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Music News

ABOUT AC/DC: AC/DC are one of the most influential rock bands in history with over 200 million albums sold worldwide and 71.5 million albums sold in the U.S. alone. The double-diamond BACK IN BLACK stands out as “bestselling album by any band ever” and “third bestselling album by any artist” with global sales of 50 million and counting. They were inducted into the Rock and Roll Hall of Fame® in 2003. The band also garnered their first GRAMMY® Award in the category of “Best Hard Rock Performance” for ‘War Machine’ during 2010. They continue to sell out stadiums on multiple continents, sell millions of albums annually, and generate streams in the billions. AC/DC return with PWR/UP in 2020. CONNECT WITH AC/DC: Facebook Instagram Twitter YouTube
Music News

AC/DC RELEASES NEW VIDEO FOR DEMON FIRE

by the partae December 11, 2020
written by the partae

RECORD-SHATTERING ALBUM PWR/UP OUT NOW

“Nothing has ever slowed down AC/DC on their journey down the Highway to Hell…It’s their best record since 1990’s The Razors Edge” – Rolling Stone

“AC/DC is officially back.” – USA Today

“In these cuts you can feel the band’s joy in getting back together.” – LA Times

“Positively charged.” – Guitar World

“AC/DC are switched on again.” – Stereogum

Following the circuit-breaking release of their 18x worldwide #1 album PWR/UP last month, AC/DC have unleashed hell with their brand new music video for ‘Demon Fire’. Watch HERE.

For their seventeenth full-length album, the band reunited with producer Brendan O’Brien who helmed BLACK ICE in 2008 and ROCK OR BUST in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. PWR/UP is available now HERE.

ABOUT AC/DC:
AC/DC are one of the most influential rock bands in history with over 200 million albums sold worldwide and 71.5 million albums sold in the U.S. alone. The double-diamond BACK IN BLACK stands out as “bestselling album by any band ever” and “third bestselling album by any artist” with global sales of 50 million and counting. They were inducted into the Rock and Roll Hall of Fame® in 2003. The band also garnered their first GRAMMY®  Award in the category of “Best Hard Rock Performance” for ‘War Machine’ during 2010. They continue to sell out stadiums on multiple continents, sell millions of albums annually, and generate streams in the billions. AC/DC return with PWR/UP in 2020.

CONNECT WITH AC/DC:

 

 

 

 

December 11, 2020 0 comments
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Teasing it’s appearance over the last few weeks with cryptic social media posts, DARKWORLD gives 2 middle fingers to the year that’s been, announcing its inaugural event. As COVID in Australia eases, punters and live music goers are eagerly awaiting the return of full capacity to music venues statewide. Moving ahead the festival has managed to make ends meet within restricted capacity and are set to bring their mini dark-mofo style event to The Triffid on January 23rd early next year. Original plans of the inaugural festival were set for July 2020 but were quickly canned earlier on in the year by - say no more... For a year that has been so crippling yet encouraging for many and, the DKWD vision has only become more relevant and important. What not celebrate Art right now? It is IMPORTANT! The festival comes as a result of unique collaborations between Brisbane creative misfits Boss Moxi, award winning dance collective Phluxus2, Brisbane’s loved venue The Triffid and local filmhouse, Method To My Madness. “We want to erase the blurred lines between these individual industries that often operate, and are mostly considered as separate. Music, Art, Theatre, Film, Lighting, Projections, Dance & Photography. We believe that creative expression lives at the core of all artistic practice and we want to promote these origins, the thing that all forms share. We plan to present ‘art’ in a momentary, livable space of its many sensory forms.” - DW2021 TEAM This is DARKWORLD: a 1 day, indoor, multi-form festival all crammed into 12 hours at The Triffid. From the glowing exhibits of local visual artists, to the live art growing and swimming around you, DARKWORLD plans to render the iconic Brisbane venue, unrecognisable. Based on the proceedings of a music festival with 12+ bands the dance and entertainment is planned to keep you fully engaged from midday to midnight. Kicking things off in the 11am heat, sunlit strangeness will lead into a full afternoon of art & music creeping patrons through to an upside-down-world, Twin Peaks-like setting that comes to life at night. Essentially this is a ‘fuck-you’ style celebration of the arts . Bringing all forms of art together as one community, celebrating our endless but sadistically enjoyable, struggling lives as creators and having a big piss-up / party to commemorate what an arduous year 2020 was. Following their sold out show back in early November Boss Moxi curates the music lineup, Gum Magazine calling their last Sold Out appearance in early Nov “a show not easily forgotten - a vast, deep, ephemeral example of what a band is truly capable of.” Joining them as headliners is the ever captivating, Young Lions, coming out of their hibernation that has been COVID with lead singer Zach Britt, caught in Melbourne this year eager to bring the band back to full energy at DW2021. From the illuminated art works of local tech and light auters to the abstract & detailed art and photography of local artists, DARKWORLD is now approaching, with tickets on sale now. The capacity is strictly limited at this stage, with hopes that the government will ease restrictions and Queensland remains COVID free over the Christmas break. Tickets are available through the DARKWORLD website but there aren’t many available so get in quick. DARKWORLD 4 Theatrical Acts | 13 Original Musical Acts | 6 Visual Artists | 3 Projection Artists  SAT 23 JANUARY 2021 18+ EVENT | TICKETS AT MOSHTIX LINE UP (More to be announced)   Music Young Lions Boss Moxi Great Sage Feels Club Squidgenini Elko Fields Cloud Tangle Shady Bliss JB Paterson Slowjoy Suicide Country Hour Bamboo Bonsai Visual Art Madeline Holt Brayden Doig Riley McDonald XAK Lovegang Madbutt Irok (live) Photographers Jack McKenzie Hollie Warner Daniel Grima Tiana Harris Dance & Movement All provided by PLUXUS2 Light Installations GILLTRON Projection Art by Satan’s Rainbow & MTMM CONNECT ONLINE WITH AIRWAVES
Festival NewsMusic News

4 THEATRICAL ACTS | 13 ORIGINAL MUSICAL ACTS | 6 VISUAL ARTISTS | 3 PROJECTION ARTISTS + MORE FOR DARKWORLD FESTIVAL 2021

by the partae December 11, 2020
written by the partae

Teasing it’s appearance over the last few weeks with cryptic social media posts, DARKWORLD gives 2 middle fingers to the year that’s been, announcing its inaugural event. As COVID in Australia eases, punters and live music goers are eagerly awaiting the return of full capacity to music venues statewide. Moving ahead the festival has managed to make ends meet within restricted capacity and are set to bring their mini dark-mofo style event to The Triffid on January 23rd early next year.

