The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event
Category:

Music News

INTRODUCING RISING STAR FINN ASKEW SHARES NEW SINGLE 'SAME OLD LOVE' + ANNOUNCES DEBUT EP 'PEACH'
Music News

INTRODUCING RISING STAR FINN ASKEW SHARES NEW SINGLE ‘SAME OLD LOVE’ + ANNOUNCES DEBUT EP ‘PEACH’

by the partae December 2, 2020
written by the partae

Introducing rising star Finn Askew, an 19-year-old singer hailing from Somerset, England, with his latest single ‘Same Old Love’ alongside the announcement of his forthcoming debut EP, Peach. Listen HERE.

Just his third solo release, ‘Same Old Love‘ hones Askew’s brand of dexterous indie-pop, whose unadulterated catchiness disguises a nimble musicality in plain sight. Laying silky guitar lines over a buoyant, midtempo beat and with slight hints of Post Malone-like gravel in his voice, ‘Same Old Love‘ draws a line from the indie rock of his Dad’s record collection to the alt-R&B and hip hop production of Finn’s own influences to the DIY inclinations of fellow genre-averse contemporaries, Rex Orange County and Dijon.

Of ‘Same Old Love‘, Finn shares that: “Same Old Love is super unique I feel [and] experiments with a lot of sounds. I love the fact that the overall sound of the song is happy but the meaning is actually pretty sad, a kinda audio oxymoron.”

Enveloping the teenage angst of love, Finn continues to show his varied style, sound, and range which has impressed the likes of COLORS, Clash, Line of Best Fit, and Have You Heard. With his influences ranging from Nirvana and The Smiths to Frank Ocean and Travis Scott, Finn is a serendipitous amalgamation of creativity and talent. Naturally gifted and constantly absorbing elements from multiple sources, it was being born in a sleepy Somerset town that led him to big musical ambitions grounded by his humble nature.

Finn Askew encompasses hard work, self-awareness, and drive of the DIY generation, who control TikTok trends, fight for social justice, and a deep longing but easy execution of equality amongst their peers, no matter gender, race, or sexuality. These characteristics blend with a deep soul embedded in his music that feels wiser beyond his years, culminating in his forthcoming EP, Peach, set for release in 2021.

Speaking on his debut project, Finn says that he “wanted to create an EP that showed how creative I really am. I’m a kid from a small countryside town where there is no music scene at all but I’ve had so many musical influences from my mad diverse music taste. It’s been sick having no one to tell me what direction to take, I’ve just been left to my own device and I’m beyond thankful for that, it’s why my sound is so real. I wanted this EP to really capture me as an artist and what I can do. I can’t be put into one genre and that’s beauty of it.”

‘Same Old Love‘ by Finn Askew is out now via Polydor Records,
buy/stream it here.

PEACH EP
22 Jan 2020
Pre-order here.

Stay connected with Finn Askew:
Twitter | Instagram | YouTube

December 2, 2020 0 comments
0 FacebookTwitterPinterestEmail
What is your name and role within Seabass? My name is Annie, I sing, write all the songs and play guitar in SEABASS (as well as managed the band up until recently. We also have some answers peppered in from Ryan (guitar and makes all our records) Where are you currently based? Annie: We are TRAPPED in Adelaide. Nah, its pretty cool. How did Seabass form? Annie: myself, Kyrie and Flik were asked to play with Pussy Riot as their band in 2019… We thought after wed had a taste of the big stage together blasting through huge Ampeg bass rigs and Fender twins we better keep on going. Myself and Ryan had been playing together in another project so I brought us all together a few months after that! (Are Russian activist session musicians a thing? Apparently yes. What's been happening recently and how has your Covid experience been so far? Annie: We’ve been working pretty hard on the release of our single ‘Burn’ as well as getting all our ducks in a row for our launch of our debut EP.  Ryan: Yeah, COVID has been disappointing but it gave us time to make the EP. Your new single 'Burn' from your forthcoming debut EP 'Always Kidding' is out now, what influenced the sound and songwriting for Burn and the EP? Annie: Burn pretty much just spilled out one morning… I was pretty wired about the mismanagement of last year’s bushfire season as well and one of the most outrageous acts of murder of an indigenous Australian at the hands of police. I was furious and desperate and so from that the song came. Ryan: Influence wise there’s some 90s rock in there. What does Burn mean to you? Annie: Burn is a call to arms, a plea to not become complacent or to turn away. Burn is me desperately asking if others can see what I’m seeing and needing to do something about it.  How did you go about writing the music for Burn and the EP? Annie: I have been sitting incubating some of these songs for a few years, some are definitely more recent. I just needed to figure out what they would be used for and how we would use them. They all started as fairly low-key kind of country inspired folk tunes but now (thanks to Ryan, Kyrie and Flik) they’re face melting indie-rock bangers. Where and when did you record and who with? Annie: We recorded everything at Ryan’s home studio which he has been operating out of semi-professionally for a little while. Ryan is responsible for recording, mixing and production. Ryan: Along with any production ideas the band had along the way. What can we expect from Always Kidding EP? Ryan: We tried to get as much of a picture of the band as we could in an EP format. Each of us has a fairly wide range of skills. Some tracks are concise rocky belters others do their own thing and play by their own rules. We tried to get as much of our usual set down as possible in EP format and polish it through some extra production. It’s a power packed morsel. Annie: In all honesty we’ve accidentally recorded an almost album… It’s a long EP or a short album. Extended extended play. What programs/instruments did you use? Ryan: Annie drafts her ideas up on Logic Pro then I record and mix on Pro Tools. It’s a pretty sanded rock config with two guitars, bass, drums and a bunch of BVs behind Annie’s huge vocals. How did you approach the recording/production/mastering process? Annie: We tracked everything at Ryan’s studio. I was pretty depressed at the time so I mostly just tracked when I was asked to and the rest of the time I just played Civilisation V whilst spilling dip and crackers on Ryan’s bed. Ryan: We tracked some things completely separately and some stuff we tracked together. Vocals were done separately. Backing vocals were a riot because the band would all take turns at their part while taking turns lying down (This is what happens when you’re mixing console is in your bedroom). Annie and I had a feedback session where we boarded up the door of the studio and cranked our amps and grabbed an entire take of obnoxious noise over the whole EP - then I grabbed parts that sounded cool and mixed them in. Annie: For some reason now Ryan no longer lives with those people…  Who are you listening to at the moment? Annie: Well… Obviously Phoebe Bridgers and Fiona Apple… Oh and WAP on repeat… Honestly, if I can have a day where I hear WAP five times in a row, that’s a good day. Ryan: Phoebe Bridgers and The BeeGees. What do you like to do away from music? Annie: I like gardening… I dabble in PlayStation, I’ve been playing Red Dead Redemption 2 and I finished the remastered Tony Hawk as well a while back. Ryan: Nintendo Switch - Zelda and Mario Party with my housemates. What's planned for the remainder of 2020 going into 2021? Annie: Crossing my fingers that we might be able to play a show in real life again soon and dropping the EP early next year. Ryan: I’m going to finish putting together my new studio space and wait for the apocalypse to blow over.  When will the EP drop? Annie: I think you’re like the second people we’ve told but February 17, 2021 and HOPEFULLY we get to have a launch show in Adelaide the week after that at Jive but stay tuned.  Favourite food and place to hangout? Annie: Oh man, theres this spicy nut mix thing at my supermarket that I think I’ve eaten like 20kg of over the past few months. Ummm vegan Magnums. I like hanging out at Ryans house.  Ryan: Party pies and my studio. 
Music InterviewsMusic News

Seabass

by the partae December 2, 2020
written by the partae

What is your name and role within Seabass?

My name is Annie, I sing, write all the songs and play guitar in SEABASS (as well as managed the band up until recently. We also have some answers peppered in from Ryan (guitar and makes all our records)

Where are you currently based?

Annie: We are TRAPPED in Adelaide. Nah, its pretty cool.

How did Seabass form?

