Maara
Mabel
Maruwa
Mia Koden
Midland
Mikalah Watego
Miley Serious
Naycab
Ned Bennett
Objekt
Ogazón
Ollie Lishman
Osmosis Jones
Pablo Bozzi
Pegassi
Shanti Celeste
southstar
Stev Zar
Sugar Free
Surf 2 Glory
Taylah Elaine
The Illustrious Blacks
Trym
VOLVOX
Y U QT

Pitch Music & Arts

7-11 March 2024

Moyston, VIC

Enter the ballot: HERE

Ballot registrations close – Monday 25th November 9am AEDT

Ballot Tier 1 – Monday 25th November 6pm AEDT

Ballot Tier 2 – Tuesday 26th November 12pm AEDT

Remaining tickets On Sale: Tuesday 26th November 6pm AEDT

Get Connected:

https://www.pitchfestival.com.au/

https://www.instagram.com/pitchmusicandarts/

https://www.tiktok.com/@pitchmusicandarts

https://www.facebook.com/pitchmusicfestival/

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