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‘Phantom’ added to Apple Music’s New Music Daily and The Riff
‘Phantom’ played on Channel 7’s Friday Night Fooy (Friday August 4)
‘Taste of Blood’ and ‘An Honest Mistake’ added to official Apple Music playlist ‘The New Rock’
“When you love rock operas but are midway through a True Blood binge watch. Wolf & Chain hoist the drama up high with this epic and theatrical punky burner.“
4 / 5 stars – Dave Ruby Howe, Triple J
“Hell yeah! I can really hear you give it your all in this one. Big MCR sounds for sure.”
4 / 5 – Claire Mooney, Triple J
“An upcoming Aussie act who will straight up fuel all your emo desires.”
Wall of Sound
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Wolf & Chain, the Adelaide-based alt rock outfit known for their unique brand of dark, aggressive pop and chaotic anthems, return with a goosebump-inducing single, ‘Phantom’ (Out August 4).
Following the success of their EPs ‘An Honest Mistake’ and ‘Amor Mortal’, Wolf & Chain are back with a refined mindset and a freshly sharpened sound. ‘Phantom’ marks a new era for the band, showcasing their growth by weaving in a matured and accessible sound that delves into unexplored territories within their musical repertoire. Drawing inspiration from a transformative experience, ‘Phantom’ was born out of the band’s time at a secluded farm, where they retreated to record demos and immerse themselves in the creative process. During their stay, the band members fell ill and encountered a dark, looming presence that influenced their songwriting. The result is a haunting and powerful track that documents their journey of self-discovery, defying the challenges they have each faced. Stepping into this new chapter, Wolf & Chain’s commitment to experimentation is evident throughout this blood pumping single. The song’s intricate layers and arrangements have the band blending their alt rock characteristics with a fresh pop sensibility. Each element serves a purpose, from the pulsating palm-muted guitars that punctuate the verses with the thumping bass kick and electronic snare that drive the rhythm forward. The chorus unleashes a wall of guitars, perfectly complementing the cathartic vocal delivery of lead singer Jack Cumes. The bridge erupts in a signature Wolf & Chain style before they pull the cord to a steadfast palm-muted guitar and kick drum. With a massive full-band crescendo, the band see the song out with a vindicating final chorus. Collaborating with Josh Meyer of Those Who Dream played a significant role in the creation of ‘Phantom’, offering the band a fresh perspective and pushing their boundaries. The track represents a pivotal moment for Wolf & Chain as they emerge from the shadows and embrace this new direction. Since their inception in 2020, Wolf & Chain have been building a dedicated following, gaining recognition from renowned music publications and radio stations, including Rolling Stone AU, Don’t Bore Us, Wall Of Sound, Triple J, Triple J Unearthed and much more. They have toured extensively and have shared stages with notable acts such as Black Veil Brides, Creeper, and Between You & Me. Relish in Wolf & Chain’s newfound pop sensibility with‘Phantom’ on all major streaming platforms (Friday, August 4). |
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PACES (Mikey Perry) continues a bold transition with this latest single, Silver Lining. A departure from his previous tropical electronica sound. With “Silver Lining,” Perry has embraced a more personal and intimate style, drawing inspiration from classic emo & pop-punk bands like Jimmy Eat World and Blink-182 but also modern scholar of the sound like KennyHoopla & POORSTACY.
The song opens with a gentle acoustic verse that builds to a soaring chorus. The lyrics are heartfelt and honest, and the music is both catchy and momentous. Silver Lining is a song about finding hope in the midst of darkness, and it’s a powerful reminder that even the most difficult times can have their bright side.
Perry has said that he wrote Silver Lining when his heart was full of love. He describes the song as a “cinematic love letter” that captures the feeling of falling in love with someone, for the first time. There’s a reflection of Perry’s own personal journey. In recent years, he has undergone a significant transformation, both personally and professionally. A near instant metamorphosis across most aspects of his life left Mikey in a state of shock that took time to overcome.
Silver Lining is the fourth single from PACES’ forthcoming album, Three Summers. The album is a collection of personal and introspective songs that explore Perry’s own experiences. It is a departure from his previous work, but it is a natural evolution for an artist who has faced grand turmoil and come out a different person.