Annie: myself, Kyrie and Flik were asked to play with Pussy Riot as their band in 2019… We thought after wed had a taste of the big stage together blasting through huge Ampeg bass rigs and Fender twins we better keep on going. Myself and Ryan had been playing together in another project so I brought us all together a few months after that! (Are Russian activist session musicians a thing? Apparently yes.
What’s been happening recently and how has your Covid experience been so far?

Annie: We’ve been working pretty hard on the release of our single ‘Burn’ as well as getting all our ducks in a row for our launch of our debut EP.
Ryan: Yeah, COVID has been disappointing but it gave us time to make the EP.

Your new single ‘Burn’ from your forthcoming debut EP ‘Always Kidding’ is out now, what influenced the sound and songwriting for Burn and the EP?

Annie: Burn pretty much just spilled out one morning… I was pretty wired about the mismanagement of last year’s bushfire season as well and one of the most outrageous acts of murder of an indigenous Australian at the hands of police. I was furious and desperate and so from that the song came.

Ryan: Influence wise there’s some 90s rock in there.

What does Burn mean to you?

Annie: Burn is a call to arms, a plea to not become complacent or to turn away. Burn is me desperately asking if others can see what I’m seeing and needing to do something about it.

How did you go about writing the music for Burn and the EP?

Annie: I have been sitting incubating some of these songs for a few years, some are definitely more recent. I just needed to figure out what they would be used for and how we would use them. They all started as fairly low-key kind of country inspired folk tunes but now (thanks to Ryan, Kyrie and Flik) they’re face melting indie-rock bangers.

Where and when did you record and who with?

Annie: We recorded everything at Ryan’s home studio which he has been operating out of semi-professionally for a little while. Ryan is responsible for recording, mixing and production.

Ryan: Along with any production ideas the band had along the way.

What can we expect from Always Kidding EP?

Ryan: We tried to get as much of a picture of the band as we could in an EP format. Each of us has a fairly wide range of skills. Some tracks are concise rocky belters others do their own thing and play by their own rules. We tried to get as much of our usual set down as possible in EP format and polish it through some extra production. It’s a power packed morsel.

Annie: In all honesty we’ve accidentally recorded an almost album… It’s a long EP or a short album. Extended extended play.

What programs/instruments did you use?

Ryan: Annie drafts her ideas up on Logic Pro then I record and mix on Pro Tools. It’s a pretty sanded rock config with two guitars, bass, drums and a bunch of BVs behind Annie’s huge vocals.

How did you approach the recording/production/mastering process?

Annie: We tracked everything at Ryan’s studio. I was pretty depressed at the time so I mostly just tracked when I was asked to and the rest of the time I just played Civilisation V whilst spilling dip and crackers on Ryan’s bed.

Ryan: We tracked some things completely separately and some stuff we tracked together. Vocals were done separately. Backing vocals were a riot because the band would all take turns at their part while taking turns lying down (This is what happens when you’re mixing console is in your bedroom). Annie and I had a feedback session where we boarded up the door of the studio and cranked our amps and grabbed an entire take of obnoxious noise over the whole EP – then I grabbed parts that sounded cool and mixed them in.

Annie: For some reason now Ryan no longer lives with those people…

Who are you listening to at the moment?

Annie: Well… Obviously Phoebe Bridgers and Fiona Apple… Oh and WAP on repeat… Honestly, if I can have a day where I hear WAP five times in a row, that’s a good day.

Ryan: Phoebe Bridgers and The BeeGees.

What do you like to do away from music?

Annie: I like gardening… I dabble in PlayStation, I’ve been playing Red Dead Redemption 2 and I finished the remastered Tony Hawk as well a while back.

Ryan: Nintendo Switch – Zelda and Mario Party with my housemates.

What’s planned for the remainder of 2020 going into 2021?

Annie: Crossing my fingers that we might be able to play a show in real life again soon and dropping the EP early next year.

Ryan: I’m going to finish putting together my new studio space and wait for the apocalypse to blow over.

When will the EP drop?

Annie: I think you’re like the second people we’ve told but February 17, 2021 and HOPEFULLY we get to have a launch show in Adelaide the week after that at Jive but stay tuned.

Favourite food and place to hangout?

Annie: Oh man, theres this spicy nut mix thing at my supermarket that I think I’ve eaten like 20kg of over the past few months. Ummm vegan Magnums. I like hanging out at Ryans house.

Ryan: Party pies and my studio.

https://www.facebook.com/seabassbandau

December 2, 2020 0 comments
0 FacebookTwitterPinterestEmail
INXS SHINE BRIGHT LIKE A DIAMOND - MAKING CHART HISTORY
Music News

INXS SHINE BRIGHT LIKE A DIAMOND – MAKING CHART HISTORY

by the partae December 2, 2020
written by the partae

Iconic Australian rock band, INXS, celebrate their ‘The Very Best of INXS’ album reaching “Diamond” status on the ARIA charts and being recognised for sales in excess of half a million units, making chart history.

The album has spent an incredible 430 weeks in the ARIA Top 100 albums – more than any album in the current top 50; seven of those weeks have been spent at #1.  Back in January this year, INXS’ 2011 greatest hits album, The Very Best, which features the band’s signature hits such as ‘Never Tear Us Apart’, ‘Original Sin’ and ‘Need You Tonight’ was officially crowned the top Australian Album of the Decade by ARIA cementing themselves as proof that great music never dates.

INXS were recognised for the success of ‘The Very Best of INXS’ with the announcement of the album reaching Diamond status made at the ARIA Awards 2020, held on Wednesday November 25th, where Tim Farriss and Kirk Pengilly presented the award for ‘Best Band’. Reaching Diamond status in Australia is an incredible honour to the band especially in an era of digital streaming.

CM Murphy, Founder and Chairman – Petrol Records says, “It’s very hard to express the pride and joy I have at this moment. It is now 10 years since returning to INXS and with their highest selling album having achieved a Diamond Award and now voted by the people as Artist of the Decade, it brings me to tears!”

INXS continue to prove they are still as popular today as they were at the peak of their career and recently achieved the coveted number one spot on Triple M’s G.O.A.T (Greatest Band of all Time) in a fan-voted competition. On December 7, INXS are confirmed to feature in Rolling Stone Australia’s special edition, ’50 Greatest Australian Artists of all Time’.

One of the most talked about advertising collaborations with Virgin Australia has recently featured the band’s track What You Need in their You Can’t Keep A Good Thing Down campaign. The upbeat clip features 12-year-old Annie Jones, 2020 America’s Got Talent finalist, dancing in excitement at finally being able to return to the airport to travel. The use of the song portrays INXS’ unique ability to provide timeless music that appeals to a variety of ages and demographics.

CM Murphy recently signed a development deal with Sydney super producer Michael Cassel (Hamilton) to develop a major live musical production for Broadway and the West End. Drawing from a catalogue of more than 200 songs recorded by INXS since the band’s inception in 1977, this rounds out an incredible year for the band despite the challenges of a global pandemic.

