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Music News

Music News

Big Ups share “Fear” video, new album ‘Two Parts Together’ out 5/18

by the partae April 18, 2018
written by the partae

Photo Credit: Montana Elliot
Brooklyn, NY’s Big Ups have shared a video for “Fear,” the latest from their new album, Two Parts Together. Stereogum, who premiered the video comprised of live footage today are saying “no one does cathartic quite like Big Ups; their tension-filled songs tend to build menacingly until they combust into razor-sharp riffs and erratic vocals.” Two Parts Together is available for pre-order now and due out on May 18th via Exploding In Sound.
Of the song and video, singer Joe Galarraga says: “A lot of this album focuses on liminality and takes place in liminal spaces. ‘Fear’ talks about the unknown and turns it into anxiety – dealing with uncertainties before going to sleep and the difficulty of navigating a new day when confronted with the harshness of reality. This was an interesting song to write because the second verse mirrors the first in such a way that attempts to make the anxieties of the morning and night indistinguishable. The video for ‘Fear’ was pieced together by Brendan using clips he found on YouTube, as well as videos that all of us have taken of our shows and tours over the years. Some of the video dates back as early as 2010; there is footage from our very first show included! It was a fun way to catalog and highlight some of our favorite shows, venues, tours, videographers, and memories, and we hope others can enjoy it, too.”

Additionally, Big Ups have announced a west coast summer tour, a record release show at Brooklyn’s Secret Project Robot and a late spring tour in Europe. All dates below.
TOUR DATES:
5/17 – Brooklyn, NY @ Secret Project Robot ^
5/23 – Hamburg, DE @ Hafenklang
5/24 – Dresden, DE @ Groovestation
5/25 – Berlin, DE @ Urban Spree
5/27 – Krakow, PL @ Green Zoo Festival
5/29 – Prague, CZ @ Underdogs Ballroom *
5/30 – Budapest, HU @ Dürer Kert
6/2 – Amsterdam, NL @ CineTol
6/3 – Utrecht, NL @ Culturele Zondagen
6/3 – Rotterdam, NL @ V11
6/4 – Groningen, NL @ Vera
6/5 – Brussels, BE @ Magasin 4
6/7 – Paris, FR @ The Olympic Cafe
6/8 – Poiters, FR @ Conforte Moderne
6/10 – Leeds, UK @ Brudenell Social CLub
6/11 – Newport, UK @ Le Pub
6/13 – Brighton, UK @ The Green Door Store
6/14 – London, UK @ Birthdays
7/11 – San Diego, CA @ Soda Bar
7/12 – Los Angeles, CA @ The Smell
7/13 – Tijuana, MX @ Moustache Bar
7/15 – San Francisco, CA @ Bottom of the Hill
7/16 – Arcata, CA @ Outer Space
7/18 – Portland, OR @ Black Water
7/19 – Seattle, WA @ The Vera Project 
7/20 – Boise, ID @ Neurolux
7/21 – Reno, NV @ The Holland Project 
^ Record Release Show w/ LVL UP, Human People and Water From Your Eyes
* w/ Melkbelly
 
ABOUT BIG UPS:
On May 18th, 2018, Brooklyn’s Big Ups return with their third full-length via Exploding in Sound Records. After forming eight years ago, the band comprised of Brendan Finn (drums), Joe Galarraga (vocals), Amar Lal (guitar), and Carlos Salguero Jr. (bass) continue to tackle dualities in the aptly named Two Parts Together. If 2014’s Eighteen Hours of Static was a brash screed about faith versus science, and 2016’s Before A Million Universes an introspective look at the individual against society, then Two Parts Together lies in the liminal, attempting to make sense of unknowable and basking in uncertainty.
The album’s title track finds vocalist Galarraga searching for meaning in ritual through the examples of a wedding and a funeral. “I just wanted to feel/just how it would be,” he states, hoping for some sort of self-discovery through these human institutions. This emotional inquisition is echoed throughout the album, often in opposition to the omnipresent “lake” mentioned in several songs. What rests below its surface, or bubbles up from the bottom? Throughout Two Parts Together, Big Ups wrestles with the power of mystery both tangibly and metaphysically.
And the band does so often through its signature dynamics. Lal’s biting guitar work is bolstered by Finn’s crashing and Salguero’s booming, and together they can tightly settle into a lull. But Big Ups is not simply employing its old tricks; Two Parts Together sees the quartet utilizing the studio more than ever. Their normal sonic palette has been supplemented with additional strings, harmonium, field recordings, piano, and more. The album is paced through thoughtful instrumentals and interludes, as if to offer the listener a breath of fresh air or – perhaps – a walk around the lake.
BIG UPS
TWO PARTS TOGETHER
EXPLODING IN SOUND
MAY 18, 2018
PRE-ORDER
1. Two Parts Together
2. In The Shade
3. Trying To Love
4. PPP
5. Tenmile
6. Fear
7. Tell Them
8. Imaginary Dog Walker
bigups.bandcamp.com | facebook.com/wearebigups
Twitter @wearebigups | Instagram @wearebigups
April 18, 2018 0 comments
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Festival NewsMusic News

