Music News
Sled Island Music & Arts Festival Announces Full Lineup of 2018 Artists
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Bury Tomorrow To Release New Album ‘Black Flame’ on July 13th Via Music For Nations / Sony Music Australia
Bury Tomorrow have announced the release of their fifth album (and first for Music For Nations / Sony Music Australia), Black Flame, on July 13th.
The band, who have this week been inviting fans to ‘Claim Their Flame’ via http://www.bury-tomorrow.com.
By whatever measure you care to use, Bury Tomorrow are among modern British metal’s upper echelon.
Long since established as one of the UK’s most successful heavy exports, the Hampshire quintet have performed on main stages at virtually every major European festival you care to name, racked up millions of YouTube views, scored two top 40 UK albums and sold tens of thousands of tickets to their incendiary live shows in the process. Shows which combine a passion, precision and uncompromising aggression that has become both a trademark and a badge of honour.
That they have achieved all of this, and much more besides, not by following trends or jumping from bandwagon to bandwagon, but by sharpening to a diamond-cut point their brand of punishing, yet effortlessly melodic heaviness, speaks of a character that few bands of any genre could hope to match.
Indeed, it is this character, this unwavering spirit, that has earned them one of the most rabidly dedicated, dye-in-the-wool fanbases in the whole of rock music. A fanbase which has seen the band grow steadily across four pulverising records of unerring quality and ever-expanding ambition.
But something is about to change for Bury Tomorrow – the embers of steady growth are about to ignite into something much, much larger. The band pouring petrol on the blaze and starting an out and out inferno. ‘Black Flame’ is here, and it’s a record, and a movement, that’s going to spread like wildfire.
NICOLE MILLAR announces debut album ‘Excuse Me’
Released June 1 – Pre-order HERE
National tour through June
Nicole Millar is ready to unveil Excuse Me, her much anticipated debut album, on June 1st. It’s the product of two years of life, a whole lot of growth and a rollercoaster of emotions. Excuse Me charts everything from admitting your faults and owning your shit to wild nights with best friends and the bittersweet parts of love, lust and relationships.
The album features Nicole’s hit singles ‘Signals’ and ‘Blindfolded’ as well as her new 80s-inspired release ‘Gimme A Break’, an anthem-in-wait for women who want to go their own way and won’t be tied down. Excuse Me also features collaborations with two of music’s best upcoming names, Sydney pop identity Muki (who features on ‘Pink Sundae’) and Bay Area’s HENO (on ‘Sign Me Up’).
Pop music with bite and electronic production collide on Excuse Me – some of the tracks are tributes to getting rowdy with girlfriends or daydreams about wanting to be rich in New York, others are eyerolls at fake people, button-pushing boyfriends and ex-lovers. They’re all feisty, fun and made up of real, relatable feelings.
Nicole wrote on every song on the album, working with producers Sable, Dan Farber, Hoodboi, xSDTRK and Kyle Shearer to bring her words to life in studios between Sydney, Stockholm and L.A. Every song is a piece of her history, the work of a woman who’s found her sound and is sure of herself. For Nicole, the vision was to create music that’s “pop, but not”.
“I can’t help it, but I write about boys and love and problems,” Nicole laughs. “But I’ve had so many EPs where it’s mainly just me writing about boys, so I wanted to write some songs about other fun stuff too. I’m confident with myself on the album, and even the love songs are a bit cheekier … I had a lot more fun with these songs.”
Things have been non-stop for Nicole Millar since she broke through as the voice of Peking Duk’s ARIA-Winning, triple j-conquering, three times Platinum hit ‘High’ in 2014 and stepped out as a solo artist. Her debut EP release, 2016’s Tremble, went Gold in Australia and amassed a cool 8 million spins on Spotify. As well as scoring massive radio play with ‘Signals’ and ‘Blindfolded’, Nicole’s been picked to tour with Troye Sivan, support SZA and fit in sets at Splendour in the Grass. 2018 is sure to be her biggest year yet!