Website:              www.inxs.com

Instagram:           https://www.instagram.com/officialinxs/

Facebook:            https://www.facebook.com/inxs/

Twitter:                 https://twitter.com/INXS

December 2, 2020 0 comments
1 FacebookTwitterPinterestEmail
What is your name and role within The Bonnie Doons? Kane Kennedy. I produce the music and manage the band. Torian Brewer and I write and record the tracks. Where are you currently based? Based in Brisbane, Australia. How did the Bonnie Doons form? We officially formed the band in mid-2017. Benny Blacket (former lead singer) and I started the project. We met at college in 2014 and began jamming, writing the skeleton for our first song ‘Swing’ back in 2015 which features on our first EP. Torian was on guitar when the band first formed, Benny then moved down to Sydney and T-dawg stepped up on the mic. What's been happening recently and how has your Covid experience been? Recently we haven’t been doing any live things, just been focussing on promoting this EP and gearing up for some future shows. Your sophomore EP 'The Betweeners' is out now, what influenced the sound and songwriting? This EP was heavily influenced by the 90’s. That was both Torian and I’s favourite era for entertainment as a whole and so I think naturally it came together in that style. The EP speaks about making better decisions through talk of relationships mostly. A compilation of our own personal experiences was what influenced the songwriting. How did the EP come about? Well I mean we were always going to make more music; it came naturally. The musical approach was slightly different though, given we changed the vibe up for Torian’s vocals. Where and when did you record/produce/master and who did you work with? We recorded this through late 2019, all over the place really. I did the drums and rhythm guitars at Alchemix Studios in Brisbane, then did the lead guitars, bass, and vocals at home. We even used some takes from our demo sessions, out in a cabin in the woods style. It was a bit of a Frankenstein project. I produced it and sent it all over to Aria-Award winning Govinda Doyle (Angus and Julia Stone) for the mixing and mastering process. What did you find most challenging and rewarding during the creation of the EP? Most challenging for me was the general learning curve of producing music, especially in a genre I’d never really done before. I’m no professional, it’s still early days. It was a fun challenge. The next chunk of music will be quite a different direction again. We’re just trying a few things out for now. The most rewarding thing is when the people that you respect express to you how much they love it. And I mean, most friends are going to tell you they love it – whether they do or not. But we got some genuine responses, and it was delightful. What programs/instruments did you use to record? Half of it was recorded in Ableton and half was done in Pro Tools. Probably the two most common DAWs. Instruments; drums, guitars, bass, keyboard, triangle, rainstick, shakers. Who are you listening to at the moment? In the last week I’ve been listening to some early King’s of Leon, Che Burns’ new EP, Kurilpa Reach’s new EP and some Sublime. What do you like to do away from music? The normal things; friends and family, make food, glass of red, exercise, soccer. I recently have taken time away from my engineering job, following up a few personal, musical, and entrepreneurial pursuits. Hoping I can break free from the 9-5. Any shows coming up? Yeah we’ll be launching this EP in January 2021 – 16th of Jan at Solbar Sunshine Coast, and 23rd of Jan at The Zoo in Brisbane. What's planned for the remainder of 2020 going into 2021? Relax, jam, enjoy the shows we have coming. Then see what happens. Favourite food and place to hangout? Torian started working at Mongrel Bar in Milton a couple months ago and it has become the new spot I think. It’s gotten me into Peruvian style food – the chef there is a serious pro (he owns the venue). It’s also a great location and atmosphere.
Music InterviewsMusic News

The Bonnie Doons

by the partae December 2, 2020
written by the partae

What is your name and role within The Bonnie Doons?

Kane Kennedy. I produce the music and manage the band. Torian Brewer and I write and record the tracks.

Where are you currently based?

Based in Brisbane, Australia.

How did the Bonnie Doons form?

We officially formed the band in mid-2017. Benny Blacket (former lead singer) and I started the project. We met at college in 2014 and began jamming, writing the skeleton for our first song ‘Swing’ back in 2015 which features on our first EP. Torian was on guitar when the band first formed, Benny then moved down to Sydney and T-dawg stepped up on the mic.

What’s been happening recently and how has your Covid experience been?

Recently we haven’t been doing any live things, just been focussing on promoting this EP and gearing up for some future shows.

Your sophomore EP ‘The Betweeners’ is out now, what influenced the sound and songwriting?

This EP was heavily influenced by the 90’s. That was both Torian and I’s favourite era for entertainment as a whole and so I think naturally it came together in that style.

The EP speaks about making better decisions through talk of relationships mostly. A compilation of our own personal experiences was what influenced the songwriting.

How did the EP come about?

Well I mean we were always going to make more music; it came naturally. The musical approach was slightly different though, given we changed the vibe up for Torian’s vocals.

Where and when did you record/produce/master and who did you work with?

We recorded this through late 2019, all over the place really. I did the drums and rhythm guitars at Alchemix Studios in Brisbane, then did the lead guitars, bass, and vocals at home. We even used some takes from our demo sessions, out in a cabin in the woods style. It was a bit of a Frankenstein project. I produced it and sent it all over to Aria-Award winning Govinda Doyle (Angus and Julia Stone) for the mixing and mastering process.

What did you find most challenging and rewarding during the creation of the EP?

Most challenging for me was the general learning curve of producing music, especially in a genre I’d never really done before. I’m no professional, it’s still early days. It was a fun challenge. The next chunk of music will be quite a different direction again. We’re just trying a few things out for now.

The most rewarding thing is when the people that you respect express to you how much they love it. And I mean, most friends are going to tell you they love it – whether they do or not. But we got some genuine responses, and it was delightful.

What programs/instruments did you use to record?

Half of it was recorded in Ableton and half was done in Pro Tools. Probably the two most common DAWs. Instruments; drums, guitars, bass, keyboard, triangle, rainstick, shakers.

Who are you listening to at the moment?

In the last week I’ve been listening to some early King’s of Leon, Che Burns’ new EP, Kurilpa Reach’s new EP and some Sublime.

What do you like to do away from music?

The normal things; friends and family, make food, glass of red, exercise, soccer. I recently have taken time away from my engineering job, following up a few personal, musical, and entrepreneurial pursuits. Hoping I can break free from the 9-5.

Any shows coming up?

Yeah we’ll be launching this EP in January 2021 – 16th of Jan at Solbar Sunshine Coast, and 23rd of Jan at The Zoo in Brisbane.

What’s planned for the remainder of 2020 going into 2021?

Relax, jam, enjoy the shows we have coming. Then see what happens.

Favourite food and place to hangout?

Torian started working at Mongrel Bar in Milton a couple months ago and it has become the new spot I think. It’s gotten me into Peruvian style food – the chef there is a serious pro (he owns the venue). It’s also a great location and atmosphere.

 

https://www.facebook.com/thebonniedoons

December 2, 2020 0 comments
0 FacebookTwitterPinterestEmail
Kelly McMichael Premiere
Music News

Kelly McMichael Premiere

by the partae December 1, 2020
written by the partae

QUOTE FROM KELLY

“Dreamy nostalgia wafts over a mid-tempo groove, and I’m reflecting on the free, silly, frolickings of a trip long ago. Channeling the celebration of good memories and good friends is very soothing right now, so I chose to lead with this single.”

MORE ABOUT KELLY

The incredibly gifted Kelly McMichael (also known as RENDERS) has released her new single “Montreal.”   It’s an instantly beguiling tune that straddles the genres of alt, pop and rock – and yet also captures the intimacy of the rural world.

Originally from Peterborough Ontario, and now based in St. John’s Newfoundland – Kelly is known for her commanding stage presence, captivating voice, and classic-sounding songwriting. She has a unique ability, via her creative process, to conduct powerful musical energy through a wide range of sounds.  And now, after a number of setbacks, the planets have finally aligned to allow Kelly to record and release her dream debut full length album.

https://www.facebook.com/kellymcmichaelmusic/

https://www.instagram.com/renders_kellymcmike

December 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
PENNY DROP PRESENTS A 10-DAY MUSIC SERIES AT THE BRAND NEW MALTHOUSE OUTDOOR STAGE MUSIC PROGRAM KICKS OFF THURSDAY 21 JANUARY 2021 TICKETS ON SALE MONDAY 7 DECEMBER
Festival NewsMusic News

PENNY DROP PRESENTS A 10-DAY MUSIC SERIES AT THE BRAND NEW MALTHOUSE OUTDOOR STAGE MUSIC PROGRAM KICKS OFF THURSDAY 21 JANUARY 2021 TICKETS ON SALE MONDAY 7 DECEMBER

by the partae December 1, 2020
written by the partae

Eight months since the curtain came down on our last live music event, Penny Drop is proud to be among a group of key Melbourne arts and cultural organisations enlisted to launch the Malthouse Outdoor Stage (MOS), a new COVID-safe venue bringing performance to the courtyard of The Malthouse this summer.

Penny Drop will present two performances a night across 10 nights, from some of our favourite local artists – many of whom will be sharing new music from recently (or soon-to-be) released projects – with eager audiences taking in shows in the courtyard’s new purpose-built amphitheatre.