Sled Island Music & Arts Festival Announces Full Lineup of 2018 Artists

by the partae April 18, 2018
written by the partae
SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES FULL LINEUP OF 2018 ARTISTS
PASSES GRANT ENTRY (SUBJECT TO CAPACITY)
TICKETS TO NEWLY-ANNOUNCED SHOWS ON SALE FRIDAY, APRIL 20 AT 12:00PM MDT
(April 17, 2018 – Calgary, AB) The Sled Island Music & Arts Festival is thrilled to announce more than 160 new additions to its lineup of 2018 artists. The annual festival sets itself apart by presenting a thoughtfully-chosen lineup of music, comedy, film and art in more than 30 venues across Calgary, Alberta each June. This year’s festival takes place from June 20 – 24, 2018.
Newly-announced acts include bass-wielding funk warrior Thundercat (headlining The Palace Theatre on Wednesday, June 20), veteran psychedelic act The Flaming Lips(appearing at MacEwan Hall on Thursday, June 21), Canadian hardcore legends No Warning (performing at Dickens on Wednesday, June 20) and Swedish indie pop sensation El Perro del Mar (playing Broken City on Friday, June 22).
Additional talent announced today includes critically-acclaimed songwriter Common Holly, dance-friendly noise-punks Eyeballs, multi-genre solo experimentalist Petra Glynt, bone-rattling noise rockers Kandekt, furious post-punk band Lié, beloved singer-songwriter Marlaena Moore, veteran psych pop act Mahogany Frog, howlin’ indie punk Eamon McGrath, a double-dose of buzzworthy Indigenous hip-hop from Mob Bounce and Snotty Nose Rez Kids, theatrical pop star in the making NOVEMBER, experimental dance music maker Russell Louder, the always face-melting Shearing Pinx, snotty punks wlmrt, doom and psych purveyors WHOOP-Szo and Berlin’s new wave wonder WORLDBRAIN.
A critical part of Sled Island is showing love to the musicians in our local community. We believe in all of them, but a few to whet your appetite are raw singer-songwriter Conversations with Bears, lo-fi house aficionado DJ Dine & Dash, ever-evolving indie rock act Feel Alright, improv act Friesen/Waters Duo, rap heavyweight LYRIQUE & The Honour Roll, garage-rock pros Miesha & The Spanks, dark electro-pop artist Polly Dactic, longtime favorite Samantha Savage Smith, jazzy post-punks Subjectivity and new dark synth act Uncanny Valley.
Find the complete list of 160+ new additions at SledIsland.com/Lineup.
Previously announced artists include Dirty Projectors, The Flaming Lips, Deerhoof, Wye Oak, Mount Kimbie, Shabazz Palaces, John Maus, Mary Timony Plays Helium, Cherry Glazerr, Mount Eerie, Grouper, Lido Pimienta, Ufomammut, Slow and many more.
Upcoming Sled Island announcements include visual art on Tuesday, April 24, comedy on Thursday, April 26, as well as special events and conference programming in the weeks that follow. Sled Island’s recently-announced film programming is available at SledIsland.com/Film.
Media accreditation is open now, click here to apply.
PASSES & TICKETS
Sled Island passes grant access to all Sled Island 2018 shows (subject to capacity) and are currently available at SledIsland.com, Sloth Records (736B 17th Ave. SW) and Lukes Drug Mart (112 4th St. NE).
A limited number of single tickets to newly-announced Sled Island 2018 shows will go on sale this Friday, April 20 at 12:00pm MDT at these same outlets.
Discovery Pass ($214): Our first recommendation for anyone wanting the full Sled Island experience! Access to all Sled Island events (250+ bands, comedy, film and art), subject to capacity.
Discovery Plus Pass ($366): The ultimate Sled Island experience! Priority access (subject to capacity) to all Sled Island events (250+ bands, comedy, film and art), artist lounge access, a Sled Island 2018 t-shirt, tote bag, limited edition screenprinted poster and more!
All-Ages Pass ($40): Exclusively for attendees under 18 years of age! Access more than 50 all-ages events for the price of a single show ticket.
ABOUT SLED ISLAND
Sled Island is an annual five-day independent music and arts festival in Calgary, Alberta that brings together a community of more than 250 bands, comedy, film and art as well as over 44,000 attendees in more than 30 venues across the city. Since 2007, Sled Island has produced a thoughtful, eclectic and one-of-a-kind festival that earns rave reviews from attendees, artists and media across the globe. Visit SledIsland.com for more information.
April 18, 2018 0 comments
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Music News

Reimer (ex-Women) Shares “Beneluxx”

by the partae April 18, 2018
written by the partae
THE CHRIS REIMER LEGACY SOCIETY & FLEMISH EYE
ANNOUNCE A POSTHUMOUS COLLECTION OF MUSIC
 
HELLO PEOPLE 
BY EX-WOMEN GUITARIST, CHRIS REIMER
 
NEW RELEASE DATE OF MAY 4, 2018
 
LISTEN TO “BENELUXX” HERE
Chris Reimer Legacy Fund Society is happy to present the second single from
Hello People. “Beneluxx” displays the more atmospheric side of Reimer’s musical output. It’s an introspective trip through an emotionally­ foggy landscape, and follows on the heels of the previously released single, “Waving Goodbye From A Tree“. The official street date for Hello People has moved to May 4th. Pre­orders for the double gatefold LP are still available on Bandcamp.
Chris Reimer was an adventurous and curious musician and composer whose talent was buttressed by generosity, compassion, empathy, gentleness and modesty. Reimer picked up the guitar at the age of eight and drums at the age of twelve. While in high school he formed a band with his closest friends, a group that would later evolve into the critically acclaimed Women. Women released two vital albums under Calgary’s boutique Flemish Eye label, self­-titled (2008) and Public Strain (2010). After the dissolution of the band at the end of a tumultuous tour in October 2010, Reimer would go on to join San Francisco based act
The Dodos as a touring guitarist.
https://www.youtube.com/watch?v=BMtzTNexRoc&feature=youtu.be
Throughout his time collaborating with other musicians, Reimer was also a solitary creator with a passion for ambient, noise, and drone sounds. He would spend countless hours spinning together listless guitar notes, subtle waves of washing sounds, or loops of glitches and distortion. Reimer also had an excitement for electronics and their manipulation of sound, frequently constructing his own effects pedals and synthesizer circuits. Noise making was his driving force and he longed to eventually compile a full album from his plethora of material.
Chris Reimer passed away unexpectedly and peacefully in his sleep at his home on the morning of February 21, 2012 of a possible heart condition. His close friends and family, knowing of his desire to release his ambient work as well as the perfectionism which had prevented him from doing so in his lifetime, began to listen to his extensive archive of solo works.
Over the past five years, Reimer’s family and close friends have been filtering through his extensive catalogue of recorded work spanning nearly a decade and are thrilled to finally present this double LP collection to the public.
 
Hello People is a sometimes confrontational, at others warm and intimate, and always deeply personal document from a multi­faceted artist, compiled from a huge range of recordings spanning lush four­ track projects to raw phone memos. Veering from ambient guitar­ pedal soundscapes, to delicate acoustic melody and all the way to drone noise experimentation, Hello People takes the listener through an experience of composition and creation from the mind of a deeply talented spirit whose vision was cut short all too soon. Available in hand on May 4th, 2018.
PRE-ORDER ‘HELLO PEOPLE’ 2xLP HERE
The Chris Reimer Legacy Fund Society is a collective of Chris’ closest friends and family who have banded together to keep his tremendous spirit alive. We make a yearly donation to the Decidedly Jazz Danceworks Children’s Bursary Program, and fund the Chris Reimer Legacy Award at the Mount Royal University Conservatory of Music. The Chris Reimer Legacy Fund Society is a registered charitable society in the province of Alberta.

http://christopherjohnjosephreimer.com/

April 18, 2018 0 comments
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Music News

Bury Tomorrow To Release New Album ‘Black Flame’ on July 13th Via Music For Nations / Sony Music Australia

by the partae April 18, 2018
written by the partae

Bury Tomorrow have announced the release of their fifth album (and first for Music For Nations / Sony Music Australia), Black Flame, on July 13th.