Original plans of the inaugural festival were set for July 2020 but were quickly canned earlier on in the year by – say no more… For a year that has been so crippling yet encouraging for many and, the DKWD vision has only become more relevant and important. What not celebrate Art right now? It is IMPORTANT! The festival comes as a result of unique collaborations between Brisbane creative misfits Boss Moxi, award winning dance collective Phluxus2, Brisbane’s loved venue The Triffid and local filmhouse, Method To My Madness.

“We want to erase the blurred lines between these individual industries that often operate, and are mostly considered as separate. Music, Art, Theatre, Film, Lighting, Projections, Dance & Photography. We believe that creative expression lives at the core of all artistic practice and we want to promote these origins, the thing that all forms share. We plan to present ‘art’ in a momentary, livable space of its many sensory forms.” – DW2021 TEAM

This is DARKWORLD: a 1 day, indoor, multi-form festival all crammed into 12 hours at The Triffid. From the glowing exhibits of local visual artists, to the live art growing and swimming around you, DARKWORLD plans to render the iconic Brisbane venue, unrecognisable. Based on the proceedings of a music festival with 12+ bands the dance and entertainment is planned to keep you fully engaged from midday to midnight. Kicking things off in the 11am heat, sunlit strangeness will lead into a full afternoon of art & music creeping patrons through to an upside-down-world, Twin Peaks-like setting that comes to life at night.

Essentially this is a ‘fuck-you’ style celebration of the arts . Bringing all forms of art together as one community, celebrating our endless but sadistically enjoyable, struggling lives as creators and having a big piss-up / party to commemorate what an arduous year 2020 was.

Following their sold out show back in early November Boss Moxi curates the music lineup, Gum Magazine calling their last Sold Out appearance in early Nov “a show not easily forgotten – a vast, deep, ephemeral example of what a band is truly capable of.” Joining them as headliners is the ever captivating, Young Lions, coming out of their hibernation that has been COVID with lead singer Zach Britt, caught in Melbourne this year eager to bring the band back to full energy at DW2021. From the illuminated art works of local tech and light auters to the abstract & detailed art and photography of local artists, DARKWORLD is now approaching, with tickets on sale now.

The capacity is strictly limited at this stage, with hopes that the government will ease restrictions and Queensland remains COVID free over the Christmas break. Tickets are available through the DARKWORLD website but there aren’t many available so get in quick.

DARKWORLD
4 Theatrical Acts | 13 Original Musical Acts | 6 Visual Artists | 3 Projection Artists SAT 23 JANUARY 2021
18+ EVENT | TICKETS AT MOSHTIX

LINE UP
(More to be announced)  

Music
Young Lions
Boss Moxi
Great Sage
Feels Club
Squidgenini
Elko Fields
Cloud Tangle
Shady Bliss
JB Paterson
Slowjoy
Suicide Country Hour
Bamboo Bonsai

Visual Art
Madeline Holt
Brayden Doig
Riley McDonald
XAK Lovegang
Madbutt
Irok (live)

Photographers
Jack McKenzie
Hollie Warner
Daniel Grima
Tiana Harris

Dance & Movement
All provided by
PLUXUS2

Light Installations
GILLTRON

Projection Art by
Satan’s Rainbow
& MTMM

CONNECT ONLINE WITH AIRWAVES
Facebook
Instagram
Website
December 11, 2020 0 comments
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Anty! releases debut album 'Rudeboy' out today
Music News

Anty! releases debut album ‘Rudeboy’ out today

by the partae December 11, 2020
written by the partae
Buy record bundles here
Pile Rats on Rudeboy ” It’s kind-of reminiscent to that carefree and light-hearted spoken word you’d expect from Mike Skinner’s The Streets; bounding reggae and hip-hop like melodies forming an underlay for that half-rapping, half-singing, half-speaking vocal pace. It’s an album that’s designed to take you out of the mania of the current day”

“This is reggae hip hop and it’s out of control,” Anty sings, two minutes into Rudeboy, his debut album.

A sound only briefly alluded to in his previous works, Rudeboy is boldly unique from start to finish. Drawing from the innovative reggae sounds of Jamaican producer Mikey Dread to the stream of consciousness poetry of The Streets, Mike Skinner, Rudeboy wouldn’t be out of place in a dive bar or a dance hall.

Having travelled the world, released four full-length albums, and played countless major festivals fronting The Bennies. Anty used the break of 2020 to  hone his craft and deliver an unbelievably accomplished debut solo LP.

Lyrically, the album is positively party and just what the world needs in 2020. No regrets and living in the moment. “Rules are rules, they are meant to be broken,” he sings on Officer, in what is an apt description to his mash up approach to music making.

At 16 tracks in total, and almost as many genres, Rudeboy is out today on Melbourne label Disdain Records.

Anty
Facebook https://www.facebook.com/ANTY421
Instagram @anty_420

Disdain Records:
https://www.facebook.com/Disdainrecords
Instagram @disdainrecords666

December 11, 2020 0 comments
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Family Piknik announces 2021 edition of festival while releasing All Stars 2020 compilation
Festival NewsMusic News

Family Piknik announces 2021 edition of festival while releasing All Stars 2020 compilation