MOS will open 21 January 2021 with performances from ARIA-winning jazz and soul prodigy Kaiit. From there, the Penny Drop presents Malthouse Outdoor Stage program will showcase the always enthusiastic and high-energy Gordon Koang, euphoric funk craftsmen Mildlife in back-to-back performances, the hypnotic sounds of HTRK, Sweet Whirl‘s tender triumphs, a preview of Sarah Mary Chadwick‘s upcoming record, a stripped-back set from Good Morning, the singular style of Emma Donovan & The Putbacks, an album launch for loveable DIY groovers Surprise Chef, and the bruising punk stylings of RVG.

Later on the MOS program you’ll discover stand-up sets courtesy of Token, discussions lead by The Wheeler Centre and The Saturday Paper, and workshops from Chunky Move and Australian Centre for Contemporary Art (ACCA). Additional programming partners include Melbourne International Comedy Festival, Midsumma, YIRRAMBOI and RISING.

It was a long winter in a tough year, and we couldn’t be more excited to kick off 2021 with a bang and celebrate summer with opportunities not just for the artists on stage, but for the behind the scenes music industry, whose unseen work truly makes Melbourne the live music capital of Australia.

Let’s get back to a gig. But first, you need to jump into your group-chat and jot down a shortlist, because each show is ticketed in groups of six.

Join us as we welcome live music back to Melbourne safely, finally.

TICKETS ON SALE 10AM, MONDAY 7 DECEMBER 2020 (AEDT)

Penny Drop presents Malthouse Outdoor Stage (MOS) // January 2021

Thursday 21 January with Kaiit
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Friday 22 January with Gordon Koang
Early show 5:30pm | Tickets / RSVP
Early show 8:15pm | Tickets / RSVP

Saturday 23 January with Mildlife
Early show 5:00pm | Tickets / RSVP
Late show 8:30pm | Tickets / RSVP

Sunday 24 January with Mildlife
Early show 4:30pm | Tickets / RSVP
Late show 7:30pm | Tickets / RSVP

Monday 25 January with HTRK
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Wednesday 27 January with Sweet Whirl
5:30pm | Tickets / RSVP

Wednesday 27 January with Sarah Mary Chadwick
8:15pm | Tickets / RSVP

Thursday 28 January with Good Morning
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Friday 29 January with Emma Donovan & The Putbacks
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Saturday 30 January with Surprise Chef
Early show 5:00pm | Tickets / RSVP
Late show 8:30pm | Tickets / RSVP

Sunday 31 January with RVG
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

www.malthousetheatre.com.au
http://www.pennydrop.com.au

December 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
Lastlings' Amy Dowdle Talks Impossible Beauty Standards, Being Imperfectly Perfect & More In Content Series Brand YOU
Music News

Lastlings’ Amy Dowdle Talks Impossible Beauty Standards, Being Imperfectly Perfect & More In Content Series Brand YOU

by the partae December 1, 2020
written by the partae
Photo credit: Jessica Aleece

LASTLINGS’ AMY DOWDLE TALKS IMPOSSIBLE BEAUTY STANDARS, BEING IMPERFECTLY PERFECT AND THE BLURRY FINE LINE BETWEEN THE INTERNET AND REAL LIFE IN CONTENT SERIES BRAND YOU
WATCH BRAND YOU EPISODE 6 FEATURING
AMY DOWDLE (LASTLINGS) WITH SIOBHAN KRANZ

WATCH: Brand YOU Episode 6 Featuring Amy Dowdle (Lastlings)
and Siobhan Kranz
Brand YOU is a new online content series developed by Mushroom Group and supported by Victorian Government. Across the 6 episode series, prominent female Artists to the likes of Isabella ‘izzi’ Manfredi, Alice Ivy, Thando, Gordi, D’Arcy Spiller and Amy Dowdle, speak candidly with music industry women on issues facing girls and young women today.

In the final episode of Series One, Lastings’ voice and frontwoman Amy Dowdle chats with Frontier Touring’s Siobhan Kranz, as they delve into the pressure put on young women and girls to achieve an impossible beauty standard that is factitious, however instilled into girls through ever-present social media that we are increasingly surrounded and influenced by.

“Social media is a huge issue – especially for young women. There is this ‘beauty standard’ that everyone is trying to achieve and I think it’s important to know that we’re all human and that we are all imperfectly perfect. We are all trying to reach that impossible standard that the media is trying to make us think is the right thing, that this ‘beauty standard’ is what we should all look like.” – Amy Dowdle

Amy Dowdle is one half of Australian-Japanese siblings duo, Lastlings who have just released their debut album First Contact. Renowned for their hypnotic live shows, Lastlings’ have toured Australia and North America with the likes of RÜFÜS DU SOL and Cassian and played shows at Colorado’s Red Rocks and LA State Historic Park, as well as major global festivals Coachella and Splendour in the Grass. In 2020 Lastlings made their TV debut on ABC’s The Sound and sold out a string of album launch shows across Brisbane and Gold Coast.

Watch the Brand YOU series as the incredible women deliver messages of self-empowerment, confidence, respect and community connectivity.

First Contact
Lastlings
Album out now through Liberation Records
Available to buy/stream here

First Contact tracklisting:
1. Deja Vu
2. Take My Hand
3. Out Of Touch
4. False Reactions
5. 9400
6. Last Breath
7. No Time
8. Visions
9. AI
10. Held Under
11. First Light
12. I’ve Got You
LASTLINGS

https://www.instagram.com/lastlings/

December 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
Hi Jori, and welcome to The Partae Hi! Great to be here. Where are you currently based and where were you born? I’m in Portugal now, in a quiet little village South of Lisbon, not too far from the ocean. Originally I’m from Utrecht, in The Netherlands. How did you first get into the music industry and what other projects have you been involved in before COLLIGNON? My father taught me how to play the piano at a young age, and as soon as I could I started playing in bands. I never went to music school, but always wanted to travel around in a bus with a group of friends and play shows. And so that’s what we did, for many years. I was in a couple of different bands, always writing, recording, producing. My last group was SKIP&DIE, a collaboration with Cata.Pirata, a singer and visual artist from South Africa. Who were your biggest musical influences growing up? I remember many days lying on a pillow in front of my dads record collection. I always loved artists that somehow take you traveling. Like Ry Cooder, or David Byrne, Eno. I was going from The Meters to Philip Glass, and a bit later also Damon Albarn, Manu Chao, Beck, Beastie Boys..  Can you talk to us about your new project COLLIGNON and the vision behind it? COLLIGNON is a solo project, but also a vehicle for me to work with different artists. I will do collaborations, set up my studio in another part of the world and launch projects from there. Having this flexibility is very motivating. Since I stopped touring I had some time to reflect on which experiences I loved most from playing with my previous bands. The memories of gigs and festivals that stuck were usually not the biggest crowds, but the ones where we could really connect and have fun with the people there. For me it’s really important, especially in electronic music, that we can really play on stage, interact, improvise, make a mess, make something happen. I love electronic music, but there are some challenges for me. Pressing a button is really a different thing from touching a string, or singing for that matter. There needs to be some character and personality. With modern production you can make everything so perfect and shiny that you might lose feeling, or essence. I think in our times that kind of conflict translates well into many other areas.. Anyway, it’s fascinating to me and I’m trying to walk that line. COLLIGNON’s debut EP ‘Pontcha ku Lua’ will be released at the end of November. What influenced the sound and songwriting for this project? I really wanted to make an instrumental record first. Nobody telling you nothing, just sounds and music to let your mind float.  Moving to Portugal also had a big influence. Especially Lisbon has a rich and diverse cultural scene. There is music from Brazil, Cape Verde, Angola, Mozambique, Guine Bissau, all the countries Portugal has historic connections with. There is a lot of new music here for me to dive into. How did you approach the recording/production? When I stopped touring, I built a studio in the garage next to my house and started working from there. This first EP is the result of me being able to develop my own sound in this studio. I used to be working on my laptop in the back of the bus, so to speak, now I have a nice room, some nice microphones and a cool mixingdesk. Some of the tracks are collaborations. I work a lot with Gino Bombrini for example, the percussionist of my previous group SKIP&DIE, he plays all the instruments I can’t play, so that’s real handy. We jam and explore, then I take some time to edit things together. What programs/instruments did you use? I use some drummachines, the Machinedrum and Analog Rytm and also the Octatrack from Elektron to start ideas. I have them all patched to different tracks on the mixer and can send them to different speakers or effects. I have some guitar amps and a leslie, some springverbs, things like that. I found this Revox D36 taperecorder from the 60 that I really like for compression and saturation. I have some old synths, MS20, Jupiter 6, a Voyager, Rhodes, piano and a small modular setup too. On the computer I work mostly in Cubase now. How much has international travel had an influence on your songwriting over the course of your career? Traveling and seeing the spectacular diversity in the world made me humble about all these things you think you know and just take for granted. There is so much to explore and to be curious about. It triggered me to start fighting cultural homogenisation. I believe progress lies in diversity and the flirting, dancing and clashing of ideas. You’ve also made an amazing video to accompany the single. How did the concept for the video come about? Oh thank you, that’s nice! For a while I’ve been interested in video synthesizers. I have an old school one from Atari (the guys who built the original game Pong were always stoned apparently and dreamed up this machine), but there is a company now called LZX in Portland that builds really cool modules. I found the patterns and rhythms I could make with these machines work really well with the music. And it’s a lot of fun to do too. Which other artists are listening to at the moment? Oldies like Caetano Veloso, Holger Czukay, Thelonious Monk, Yusef Lateef, Kasai Alstars or Alain Peters, Nicola Cruz, Mauskovic Dance Band, Mark Ernestus’ Ndagga Rhythm Force. What do you like to do away from music? We have a small campervan and love to drive down the Portuguese coast, but since this virus doesn’t allow us to move much, we’ve spent more time growing veggies and fruits in the garden. Feeding the chickens, reading, meditating, drinking coffee, there’s a lot of that these days. Thanks Jori, and all the best for the rest of the year, Same to you, thank you so much for the attention.
Music InterviewsMusic News