PRE-ORDER BLACK FLAME HERE

The band, who have this week been inviting fans to ‘Claim Their Flame’ via http://www.bury-tomorrow.com.They have also just released the album’s title track as the first single, complete with an accompanying music video.

By whatever measure you care to use, Bury Tomorrow are among modern British metal’s upper echelon.

Long since established as one of the UK’s most successful heavy exports, the Hampshire quintet have performed on main stages at virtually every major European festival you care to name, racked up millions of YouTube views, scored two top 40 UK albums and sold tens of thousands of tickets to their incendiary live shows in the process. Shows which combine a passion, precision and uncompromising aggression that has become both a trademark and a badge of honour.

That they have achieved all of this, and much more besides, not by following trends or jumping from bandwagon to bandwagon, but by sharpening to a diamond-cut point their brand of punishing, yet effortlessly melodic heaviness, speaks of a character that few bands of any genre could hope to match.

Indeed, it is this character, this unwavering spirit, that has earned them one of the most rabidly dedicated, dye-in-the-wool fanbases in the whole of rock music. A fanbase which has seen the band grow steadily across four pulverising records of unerring quality and ever-expanding ambition.

But something is about to change for Bury Tomorrow – the embers of steady growth are about to ignite into something much, much larger. The band pouring petrol on the blaze and starting an out and out inferno. ‘Black Flame’ is here, and it’s a record, and a movement, that’s going to spread like wildfire.

April 18, 2018 0 comments
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Music News

NICOLE MILLAR announces debut album ‘Excuse Me’

by the partae April 18, 2018
written by the partae

NICOLE MILLAR announces debut album ‘Excuse Me’

Released June 1 – Pre-order HERE

National tour through June

Nicole Millar is ready to unveil Excuse Me, her much anticipated debut album, on June 1st.  It’s the product of two years of life, a whole lot of growth and a rollercoaster of emotions. Excuse Me charts everything from admitting your faults and owning your shit to wild nights with best friends and the bittersweet parts of love, lust and relationships.

The album features Nicole’s hit singles ‘Signals’ and ‘Blindfolded’ as well as her new 80s-inspired release ‘Gimme A Break’, an anthem-in-wait for women who want to go their own way and won’t be tied down. Excuse Me also features collaborations with two of music’s best upcoming names, Sydney pop identity Muki (who features on ‘Pink Sundae’) and Bay Area’s HENO (on ‘Sign Me Up’).

Pop music with bite and electronic production collide on Excuse Me – some of the tracks are tributes to getting rowdy with girlfriends or daydreams about wanting to be rich in New York, others are eyerolls at fake people, button-pushing boyfriends and ex-lovers. They’re all feisty, fun and made up of real, relatable feelings.

Nicole wrote on every song on the album, working with producers Sable, Dan Farber, Hoodboi, xSDTRK and Kyle Shearer to bring her words to life in studios between Sydney, Stockholm and L.A. Every song is a piece of her history, the work of a woman who’s found her sound and is sure of herself. For Nicole, the vision was to create music that’s “pop, but not”.

“I can’t help it, but I write about boys and love and problems,” Nicole laughs. “But I’ve had so many EPs where it’s mainly just me writing about boys, so I wanted to write some songs about other fun stuff too. I’m confident with myself on the album, and even the love songs are a bit cheekier … I had a lot more fun with these songs.”

Things have been non-stop for Nicole Millar since she broke through as the voice of Peking Duk’s ARIA-Winning, triple j-conquering, three times Platinum hit ‘High’ in 2014 and stepped out as a solo artist.  Her debut EP release, 2016’s Tremble, went Gold in Australia and amassed a cool 8 million spins on Spotify. As well as scoring massive radio play with ‘Signals’ and ‘Blindfolded’, Nicole’s been picked to tour with Troye Sivan, support SZA and fit in sets at Splendour in the Grass.  2018 is sure to be her biggest year yet!

 

‘EXCUSE ME’ TRACKLISTING

  1. Signals
  2. All My Issues
  3. Buttons
  4. No Strings
  5. Gimme A Break
  6. Pink Sundae (feat. MUKI)
  7. Blindfolded
  8. Money
  9. Real Connection
  10. Sign Me Up (feat. Heno)
  11. No Tears For Free

DELUXE TRACKS

  1. Dot
  2. Secret
  3. Tremble
  4. On Rewind

 

To celebrate the release of ‘Excuse Me’, Nicole will be taking the album on the road with her live band through June, presented by triple j, dates as follows:

FRI 8 JUNE – KAROVA LOUNGE, BALLARAT

Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

 

SAT 9 JUNE – NORTHCOTE SOCIAL CLUB, MELBOURNE

Tickets available from www.eventbrite.com.au | All Eventbrite Outlets

 

SUN 10 JUNE – WRANGLER STUDIOS, MELBOURNE [U18’S MATINEE]

Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

 

SAT 16 JUNE – THE FOUNDRY, BRISBANE [U18 MATINEE]

Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

 

SAT 16 JUNE – THE FOUNDRY, BRISBANE

Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

 

FRI 22 JUNE – THE BEERY, TERRIGAL

Tickets available from www.eventbrite.com.au | All Eventbrite Outlets

 

SAT 23 JUNE – OXFORD ART FACTORY, SYDNEY [U18’S MATINEE]

Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

 

SAT 23 JUNE – OXFORD ART FACTORY, SYDNEY

Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

 

FRI 29 JUNE – ADELAIDE UNI, ADELAIDE [LIC/AA]

Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

 

SAT 30 JUNE – JACK RABBIT SLIMS, PERTH

Tickets available from www.ticketbooth.com.au | All Ticketbooth Outlets  

 

For tickets and touring information head to www.nicolemillar.com.au

 

Download / stream ‘Gimme A Break’ HERE

Pre-order deluxe version of ‘Excuse Me’ HERE

Access media assets HERE

 

FOLLOW NICOLE MILLAR:

Instagram: @NicoleMillar 

Facebook: @NicoleMillar

Twitter: @nicolemillar

April 18, 2018 0 comments
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Music News

The Rubens release ‘Never Ever’ ft. Sarah & announce third album

by the partae April 17, 2018
written by the partae

Photo Credit: Ali Lander

ANNOUNCE THIRD ALBUM LO LA RU OUT JUNE 29TH 

NEW SINGLE OUT NOW ‘NEVER EVER (FEAT. SARAH)’

LISTEN HERE

The Rubens have announced their third album, LO LA RU – a bold and confident record that effortlessly picks up from where their worldwide hit single ‘Hoops’ left off. The album is out Friday June 29th and is available to pre-order now.