by the partae December 11, 2020
written by the partae
Date: 7th & 8th August
Location: Montpellier, France
Family Piknik Festival 2021: https://www.facebook.com/events/213464916956416
All Stars 2020 (Out now): http://fanlink.to/allstars2020
Family Piknik will celebrate 10 years of the festival in 2021 with an array of huge talent
Some of the biggest DJs have contributed to Family Piknik’s legacy over the past decade including Carl Cox, Solomun, Sven Väth, Maceo Plex, Richie Hawtin, Marco Carola, Loco Dice, Luciano, The Martinez Brothers, Jamie Jones, Sasha & Digweed, Joris Voorn and more, the list is pretty long! After a terrible 2020 due to Covid-19, the Family Piknik team are delighted to be working on its 2021 line-up, celebrating its 10th birthday over two-days of open-air extravaganza with some of the best international acts. Many of the rescheduled artists for 2020 can be expected, namely Charlotte de Witte, Adam Beyer b2b Ida Engberg, ARTBAT, Fisher, Worakls Orchestra ect. but there will also be many surprises!
In other news, Family Piknik Music has become a real home for young and promising French talents : Pontias, Abstraal, Albanø, Mood Gorning, B/O/M, Hugo Cantarra, The Dualz, as well as rising international newcomers : Cadillac Express, Gigee, Ki Yera, for example… Quoted as “France’s leading techno label” by Sweet Music, Family Piknik Music showcases a very wide vision for electronic music, from Afro-House to Techno, going through Progressive, Deep, Melodic, Organic, Dark Disco and Electronica. A large range of genres to push quality over quantity and monotony. The label also published its first music video clips, with Pontias ‘Go Bro’ official video scoring more than 35K views under 4 weeks on Youtube and being broadcasted on TV in 50 countries thanks to Clubbing TV.
Time has come to sum up this amazing year with a new compilation. ‘Family Piknik – Casa de Flamingos All Stars 2020’ is a collection of the 15 most marking releases of the year, with key remixes by Hernan Cattaneo, Theus Mago, Popof, Quenum, K.E.E.N.E. and the strongest original tracks released these past months. It also features a 2 hours continuous mix by Tom Pooks himself, recorded during the lockdown. French maestro gives much relief to these 2020 releases, incorporating some additional effects, adding some hypnotic loops to build a timeless mixed manifesto.
Tom Pooks says “2020 has been such a frustrated year for all of us in the music and entertainment industry. We kept on releasing music while most of us on this planet were not allowed to dance and enjoy live music because of the pandemic. It is very painful to release Dance music when you can’t share it behind the decks and have a party going with crazy people in front of you. Releasing this compilation is a way to celebrate the great evolution of our label in this very specific context. It is also a message of hope and faith in the music we do love and support.”
Tom Pooks mix is available to stream and download via Soundcloud.
Tracklist:
1) Pontias, Convergence System – Go Bro (Radio Edit)
2) B/O/M – Brothers (Short Edit)
3) Hugo Cantarra & Jinadu – The Sign (Radio Edit)
4) Cadillac Express – Moonstore
5) Abstraal & Teenage Mutants feat. Jim – Broken Smiles
6) Tom Pooks & Time – Red Castle
7) Pontias, Convergence System – Go Bro (Hernan Cattaneo & Marcelo Vasami Remix)
8) Albanø – Canuli
9) Ki Yera – Coming Down (Radio Edit)
10) Sebass – Mind Control
11) Delon – GirlBoy
12) Pontias, Convergence System – Go Bro (Theus Mago Meet Her At A Zoom Parade Remix)
13) Tom Pooks, Time – Red Castle (Bock & Fuchs Remix)
14) B/O/M – Brothers (GIGEE Remix)
15) Hugo Cantarra & Jinadu – The Sign (K.E.E.N.E. Remix)
Bonus Tracks:
1) Tom Pooks & Joy Kitikonti – Journey To France
2) Mood Gorning & Pontias – Branca
3) Essence of TIME x TIY – Consequences
4) The Dualz – Acid Dream
5) Nosssia & Rhodas – Universe Things
Family Piknik
Website: https://www.familypiknikfestival.com
Facebook: https://www.facebook.com/FamilyPiknik
Soundcloud: https://soundcloud.com/familypiknikfestival
December 11, 2020 0 comments
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BURIAL + FOUR TET + THOM YORKE Release two new tracks 'Her Revolution' & 'His Rope' Double A Side 12" out now via XL Recordings
Music News

BURIAL + FOUR TET + THOM YORKE Release two new tracks ‘Her Revolution’ & ‘His Rope’ Double A Side 12″ out now via XL Recordings

by the partae December 11, 2020
written by the partae

Burial, Four Tet and Thom Yorke today release two new tracks, ‘Her Revolution’ and ‘His Rope’.

It has been over nine years since their first release together, the double A-side of ‘Ego’ and ‘Mirror’. ‘Her Revolution’ and ‘His Rope’ prove a more subdued release for 2020.

Released on double A-side vinyl in a limited run to a small group of record stores, both tracks are now available to stream across DSPs, the first two of their collaboration tracks to do so.

As you’d expect from three of the last decade’s most vital voices in alternative music, both tracks have moved on from the ecstatic sound of 2011’s ‘Ego’ and ‘Mirror’ and reflect the precarious wider world around them…

Listen / Save / Download: https://xl.ffm.to/her-revolution-his-rope

our darling revolution

she is always in us 

cracks appearing at the centre

while we go spinning

walking offline

as rings up in the sky

she demanding diamonds

we are breaking her heart

cracks appearing at the centre

says all this revolution 

has such a cost

(how my wooden heart it feels nothing )

Burial + Four Tet + Thom Yorke – ‘Her Revolution’

December 11, 2020 0 comments
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KING GIZZARD & THE LIZARD WIZARD IF NOT NOW, THEN WHEN?
Music News

KING GIZZARD & THE LIZARD WIZARD IF NOT NOW, THEN WHEN?

by the partae December 11, 2020
written by the partae
LISTEN TO ‘IF NOT NOW, THEN WHEN?’

In wake of the hugely anticipated and just released LP ‘K.G.’ – Australia’s most in-exhaustible sextet King Gizzard are back at it with another surprise drop of microtonal meddling. Barely giving their fans a chance to to take a quick breath before diving back into the multi layered and always inventive Gizzverse. ‘If Not Now, Then When?’ is a classic bait and switch from the genre defying band. Opening with a raucous wall of sound, before pushing the scuzzy riffs aside to make room for a clavinet driven expedition into cosmic funk and celestial beat. Falsetto in tow, Mackenzie’s vocals are on lock with the groove. Hitting the syllables with careful consideration, ‘If Not Now, Then When?’  brings more resemblance to a psych bedtime story than the fuzz imbued sound the group are widely known for.

 

Collaborating for the first time with animation master Dr. D Foothead, his mesmerising imagery on show once again here. Defined by hypnotic detail, saturated colour and dynamic, flowing form – the character floats between inner and outer worlds in this three and a half minute neon odyssey. “The song made me consider how individual action or inaction affects the world,” Dr. D Foothead says of the video. “What happens when our repressed pain, darkness and confusion manifest and influence our surroundings and relationships? I wanted to explore the journey of a character who has neglected their inner shadow, and how this energy manifests physically and becomes a force of its own.”

 

Watch here.

December 11, 2020 0 comments
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Dashville announces 3 day New Years Concert series 'A Fresh Start' feat. William Crighton & The Bellbird Rats, Wagons, Little Quirks and more...
Festival NewsMusic News

Dashville announces 3 day New Years Concert series ‘A Fresh Start’ feat. William Crighton & The Bellbird Rats, Wagons, Little Quirks and more…

by the partae December 11, 2020
written by the partae

As restrictions continue to ease around the country, the Hunter Valley’s shadiest outdoor music venue Dashville, is gearing up to host a New Years escape to shake o the vibes of an incredibly challenging year, they’re calling it A Fresh Start.  

A Fresh Start will be a three-night concert series held in the lush confines of Dashville, running across 31st December 2020, 1st January and 2nd January 2021. Alongside the live music component will be a range of COVID safe creative workshops, kids activities and a rather interesting installation, known as the Splashville Waterpark.

Today Dashville is pleased to announce the line-up for the three concerts, featuring plenty of great local acts, alongside a number of talented interstate friends, keen to make their return to the hallowed site.