COLLIGNON

by the partae December 1, 2020
written by the partae
Hi Jori, and welcome to The Partae
Hi! Great to be here.

Where are you currently based and where were you born?

I’m in Portugal now, in a quiet little village South of Lisbon, not too far from the ocean. Originally I’m from Utrecht, in The Netherlands.

How did you first get into the music industry and what other projects have you been involved in before COLLIGNON?

My father taught me how to play the piano at a young age, and as soon as I could I started playing in bands. I never went to music school, but always wanted to travel around in a bus with a group of friends and play shows. And so that’s what we did, for many years. I was in a couple of different bands, always writing, recording, producing. My last group was SKIP&DIE, a collaboration with Cata.Pirata, a singer and visual artist from South Africa.

Who were your biggest musical influences growing up?

I remember many days lying on a pillow in front of my dads record collection. I always loved artists that somehow take you traveling. Like Ry Cooder, or David Byrne, Eno. I was going from The Meters to Philip Glass, and a bit later also Damon Albarn, Manu Chao, Beck, Beastie Boys..

Can you talk to us about your new project COLLIGNON and the vision behind it?

COLLIGNON is a solo project, but also a vehicle for me to work with different artists. I will do collaborations, set up my studio in another part of the world and launch projects from there. Having this flexibility is very motivating.

Since I stopped touring I had some time to reflect on which experiences I loved most from playing with my previous bands. The memories of gigs and festivals that stuck were usually not the biggest crowds, but the ones where we could really connect and have fun with the people there. For me it’s really important, especially in electronic music, that we can really play on stage, interact, improvise, make a mess, make something happen.

I love electronic music, but there are some challenges for me. Pressing a button is really a different thing from touching a string, or singing for that matter. There needs to be some character and personality. With modern production you can make everything so perfect and shiny that you might lose feeling, or essence. I think in our times that kind of conflict translates well into many other areas.. Anyway, it’s fascinating to me and I’m trying to walk that line.

COLLIGNON’s debut EP ‘Pontcha ku Lua’ will be released at the end of November. What influenced the sound and songwriting for this project?

I really wanted to make an instrumental record first. Nobody telling you nothing, just sounds and music to let your mind float.

Moving to Portugal also had a big influence. Especially Lisbon has a rich and diverse cultural scene. There is music from Brazil, Cape Verde, Angola, Mozambique, Guine Bissau, all the countries Portugal has historic connections with. There is a lot of new music here for me to dive into.
How did you approach the recording/production?

When I stopped touring, I built a studio in the garage next to my house and started working from there. This first EP is the result of me being able to develop my own sound in this studio. I used to be working on my laptop in the back of the bus, so to speak, now I have a nice room, some nice microphones and a cool mixingdesk.

Some of the tracks are collaborations. I work a lot with Gino Bombrini for example, the percussionist of my previous group SKIP&DIE, he plays all the instruments I can’t play, so that’s real handy. We jam and explore, then I take some time to edit things together.
What programs/instruments did you use?

I use some drummachines, the Machinedrum and Analog Rytm and also the Octatrack from Elektron to start ideas. I have them all patched to different tracks on the mixer and can send them to different speakers or effects. I have some guitar amps and a leslie, some springverbs, things like that. I found this Revox D36 taperecorder from the 60 that I really like for compression and saturation. I have some old synths, MS20, Jupiter 6, a Voyager, Rhodes, piano and a small modular setup too. On the computer I work mostly in Cubase now.

How much has international travel had an influence on your songwriting over the course of your career?

Traveling and seeing the spectacular diversity in the world made me humble about all these things you think you know and just take for granted. There is so much to explore and to be curious about. It triggered me to start fighting cultural homogenisation. I believe progress lies in diversity and the flirting, dancing and clashing of ideas.

You’ve also made an amazing video to accompany the single. How did the concept for the video come about?

Oh thank you, that’s nice! For a while I’ve been interested in video synthesizers. I have an old school one from Atari (the guys who built the original game Pong were always stoned apparently and dreamed up this machine), but there is a company now called LZX in Portland that builds really cool modules. I found the patterns and rhythms I could make with these machines work really well with the music. And it’s a lot of fun to do too.

Which other artists are listening to at the moment?

Oldies like Caetano Veloso, Holger Czukay, Thelonious Monk, Yusef Lateef, Kasai Alstars or Alain Peters, Nicola Cruz, Mauskovic Dance Band, Mark Ernestus’ Ndagga Rhythm Force.

What do you like to do away from music?

We have a small campervan and love to drive down the Portuguese coast, but since this virus doesn’t allow us to move much, we’ve spent more time growing veggies and fruits in the garden. Feeding the chickens, reading, meditating, drinking coffee, there’s a lot of that these days.

Thanks Jori, and all the best for the rest of the year,
Same to you, thank you so much for the attention.
LISTEN: https://ffm.to/pontchakulua
December 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
Australia’s newest music show Music People brings Australia’s live music resurgence to your screens!
Festival NewsMusic News

Australia’s newest music show Music People brings Australia’s live music resurgence to your screens!

by the partae December 1, 2020
written by the partae

Artists from around the country encouraged to be involved in Newcastle-based series

With music and live performance now seeing a resurgence around Australia, artists and creatives are finding new ways to document these special shows as they go down in a variety of unique formats and capacities. And as we head into the summer, new music series Music People is proving to be a great asset to this resurgence.

Curated by four music directors – Ben Steer (Continuous Music), Ben Campbell (Newcastle Music Collective), Emily Wurramara, and Karen Eivers, and made possible thanks to an Industry Response Program Grant from The City of Newcastle, the show not only shines a light on some of the country’s most talented songwriters and performers, but it also puts the focus on Newcastle and its iconic Civic Theatre, a venue that plays host to much of the Music People action and performances.