‘EXCUSE ME’ TRACKLISTING
- Signals
- All My Issues
- Buttons
- No Strings
- Gimme A Break
- Pink Sundae (feat. MUKI)
- Blindfolded
- Money
- Real Connection
- Sign Me Up (feat. Heno)
- No Tears For Free
DELUXE TRACKS
- Dot
- Secret
- Tremble
- On Rewind
To celebrate the release of ‘Excuse Me’, Nicole will be taking the album on the road with her live band through June, presented by triple j, dates as follows:
FRI 8 JUNE – KAROVA LOUNGE, BALLARAT
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 9 JUNE – NORTHCOTE SOCIAL CLUB, MELBOURNE
Tickets available from www.eventbrite.com.au | All Eventbrite Outlets
SUN 10 JUNE – WRANGLER STUDIOS, MELBOURNE [U18’S MATINEE]
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 16 JUNE – THE FOUNDRY, BRISBANE [U18 MATINEE]
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 16 JUNE – THE FOUNDRY, BRISBANE
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FRI 22 JUNE – THE BEERY, TERRIGAL
Tickets available from www.eventbrite.com.au | All Eventbrite Outlets
SAT 23 JUNE – OXFORD ART FACTORY, SYDNEY [U18’S MATINEE]
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets
SAT 23 JUNE – OXFORD ART FACTORY, SYDNEY
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets
FRI 29 JUNE – ADELAIDE UNI, ADELAIDE [LIC/AA]
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 30 JUNE – JACK RABBIT SLIMS, PERTH
Tickets available from www.ticketbooth.com.au | All Ticketbooth Outlets
For tickets and touring information head to www.nicolemillar.com.au
Download / stream ‘Gimme A Break’ HERE
Pre-order deluxe version of ‘Excuse Me’ HERE
Access media assets HERE
FOLLOW NICOLE MILLAR:
Instagram: @NicoleMillar
Facebook: @NicoleMillar
Twitter: @nicolemillar
The Rubens release ‘Never Ever’ ft. Sarah & announce third album
Photo Credit: Ali Lander
ANNOUNCE THIRD ALBUM LO LA RU OUT JUNE 29TH
NEW SINGLE OUT NOW ‘NEVER EVER (FEAT. SARAH)’
The Rubens have announced their third album, LO LA RU – a bold and confident record that effortlessly picks up from where their worldwide hit single ‘Hoops’ left off. The album is out Friday June 29th and is available to pre-order now.
To coincide with the announcement, the group are incredibly excited to release the powerful new single, premiered via triple j’s DRIVE program, titled ‘Never Ever’ featuring Sarah Aarons – a relatable and heart wrenching tale with Sam Margin and Sarah’s voices acting as yin and yang, so different, but so perfectly matched and harmonious within the track.
When Elliott and Sam Margin got an email letting them know that ARIA Award winning, Grammy Award nominated songwriter Sarah Aarons was going to be in Sydney for the holidays, was a fan of theirs and was keen to write a song with them, the guys thought“why not”. At that point, they were on their way to Brooklyn to put the finishing touches on their highly anticipated third album.
The band went into the studio with no expectations. In their mind, the album was done and whatever came out of the session would be an experiment in collaboration, something new for the band, or, much like Sarah’s long list of songwriting credits (LDRU/ZEDD & Alessia Cara/Dua Lipa/Jesse Ware), something for another artist to use.
Elliott said of the collaboration: “The day we met Sarah in the studio, she told us that her Grade 10 teacher introduced her to our song ‘Lay It Down’ and that is what inspired her to do music in Year 11 & 12. We were pretty blown away with that; a good sentiment to start writing a song together.
We actually thought with the album completed we would be writing a song for someone else. The main chord structure and melody was something I had been fiddling with for a while but couldn’t find the words or story for. After meeting Sarah and having a chat we got stuck into the song, started throwing ideas around. Pretty quickly we realised it needed to be a duet and from there the story started to take shape.
The song became about these two lovers caught in the moment as their relationship drops away. There’s to-ing and fro-ing as they pass blame and second guess their actions before they realise that what they had is already over.”
It wasn’t until the song sat with the band for a few days that they realised just how ‘Rubens’ the track was, and just how much they wanted it on their third record, LO LA RU.
On LO LA RU The Rubens used the success of single ‘Hoops’ as an opportunity to spread their creative wings, pushing their music into new territory that is exciting for them, and hopefully by extension, their audience as well.