THURSDAY 31st DECEMBER 2020

You can guarantee a blistering set from William Crighton & The Bellbird Rats as they lead you into the new year (featuring a big band full of surprise guests).  Also entertaining you on the night will be local underground superstar punk rockers Bloody Hell, the dark brooding blues-rock sounds of Brisbane trio The Blackwater Fever, and 5 piece funk-pop outfit Viragos will have you getting your groove on from the get-go.

FRIDAY 1st JANUARY 2021

The sweet indie-folk sounds of Central Coast trio Little Quirks will be the perfect tonic as they take to the stage on New Years Day.  You’ll get Magpie Diaries pulling out their sublime cosmic country tunes, the infectious jangly psych-pop-rock of Geelong’s Bones and Jones and a wealth of muso talent coming together when the mighty Dashville Progress Society bust out the big numbers in a blockbuster tribute to the 80’s, narrated by Ben Quinn.

SATURDAY 2nd JANUARY 2021

Their first NSW show in a year will see the almighty cosmic psych-country outfit Wagons return to the Dashville stage, along with internationally acclaimed Blues & Roots duo Hat Fitz & Cara.  Eleven of the Hunter region’s best female musicians will come together as Huntress – paying tribute to the female artists who have shaped their lives, and you’ll be in for a rockin’ treat with Sydney melodic hard-hitters Front End Loader.

Dashville like many venues around the country has battled through a challenging year with valour, pioneering the return of live music in the local region, hosting a number of COVID Safe live music concerts since August, based around the ‘party pen’ formula.

In October Dashville hosted Sky Ball, which became a tribute to their cancelled 2020 festivals, culminating in five nights of live music, with over 30 live performances broadcast online, in a very challenging legal and financial environment.

As we inch closer to the end of the year, organisers are keen and confident to say that the party pens will be a thing of the past, with easing restrictions allowing for more lenient social distancing techniques across the spacious 20 acre site.

WHAT WILL A FRESH START LOOK LIKE?

Each day there’ll be a range of planned activities for people to choose from. We’re currently fine tuning the activities, but to give you an idea:

Practise your slow start in serenity, enjoy decadent breakfasts, morning yoga and relaxation rituals, some creative up-skilling workshops, plenty of arts and crafts, volleyball, skateboarding or hammock time?  You can bring your own plunge pool and we’ll fill it up for a small fee, or dabble in some nearby river swimming.  There’s some lush bush walking in the National Park, or pop over the road for some Wine Country touring, sneaky country pub lunch, perhaps with a sneaky midday busker or two…

As the sun begins to bend beyond the Dashville  ironbarks, we’ll be kicking off an evening concert of four acts.

New Years Eve we have extended trading until 2am, but otherwise each night will come to a close at midnight.

Here are some current key points of info,

  • You can purchase single day tickets or grab a 3-day bundle ticket. All tickets include  the option to camp onsite.
  • It’s incredibly family friendly, kids love it, they can bring push bikes, balls and games with plenty of space to run around in the campground.
  • You’re free to come and go during the days, but please sign in again for COVID tracking when you re-enter the gates.
  • Credit holders from our cancelled events in 2020 can use their dollarydoos for this gig. Don’t know your credit code? Email us at mail@dashville.com.au and we’ll sort it as soon as we can.
  • BYO alcohol is permitted in the campground only, the arena is licensed so there is no BYO inside the concert gates.
  • This is an all age event, under 18’s must be accompanied by an adult (25+) at all times whilst in the arena.
  • Dogs are not permitted.
  • Campground open from 12pm Friday 31st of December.
  • Live Music generally kicks off around 6pm each night.
  • Bird Bath Bar Open from 3pm until 11.30pm each day, except New Years Day where we’re open to 1am.
  • The Swoop Inn will be providing breakfast, lunch and dinner. Food and beverage items are not included in your ticket but you can order and pay on arrival.

A FRESH START
Dashville – Lower Belford, Hunter Valley

FIND TICKETS & MORE INFO
HERE

 

 

December 11, 2020 0 comments
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TASMAN KEITH SHARES DEBUT MIXTAPE TO WHOM IT MAY CONCERN LISTEN TO 'ANSWER' FEAT. PARISSA TOSIF
Music News

TASMAN KEITH SHARES DEBUT MIXTAPE TO WHOM IT MAY CONCERN LISTEN TO ‘ANSWER’ FEAT. PARISSA TOSIF

by the partae December 11, 2020
written by the partae
Photo by Snappatronik
PRAISE FOR TASMAN KEITH

“A man on a mission”
triple j

“One of the best examples of pure Australian hip-hop we’ve been treated to”
Complex

“Tasman’s razor-sharp lyrics tackle family, identity and race with potency.
His talent has been obvious from the get-go.” 

Red Bull Music

21 Top Indigenous Acts To Tune Into
Peter Garrett (Midnight Oil)

“Determined to use his platform to give a voice to the voiceless”
Acclaim Magazine

“Tasman Keith is taking control of the narrative”
FBi Radio

“One of the most exciting voices in hip hop in Australia right now”
Purple Sneakers

“Leading Australia’s hip-hop and soul future”
Pilerats

Fresh off a sold-out headline tour and securing 2020 J Award for Best Australian Music Video Of The Year for ‘BILLY BAD AGAIN’, rapidly rising Bowraville-born rapper Tasman Keith continues his seemingly limitless ascent by today unveiling his debut mixtape, To Whom It May Concern, and sharing new single, ‘ANSWER‘, featuring Vallis Alps vocalist Parissa Tosif. Listen HERE. 

The idea of hometown pride has always ridden deeper than most in Tasman’s music: everything he does is indebted to the community that raised him, to the idea of giving back and carrying on the storytelling traditions of his family. For Bowraville – a small town on New South Wales’ mid-North Coast most commonly recognised for housing one of the country’s most notorious missions and as the site of one of Australia’s most shameful chapters in history – Tasman is attempting to write a new history through his music, reclaiming pride by lifting up and giving back.

As it happens, Tasman Keith wears this responsibility very, very well throughout To Whom It May Concern, balancing a willingness to interrogate the darkest crevices of his life and Australian society as a whole with a perfectly weighted knowledge of when to shake it off with braggadocio, self-assured confidence, and beats that remind you why subwoofers were invented in the first place. Across To Whom It May Concern, Keith addresses the death of his older cousin, reflects on his career thus far and forwards, drawing connections between structural racism and the music industry, and more.

From the bare-bones, truck-rattling furore of lead single, ‘Confident‘, to the hypnotic, horror-inspired, nocturnal soundscapes of ‘Nightmares on 9th.‘, Tasman’s penchant for fearless stylistic choices is, at this point, already well established. To Whom It May Concern doubles down on that expansive flexibility, allowing Tasman to comfortably, confidently occupy so many artistic lanes at once while also carving out a space of his own.