Produced by Maddie Palmer (RAGE, JTV, The Feed) and Matt Field (Field Frequency), Music People has been conceptualised with the aim of not only spotlighting Newcastle’s idyllic music community, but to bring artists from around the country into the fold as the series continues to grow in 2021. The idea for and execution of Music People has been formulating over the last two years; the initial aim squarely focused on unifying the wider Australian music community however with the onset of COVID and its effects on the industry, the series’ importance now has added weight.

Says Matt of Music People, “We have a hugely supportive music-loving population in Australia that spans all ages, yet we compartmentalise much of our music into the youth market, middle age, boomers, etc. In Australia, we need to break down some of these walls and celebrate the artistry. In the same way Top Gear on the BBC showcases all kinds of vehicles to a wide demographic, Music People celebrates our music diversity with a music-loving nation. I look forward to the day when all artists, from all disciplines have multiple channels available to support their career.”

Featuring performances from a diverse range of artists including William Crighton, Kim Churchill, Emily Wurramara, Melanie Dyer, Little Quirks and Harry James Angus, Music People exists to entertain, uplift and inspire. Driven by a love for the art and also by the opportunity to use the platform to spread messages of inclusivity, awareness and change, Music People arrives at a time where the music industry and broader Australian music community is thriving once more. Coming out the other side of what has been an unpredictable and rough year for many.

“Music People provides a platform for all music to live and breathe in one place. Where country and indie can sit alongside electronic, rap, reggae and soul; new, old and everything in between. Music People is diverse, inclusive, raw and real. It’s a show about music people, made by music people, for music people.” Matt Field, Executive Producer

The City of Newcastle, The Newcastle Herald, The Civic Theatre, Tourism Newcastle and a range of other Newcastle outlets will broadcast the episodes of Music People live, while each showcasing artist will also share from their own channels, making each episode a truly unifying effort.

Music People is broadcast Tuesday nights live from 8pm, with episodes continuing into March 2021!
For more information visit www.musicpeoplelive.com.

MUSIC PEOPLE 2020/2021 SEASON

Tuesday, December 1st
Tuesday, December 15th
Tuesday, January 12th
Tuesday, February 9th
Tuesday, February 23rd
Tuesday, March 9th
Tuesday, March 23rd

Official Website | Facebook | Instagram

December 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
Josha Daniel
Music InterviewsMusic News

Josha Daniel

by the partae November 29, 2020
written by the partae

Where are you currently based?

I’m currently based in Noordwijk, The Netherlands. A small village near the coast of Holland where I grew up.

How did you first start playing music?

Music has always been a very big part of my life. I always loved singing and remember one of the first rock concerts I went to in my hometown. I saw those guys playing live on stage and it just blew me away! I knew this was what I wanted to do and after that concert I asked my mother if I could play the electric guitar. She said yes and after having some guitar lessons I formed a band with a couple of friends from school, nothing serious but we had the best time of our lives. We always felt the urge to write our own songs and never really played covers. A few years later things were starting to get a bit more serious and I really wanted to write songs and make music on a more professional level.

What’s been happening recently and how has your Covid experience been so far?

2020 was a very weird, but also exciting year for me. I was busy finishing my album and had some plans to play live for the first time with my new music. The whole festival season was canceled so I thought it would be better to just focus on writing more music. I feel very grateful that I  have my studio at home so I can work whenever want, that’s really nice. Since 2020 I also signed a publishing deal with Cloud9. They connect me to other producers/songwriters so I really have plenty of work and inspiration that keeps me going. This summer they’ve sent me on a writing trip to Berlin and I even had some online writing sessions. It’s cool that we can use the technologie to write with people all around the globe, but I really hope that it will be over soon so we can truly connect again.

Your new album ‘Dream Of You’ is out now, what influenced the sound and songwriting?

‘Dream Of You’ is the very first album I produced and wrote myself. After quitting my band I knew I did not want to stop making music and felt that I wanted to do something truly for myself. I wanted to make music that felt pure and honest, without any compromises. Over the years I collected a lot of sounds, plugins, guitars, synthesizers and effects and they all inspire me in my writing proces. I love the sound of analog gear like my Prophet Rev2, but also use a lot of soft synths in my productions because they get better every year and it’s just really fast to work with.

How did you go about writing the music?

The way I write songs is the way a lot of modern producers work nowadays, with my Macbook and Logic Pro x. For me it always starts off with music only. I try to make a solid track that’s already tells a story to me, without any vocals or lyrics. When I feel that it’s time, I just start singing and try to translate the music into words to tell a story. For me this works for most of the time. Even for the title track ‘Dream Of You’ the instrumental was already finished for 99%. Only this time I liked the instrumental so much that I thought my voice killed the vibe of it. I just could not finish it. After a few months of trying I just woke up with the Dream Of You vocal ID in my head and now I’m really happy with the end result. Sometimes you just have to put an idea aside, especially when you work on it by yourself 🙂

Where and when did you record/produce/master?

All at the same time haha. Okay that’s not entirely true, but the way I see it is that it all works together as a balanced triangle. I write, record, produce and master in the same project. This way I have all my favorite plugins/FX and sounds ready so I can work fast. Also I can already feel the vibe of the master chain and get a better picture of the end result while working on the track. For me this works best, because I can just keep going without any time consuming exporting stems etc. When the track is nearly finished, my brother Devi (NEW_ID) opens up my project for the last tweaks and does the final master. We’ve built the template together and he knows exactly what he’s doing. I always think its great to have an extra pair of ears because after a while you’re just used to the way it sounds and you can’t make any objective decisions anymore. And sometimes you just have to kill your darlings!

Please tell us about how you approached the recording/production process:

For this album I wanted to experiment with lots of instruments and styles of singing, but still wanted to have a clear focus and overall sound. What really helped me accomplishing an overall sound is that I made a very big template with all of my favorite reverbs, delays etc. This way it feels like songs of the album sits in the same space. All guitars where recorded trough a Bassman 100 72 amp and I only used one mic for my vocals, the Aston Origin. My main synth sound for pads is the Dave Smith Prophet Rev2. I just love analog filters, noise and the level of imperfection. There’s just some magic to it that plugins sometimes can’t match up to and it really inspired the overall sound of my album. I recorded all synths and vocals true a UAD Apollo Twin Quad with an Octo satellite for extra DSP to go crazy on the plugins.

What programs/instruments did you use?

DAW: Logic Pro X. I started Ends > begin and Room for Error in Ableton Live, but ended up exporting all the tracks to Logic because it matches my workflow better
Plugins: Roland Cloud, UAD, Valhalla, Soundtoys, Fabfilter, Wavesfactory, Waves, Sonarworx & many more
Instruments: Fender Telecaster, Gibson ES325, Prophet Rev2, Epiphone Thunderbird bass

Please tell us about your transition from being in a band to going solo:

In 2013 I started a band with a few friends from my hometown: Silent War. We all shared the same drive and knew this was something we wanted to do. We experienced some crazy adventures together and I can only look back on that time with a big smile. Unfortunately after a few year we all felt that we needed to do something else and we all went a different way. This is when I started my solo project. I always produced the demo’s for the band, so it felt very natural to me to start producing my own music.

How did you come to work with and release on Enroute Records?

I met Quirijn at Armada when my brother Devi was invited to play there during ADE. My brother used to work with him when Quirijn was part of Volt & state so he introduced me to him. Q told me that he had some instrumentals he was working on and I offered him to write some vocals for them. The week later he actually send me the tracks and I was really thrilled to write for him. I wrote and sang the vocals for’ Higher’ and ‘On Your Mind’ and that’s how we started working together. I just started producing my own songs and asked Quirijn if he could give me some feedback on the production. After a few months I was confident to ask him if he wanted to release it on his record lable, Enroute. He helped me out with the release, promo and still gives me feedback on my tracks. He’s also very much into indie styles of music so I think it was just right place, right time. We became close friends and it’s just great to work with people who have the same passion about music.

What do you like to do away from music?