To coincide with the announcement, the group are incredibly excited to release the powerful new single, premiered via triple j’s DRIVE program, titled ‘Never Ever’ featuring Sarah Aarons – a relatable and heart wrenching tale with Sam Margin and Sarah’s voices acting as yin and yang, so different, but so perfectly matched and harmonious within the track.

When Elliott and Sam Margin got an email letting them know that ARIA Award winning, Grammy Award nominated songwriter Sarah Aarons was going to be in Sydney for the holidays, was a fan of theirs and was keen to write a song with them, the guys thought“why not”. At that point, they were on their way to Brooklyn to put the finishing touches on their highly anticipated third album.

The band went into the studio with no expectations. In their mind, the album was done and whatever came out of the session would be an experiment in collaboration, something new for the band, or, much like Sarah’s long list of songwriting credits (LDRU/ZEDD & Alessia Cara/Dua Lipa/Jesse Ware), something for another artist to use.

Elliott said of the collaboration: “The day we met Sarah in the studio, she told us that her Grade 10 teacher introduced her to our song ‘Lay It Down’ and that is what inspired her to do music in Year 11 & 12. We were pretty blown away with that; a good sentiment to start writing a song together.

We actually thought with the album completed we would be writing a song for someone else.  The main chord structure and melody was something I had been fiddling with for a while but couldn’t find the words or story for. After meeting Sarah and having a chat we got stuck into the song, started throwing ideas around. Pretty quickly we realised it needed to be a duet and from there the story started to take shape.

The song became about these two lovers caught in the moment as their relationship drops away. There’s to-ing and fro-ing as they pass blame and second guess their actions before they realise that what they had is already over.”

It wasn’t until the song sat with the band for a few days that they realised just how ‘Rubens’ the track was, and just how much they wanted it on their third record, LO LA RU.

On LO LA RU The Rubens used the success of single ‘Hoops’ as an opportunity to spread their creative wings, pushing their music into new territory that is exciting for them, and hopefully by extension, their audience as well.

The story of the album began at the 2013 Laneway Music Festival, where The Rubens befriended NYC rapper EL-P (Run The Jewels) and his band, which included his Run The Jewels producers/collaborators, brothers Wilder Zoby and Lil’ Shalimar (aka Torbitt Schwartz). In 2017, this friendship turned into a musical collaboration when both producers flew out from the bustling streets of New York City to the band’s newly created recording studio, housed in a World War II communications bunker in the outskirts of Camden in Sydney’s deep South West. It was here that LO LA RU came to life.

Indeed, LO LA RU presents a fully realised sound that picks up on the r ‘n b and hip hop influence that was hinted at on songs like ‘Hoops’, ‘Bitter End’, bringing those stylistic references to the fore, without losing any of the soulful warmth that typified their earliest tracks like ‘Lay It Down’ and ‘My Gun’ and won them the adoration of fans all over Australia and the world.

2018 has already been a huge year for the group. After last year’s October release of the exuberant party jam ‘Million Man’, the first taste of LO LA RU, the band played to local audiences at the likes of The Sydney Opera House and The Forum before embarking on a global tour – one that saw the band sell out shows in Vancouver, Toronto, and Chicago. At the beginning of this month, the band played the London date of their tour to a packed out and ecstatic The Scala.

Indeed, the band are back and eager to build on the excitement of their first two albums,The Rubens & Hoops, that have gone Platinum and Gold respectively in Australia. 2018 is set to be a big one for The Rubens – with more exciting news to be revealed soon!

Pre-order LO LA RU here

Stream or Purchase ‘Never Ever’ here

WEBSITE | FACEBOOK | TWITTER | INSTAGRAM

April 17, 2018 0 comments
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Music News

Ciaran Lavery releases new album ‘Sweet Decay’

by the partae April 17, 2018
written by the partae
Listen here: https://ffm.to/sweetdecay 

“A beautifully wholesome homage to love in its purest and fullest form” – Billboard

“Ciaran should – and most likely will – be remembered as one of the all time greats. ‘Sweet Decay’ is blatantly his best work” – The Daily Mirror

Ciaran Lavery has released his new album ‘Sweet Decay’, via AllPoints (James Vincent McMorrow, Novo Amor, Anna Leone). The album includes the singles “13” and “To Chicago”.

A “master of music and words that sear into where it hurts the most,” (No Depression) Lavery has already become an acclaimed singer-songwriter in his native Ireland. Hailing from Aghagallon in County Antrim, he received the Northern Ireland Music Prize for his 2016 album ‘Let Bad In’. This year’s follow up ‘Sweet Decay’ is a self-reflection on personal growth. Featuring performances by Saint Sister (vocals), Rory Doyle (drums – Hozier, Bell X1), Joe Furlong (bass – James Vincent McMorrow) and more, and produced by GRAMMY Award winner Ruadhri Cushnan (Mumford & Sons, Luke Sital-Singh, Half Moon Run, Ed Sheeran), Lavery describes the album as “the sound of pure catharsis.” Since the release of the latest single “13”, Lavery’s total Spotify stream count has surpassed 80 million, as the song has amassed over 170,000 streams to date.

Consistently hailed as an artist “defying the ‘stereotypical singer-songwriter archetype… [with] glints of brilliance” (Irish Times), Lavery will be touring the UK and Europe throughout April and May in support of ‘Sweet Decay’.