PACES – Silver Lining is out now on all good platforms
Spotify Link: https://open.spotify.com/
Commercial Link: https://bfan.link/silver-
www.linktr.ee/pacesmusic www.instagram.com/pacesmusic/ www.tiktok.com/@pacesmusic
Where are you currently based?
I’m based in London, United Kingdom and have been all my life, can’t really imagine living anywhere else currently!
What’s been happening recently?
I have literally just landed back from my Australia/New Zealand tour where I was away for a couple weeks so feeling a bit rough as that journey shouldn’t be underestimated! Had such an incredible time so well worth it.
You have a new collab with Michael Sparks called ‘Magic Carpet’ – out Aug 4th, how did this collab come to be?
We’ve spoken about it for a while since we both supported each other’s music at shows. I managed to meet Michael when he was over in London last year and since then we’ve done a few tracks together, with “Magic Carpet” being the first one we release.
Please tell us about the song writing process:
The idea was originally Michael’s, started out as a general melody idea that can be heard in the final track with some drums. I took this idea and added my own take on it, added some more of my bass sounds, drums and musical elements to tie it all together. Finally Michael added some vocals which are actually just processed vocals he did himself and think they turned out great and captured the vibe and energy instantly. It was actually a very easy process!
What or influenced the songwriting?
It definitely takes Middle Eastern influences which is quite a strange one for both of our previous work. We were keen to create something different and approach this track from a different angle to usual – it’s maybe not exactly what people would expect a track between us to sound like!
Where and when did you record/produce/master and who did you work with?
We both live either side of the Atlantic so in person production wasn’t possible for this. Michael sent be stems (individual parts to the idea) and I put them into Ableton on my end. From there I added all of my production and sent it back to him for final mastering. Again, all a very streamlined process and find the less you go back and forth on ideas, the better the final outcome.
What does this track mean to you?
This track means a lot in the way that it’s a different take on bass music to usual with the Middle Eastern elements and unique sounds we made for it. Also on a personal level it’s always great to make tracks with people that you genuinely have friendships with and push each other musically. Also with it releasing on Spinnin Records, probably the biggest and most renowned dance music label globally, it gives it the best chance for success.
Please tell us about your shows in OZ + summer touring:
The Australia and New Zealand shows were up there with some of the best experiences i’ve had. It’s always a bit daunting travelling to the other side of the world to a new audience and not knowing exactly how your music and shows will be perceived but I was so relieved to see such engaged and knowledgeable crowds who genuinely loved the music. Adelaide at Electric Circus was a special one for me especially after seeing the club and engaging with them since pre-covid, it was always a target to play there one day and it didn’t disappoint – dark, sweaty, intense lights, huge sound system. Absolutely everything I love!
What can we expect from your live shows?
My live shows are based around my music, whether that be released or unreleased specials for shows. I also play lots of music that influences me from other producers I love such as Knock2, Chris Lorenzo, TS7 and anyone pushing out the best bass music. Depending on the situation I also delve into some of my other favourite genres such as Garage, Dubstep and Drum & Bass where I have more freedom to do so. Expect high energy music and crowds!
Please tell us about your collaboration with AC Slater:
I don’t think it’s any secret if you follow my music that the track is a reworked and revamped version of a remix I did for shows of Missy Elliott “Lose Control”, a track I absolutely love and needed to do my own NuBass version of. I played this at shows for about a year and posted on social media but never had any intention of releasing. AC and I have been good friends for a long time through his label Night Bass and have been speaking about doing a track together for ages.
He was keen to have a go reworking the track into an original and he did a great job adding his unique sounds and offering a fresh take on the structure. Kaleena Zanders was the final piece to the puzzle who recorded vocals over the top in person with AC in Los Angeles and it all came together great.
Any other new music on the way?
I have a collaboration with Legacy out in September on Night Bass – always love releasing on there as they give me a lot of freedom to try new sounds regularly. That’s a more groovy house track with big switches in the drop to heavier bass music, another very unique track!