When I’m not in the studio, I love to go to the beach. I’ve been (kite)surfing ever since I was 13 and work part-time in a kitesurf store in NL. It’s just great to clear your mind, exercise and have some fun with friends. You should definitely go try it out!

Who are you listening to at the moment?

I feel very inspired by ‘indie’ acts like M83, Foals, the XX, RÜFÜS DU SOL, but also more ambient artists like George FitzGerald, Jon Hopkins & Rival Consoles. I guess what I love about music is that it’s a real journey and it takes you to another dimension.

What’s planned for the remainder of 2020 going into 2021?

For now I want to focus more on the live aspect and work on my live setup. Also I started on album 2 so let’s see where that will take me.

Favourite food and place to hangout?

Thai Food – Any beach.

https://www.instagram.com/josha_daniel/
November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
CENE & HEARD FESTIVAL returns to Newcastle February 2021 feat. Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb and more
Festival NewsMusic News

SCENE & HEARD FESTIVAL returns to Newcastle February 2021 feat. Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb and more

by the partae November 29, 2020
written by the partae

This summer in Newcastle is set to get hotter as Scene & Heard Festival returns with another epic line-up, featuring the cream of the Australian 90s/noughties alternative music scene.

Following up its successful 2018/19 events, with Covid putting a stop to live music throughout most of 2020, Scene & Heard had set its sights on 2021 to bring you more of your favourite classic acts – jam-packed into a full day of live music & entertainment.  Pull out your Hottest 100 compilations in preparation and get ready for Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb, COG, Killing Heidi, Custard & Caligula, along with the Discovery “Daft Punk Tribute” show, Minx and more, as they hit Wickham Park on Sunday February 21, 2021.  The Covid-safe 18+ festival will see pre-sale tickets for members on sale Tuesday December 1, with general tickets on sale Thursday December 3. 

With 13 ARIA nominations and a catalogue of seven albums (over half a million records sold) spanning across 25 years, you can expect plenty of rock riffs & anthems from GRINSPOON as they headline the Sound & Heard stage.  From the multi-platinum selling rock outfit’s Guide to Better Living, to their ARIA-winning ‘Best Rock Album’ Thrills, Kills & Sunday Pills and through to Top Ten chart-topper Black Rabbits, rest assured that ‘Grinners’ will be pulling out plenty of loaded classics such as Chemical Heart, Hard Act To Follow, More Than You Are and more…

TICKETS
Get in quick & sign up for early bird tickets at $99.90 +bf
 EARLY BIRD TICKETS

Pre-sale tickets – on sale Tuesday December 1
General tickets – on sale Thursday December 3

SCENE & HEARD FESTIVAL 2021
February 21 – Wickham Park, Newcastle

GRINSPOON
REGURGITATOR
RATCAT
FRENZAL RHOMB
COG
KILLING HEIDI
CUSTARD

CALIGULA
+
DCM STAGE featuring
DISCOVERY “DAFT PUNK TRIBUTE” SHOW
MINX
and more tba…

For more info, head to

SCENE & HEARD FESTIVAL

facebook | instagram | spotify

November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
‘make it real ft Fractures’ is the enthralling new single from Sydney-based multi-instrumentalist, producer and songwriter upsidedownhead (aka Ross James), who has teamed up with iconic Melbourne musician Fractures (aka Mark Zito) to bring the song to life. ‘make it real’ is a discursive exploration of differing emotions through both music and lyrics. As Fractures explains: ‘‘The song itself is without narrative but if anything is told from the point of view of someone struggling to tell the difference between their waking life and what they’re seeing in their mind. Almost preferring to live in that internal space. Call it turmoil if you like”. Washes of synth and a ticking rhythm contrast with Fractures’ pristine falsetto on ‘make it real’, and as it continues to build, the swelling production expands until the finality of the song’s crescendo. ‘make it real’ is an undeniably impressive collaboration, a successful meeting of the production nous of upsidedownhead and the strong melodic ability of Fractures.
Music News

upsidedownhead Releases Enthralling New Single ‘make it real ft. Fractures’

by the partae November 29, 2020
written by the partae
‘make it real ft Fractures’ is the enthralling new single from Sydney-based multi-instrumentalist, producer and songwriter upsidedownhead (aka Ross James), who has teamed up with iconic Melbourne musician Fractures (aka Mark Zito) to bring the song to life.

‘make it real’ is a discursive exploration of differing emotions through both music and lyrics. As Fractures explains:

‘‘The song itself is without narrative but if anything is told from the point of view of someone struggling to tell the difference between their waking life and what they’re seeing in their mind. Almost preferring to live in that internal space. Call it turmoil if you like”. 
Washes of synth and a ticking rhythm contrast with Fractures’ pristine falsetto on ‘make it real’, and as it continues to build, the swelling production expands until the finality of the song’s crescendo. ‘make it real’ is an undeniably impressive collaboration, a successful meeting of the production nous of upsidedownhead and the strong melodic ability of Fractures.
The moniker of Sydney musical director/ producer/ writer Ross James, upsidedownhead has collaborated with some of Australia’s most-exciting talent over the course of his musical journey, including Mansionair, E^ST, Tom Snowdon, Vera Blue, Vallis Alps and PLGRMS. He has also remixed songs from Broods and King Henry.

Despite the tough circumstances of the year, upsidedownhead has had an impressive 2020, with the release of previous singles ‘open the sky (ft Tom Snowdon)’ and ‘twice as tough (ft Mansionair)’, the latter of which premiered on Clash Magazine and has accumulated over 1M streams across DSPs and Amazon’s global playlists Pop Lab and Chill Generation (US, UK and Germany). Previous upsidedownhead singles have also seen extensive support from Apple Music globally with tracks featuring in Today’s Chill, Unwind, Chill and many more.

Born out of studio experimentation, Fractures is the moniker of Mark Zito.  Having started on a path of electronic pop, his journey has since deviated to darker alternative indie band-oriented music delivered on 2017’s debut album Still Here, with lead single ‘Lowcast’ gaining full rotation on triple J and leading to sold out shows Australia-wide. Over the course of 2020, Zito has written and produced both an EP and a full-length album of dance floor inspired tunes ready for release in early 2021.

‘make it real ft. Fractures’
upsidedownhead

Single out now through Liberation Records

Available to buy/stream here

upsidedownhead

Facebook
Instagram
Twitter
YouTube
Spotify
November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
PHI11A RELEASES LATEST SINGLE 'I TRY' VIA DEF JAM ANZ
Music News

PHI11A RELEASES LATEST SINGLE ‘I TRY’ VIA DEF JAM ANZ

by the partae November 29, 2020
written by the partae

LISTEN HERE

“Australia’s emerging rap force” – Clash Magazine

“Setting himself up as one to watch” – Rolling Stone

“Undeniable skill and diversity” – Sniffers

ACCLAIM MAGAZINES ‘PEOPLE’S CHAMP 2020’ FINALIST

It’s been a wild year to say the least, but that hasn’t stopped Australian rapper Phi11a from grinding. Today, he releases his latest single, ‘I Try’, a track that serves as a warning to think about the consequences of your actions and to reflect before taking a destructive route in life. In the track, Phi11a croons over a melodic guitar hook, then seamlessly glides into his patented unique flow; spitting lyrics that touch on the various things that can break someone, whilst also celebrating those that refuse to be broken.

“I was really upset after a break-up” remarked Phi11a “it was like two in the morning, I had just run out of weed/wine and couldn’t get to sleep – that’s when the songs chorus was gifted to me. Its message is about never giving up and revolves around the theme that you should celebrate someone if they are trying their best, no matter what!”

The single follows ‘Dirty Dancer’, a track that was co-produced by U.S. super-producer Scott Storch (Beyonce, Dr. Dre, Roddy Rich, Megan Thee Stallion) and acted at Phi11a’s third official single. Written at the illustrious producers home studio prior to lockdown, the track went on to garner the attention from the likes of No Jumper, DJ Akademiks and Our Generation Music and help the emerging artist in being nominated as one of Acclaim Magazine’s ‘People’s Champ’.