The story of the album began at the 2013 Laneway Music Festival, where The Rubens befriended NYC rapper EL-P (Run The Jewels) and his band, which included his Run The Jewels producers/collaborators, brothers Wilder Zoby and Lil’ Shalimar (aka Torbitt Schwartz). In 2017, this friendship turned into a musical collaboration when both producers flew out from the bustling streets of New York City to the band’s newly created recording studio, housed in a World War II communications bunker in the outskirts of Camden in Sydney’s deep South West. It was here that LO LA RU came to life.
Indeed, LO LA RU presents a fully realised sound that picks up on the r ‘n b and hip hop influence that was hinted at on songs like ‘Hoops’, ‘Bitter End’, bringing those stylistic references to the fore, without losing any of the soulful warmth that typified their earliest tracks like ‘Lay It Down’ and ‘My Gun’ and won them the adoration of fans all over Australia and the world.
2018 has already been a huge year for the group. After last year’s October release of the exuberant party jam ‘Million Man’, the first taste of LO LA RU, the band played to local audiences at the likes of The Sydney Opera House and The Forum before embarking on a global tour – one that saw the band sell out shows in Vancouver, Toronto, and Chicago. At the beginning of this month, the band played the London date of their tour to a packed out and ecstatic The Scala.
Indeed, the band are back and eager to build on the excitement of their first two albums,The Rubens & Hoops, that have gone Platinum and Gold respectively in Australia. 2018 is set to be a big one for The Rubens – with more exciting news to be revealed soon!
| Listen here: https://ffm.to/sweetdecay
A beautifully wholesome homage to love in its purest and fullest form Billboard Ciaran Lavery has released his new album Sweet Decay, via AllPoints (James Vincent McMorrow, Novo Amor, Anna Leone). The album includes the singles 13 and To Chicago. A master of music and words that sear into where it hurts the most, (No Depression) Lavery has already become an acclaimed singer-songwriter in his native Ireland. Hailing from Aghagallon in County Antrim, he received the Northern Ireland Music Prize for his 2016 album Let Bad In. This years follow up Sweet Decay is a self-reflection on personal growth. Featuring performances by Saint Sister (vocals), Rory Doyle (drums Hozier, Bell X1), Joe Furlong (bass James Vincent McMorrow) and more, and produced by GRAMMY Award winner Ruadhri Cushnan (Mumford & Sons, Luke Sital-Singh, Half Moon Run, Ed Sheeran), Lavery describes the album as the sound of pure catharsis. Since the release of the latest single 13, Laverys total Spotify stream count has surpassed 80 million, as the song has amassed over 170,000 streams to date. Consistently hailed as an artist defying the stereotypical singer-songwriter archetype… [with] glints of brilliance (Irish Times), Lavery will be touring the UK and Europe throughout April and May in support of Sweet Decay. For more information please visit www.ciaranlaverymusic.com Sweet Decay track listing: 1. Everything Is Made To Last |
BLACK MOTH SUPER RAINBOW share new single & video “Backwash”. New LP ‘Panic Blooms’ due out May 4th via Rad Cult. Tour dates with NIN this June!
With their new album ‘Panic Blooms’ due out on May 4th via Rad Cult, Black Moth Super Rainbow, fronted by TOBACCO, are sharing a new video & single “Backwash“. The band have also just announced their first ever UK lives shows where they will be supporting Nine Inch Nails in London at Meltdown Festival & at the Royal Albert Hall.
A limited editon 7” of the new single “Backwash” is out this week for Record Store Day, which also features Mike Watt & Flea and K doing a cover of BMSR’s song “Drippy Eye”.
BMSR frontman TOBACCO, also known as Tom Fec, shared the following on the visuals for “Backwash“, “The story is a super typical display of the relationship cycle in america. It’s how everyone I know got together so just wanted to honor them.”
If you haven’t panicked lately, you’re either blissfully ignorant or have gone completely clear. For the rest of us attempting to navigate the political, economical, and cultural carnage, Edvard Munch’s “The Scream” succinctly captures the statue of psychic dislocation. Or N.W.A.’s “The Panic Zone.” Or Black Moth Super Rainbow’s Panic Blooms, the latest disorienting dystopian masterpiece from the experimental pop arsonists that haunt the black-leaved Pennsylvania woods.