For more information please visit www.ciaranlaverymusic.com

Sweet Decay track listing:

1. Everything Is Made To Last
2. 13
3. To Chicago
4. Bones 4 Blood
5. Wicked Teeth
6. Your Artist
7. Beast At My Door
8. Two Days In Savannah
9. Wells Tower Song
10. Morning Bell
11. Sweet Decay

April 17, 2018 0 comments
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Music News

BLACK MOTH SUPER RAINBOW share new single & video “Backwash”. New LP ‘Panic Blooms’ due out May 4th via Rad Cult. Tour dates with NIN this June!

by the partae April 17, 2018
written by the partae

With their new album ‘Panic Blooms’ due out on May 4th via Rad Cult, Black Moth Super Rainbow, fronted by TOBACCO, are sharing a new video & single “Backwash“. The band have also just announced their first ever UK lives shows where they will be supporting Nine Inch Nails in London at Meltdown Festival & at the Royal Albert Hall.

A limited editon 7” of the new single “Backwash” is out this week for Record Store Day, which also features Mike Watt & Flea and K doing a cover of BMSR’s song “Drippy Eye”.  

BMSR frontman TOBACCO, also known as Tom Fec, shared the following on the visuals for “Backwash“, “The story is a super typical display of the relationship cycle in america.  It’s how everyone I know got together so just wanted to honor them.”

If you haven’t panicked lately, you’re either blissfully ignorant or have gone completely clear. For the rest of us attempting to navigate the political, economical, and cultural carnage, Edvard Munch’s “The Scream” succinctly captures the statue of psychic dislocation. Or N.W.A.’s “The Panic Zone.” Or Black Moth Super Rainbow’s Panic Blooms, the latest disorienting dystopian masterpiece from the experimental pop arsonists that haunt the black-leaved Pennsylvania woods.

For the last decade, BMSR and frontman TOBACCO have explored the periphery of evil and extreme color, alternating between absurdly bright beauty and the slashed throat sinister.  A sound impossible to replicate, as though it burst fully formed from a paisley-painted fire hydrant stationed in hell. They combine the aesthetically gorgeous with the hideously ugly to create a psychedelic uneasiness usually only seen in old oil paintings. What if Goya or Bosch made ravaged vocoder pop? Or a neo-impressionist painter committed himself to creating slow woozy earworms so iridian and vivid you’d think he sliced off an ear in the process.

We know scarcely anything personal about TOBACCO. There’s his government name, Tom Fec. A few photos if you want to Google, most of them in a mask. He’s done enough interviews where he patiently breaks down the creative process and the ideas espoused, but has mostly resisted the soul-snuffing admissions expected from contemporary musicians. In that vein, he’s closer to a Boards of Canada, DOOM, or Aphex Twin—periodically visible but opaque—emotional but unwilling to exploit the self-mythology and cult that cropped up around him.

So maybe this is why Panic Blooms is slightly startling. Never before has TOBACCO been so raw or direct in his lyrics. It’s a fucked up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It’s not drug music, it’s dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light.

Encoded in a syrupy fog, TOBACCO’s lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted.  There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It’s reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.

Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need.

See BMSR live: 
31/5 WASHINGTON, DC Black Cat
1/6 PHILADELPHIA, PA Union Transfer
2/6 NEW YORK, NY Music Hall of Williamsburg
3/6 BOSTON, MA Brighton Music Hall
14/6 CINCINNATI, OH Urban Artifact
15/6 DETROIT, MI El Club
16/6 CHICAGO, IL Metro
17/6 COLUMBUS, OH Skully’s Music Diner
22/6 – LONDON, UK, Royal Festival Hall – Meltdown Festival*
24/6 – LONDON, UK Royal Albert Hall*

25/6 – Paris, FR Olympia*
27/6 – Amsterdam, NL AFAS Live*
10/8 PITTSBURGH, PA Mr. Smalls
11/8 LOUISVILLE, KY Headliners
12/8 ASHEVILLE, NC Orange Peel
14/8 AUSTIN, TX Mohawk
15/8 HOUSTON, TX White Oak Music Hall
17/8 ATLANTA, GA Masquerade (Hell)
18/8 NASHVILLE, TN Mercy Lounge
* – supporting Nine Inch Nails

‘Panic Blooms’ artwork:

BMSR press photo
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April 17, 2018 0 comments
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Music News

GOOD MORNING share new singles ‘For A Little While’ + ‘Just A Man’

by the partae April 17, 2018
written by the partae

Good morning share new singles ‘For A Little While’ + ‘Just A Man’ from their new album Prize // Reward to be released on Friday 11th May via Bedroom Suck / Remote Control Records. – listen to them via the images below.

The duo, made up of Stefan Blair and Liam Parsons, are two high school friends who grew up in the outer suburbs of Melbourne and slowly began to spend their weekends tinkering away in a home studio, experimenting with songwriting and recording techniques, slowly perfecting their craft behind closed doors.

After releasing their almost infamous debut Shawcross recordings online, followed quickly by the sophomore Glory, the band went on put together the Good Morning live band and tour relentlessly around Australia, the UK and Europe. Now, Good Morning return with ten songs that express growth, confidence, and experimentation.

Prize // Reward woozes and sways; like treacle slowly dripping off a spoon, if that visual could somehow become audible. While their trademark recording techniques and home studio sound are on show here, the real jaw-dropper is in the band’s knack for songwriting, their simple ability to tug on the listener’s heartstrings and make them stop dead in their tracks, wondering about someone they haven’t spoken to in a while or a lover they left behind.

Competing with earlier single ‘Escalator’ for position as one of the longest songs on the album, ‘For A Little While’ is built on a bed of drum machines, piano chords and cryptic lyrics from one half of Good Morning, Stefan Blair. Those who want to know will have to ask Stefan what they’re about.

Almost the opposite, ‘Just A Man’ is a simple pop song that coasts by in two quick minutes. If you wanna understand the lyrics, you’d have to ask Liam what they’re about.

This new set of singles sees Blair & Parsons demonstrate a unique versatility in their songwriting, swapping roles demonstrated in the earlier ‘Mirror Freak / Escalator’ singles and each trying their hand at penning a moodier ballad and upbeat pop song, respectively. The results are sure to please.

Preorder Prize // Reward https://goodmorning.lnk.to/prizereward

Good Morning – ‘For A Little While’
Stream / Download via 
https://goodmorning.lnk.to/ForALittleWhile

Good Morning – ‘Just A Man’
Stream / Download via 
https://goodmorning.lnk.to/JustAMan

Good Morning – Prize // Reward is out Friday 11th May via Bedroom Suck / Remote Control Records.