In just over a year, Phi11a has solidified himself as one of the most exciting hip-hop voices to come out of Australia. His breakout out, Supah Mario (Drake, Young Thug) produced, debut single ‘Overdose’ was followed up with a surprise mixtape with emo-trap royalty, Jimmy Duval (XXXTentacion, Lil Pump and Ski Mask the Slump God).

The mixtape laid the blueprint for ‘Witness’, the second official single from the Australian rapper which featured the iconic, Trippie Redd. The release went onto amass over 4M streams and receive praise from Clash Magazine, NME, Rolling Stone, TRVP, Mixtape Madness, Sniffers, Montreality and the biggest hip-hop blog on Instagram, RapTV. The official video for the track was also premiered by U.S. hip-hop tastemakers, Lyrical Lemonade.

With ‘I Try’, Phi11a closes out the year by once again showcasing his talent to create an earworm of a hook, and a lyrical approach that few can hold a candle to – something we’ll only see more of in the coming year.

‘I TRY’ IS OUT NOW

VIA DEF JAM RECORDINGS ANZ

FACEBOOK | TWITTER | INSTAGRAM | TIK TOK

SPOTIFY | APPLE MUSIC | YOUTUBE | SOUNDCLOUD

November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
OCEAN GROVE UNVEIL NEW SINGLE + VIDEO 'DREAM' + RELEASE 'SUNNY' REMIX
Music News

OCEAN GROVE UNVEIL NEW SINGLE + VIDEO ‘DREAM’ + RELEASE ‘SUNNY’ REMIX

by the partae November 29, 2020
written by the partae

Image: Tom Elliott

Ocean Grove are offering up a sweet combo of new releases today with the reveal of new single + video ‘DREAM’ as well as a reimagined cut from their latest album with ‘SUNNY (Remix)’.

Vocalist Dale Tanner describes ‘DREAM’ as the ultimate PMA (Positive Mental Attitude) anthem, an ideology and energy he says all of team OG champion and incorporate in their everyday lives. Originally a hidden track on Flip Phone Fantasy and written long before the year was thrown into disarray, today’s official release of ‘DREAM’ arguably marks the track that 2020 needs.

“It feels as though the lyrics have taken on an even deeper relevance when we look back on the stories of life’s fragility that have been making headlines for months,” explains Tanner.

“Ultimately it hopes to inspire listeners to stop paying attention to the naysayers and the constant reminders that we’re not good enough and instead to chase those crazy life goals to no end. This song is OG running to the rooftops and shouting loud and clear that time is our greatest commodity and we shouldn’t waste a bloody second of it.”

Bassist Twiggy Hunter adds: “Dream was written to empower the listener and instil a sense of don’t-give-a-fuck-ery with a bold, glistening undertone of optimism and hope. We hope listeners can use this song as a form of lifeblood to not give up hope through the times ahead and go on to prosper and thrive in their own individualism.”

Released in December 2019, ‘SUNNY’ marked another tease in the lead up to Ocean Grove’s recent album Flip Phone Fantasy. Hanging on to the original’s summery, Brit-pop vibes, today’s release ‘SUNNY (Remix)’ finds the track with a reimagined, acoustic touch.

In March, Ocean Grove released their technicolored sophomore record to widespread acclaim and #8 ARIA Album Chart debut. Beyond global media praise for its lawless creativity and no fucks attitude from the likes of Kerrang!, The Music (Album Of The Week), Hysteria (10/10) and more, Flip Phone Fantasy saw multiple singles each on rotation at triple j and has now soared beyond 9 Million + streams.

STREAM / PURCHASE
‘FLIP PHONE FANTASY’ NOW:
http://unfd.lnk.to/flipphonefantasy
STREAM THE NEW SINGLE
‘DREAM’ NOW:
http://unfd.lnk.to/dream
CONNECT WITH OCEAN GROVE:
Facebook
Link
Spotify
Website
November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
LISTEN HERE Filth on Acid label head Reinier Zonneveld is back on his own game-changing label with four powerful tracks. It’s his first solo EP release since last December and we’re in for a treat. The brand-new EP has no genre boundaries and takes you on a typically powerful and futuristic techno trip. The highly anticipated ‘After In The Bus’ has been one of Reinier’s most requested tracks to release. The opener has a banging cut with rock-solid kicks and militant snare rolls. Reminiscent of his hits ‘Move Your Body To The Beat’ and ‘Pet Van Ket’, these dark vocals have been made upon - you’ve guessed it - a bus on his way back from a weekend of touring. Following his massive remix of Miro’s ‘Shining’, ‘Black Sun’ is here to follow in its footsteps of becoming a hit. The track is built on more all-consuming drums, with walls of super-sized synths and bright, strobe-lit chords lighting up the whole affair. Next up, the rave anthem ‘Pump It’. Stripping things back to a dry, marching beat the tune showcases industrial textures and a lone lead synth bringing the terror. Last of all but certainly not least, ‘Diablo’ closes out with a high speed and urgent techno number that will rattle the walls of any warehouse and keep dancers locked in suspense. Once again, these are devastating tunes from the master of techno just in time to close off 2020 with a banger - a year that would have seen the first edition of his very own festival ‘Live NOW’. To be continued in 2021. Reinier Zonneveld - ‘After Incubus’ EP is out NOW on Filth On Acid. CONNECT WITH REINIER ZONNEVELD
Music News

Reinier Zonneveld is back with a long-awaited killer 4-track EP ‘After Incubus’ The EP is out on his own label Filth On Acid

by the partae November 29, 2020
written by the partae
LISTEN HERE

Filth on Acid label head Reinier Zonneveld is back on his own game-changing label with four powerful tracks. It’s his first solo EP release since last December and we’re in for a treat. The brand-new EP has no genre boundaries and takes you on a typically powerful and futuristic techno trip.

The highly anticipated ‘After In The Bus’ has been one of Reinier’s most requested tracks to release. The opener has a banging cut with rock-solid kicks and militant snare rolls. Reminiscent of his hits ‘Move Your Body To The Beat’ and ‘Pet Van Ket’, these dark vocals have been made upon – you’ve guessed it – a bus on his way back from a weekend of touring.

Following his massive remix of Miro’s ‘Shining’, ‘Black Sun’ is here to follow in its footsteps of becoming a hit. The track is built on more all-consuming drums, with walls of super-sized synths and bright, strobe-lit chords lighting up the whole affair.

Next up, the rave anthem ‘Pump It’. Stripping things back to a dry, marching beat the tune showcases industrial textures and a lone lead synth bringing the terror.

Last of all but certainly not least, ‘Diablo’ closes out with a high speed and urgent techno number that will rattle the walls of any warehouse and keep dancers locked in suspense.

Once again, these are devastating tunes from the master of techno just in time to close off 2020 with a banger – a year that would have seen the first edition of his very own festival ‘Live NOW’. To be continued in 2021.

Reinier Zonneveld – ‘After Incubus’ EP is out NOW on Filth On Acid.

CONNECT WITH REINIER ZONNEVELD
Website
Facebook
Instagram
SoundCloud
Spotify
November 29, 2020 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • NZ indie-folk troubadour Solomon Crook returns with ethereal new single ‘Too Strung’
  • Interview: Scott Klein Unpacks Addiction Through Southern Gothic
  • Riviera Winter Winterland! An Immersive Winter Experience Set to Open in Melbourne
  • Central Cee – CAN’T RUSH GREATNESS WORLD TOUR Saturday, 28 June 2025 | Rod Laver Arena, Melbourne ALL AGES EVENT
  • Chelsea Wolfe + Aphir @ The Tivoli, Brisbane May 25, 2025

Recent Comments

  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview
  • Tamer on World Exclusive: International photographer Jonathan Rach is bringing his NINE INCH NAILS Exhibition to Australia
  • Dave Canto on Berlin Based Band GHEIST Present Their ‘acoustic – unusual’ EP; A Collection Of Acoustic Versions | Stream Now
  • Amelia Poon on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love
  • Tony on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love

Archives

  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2024


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event