For the last decade, BMSR and frontman TOBACCO have explored the periphery of evil and extreme color, alternating between absurdly bright beauty and the slashed throat sinister. A sound impossible to replicate, as though it burst fully formed from a paisley-painted fire hydrant stationed in hell. They combine the aesthetically gorgeous with the hideously ugly to create a psychedelic uneasiness usually only seen in old oil paintings. What if Goya or Bosch made ravaged vocoder pop? Or a neo-impressionist painter committed himself to creating slow woozy earworms so iridian and vivid you’d think he sliced off an ear in the process.
We know scarcely anything personal about TOBACCO. There’s his government name, Tom Fec. A few photos if you want to Google, most of them in a mask. He’s done enough interviews where he patiently breaks down the creative process and the ideas espoused, but has mostly resisted the soul-snuffing admissions expected from contemporary musicians. In that vein, he’s closer to a Boards of Canada, DOOM, or Aphex Twin—periodically visible but opaque—emotional but unwilling to exploit the self-mythology and cult that cropped up around him.
So maybe this is why Panic Blooms is slightly startling. Never before has TOBACCO been so raw or direct in his lyrics. It’s a fucked up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It’s not drug music, it’s dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light.
Encoded in a syrupy fog, TOBACCO’s lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted. There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It’s reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.
Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need.
See BMSR live:
31/5 WASHINGTON, DC Black Cat
1/6 PHILADELPHIA, PA Union Transfer
2/6 NEW YORK, NY Music Hall of Williamsburg
3/6 BOSTON, MA Brighton Music Hall
14/6 CINCINNATI, OH Urban Artifact
15/6 DETROIT, MI El Club
16/6 CHICAGO, IL Metro
17/6 COLUMBUS, OH Skully’s Music Diner
22/6 – LONDON, UK, Royal Festival Hall – Meltdown Festival*
24/6 – LONDON, UK Royal Albert Hall*
25/6 – Paris, FR Olympia*
27/6 – Amsterdam, NL AFAS Live*
10/8 PITTSBURGH, PA Mr. Smalls
11/8 LOUISVILLE, KY Headliners
12/8 ASHEVILLE, NC Orange Peel
14/8 AUSTIN, TX Mohawk
15/8 HOUSTON, TX White Oak Music Hall
17/8 ATLANTA, GA Masquerade (Hell)
18/8 NASHVILLE, TN Mercy Lounge
* – supporting Nine Inch Nails
‘Panic Blooms’ artwork:

GOOD MORNING share new singles ‘For A Little While’ + ‘Just A Man’
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Good Morning – ‘Just A Man’
Stream / Download via https://goodmorning.lnk.
Good Morning – Prize // Reward is out Friday 11th May via Bedroom Suck / Remote Control Records.
Been Djing for nearly two years at the time I was opening my horizons to lots of house music and electro beats. So very housey drum beats and staby chord lines were things that influenced me from the dj side of things but before I started listening to house music I really enjoyed some ambient and moody tracks from producers like Taylor Mcferrin, King Kurle and Tame Impala so there is some influences from these acts I still listen to all the time.
HomeTurf started after seeing a bunch of local talent around me not getting gigs because they didn’t know how to get bookings or where not involved in crews. So I just started running events with my friends and local artists. Then we went a step further doing free mixtapes of producers tracks as a hub to support and showcase some of their talent.
What do you have planned for the rest of 2018?
Melbourne is overfilled with places to hang out and eat but I’d say Favourite bar : Palm Royale – Little cocktail bar in richmond that plays some disco tunes, knows my drink orders ( A Harvey Wallbanger with pineapple Juice) and has a tiki theme decor. Very Van Oasis style. Favourite club : New Guernica – a cozy and interesting club with decor that changes as you walk through. One room is a Carnaval theme dance floor the other a Kitchen rave room, another a private country club quarters where you can have private conversations and relax, and favourite Food spot in Melbourne : Lazer Pig – Wood fire pizza with amazing choices I go there maybe every month with my girlfriend.