April 17, 2018 0 comments
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Music InterviewsMusic News

Van Oasis

by the partae April 16, 2018
written by the partae
Where are you currently based? Melbourne
How did you first start playing music and how did you progress into playing live?
I’ve been a drummer all my life and played various other instruments aswell but had an injury at one point three years ago that forced me to stop playing. Couple months when recovering I discovered Ableton and House music and started creating music. It was an alternative to playing actual instruments and aloud me to express myself musically still. Now I can play Instruments again and record them all the time in my tracks but without the injury I would of probably never picked up Ableton and started to make electronic house music.
 Please tell a little about yourself:
I am a Melbourne based Producer/DJ under the alias of Van Oasis. Creating music that is a reflection of my love for several genres and styles such as house, disco, Italo and worldly beats. Combining these with my background of percussion and drums, I create unique electronic pieces that cannot be reduced to a single genre.
Your latest EP release entitled “KILLERS//LOVERS” https://soundcloud.com/van-oasis/sets/killerslovers
 
 
Vanoasis is full of natural elements and grooving electronic grooves, where and when did you record?
I record this ep in my bedroom with the help of a few friends (producers) and some late nights I produced this really dynamic EP last year.
What programs and equipment did you use?
 
I use Ableton as my DAW with alot of Sampling from old bargain bin records. I started investing in hardware though as I really found you couldn’t compare the sound of a real Korg M1 piano with a plug in version. So a use of hardware like the M1, a tr-8 is great for laying down drum beats really quickly and have just acquired some new synths with a Roland Ju-06 n Jx-03.
 
What influenced the tracks on this EP?
 

Been Djing for nearly two years at the time I was opening my horizons to lots of house music and electro beats. So very housey drum beats and staby chord lines were things that influenced me from the dj side of things but before I started listening to house music I really enjoyed some ambient and moody tracks from producers like Taylor Mcferrin, King Kurle and Tame Impala so there is some influences from these acts I still listen to all the time.

How do you usually go about writing songs?
 
I have a bedroom studio and I generally like to find samples off old records, sample them and try vibe out something that comes to mind when listening. Sometimes I just sit at my piano or a synth for hours and play around without the intention of making anything and usually something will come out of it and I will try develop them. I like to only make music in the studio though as it becomes the place of creativity instead of taking a laptop around the place making tracks. It feels like a good area to develop sounds.
 
 
Have you been working on any new material lately? 
I have a next EP with another Melbourne Producer Tony Chocoloney – Together we have made an 80’s inspired disco house record full of fun grooving beats that will sure to tune some heads when it’s released. It is entitled ‘Body Balm EP’ and we are looking very forward to seeing what people think of it.
How has the collaborative process been with Tony?
 
Tony Is a musical genius and is really inspiring to develop music with. There is laughs and pure brilliants working with him. Together we really enjoy the same house and disco jams and discuss new releases and thing we could remix or work on together as we are just excited to make music for the fun of it.
 
How did the colab come about?
 
We just seemed know the same people and meet after been booked together on the same bill one night djing. Thought we would keep in touch and have a jam. When we did we wrote 3 of the 4 songs on the ep in 3 days. We just clicked so well together and will continue to do so.
 
Where will we be able to hear the new EP?
Well that one is under wraps when and where and how you can listen to it 😉 so you just have to keep on checking in on us to find out.
 
You run an event brand called HomeTurf, how’s HomeTurf going?
HomeTurf has been a really great way for me to experience and explore the music industry from a booker, promotor, manager and dj perspective. It has been a really organic and flowing journey learning about how a show runs or what is expected in the behind the scenes of running events. Slowly I will keep expanding the brand and hopefully create a label but for now we will keep doing what we are because it seems to be working. Party on!
How did HomeTurf start?

HomeTurf started after seeing a bunch of local talent around me not getting gigs because they didn’t know how to get bookings or where not involved in crews. So I just started running events with my friends and local artists. Then we went a step further doing free mixtapes of producers tracks as a hub to support and showcase some of their talent.

What do you have planned for the rest of 2018?

We have just started diving into booking international acts this year starting with Germans very own Black Loops we did back in January. Continuing to book some bigger acts and try get into as much different clubs and spread the word is the mission for the rest of the year. Hopefully turn HomeTurf into a record label next year though imprinting original records for vinyl aswell as still holding great parties around Melbourne.
 
Favourite food and place to hangout?

Melbourne is overfilled with places to hang out and eat but I’d say Favourite bar : Palm Royale – Little cocktail bar in richmond that plays some disco tunes, knows my drink orders ( A Harvey Wallbanger with pineapple Juice) and has a tiki theme decor. Very Van Oasis style.  Favourite club : New Guernica – a cozy and interesting club with decor that changes as you walk through. One room is a Carnaval theme dance floor the other a Kitchen rave room, another a private country club quarters where you can have private conversations and relax, and favourite Food spot in Melbourne : Lazer Pig – Wood fire pizza with amazing choices I go there maybe every month with my girlfriend.

April 16, 2018 0 comments
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Music News

Amyl & The Sniffers Continue ‘CUP OF DESTINY’ Tour!

by the partae April 14, 2018
written by the partae

Recorded at Flightless HQ by Joey Walker (King Gizzard and the Lizard Wizard), Cup of Destiny is the first glimpse from Amyl’s forthcoming debut album. It showcases Amyl at their mangy best, in two hot minutes of snarling rock and roll.

Amyl and the Sniffers continue the ‘Cup of Destiny’ National Tour in April. Tickets selling FAST!

AMYL AND THE SNIFFERS ‘CUP OF DESTINY’ TOUR
Friday 13 April — Ballarat, The Eastern Hotel
Saturday 14 April — Melbourne, John Curtin Hotel
Tuesday 24 April (ANZAC Day Eve) — Sydney, Landsdowne Hotel
Friday 27 April — Brisbane, The Foundry
Saturday 28 April — Gold Coast, Miami Shark Bar
Sunday 29 April — Byron Bay, Byron Bay Brewery

 

April 14, 2018 0 comments
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The Hard Aches Release Highly Anticipated New Album ‘Mess’ Out Now. Australian National Headline Tour Starts Today.

by the partae April 14, 2018
written by the partae
https://www.youtube.com/watch?v=cXOOgl0wJYQ&feature=youtu.be
“The skilful portrayal of such brutally honest emotion is certainly why Mess will be on repeat around the country.” –themusic.com.au 

“This is The Hard Aches at their very best.” – Kill Your Stereo

“This second release shows a burgeoning maturity in the band’s sound and is definitely worth a listen.” – Overdrive Magazine

“Sometimes when you hear an album which wrestles with the issue of mental health, you get an overwhelming wish to just help that artist get through it, because you can’t see them doing it alone. Mess – the second full-length release from Adelaide duo The Hard Aches – feels different.” – Stack Magazine

Adelaide’s indie-punk duo, The Hard Aches release their highly anticipated sophomore album, Mess out now via Anchorhead. To celebrate the release of Mess, The Hard Aches will be kicking off their biggest national headline tour today supported by Antonia and the Lazy Susans and Sincerely, Grizzly. 

