RECORD-SHATTERING ALBUM PWR/UP OUT NOW
“Nothing has ever slowed down AC/DC on their journey down the Highway to Hell…It’s their best record since 1990’s The Razors Edge” – Rolling Stone
“AC/DC is officially back.” – USA Today
“In these cuts you can feel the band’s joy in getting back together.” – LA Times
“Positively charged.” – Guitar World
“AC/DC are switched on again.” – Stereogum
Following the circuit-breaking release of their 18x worldwide #1 album PWR/UP last month, AC/DC have unleashed hell with their brand new music video for ‘Demon Fire’. Watch HERE.
For their seventeenth full-length album, the band reunited with producer Brendan O’Brien who helmed BLACK ICE in 2008 and ROCK OR BUST in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. PWR/UP is available now HERE.
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Anty
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Disdain Records:
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In wake of the hugely anticipated and just released LP ‘K.G.’ – Australia’s most in-exhaustible sextet King Gizzard are back at it with another surprise drop of microtonal meddling. Barely giving their fans a chance to to take a quick breath before diving back into the multi layered and always inventive Gizzverse. ‘If Not Now, Then When?’ is a classic bait and switch from the genre defying band. Opening with a raucous wall of sound, before pushing the scuzzy riffs aside to make room for a clavinet driven expedition into cosmic funk and celestial beat. Falsetto in tow, Mackenzie’s vocals are on lock with the groove. Hitting the syllables with careful consideration, ‘If Not Now, Then When?’ brings more resemblance to a psych bedtime story than the fuzz imbued sound the group are widely known for. |
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Collaborating for the first time with animation master Dr. D Foothead, his mesmerising imagery on show once again here. Defined by hypnotic detail, saturated colour and dynamic, flowing form – the character floats between inner and outer worlds in this three and a half minute neon odyssey. “The song made me consider how individual action or inaction affects the world,” Dr. D Foothead says of the video. “What happens when our repressed pain, darkness and confusion manifest and influence our surroundings and relationships? I wanted to explore the journey of a character who has neglected their inner shadow, and how this energy manifests physically and becomes a force of its own.” |
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FRIDAY 1st JANUARY 2021
The sweet indie-folk sounds of Central Coast trio Little Quirks will be the perfect tonic as they take to the stage on New Years Day. You’ll get Magpie Diaries pulling out their sublime cosmic country tunes, the infectious jangly psych-pop-rock of Geelong’s Bones and Jones and a wealth of muso talent coming together when the mighty Dashville Progress Society bust out the big numbers in a blockbuster tribute to the 80’s, narrated by Ben Quinn.
SATURDAY 2nd JANUARY 2021
Their first NSW show in a year will see the almighty cosmic psych-country outfit Wagons return to the Dashville stage, along with internationally acclaimed Blues & Roots duo Hat Fitz & Cara. Eleven of the Hunter region’s best female musicians will come together as Huntress – paying tribute to the female artists who have shaped their lives, and you’ll be in for a rockin’ treat with Sydney melodic hard-hitters Front End Loader.
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TO WHOM IT MAY CONCERN TRACKLIST
10SPEED
65 ft. Wire MC & Gamirez
CONFIDENT
THESE DEVILS
ANSWER ft. Parissa Tosif
Stay connected with Tasman Keith:
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Side A reveals the true meaning of “Violence”, a song title Iero has teased on bass drums in all his Future Violents music videos. Indeed, it’s opening gambit of “You got so sick, I thought I’d die, you got so down, I couldn’t get high” before the chorus refrain of “Your violence feels like kisses to me, your silence makes it harder to breathe, your distance feels like I’m not enough… I need your touch” sees Iero at his most scathing and damaged. Never have these words felt more relevant as they do now. This ferocity and redemptive anger continues into “Sewerwolf “ where in the chorus Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”
In total contrast to side A, side B finds the band more delicate and thoughtful, complete with soaring soundscapes before the final crescendo of Record Ender. All while paying beautiful tribute to Iero’s journey with The Future Violents and its members musical fortitude.
https://unfd.lnk.to/HIAPTIAP
PRE-SAVE ‘HEAVEN IS A PLACE, THIS IS A PLACE’ EP:
https://unfd.lnk.to/
EP TRACKLISTING:
1. Violence
2. Sewerwolf
3. Losing My Religion
4. Record Ender
When Iero resumed touring, post accident in 2017, one of the members of the support band, Kayleigh Goldsworthy, struck a chord both literally and proverbially.
Iero notes “From the first show I was completely impressed with her musicianship and by touring together I realised she was also a rad human being who I desperately wanted to write and play music with. In my mind she was already in my next band, I just had to write the music, name the band, find the other musicians, oh and of course ask her. But during that first tour together we got to talking about how she played the mandolin and how we shared a love for R.E.M., and more specifically ‘Losing my Religion’. So, on the last night of tour in San Francisco we found an empty room/hallway/stairwell type place and made an iPhone voice memo demo of the song. It felt like magic and that was the moment I was convinced this couldn’t be the only thing we did together.”
Goldsworthy’s band was subsequently invited to tour the UK & Europe and in London, a BBC session at the legendary Maida Vale studios culminated in Iero, Nestor, and Goldsworthy recording their unique take on ‘Losing’ amidst analogue history and English rain. The magic in the air was palpable and despite being on a sold out tour for an existing album (Parachutes) everyone in the room knew that this was the starting point of something new and truly great.
Iero has always employed a new band name for each stage of his solo career (The Cellabration / The Patience / The Patients / The Future Violents / The Future Violence) and there surely can be no doubt that as ‘Losing My Religion’ is the start of the band then ‘Record Ender’, the closing track, is the bookmark conclusion as Iero sings “Maybe we fooled them all, at least I hope we did.”