With a shifting structure, lavish production, a tripping flow, and auto-tuned vocals that tread the line between rapping and singing, latest single ‘ANSWER‘ recalls the swirling, hallucinogenic panoramas of Travis Scott’s Astroworld and the shadowy introspection of J Cole, Tasman’s most outright excursion into pop territory to date. Atop percolating layers of interweaving guitars and synths, Tasman embarks on a journey of self-reflection, healing, and reconciliation, untangling a troubled state of mind whose weight is cushioned against the floating, atmospheric vocals of Vallis Alps‘ Parissa Tosif.

Of the track, Tasman says that ‘ANSWER‘ is “representative of a goodbye, a goodbye that unfortunately can cause confusion or a lack of understanding for what the other person or yourself has sacrificed up until that point. I’ve lost a lot of people in my life whether that’s to death or simply paths going different ways, this joint was me using an example of a relationship as that outlet. With the whole mixtape being titled ‘To Whom It May Concern’ I feel like this is almost the sign-off, the letting go of the ego and the confidence for a moment to be really open”.

Tasman’s debut mixtape captures a rapper in the midst of a propulsive, undeniable artistic streak, capping a year that has seen his profile rise through collaborations and guest features, appearing on Jimmy Nice’s ‘Same Water‘, Northern Territory producer Kuya James’ powerful single ‘No Country‘, including its own stripped-back version ‘No Country (Piano In F Minor)‘, and alongside Jessica Mauboy on ‘First Nation‘, the second single lifted from The Makarrata Project, Midnight Oil’s first studio album in over 18 years, together with his debut TV performance twice on the second season of The ABC‘s live music series, The Sound.

His stratospheric 2020 comes off the back of an equally prosperous 2019 for the Sydney-based emcee, who, off the strength of critically acclaimed singles, ‘BILLY BAD AGAIN‘, ‘move up‘ and Evenings, his collaborative EP with Northern Territory singer Stevie Jean, introduced himself to larger and larger national audiences, playing Laneway Festival, Groovin’ the Moo, BIGSOUND and more, coupled with the release of his Mission Famous VICE documentary, which shone a light on the collective achievements of his hometown, the highs and lows of life living in Bowraville. 

With his technical proficiency as a rapper, his storytelling, and the resonant social justice messages of his mission, Tasman has long been positioned as an emergent leader in Australia’s hip hop resurgence. His debut mixtape coronates his reign and exceeds the promises preceding its release, cementing Tasman Keith’s status as a wholly essential artist and a resolute, unassailable voice for the voiceless. 

To Whom It May Concern is out now, buy/stream it here.

TO WHOM IT MAY CONCERN TRACKLIST
10SPEED
65 ft. Wire MC & Gamirez
CONFIDENT
THESE DEVILS
ANSWER ft. Parissa Tosif

Stay connected with Tasman Keith:
Facebook | Twitter | YouTube | Instagram | Soundcloud

December 11, 2020 0 comments
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FRANK IERO AND THE FUTURE VIOLENTS PREMIERE NEW SINGLE 'SEWERWOLF' + NEW EP 'HEAVEN IS A PLACE, THIS IS A PLACE' OUT JANUARY 15 VIA UNFD
Music News

FRANK IERO AND THE FUTURE VIOLENTS PREMIERE NEW SINGLE ‘SEWERWOLF’ + NEW EP ‘HEAVEN IS A PLACE, THIS IS A PLACE’ OUT JANUARY 15 VIA UNFD

by the partae December 11, 2020
written by the partae
Image: Mitchell Wojcik
Following its premiere via Consequence of Sound, Frank Iero and the Future Violence aka The Future Violents are sharing a brand new single today. ‘Sewerwolf’, the second track from the group’s forthcoming EP Heaven is a Place, This is a Place, unleashes a ferocious and redemptive anger where in the chorus frontman Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”
Serving as a companion piece to 2019’s critically acclaimed full length, Barriers, the forthcoming EP, due out January 15, 2021 is split into two distinct movements.

Side A reveals the true meaning of “Violence”, a song title Iero has teased on bass drums in all his Future Violents music videos. Indeed, it’s opening gambit of “You got so sick, I thought I’d die, you got so down, I couldn’t get high” before the chorus refrain of “Your violence feels like kisses to me, your silence makes it harder to breathe, your distance feels like I’m not enough… I need your touch” sees Iero at his most scathing and damaged. Never have these words felt more relevant as they do now. This ferocity and redemptive anger continues into “Sewerwolf “ where in the chorus Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”

In total contrast to side A, side B finds the band more delicate and thoughtful, complete with soaring soundscapes before the final crescendo of Record Ender. All while paying beautiful tribute to Iero’s journey with The Future Violents and its members musical fortitude.

STREAM ‘SEWERWOLF’ NOW:
https://unfd.lnk.to/HIAPTIAP

PRE-SAVE ‘HEAVEN IS A PLACE, THIS IS A PLACE’ EP:
https://unfd.lnk.to/PresaveHIAPTIAP

‘HEAVEN IS A PLACE, THIS IS A PLACE’
EP TRACKLISTING:

1. Violence
2. Sewerwolf
3. Losing My Religion
4. Record Ender
In 2016, Iero and his guitar-playing brother in law, Evan Nestor, were involved in a brutal motor vehicle accident in Australia – one they barely survived. During the process of recovery, the REM song, ‘Losing My Religion‘ started making pivotal appearances in unusual places / weird circumstance and the mantra repeated itself as time went on.

When Iero resumed touring, post accident in 2017, one of the members of the support band, Kayleigh Goldsworthy, struck a chord both literally and proverbially.

Iero notes “From the first show I was completely impressed with her musicianship and by touring together I realised she was also a rad human being who I desperately wanted to write and play music with. In my mind she was already in my next band, I just had to write the music, name the band, find the other musicians, oh and of course ask her. But during that first tour together we got to talking about how she played the mandolin and how we shared a love for R.E.M., and more specifically ‘Losing my Religion’. So, on the last night of tour in San Francisco we found an empty room/hallway/stairwell type place and made an iPhone voice memo demo of the song. It felt like magic and that was the moment I was convinced this couldn’t be the only thing we did together.”

Goldsworthy’s band was subsequently invited to tour the UK & Europe and in London, a BBC session at the legendary Maida Vale studios culminated in Iero, Nestor, and Goldsworthy recording their unique take on ‘Losing’ amidst analogue history and English rain. The magic in the air was palpable and despite being on a sold out tour for an existing album (Parachutes) everyone in the room knew that this was the starting point of something new and truly great.

Iero has always employed a new band name for each stage of his solo career (The Cellabration / The Patience / The Patients / The Future Violents / The Future Violence) and there surely can be no doubt that as ‘Losing My Religion’ is the start of the band then ‘Record Ender’, the closing track, is the bookmark conclusion as Iero sings “Maybe we fooled them all, at least I hope we did.”