The Hard Aches teamed up with Melbourne producer Sam Johnson at this studio Holes & Corners, having admired his work over the last few years on records with Camp Cope, The Smith Street Band,and The Bennies. After 3 long weeks and many late nights, the team had crafted 12 new tracks. Following some deliberation, the reigns were handed to grammy award winning engineer William Bowden, who imparted his mastering expertise on the record.

Mess is a collection of songs inspired by the people around Ben and Alex and the experiences they’ve shared together or apart. The album was written with a focus on mental health in a hopeful and positive light.

Ben David talks about the album, “Our brand-new album Mess is a collection of songs inspired by the people around us and the experiences we’ve all shared together or apart. Written with a focus on mental health in a hopeful and positive light. This album is sonically (and creatively) the best representation of us as a band, the album we’ve been working towards creating through years of touring and making music.” 

Mess features guest vocal parts from Camp Cope’s Georgia Maq, The Bennies’ Craig Selak, and Long Island’s own Jeff Rosenstock, who happened to be in the country for Melbourne’s yearly punk rock festival, the Poison City Weekender.

PURCHASE MESS HERE

NEW WORLD ARTISTS & ANCHORHEAD PRESENT

MESS ALBUM TOUR
WITH SPECIAL GUESTS
ANTONIA AND THE LAZY SUSANS + SINCERELY, GRIZZLY

FRIDAY 13 APRIL – CORNER HOTEL, MELBOURNE
Supported By Face Face

SATURDAY 14 APRIL – THE GOV, ADELAIDE
Supported By Stabbitha & The Knifey Wifeys 

WEDNESDAY 18 APRIL – TRANSIT BAR, CANBERRA
Supported By Azim Zain & His Lovely Bones

THURSDAY 19 APRIL – THE CAMBRIDGE, NEWCASTLE
Supported By Hey Lady!

FRIDAY 20 APRIL – OXFORD ARTS FACTORY, SYDNEY
Supported By Nothing Rhymes With David

SATURDAY 21 APRIL – THE ZOO, BRISBANE
Supported By Emmy Hour

TUESDAY 24 APRIL – JACK RABBIT SLIMS, PERTH
Supported By JOYS

TICKETS ON SALE NOW FROM WWW.THEHARDACHES.COM

April 14, 2018 0 comments
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Music News

Butch – Melb – Syd – Perth

by the partae April 14, 2018
written by the partae

Butch
 

Tour Dates

Friday 4th May: Geisha, Perth
Saturday 5th May: The Burdekin, Sydney
Sunday 6th May: Thick as Thieves Day Party @ Revolver Upstairs, Melbourne

Bülent Gürler aka. Butch is a house and tech house legend. Known for his musical ability to blur the lines between mind, body and soul, the German producer’s impressive work ethic is a driving factor in his success. Release-wise Butch is one of the few artists that are able to walk the fine line of quality and quantity, and come out the other end winning every time. A new remix or original from Butch is never far from surfacing, and his latest efforts are a perfect example of the fact.

His latest work has come in the form of ‘Fünfviertel’, a two-track vinyl-only EP written with Ricardo Villalobos under their alias ButRic. Prior to his work with Ricardo was his ‘Countach’ release, a banging single signed to Sven Väth’s Cacoon Recordings. Furthermore, Butch also justteased the artwork for his remix of Basement Jaxx’s ‘Good Luck’. As his three most recent offerings illustrate, the notoriety of Butch is as legitimate as it gets.

Listen to Diynamic Radio Show February 2018 by Butch

Constantly working in parallels – drenched by a potent mixture of juxtaposition and fluidity in both his sets and his productions – Bülent Gürler AKA Butch, fuses the grey-area space between music of the body and mind. With over 20 years consumed by a thirst for electronic music, the Alzey-born, Mainz raised entity has released on leading imprints such as Desolat, Cocoon, Rekids, Sei Es Drum and beyond, while maintaining a solid DJ schedule that’s seen him opening the minds and hearts of crowds at fabric, Time Warp and his continuing residency at Berlin’s Watergate.

22-years ago, a 12 year old Butch received his first record player, some second hand vinyl and obediently burrowed into his room to scritch-scratch and beat juggle, imitating and idolising the masters he saw at the DMC World Championships and the vinyl culture central to its core. Of course, he grew older and louder and continued to broaden his palate for music. Butch got hooked on the art of sculpting beats sometime in the last millennium. He started with baby-steps in 1991 before reaching his current optimum state – a refined style that’s seen him voted as ‘Best Producer’ in Germany’s Groove and Raveline magazines two years in a row, whilst also sitting atop the All-Time Most Charted section on Resident Advisor.

“My further musical influence came from my brother” reflects Butch…”recording the techno mixes from the radio as he was out at night partying”, he says, explaining the gradual transition from boom-bap to 4-4 funk and drive. “I absorb influence and ideas from everywhere. So, as my music and DJ sets contain many styles, I like to make those different styles too.”

Techno heads love Butch, house heads love Butch, as well as the deep and dirty and the light & bright. Few artists flow through genres and emotional landscapes with such ease and fluidity as Bülent, challenging preconceptions of the dance-floor and the expected outcome in the process. The spark behind his excursions is natural: as a music lover he’s always stayed open to different styles and aesthetics. As an artist, he’s always allowed himself to express his take on each genre – it’s true that with Butch, you never know what to expect, other than consistently fresh and unique output.