Heaven Is A Place, This Is A Place is out in full Friday January 15, 2021 via UNFD.
LATEST ALBUM ‘BARRIERS’ OUT NOW:
https://unfd.lnk.to/barriers
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PRAISE FOR ‘YOU’RE SO HUNG UP ON MY COLOURS’
“‘You’re So Hung Up On My Colours’ provides a very vibrant colour palate with its energetic electronic instrumentation that ignites the mix significantly before the lush vocals of Jones and Salt combine and float effortlessly above.“
– Acid Stag (AUS)
Premiered on triple j’s Home & Hosed w/ Declan Byrne
Melbourne-based dance-pop duo Juno Disco have just revealed their extraordinary new single ‘You’re So Hung Up On My Colours’ – produced by the band themselves and Joe Carra (King Gizzard and the Lizard Wizard, Pond).
Fusing funk-laden synth basslines, sparkling chimes and ethereal vocals, ‘You’re So Hung Up On My Colours’ is an exquisite example of engrossing songwriting and ingenious sampling. The tracks intricate rhythms playfully intertwine, with each layer deftly mixed together in an amalgamation of cleverly produced dance music.
Juno Disco talk about the inspiration behind the track:
“This single is our ‘love-letter’ to the world of showbiz. It muses on what it means to be a musician or any kind of creative performer in this day and age, but also touches on some timeless truths about the entertainment industry.”
Previous releases have been widely embraced by Spotify, MTV and Australian radio stations triple j, triple j Unearthed and community radio. They’ve also seen extensive support from tastemaker blogs Indie Shuffle (ZAF), Pilerats, Surviving the Golden Age (USA), Trouble Juice, Deafen County and Futuremag Music.
In the live arena, the duo has sold out multiple headline shows, supported LEISURE (NZ) and Luke Million, and played Australian festivals like Beyond The Valley and St Kilda Festival.
Juno Disco is made up of Melbourne artists Nick Bond and the classically trained Albert Salt. Taking cues from dance luminaires Todd Terje, Client Liaison and Hot Chip, the duo create exciting, left-of-centre dance-pop, with the duo mentioning, “Juno Disco is our first foray into making poppy dance bangers and it’s very fun”.
In the coming weeks, Juno Disco will reveal an accompanying music video for ‘You’re So Hung Up On My Colours’.
‘You’re So Hung Up On My Colours’ is available worldwide now through Inertia Access
FOLLOW JUNO DISCO
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PRAISE FOR SINGLES OFF ‘MONSTROUS SUBCONSCIOUS’
“It’s a brilliant moment that doubles down on the indie-pop brilliance they’ve carved over the last few releases, and while acts often stay semi-stagnant when they string together singles as such a pace, there’s a clear progression amongst Trace Decay’s work.”
– Pilerats (AUS)
“Another top quality one that feels sombre and resigned but maybe, just maybe, there’s some hope laced in the mix too.” – 4/5 stars
– Declan Byrne – triple j (AUS)
“When it opens up in that final third, it’s like the blinds have been opened to the most glorious day and everything is gonna be ok.” – 4/5 stars
– Zan Rowe – Double J (AUS)
“The Melbourne indie-pop pair have deftly created a brilliant debut that plays with melancholy and hope.”
– LIKE VELVET (AUS)
Melbourne-based indie-pop duo Trace Decay has just revealed their blissful debut EP ‘Monstrous Subconscious’ – produced by frontman Jordan De Pas and Edvard Hakansson and mastered by Malcolm Besley (Northeast Party House, Client Liaison, Slowly Slowly).
‘Monstrous Subconscious’ is five tracks of ethereal indie-pop, deftly arranged with compelling instrumentation, as the bass and rhythm sections playfully interact to create a vibrant, yet somewhat bittersweet listen. Each track carefully delivers its own story and feel, while contributing to the wider narrative of the EP which offers insight into Jordan’s personal journey over the past few years, both mentally and emotionally.
Opener ‘Surprised At Something’ bursts out of the blocks with bright hi-hats, warm snares and sliding guitar riffs, equal parts nostalgic and melancholy. Next up, track two ‘Reality Check’ incorporates syncopated basslines, helping drive a kaleidoscope of reverberating instrumentation.
Lead single ‘Empty Handed’ melds captivating backing vocals and the commanding lead vocals of Jordan effortlessly. The technicolour choruses help propel the track through crescendos, rounding out an elegant slice of notable indie-pop.
This leads into the fourth track ‘Never Felt Like This’, a deftly mixed slow burner, highlighted by inviting synths and dreamy guitars. Focus track ‘Arcade Games’ satisfyingly closes out the record, as exquisitely arranged guitar arpeggios intertwine with Jordan’s enchanting croons.
Previous releases have been widely embraced by Australian radio stations triple j, triple j Unearthed, 3RRR, 4ZZZ, RTR FM, Edge Radio, PBS FM, SYN FM, Radio Adelaide and Aussie Music Weekly. They’ve also seen support from online blogs Pilerats, NME, Music Feeds, Trouble Juice, The AU Review, AAA Backstage, Something You Said and The Soundcheck. Their previous single ‘Photobooth’ was also featured on the new ABC iView show Retrograde.
The two-piece has sold-out headlining shows in their hometown and supported the likes of Art Vs. Science, San Mei and Shag Rock. When they aren’t writing pop hits, you can find them either running music festivals in Queensland (Arcadia Music & Arts Festival), managing up and coming Melbourne artists (IJALE + Quiet Blue) or studying at university.
‘Monstrous Subconscious’ is available worldwide now
EP Track Listing
1. Surprised At Something
2. Reality Check
3. Empty Handed
4. Never Felt Like This
5. Arcade Games
FOLLOW TRACE DECAY
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC
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