Heaven features Evan Nestor on guitar and backing vocals, Murder By Death’s Matt Armstrong on bass, Thursday’s Tucker Rule behind the drum kit and Kayleigh Goldsworthy on keys, mandolin, and violin.

Heaven Is A Place, This Is A Place is out in full Friday January 15, 2021 via UNFD.

LATEST ALBUM ‘BARRIERS’ OUT NOW:
https://unfd.lnk.to/barriers

CONNECT WITH FRANK IERO:

Facebook
https://www.instagram.com/frankieromustdie/
Website
Spotify
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Plastic Bouquet - Marlon Williams and Kacy & Clayton - Out Now
Music News

Plastic Bouquet – Marlon Williams and Kacy & Clayton – Out Now

by the partae December 11, 2020
written by the partae
Hear Plastic Bouquet in full here

Kacy & Clayton and Marlon Williams are set to release their debut collaboration Plastic Bouquet tomorrow via Caroline Australia. The 11-song set was produced by Kacy Lee Anderson & Marlon Williams and was recorded in Saskatoon, SK and Nashville, TN. Plastic Bouquet has been met with wide critical acclaim with Uncut Magazine awarding the album 8 out of 10 stars and Album Of The Month, calling it a “cross-hemisphere collaboration between two teams of very distinctive artists.” Mojo stated in their 4 out of 5 Star review, “Both acts keep country tradition close to their hearts, and Anderson’s crystal-clear voice wraps itself around Williams’ Roy Orbison croon like a modern Gram and Emmylou. Linthicum’s guitar adds texture and twang, as the interplay between the trio delivers their Plastic Bouquet close to country perfection.” The Music called the album “Enigmatically good,” Rolling Stone Country stated, “Williams’ otherworldly croon leads the way, blending beautifully with Kacy Anderson’s voice in a winning combination of diverse talents,” and The Associated Press said, “It would be difficult to find another 2020 album featuring three more distinctive instruments — the voices of Anderson and Williams, and Linthicum’s electric guitar.”

Between his critically acclaimed, self-titled debut in 2015 and its equally acclaimed follow up, 2018’s
Make Way For Love, the New Zealand-based Williams has played many of the world’s major festivals, toured and performed with Bruce Springsteen, Florence + The Machine, Brandi Carlile and Lorde. He has won multiple New Zealand Music Awards and APRA Awards, and was handpicked by actor & director Bradley Cooper to appear in the Academy® Award-winning film A Star Is Born. He also appears in the films True History of the Kelly Gang and the upcoming Lone Wolf. Building a discography of five albums since 2011, the Saskatoon-based Kacy & Clayton delivered a pair of critically acclaimed albums, The Siren’s Song in 2017, and Carrying On in 2019, both produced by Jeff Tweedy of Wilco. Beyond praise from Q Magazine, Uncut, and more, they have racked up millions of streams, cemented themselves as an “artist’s artist,” and toured with Wilco, The Decemberists, Ray LaMontagne, Vetiver, Blitzen Trapper, among others.

As far apart as Christchurch, New Zealand and Saskatoon, Saskatchewan may seem, the three musicians find common ground between a lifelong shared passion for Western Country, Folk, and Troubadour traditions on Plastic Bouquet. “We wanted to see if we could meld hemispheres,” says Williams. “I’m bringing this Pacific style of country music with the harmonies and choral elements. Kacy & Clayton have a super identifiable sound. They embody everything I love about North American folk. There’s a rural weariness where they’re telling tales that have been told a million times in their own way. I feel the strength in it.”
While his Summer was in full swing, Williams hopped a flight to the below 20 degrees of Saskatoon for Christmas 2018. The three wrote and recorded the bulk of what would become Plastic Bouquet over the course of just three weeks, with final sessions to follow in Nashville, TN in September of last year.
In the end, Kacy, Clayton, and Marlon have brought sounds and traditions together and unlocked undeniable chemistry.

Plastic Bouquet is out NOW via Caroline Australia
www.kacyandclayton.com
www.marlonwilliams.co.nz
December 11, 2020 0 comments
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NEW ZEALAND'S MELODOWNZ SHARES HARD HITTING ANTHEM 'BIG DEALS' FEAT. DIGGY DUPÉ OUT NOW VIA DEF JAM ANZ / SNIFFERS RECORDS
Music News

W ZEALAND’S MELODOWNZ SHARES HARD HITTING ANTHEM ‘BIG DEALS’ FEAT. DIGGY DUPÉ OUT NOW VIA DEF JAM ANZ / SNIFFERS RECORDS

by the partae December 11, 2020
written by the partae

PRAISE FOR MELODOWNZ

“A mainstay of New Zealand’s hip-hop scene and now he’s ready to take on the world”
Earmilk

“About to become every NZ rapper’s favourite rapper”
VICE

“Readying to have a breakout year”
HotNewHipHop

“Sensational”
COLORS

“MELODOWNZ is on a roll”
Acclaim Magazine

New Zealand rapper MELODOWNZ has shared ‘Big Deals‘ featuring Diggy Dupé, the Polynesian wordsmith’s second single of the year following ‘Fine‘. Listen to ‘Big Deals‘ HERE.

While his last cutthroat collaboration, 2019’s ‘No Mercy’ saw MELODOWNZ barring out alongside Florida rap weapon Denzel Curry – on ‘Big Deals‘ the MC recruits Auckland-based Niuean rapper Diggy Dupé for a dominant community celebration. Longtime friends and collaborators, the two first appeared on a song together back in 2016, and since have both become leading figures in New Zealand’s hip hop landscape. With both rappers repping alternate sides of Auckland City, on ‘Big Deals‘ two respective stomping grounds collide to create a hard-hitting anthem.

Opening with a slinky guitar melody loop, pounding drums propel ‘Big Deals‘ into gritty street territory as Melo introduces his turf with a spirited holler on the snappy hook, “Auckland city born and raised, 828 with a smile on my face / big deals get done you get none, big deals get done you get none”. Diggy Dupé’s gruff tone commands on the second verse before both rappers unite on the final hook; their spirited chant an uproar for the city that raised them and the respective hustles within it. Released in tow with a music video directed by Auckland visionary Connor Pritchard, MELODOWNZ and Diggy Dupé take viewers on a tour of the streets that symbolize their identities and upbringings in the music video, in the company of their day one crews. Watch BELOW.

“Lately I’ve been really inspired and impressed with Polynesian rap in NZ and AUS. Seeing other Poly’s winning is really empowering and pushes me to do the same. That’s where the energy from the song comes from, and being proud of my community and the hood that raised me,” MELODOWNZ says. “My Uso is a top salesman at a popular car dealership in Auckland, and when he seals a deal I used to say “BIG DEALS GET DONE” as a joke. I say the same thing with my manager, and to a lot of the bros still trapping and what not. Diggy’s one of my day ones in this music shit, even before the music, I grew up with a few of his cousins, so we’ve been team since way back. Him being from Central, Arch Hill / Grey Lynn and me being from West Auckland / Avondale, I knew our verses would be the perfect contrast for the song.”