Aside from this, I am working on my first studio album, not many details worked out yet but already have a few tracks finished and the general concept is coming together. Really excited to get it finished!
Who are you listening to at the moment?
Within bass music, I usually listen to Knock2, MPH and Hamdi at the minute. I actually tend to stay away from listening to too much music to stop myself aiming for other peoples sound and go more into Drum & Bass – really into Jungle at the moment and the older gritty style to it. Definitely influences some of the sounds and grooves I use.
What’s planned for the remainder of 2023?
I’m playing in Japan for the first time in a couple of weeks. That will be incredible! Otherwise there are a few more shows to round up the year here in the UK and Canada announced for the moment but lots more to share soon. Away from touring, I am planning to get really stuck into production again as travelling has meant that lower on the priority list so I can hit the ground running in 2024.
Favourite food and place to hangout?
Always Asian food, Sushi, Thai Green Curry, Katsu Curry – anything with rice and spice. Here in London, it’s with friends and family on the weekends. I’m not out of the country catching up over a/several pints at the pub!
Where are you currently based?
I’m based in London, United Kingdom and have been all my life, can’t really imagine living anywhere else currently!
What’s been happening recently?
I have literally just landed back from my Australia/New Zealand tour where I was away for a couple weeks so feeling a bit rough as that journey shouldn’t be underestimated! Had such an incredible time so well worth it.
You have a new collab with Michael Sparks called ‘Magic Carpet’ – out Aug 4th, how did this collab come to be?
We’ve spoken about it for a while since we both supported each other’s music at shows. I managed to meet Michael when he was over in London last year and since then we’ve done a few tracks together, with “Magic Carpet” being the first one we release.
Please tell us about the song writing process:
The idea was originally Michael’s, started out as a general melody idea that can be heard in the final track with some drums. I took this idea and added my own take on it, added some more of my bass sounds, drums and musical elements to tie it all together. Finally Michael added some vocals which are actually just processed vocals he did himself and think they turned out great and captured the vibe and energy instantly. It was actually a very easy process!
What or influenced the songwriting?
It definitely takes Middle Eastern influences which is quite a strange one for both of our previous work. We were keen to create something different and approach this track from a different angle to usual – it’s maybe not exactly what people would expect a track between us to sound like!
Where and when did you record/produce/master and who did you work with?
We both live either side of the Atlantic so in person production wasn’t possible for this. Michael sent be stems (individual parts to the idea) and I put them into Ableton on my end. From there I added all of my production and sent it back to him for final mastering. Again, all a very streamlined process and find the less you go back and forth on ideas, the better the final outcome.
What does this track mean to you?
This track means a lot in the way that it’s a different take on bass music to usual with the Middle Eastern elements and unique sounds we made for it. Also on a personal level it’s always great to make tracks with people that you genuinely have friendships with and push each other musically. Also with it releasing on Spinnin Records, probably the biggest and most renowned dance music label globally, it gives it the best chance for success.
Please tell us about your shows in OZ + summer touring:
The Australia and New Zealand shows were up there with some of the best experiences i’ve had. It’s always a bit daunting travelling to the other side of the world to a new audience and not knowing exactly how your music and shows will be perceived but I was so relieved to see such engaged and knowledgeable crowds who genuinely loved the music. Adelaide at Electric Circus was a special one for me especially after seeing the club and engaging with them since pre-covid, it was always a target to play there one day and it didn’t disappoint – dark, sweaty, intense lights, huge sound system. Absolutely everything I love!
What can we expect from your live shows?
My live shows are based around my music, whether that be released or unreleased specials for shows. I also play lots of music that influences me from other producers I love such as Knock2, Chris Lorenzo, TS7 and anyone pushing out the best bass music. Depending on the situation I also delve into some of my other favourite genres such as Garage, Dubstep and Drum & Bass where I have more freedom to do so. Expect high energy music and crowds!
Please tell us about your collaboration with AC Slater:
I don’t think it’s any secret if you follow my music that the track is a reworked and revamped version of a remix I did for shows of Missy Elliott “Lose Control”, a track I absolutely love and needed to do my own NuBass version of. I played this at shows for about a year and posted on social media but never had any intention of releasing. AC and I have been good friends for a long time through his label Night Bass and have been speaking about doing a track together for ages.