Butch’s production might have contributed to his rise through the ranks, but it’s his avid work ethic and undying love that gives his success a solid and deep-rooted foundation. Striking a fine line between quantity and quality is no easy task, but this juxtaposition comes easy to an unpredictable talent such as Butch. Holding residencies over the years at venues and clubs such as Sankeys Ibiza and Robert Johnson in Offenbach Germany, Butch continues to squeeze the best out of every after hour party and every club night floor that he holds court over.

Butch might be the hardest-working man in the scene, but it all comes naturally to a man who is first and foremost a music lover by heart. 5 days a week he spends emphatically producing music, as well as performing around the world at various parties, all of whom are looking for the special vibe and touch that Butch brings to his unpredictable, existential sets.

“I like to make people dance and have fun. I’m the captain of the spaceship and I’m driving it. People who come to the show get in the ship – and I take them on a trip. To get into the spaceship, they leave their physical body at the door. You must switch off the real world and switch off the mind. I will do the rest.”

As with any restless entity, Butch is set to further explore pastures new in 2014. He’ll be launching OTHRSIDE and working on more experimental, “psycho-acoustic’ music with friend and percussionist Chris Hohberg. A mixture of sonic soundscapes and electronic structures, the planned album will seek to cast its tracks across the divide of musical consumption and appreciation – an album suited to home listening as much as it is for dance-floor.

Further collaborations are also on the horizon, with a return to making music with friend and cohort Ricardo Villalobos as ButRic – with the two figures being anything but generic, it promises to be another feet twitching, brain melting escapade in Butch’s musical ride.

It’s Butch’s interplanetary connection to the music – and willingness to create out-of-the-box slabs of detailed sound – that maintains his position at the forefront of the underground electronic scene.

April 14, 2018 0 comments
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Music News

XAVIER RUDD TO RELEASE NINTH STUDIO ALBUM STORM BOY ON MAY 25

by the partae April 14, 2018
written by the partae

LATEST SINGLE WALK AWAY OUT NOW – LISTEN HERE

 ANNOUNCES NATIONAL ALBUM SUPPORT TOUR DATES

Australian singer-song writer and multi-instrumentalist, Xavier Rudd will release his ninth studio album Storm Boy on May 25, via Warner Music Australia. Featuring Xavier’s latest single Walk Away, Storm Boy is available now for pre-order.

For Xavier Rudd, writing music and living his life are one and the same. “I’m literally just singing about the things that are going on around me,” he says of his sublime and soaring indie-folk. Environmental work, veganism, spiritualism, surfing, exploring new corners of his beloved homeland; everything Rudd does, he pours into song. The result is a personal sound that strikes a universal note.

It’s been six years since Rudd’s last solo release, the ARIA #2 and Gold Certified Spirit Bird, and a lot of things have happened in that time. Storm Boy tracks the journey along the way.

 To coincide with the release of Storm Boy, Xavier will embark on a national tour throughout the month of August, connecting with his followers and introducing them to his new material. Full tour dates and ticketing information below.

THE STORM BOY ALBUM TOUR

AUGUST 2 – UC REFECTORY, CANBERRA, ACT

AUGUST 3 – UNI HALL WOLLONGONG, NSW

AUGUST 4 – ENMORE THEATRE, SYDNEY NSW

AUGUST 5 – CIVIC THEATRE, NEWCASTLE, NSW

AUGUST 10 – NIGHT QUARTER, GOLD COAST, QLD

AUGUST 11 – THE TIVOLI, BRISBANE, QLD

AUGUST 17 – ODEON THEATRE, HOBART, TAS

AUGUST 18 – THEBARTON THEATRE, ADELAIDE, SA

AUGUST 24 – THE FORUM, MELBOURNE, VIC

AUGUST 25 – COSTA HALL, GEELONG, VIC

Tickets on sale from April 20 here.

FOLLOW XAVIER RUDD

OFFICIAL WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE

April 14, 2018 0 comments
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LA’s beat scene leaders, The Glitch Mob, announce their first new single and album in over 4 years

by the partae April 14, 2018
written by the partae

The Los Angeles-based trio comprise of Boreta (Justin Boreta), edIT (Ed Ma), andOoah (Joshua Mayer), and together they combined their different skills into the compellingly collaged whole that has become one of the most beloved live electronic acts, and distinctive recording artists, working today.

After 4 years they are finally back with a brand new album ‘See Without Eyes’, set for a release date of the 4th of May.

First up though is a stunning remix from Canadian DJ and producer Isabelle Rezazadeh aka REZZ of The Glitch Mob’s track ‘I Could Be Anything’ (Feat. Elohim). The rising star has taken the industry by storm with her ground-breaking releases, notably snatching up the crown as Billboard Dance’s Breakout Artist in 2017. Her interpretation of  ‘I Could Be Anything’ (Feat. Elohim) is nothing less than astonishing. A distinctive bass drum permeates the intro of the cut, ultimately intertwining with Glitch Mob’s core production and Elohim’s hovering vocals. The track moves effortlessly toward an analog heavy drop that is sure to captivate listeners across both distinct fanbases.

‘I’m a fan of both artists [The Glitch Mob, Elohim] & when I was sent the original song, I wanted to give it my own twist.’ – REZZ

‘It’s an honor to present the REZZ remix of our new track with Elohim. We are big fans of REZZ — there’s a natural harmony between our sounds. The music speaks for itself.’ – The Glitch Mob 

When you think about the Los Angeles beat scene you are talking about one of the more talent-rich scenes to come to prominence this century. It gave rise to acts likeShlohmo, TOKiMONSTA, Thundercat and, of course, Flying Lotus amongst many others. But arguably none of them has reached a bigger audience than The Glitch Mob…

Their highly contagious tracks has been licensed to big profile brands such as GoPro,Audi, Amazon Echo and more; their remix for ‘Seven Nation Army’ by The White Stripes was featured in the trailer for the World War I first-person shooter, Battlefield 1 (it has also clocked in over 27 million plays on Youtube); their 2014 album ‘Love Death Immortality’ debuted at #1 on the Billboard Independent Albums Chart andBillboard Dance/Electronic Albums Chart, and they have sold over 300 000 copies of their albums.

The Glitch Mob have also announced a string of international dates with an entirely new live show entitled ‘The Blade 2.0’, a new concept designed by Martin Phillips(Daft Punk, Kanye West, Nine Inch Nails + more).

Watch this space for Australian tour dates…

The Glitch Mob ‘See Without Eyes’ will be released on the 4th of May through Glass Air. Distributed locally through The Orchard.
April 14, 2018 0 comments
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