The release follows MELODOWNZ recent nomination for Best New Act at the 2020 Aotearoa Music Awards and the debut of his new YouTube series Kava Corner – where Melo interviews some of New Zealand’s biggest names over a bowl of Kava. About to embark on an extensive run of summer festival shows across New Zealand, ‘Big Deals‘ is another taste of what MELODOWNZ has been cooking up this year as he works towards his debut album in 2021.

‘Big Deals‘ is out now via Def Jam ANZ / SNIFFERS Records,
buy/stream it here.

Stay connected with MELODOWNZ:
Facebook | Instagram | Youtube | Soundcloud | Bandcamp

December 11, 2020 0 comments
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JUNO DISCO UNVEIL IDIOSYNCRATIC NEW SINGLE ‘YOU’RE SO HUNG UP ON MY COLOURS’
Music News

JUNO DISCO UNVEIL IDIOSYNCRATIC NEW SINGLE ‘YOU’RE SO HUNG UP ON MY COLOURS’

by the partae December 11, 2020
written by the partae

PRAISE FOR ‘YOU’RE SO HUNG UP ON MY COLOURS’

“‘You’re So Hung Up On My Colours’ provides a very vibrant colour palate with its energetic electronic instrumentation that ignites the mix significantly before the lush vocals of Jones and Salt combine and float effortlessly above.“
– Acid Stag (AUS)

Premiered on triple j’s Home & Hosed w/ Declan Byrne


Melbourne-based dance-pop duo Juno Disco have just revealed their extraordinary new single ‘You’re So Hung Up On My Colours’ – produced by the band themselves and Joe Carra (King Gizzard and the Lizard Wizard, Pond).

Fusing funk-laden synth basslines, sparkling chimes and ethereal vocals, ‘You’re So Hung Up On My Colours’ is an exquisite example of engrossing songwriting and ingenious sampling. The tracks intricate rhythms playfully intertwine, with each layer deftly mixed together in an amalgamation of cleverly produced dance music.

Juno Disco talk about the inspiration behind the track:

“This single is our ‘love-letter’ to the world of showbiz. It muses on what it means to be a musician or any kind of creative performer in this day and age, but also touches on some timeless truths about the entertainment industry.”

Previous releases have been widely embraced by Spotify, MTV and Australian radio stations triple j, triple j Unearthed and community radio. They’ve also seen extensive support from tastemaker blogs Indie Shuffle (ZAF), Pilerats, Surviving the Golden Age (USA), Trouble Juice, Deafen County and Futuremag Music.

In the live arena, the duo has sold out multiple headline shows, supported LEISURE (NZ) and Luke Million, and played Australian festivals like Beyond The Valley and St Kilda Festival.

Juno Disco is made up of Melbourne artists Nick Bond and the classically trained Albert Salt. Taking cues from dance luminaires Todd Terje, Client Liaison and Hot Chip, the duo create exciting, left-of-centre dance-pop, with the duo mentioning, “Juno Disco is our first foray into making poppy dance bangers and it’s very fun”.

In the coming weeks, Juno Disco will reveal an accompanying music video for ‘You’re So Hung Up On My Colours’.

‘You’re So Hung Up On My Colours’ is available worldwide now through Inertia Access


Click to stream ‘You’re So Hung Up On My Colours’

FOLLOW JUNO DISCO

FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | SPOTIFY | APPLE MUSIC | WEBSITE

December 11, 2020 0 comments
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ROMY Releases piano session version of 'Lifetime' Shares intimate live performance
Music News

ROMY Releases piano session version of ‘Lifetime’ Shares intimate live performance

by the partae December 11, 2020
written by the partae

Praise for ‘Lifetime’

“Romy Madley Croft shows that she’s not afraid of a bit of rave-tinged pop. And we are here for it.” – triple j

“A bright, jubilant, future summer anthem” – Double J

“A disco dream” – Music Junkee

“It’s powerful in how emotional it is… Turn this one up loud and let it all out.” – Purple Sneakers, Best Songs Of The Week

“An optimistic, kaleidoscopic dance tune that leans into the xx’s clubbiest moments and tie dye’s it.” – The Interns

“A club hit with euphoria in spades.” – Happy Mag

“A celebration” – Pilerats

“a stunning return to music” – i-D Magazine

“Lifetime finds comfort in club pop’s revivifying powers and life-enhancing potential in Madley Croft’s reminder to seize the moment, to stay open to the wonder that instils those powerful memories” – The Guardian

“a celebration of life, love and friendship, this heady, pulsating debut single from the xx singer plugs you straight into the emotional mains” – Sunday Times

“We will dance together again, and this will be our song” – NME

“a gloriously euphoric debut solo single… a joyous exultation of a record, it has that unique blend of euphoria and melancholia so often found in timeless dancefloor records” – Mixmag

“a warm blast of dance-pop euphoria that might just mend your heart” – The Face

“the song of the year” – Wonderland

Today, Romy releases a piano version of her debut solo single ‘Lifetime’. Captured at the end of the day during studio sessions for her forthcoming debut album, the stripped-back filmed performance is a moment of pure intimacy, putting the focus back onto Romy’s song writing and the emotion of her vocal performance.

It comes at the end of an exceptional few months for the London singer and songwriter, who released her debut solo single in September. Produced with Marta Salogni and Fred again.. ‘Lifetime’ combined Romy’s love of yearning, emotional club music and timeless song writing (having written songs for the likes of Dua Lipa and Mark Ronson in addition to co-writing The xx’s three acclaimed albums); an exhilarating piece of warm, club-influenced pop that has already found its way into a host of end of year best of lists (including The Guardian, NPR and  NME’s).

Meanwhile, Romy recently further explored her club and electronic influences, collaborating with Jayda G, Planningtorock, HAAi and Anz on a ‘Lifetime’ remix package that stretched the original into a variety of stunning dancefloor directions. This week she also appeared on the cover of the iconic dance publication Mixmag, releasing her first official DJ mix alongside an in-depth interview.

To round things off, Romy brings us right back to where the song started, just her vocal with minimal accompaniment. It’s still a moment of escapism, just in a more delicate and intimate form. Watch it here.