Recorded at Flightless HQ by Joey Walker (King Gizzard and the Lizard Wizard), Cup of Destiny is the first glimpse from Amyl’s forthcoming debut album. It showcases Amyl at their mangy best, in two hot minutes of snarling rock and roll.
Amyl and the Sniffers continue the ‘Cup of Destiny’ National Tour in April. Tickets selling FAST!
AMYL AND THE SNIFFERS ‘CUP OF DESTINY’ TOUR
Friday 13 April — Ballarat, The Eastern Hotel
Saturday 14 April — Melbourne, John Curtin Hotel
Tuesday 24 April (ANZAC Day Eve) — Sydney, Landsdowne Hotel
Friday 27 April — Brisbane, The Foundry
Saturday 28 April — Gold Coast, Miami Shark Bar
Sunday 29 April — Byron Bay, Byron Bay Brewery

The Hard Aches Release Highly Anticipated New Album ‘Mess’ Out Now. Australian National Headline Tour Starts Today.
“This is The Hard Aches at their very best.” – Kill Your Stereo
“This second release shows a burgeoning maturity in the band’s sound and is definitely worth a listen.” – Overdrive Magazine
“Sometimes when you hear an album which wrestles with the issue of mental health, you get an overwhelming wish to just help that artist get through it, because you can’t see them doing it alone. Mess – the second full-length release from Adelaide duo The Hard Aches – feels different.” – Stack Magazine
Adelaide’s indie-punk duo, The Hard Aches release their highly anticipated sophomore album, Mess out now via Anchorhead. To celebrate the release of Mess, The Hard Aches will be kicking off their biggest national headline tour today supported by Antonia and the Lazy Susans and Sincerely, Grizzly.
The Hard Aches teamed up with Melbourne producer Sam Johnson at this studio Holes & Corners, having admired his work over the last few years on records with Camp Cope, The Smith Street Band,and The Bennies. After 3 long weeks and many late nights, the team had crafted 12 new tracks. Following some deliberation, the reigns were handed to grammy award winning engineer William Bowden, who imparted his mastering expertise on the record.
Mess is a collection of songs inspired by the people around Ben and Alex and the experiences they’ve shared together or apart. The album was written with a focus on mental health in a hopeful and positive light.
Ben David talks about the album, “Our brand-new album Mess is a collection of songs inspired by the people around us and the experiences we’ve all shared together or apart. Written with a focus on mental health in a hopeful and positive light. This album is sonically (and creatively) the best representation of us as a band, the album we’ve been working towards creating through years of touring and making music.”
Mess features guest vocal parts from Camp Cope’s Georgia Maq, The Bennies’ Craig Selak, and Long Island’s own Jeff Rosenstock, who happened to be in the country for Melbourne’s yearly punk rock festival, the Poison City Weekender.
NEW WORLD ARTISTS & ANCHORHEAD PRESENT
MESS ALBUM TOUR
WITH SPECIAL GUESTS
ANTONIA AND THE LAZY SUSANS + SINCERELY, GRIZZLY
FRIDAY 13 APRIL – CORNER HOTEL, MELBOURNE
Supported By Face Face
SATURDAY 14 APRIL – THE GOV, ADELAIDE
Supported By Stabbitha & The Knifey Wifeys
WEDNESDAY 18 APRIL – TRANSIT BAR, CANBERRA
Supported By Azim Zain & His Lovely Bones
THURSDAY 19 APRIL – THE CAMBRIDGE, NEWCASTLE
Supported By Hey Lady!
FRIDAY 20 APRIL – OXFORD ARTS FACTORY, SYDNEY
Supported By Nothing Rhymes With David
SATURDAY 21 APRIL – THE ZOO, BRISBANE
Supported By Emmy Hour
TUESDAY 24 APRIL – JACK RABBIT SLIMS, PERTH
Supported By JOYS
TICKETS ON SALE NOW FROM WWW.THEHARDACHES.COM
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LATEST SINGLE WALK AWAY OUT NOW – LISTEN HERE
ANNOUNCES NATIONAL ALBUM SUPPORT TOUR DATES
Australian singer-song writer and multi-instrumentalist, Xavier Rudd will release his ninth studio album Storm Boy on May 25, via Warner Music Australia. Featuring Xavier’s latest single Walk Away, Storm Boy is available now for pre-order.