Listen / Save / Download: Romy – Liftetime: https://romy.ffm.to/lifetime
Listen / Buy: Romy – ‘Lifetime’ Remix Collection https://romy.ffm.to/lifetime-remixes

Romy
Website | Instagram | Twitter

December 11, 2020 0 comments
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Trace Decay - Unveil Triumphant Debut EP 'Monstrous Subconscious'
Music News

Trace Decay – Unveil Triumphant Debut EP ‘Monstrous Subconscious’

by the partae December 11, 2020
written by the partae

PRAISE FOR SINGLES OFF ‘MONSTROUS SUBCONSCIOUS’

“It’s a brilliant moment that doubles down on the indie-pop brilliance they’ve carved over the last few releases, and while acts often stay semi-stagnant when they string together singles as such a pace, there’s a clear progression amongst Trace Decay’s work.”
– 
Pilerats (AUS)

“Another top quality one that feels sombre and resigned but maybe, just maybe, there’s some hope laced in the mix too.” – 4/5 stars
– Declan Byrne – triple j (AUS)

“When it opens up in that final third, it’s like the blinds have been opened to the most glorious day and everything is gonna be ok.” – 4/5 stars
– Zan Rowe – Double J (AUS)

“The Melbourne indie-pop pair have deftly created a brilliant debut that plays with melancholy and hope.”
– LIKE VELVET (AUS)


Melbourne-based indie-pop duo Trace Decay has just revealed their blissful debut EP ‘Monstrous Subconscious’ – produced by frontman Jordan De Pas and Edvard Hakansson and mastered by Malcolm Besley (Northeast Party House, Client Liaison, Slowly Slowly).

‘Monstrous Subconscious’ is five tracks of ethereal indie-pop, deftly arranged with compelling instrumentation, as the bass and rhythm sections playfully interact to create a vibrant, yet somewhat bittersweet listen. Each track carefully delivers its own story and feel, while contributing to the wider narrative of the EP which offers insight into Jordan’s personal journey over the past few years, both mentally and emotionally.

Opener ‘Surprised At Something’ bursts out of the blocks with bright hi-hats, warm snares and sliding guitar riffs, equal parts nostalgic and melancholy. Next up, track two ‘Reality Check’ incorporates syncopated basslines, helping drive a kaleidoscope of reverberating instrumentation.

Lead single ‘Empty Handed’ melds captivating backing vocals and the commanding lead vocals of Jordan effortlessly. The technicolour choruses help propel the track through crescendos, rounding out an elegant slice of notable indie-pop.

This leads into the fourth track ‘Never Felt Like This’, a deftly mixed slow burner, highlighted by inviting synths and dreamy guitars. Focus track ‘Arcade Games’ satisfyingly closes out the record, as exquisitely arranged guitar arpeggios intertwine with Jordan’s enchanting croons.

Previous releases have been widely embraced by Australian radio stations triple j, triple j Unearthed, 3RRR, 4ZZZ, RTR FM, Edge Radio, PBS FM, SYN FM, Radio Adelaide and Aussie Music Weekly. They’ve also seen support from online blogs Pilerats, NME, Music Feeds, Trouble Juice, The AU Review, AAA Backstage, Something You Said and The Soundcheck. Their previous single ‘Photobooth’ was also featured on the new ABC iView show Retrograde.

The two-piece has sold-out headlining shows in their hometown and supported the likes of Art Vs. Science, San Mei and Shag Rock. When they aren’t writing pop hits, you can find them either running music festivals in Queensland (Arcadia Music & Arts Festival), managing up and coming Melbourne artists (IJALE + Quiet Blue) or studying at university.

‘Monstrous Subconscious’ is available worldwide now

EP Track Listing

1. Surprised At Something
2. Reality Check
3. Empty Handed
4. Never Felt Like This
5. Arcade Games


FOLLOW TRACE DECAY

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

December 11, 2020 0 comments
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Melbourne art-punk duo NOCON return with new single 'Back of the Truck'
Music News

Melbourne art-punk duo NOCON return with new single ‘Back of the Truck’

by the partae December 11, 2020
written by the partae
Photo by Kate Durman
“Dangerous and addictive stuff with drops of Damon Albarn in its blood, ‘Back Of The Truck’ is a fuzzy punk blend worth going in on.” – Declan Byrne, triple j

“Best listened to on repeat.” – Deafen County

“Snazzy scuzzy punk that’s about as humble in its origins as any off-the-cuff bedroom recording, but with a sharper edge.” – Weirdo Wasteland

“[‘HOAX’ is] one of the year’s catchiest singles.” – Happy Magazine

STREAM/SHARE ‘BACK OF THE TRUCK’
Melbourne art-punk duo, NOCON, today share contagious new single ‘Back of the Truck’. Premiered last night on triple j, the track was written and recorded during
Melbourne’s stringent lockdown, with co-frontmen Jamie Timony (These New South Whales/MOSSY) and Jake O’Brien sending stems back and forth via email.

Stream/share ‘Back of the Truck’ here.

With frenetic drum and bass, pitched-down vocals, skuzzy guitars and a custom “beep” sample from Melbourne artist Purient, ‘Back of the Truck’ captures the delirium brought about through prolonged isolation.

Speaking of the new single, Timony (lead vocals on this track) says:

“I remember the first time I ever got stoned in the back of my friend’s Jeep while we were driving down a country highway, I was trying to speak to my friends who were in the front and they couldn’t hear me over the music. It was a strangely harrowing experience. I started thinking my blood was made of Sprite and basketballs and it was all downhill from there. I think we captured a bit of that energy in this track.”

NOCON enlisted artist and engineer Jonathan Boulet to mix ‘Back of the Truck’, while the “shitty CD sleeve from under the car seat”-inspired artwork featuring a Transformer in pride of place was designed by Melbourne artist James Neumann.

NOCON are building a catalogue of earworms that when transferred to a live show, will make their audience feel “sweaty and satisfied”. “We wanted to pump some real energy into [Back of the Truck].”, O’Brien says.

‘Back of the Truck’ Lyrics

With the air-con on
And the windows down
I’m a goddamn clown (I’m a goddamn clown)
Got a cig in my fingers
I could flick out the window
Burn it all to a cinder (burn it all to a cinder)
Got a gas station drink
And the wind in my hair
And no mind left to think! (Think!)
I’m feeling left out
When I scream and shout
No-one ever turns around (no-one ever turns around)

Sitting in the back
Back of the truck
Back of the truck
Can’t hear the conversation up front
Back of the truck
Back of the truck
Hear no conversation

ABOUT NOCON

NOCON are a Melbourne-based art-punk duo brought to you by Jamie Timony (MOSSY/These New South Whales) and Jake O’Brien. The self-described “no-punk” project takes its name from an episode of Curb Your Enthusiasm in which Jerry Seinfeld refers to Larry David as a “nocon”—the opposite of an icon. Since the release of debut single ‘AGAG’ in April, and September’s ‘HOAX’, NOCON has been embraced by fans and critics alike including NME, Weirdo Wasteland, Tone Deaf, Deafen County, FBi Radio and triple j.

Keep up to date with NOCON by following them on Spotify and Instagram.

Keep up to date with Dinosaur City Records releases and events:
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