For Xavier Rudd, writing music and living his life are one and the same. “I’m literally just singing about the things that are going on around me,” he says of his sublime and soaring indie-folk. Environmental work, veganism, spiritualism, surfing, exploring new corners of his beloved homeland; everything Rudd does, he pours into song. The result is a personal sound that strikes a universal note.
It’s been six years since Rudd’s last solo release, the ARIA #2 and Gold Certified Spirit Bird, and a lot of things have happened in that time. Storm Boy tracks the journey along the way.
To coincide with the release of Storm Boy, Xavier will embark on a national tour throughout the month of August, connecting with his followers and introducing them to his new material. Full tour dates and ticketing information below.
THE STORM BOY ALBUM TOUR
AUGUST 2 – UC REFECTORY, CANBERRA, ACT
AUGUST 3 – UNI HALL WOLLONGONG, NSW
AUGUST 4 – ENMORE THEATRE, SYDNEY NSW
AUGUST 5 – CIVIC THEATRE, NEWCASTLE, NSW
AUGUST 10 – NIGHT QUARTER, GOLD COAST, QLD
AUGUST 11 – THE TIVOLI, BRISBANE, QLD
AUGUST 17 – ODEON THEATRE, HOBART, TAS
AUGUST 18 – THEBARTON THEATRE, ADELAIDE, SA
AUGUST 24 – THE FORUM, MELBOURNE, VIC
AUGUST 25 – COSTA HALL, GEELONG, VIC
Tickets on sale from April 20 here.
FOLLOW XAVIER RUDD
OFFICIAL WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE
LA’s beat scene leaders, The Glitch Mob, announce their first new single and album in over 4 years
The Los Angeles-based trio comprise of Boreta (Justin Boreta), edIT (Ed Ma), andOoah (Joshua Mayer), and together they combined their different skills into the compellingly collaged whole that has become one of the most beloved live electronic acts, and distinctive recording artists, working today.
After 4 years they are finally back with a brand new album ‘See Without Eyes’, set for a release date of the 4th of May.
First up though is a stunning remix from Canadian DJ and producer Isabelle Rezazadeh aka REZZ of The Glitch Mob’s track ‘I Could Be Anything’ (Feat. Elohim). The rising star has taken the industry by storm with her ground-breaking releases, notably snatching up the crown as Billboard Dance’s Breakout Artist in 2017. Her interpretation of ‘I Could Be Anything’ (Feat. Elohim) is nothing less than astonishing. A distinctive bass drum permeates the intro of the cut, ultimately intertwining with Glitch Mob’s core production and Elohim’s hovering vocals. The track moves effortlessly toward an analog heavy drop that is sure to captivate listeners across both distinct fanbases.
‘I’m a fan of both artists [The Glitch Mob, Elohim] & when I was sent the original song, I wanted to give it my own twist.’ – REZZ
‘It’s an honor to present the REZZ remix of our new track with Elohim. We are big fans of REZZ — there’s a natural harmony between our sounds. The music speaks for itself.’ – The Glitch Mob
When you think about the Los Angeles beat scene you are talking about one of the more talent-rich scenes to come to prominence this century. It gave rise to acts likeShlohmo, TOKiMONSTA, Thundercat and, of course, Flying Lotus amongst many others. But arguably none of them has reached a bigger audience than The Glitch Mob…
Their highly contagious tracks has been licensed to big profile brands such as GoPro,Audi, Amazon Echo and more; their remix for ‘Seven Nation Army’ by The White Stripes was featured in the trailer for the World War I first-person shooter, Battlefield 1 (it has also clocked in over 27 million plays on Youtube); their 2014 album ‘Love Death Immortality’ debuted at #1 on the Billboard Independent Albums Chart andBillboard Dance/Electronic Albums Chart, and they have sold over 300 000 copies of their albums.
The Glitch Mob have also announced a string of international dates with an entirely new live show entitled ‘The Blade 2.0’, a new concept designed by Martin Phillips(Daft Punk, Kanye West, Nine Inch Nails + more).
Watch this space for Australian tour dates…