He was keen to have a go reworking the track into an original and he did a great job adding his unique sounds and offering a fresh take on the structure. Kaleena Zanders was the final piece to the puzzle who recorded vocals over the top in person with AC in Los Angeles and it all came together great.
Any other new music on the way?
I have a collaboration with Legacy out in September on Night Bass – always love releasing on there as they give me a lot of freedom to try new sounds regularly. That’s a more groovy house track with big switches in the drop to heavier bass music, another very unique track!
Aside from this, I am working on my first studio album, not many details worked out yet but already have a few tracks finished and the general concept is coming together. Really excited to get it finished!
Who are you listening to at the moment?
Within bass music, I usually listen to Knock2, MPH and Hamdi at the minute. I actually tend to stay away from listening to too much music to stop myself aiming for other peoples sound and go more into Drum & Bass – really into Jungle at the moment and the older gritty style to it. Definitely influences some of the sounds and grooves I use.
What’s planned for the remainder of 2023?
I’m playing in Japan for the first time in a couple of weeks. That will be incredible! Otherwise there are a few more shows to round up the year here in the UK and Canada announced for the moment but lots more to share soon. Away from touring, I am planning to get really stuck into production again as travelling has meant that lower on the priority list so I can hit the ground running in 2024.
Favourite food and place to hangout?
Always Asian food, Sushi, Thai Green Curry, Katsu Curry – anything with rice and spice. Here in London, it’s with friends and family on the weekends. I’m not out of the country catching up over a/several pints at the pub!
Buy / Stream ‘Magic Carpet’ here
Michael Sparks and NuBass have released their collaborative new record which is out now on Spinnin Records.
In a formidable display of collaborative prowess, Michael Sparks and NuBass combine their musical acumen with their new bass house banger. Aptly titled ‘Magic Carpet’, this high-octane opus serves as a veritable showcase of cutting-edge synth melodies, woven intricately into the sonic fabric. As the beats unfurl with an unyielding force, the infectious vocals unleash a potent surge of energy, compelling even the most reticent to succumb to the rhythm’s magnetic allure.
Brimming with an unwavering intensity, ‘Magic Carpet’ embarks its listeners on a sonic odyssey into the heart of bass house, where the boundaries of musical ingenuity are masterfully explored and surpassed.
About the artists:
Michael Sparks is a visionary DJ and producer hailing from the US. With an unyielding passion for crafting immersive sonic experiences, Sparks has become a driving force in the industry, captivating audiences worldwide. Armed with a knack for fusing cutting-edge synth melodies with heavy-hitting drops, he has carved a distinct niche in the bass house genre. Michael’s relentless pursuit of perfection and his uncanny ability to manipulate elements has resulted in an impressive discography of heavy duty records.
London based producer and DJ NuBass has established himself amongst the new wave of bass producers, focusing on the darker, grittier side to the sound and is pushing forward his brand of high energy underground flavours. Recent releases include ‘Knock Knock’ VIP on Zero’s label and a collab called ‘Lose My Mind’ with one of the godfathers of the bass house movement AC Slater. His releases are regularly supported by the likes of Moksi, Chris Lorenzo, Skrillex to name a few.
You can find more information on Michael Sparks / NuBass via their IG links.
Title: Play With You
Label: Self-release
Multi-talented artist JVNA returns with her new track “Play With You,” a female empowerment-themed gem that also serves as the leading single from her forthcoming studio album. Listeners familiar with her previous body of work – “Hope In Chaos” will immediately recognize a transformation in JVNA‘s sonic style. While the former was deeply emotional and vulnerable, “Play With You” single sends a message that JVNA is here to take over control. Featuring her sultry vocals – impressively ranging from spoken word rap to breathy singing – along with melodic basslines and heavy-hitting, serrating synths during the drop, the track positions JVNA nearer to a villain than the melancholic damsel of her past. After pairing the track with its accompanying music video, we’d venture to say the rest of the album will also have strong influences from alt-pop, J-pop, K-pop, anime, gaming, and trance to continue the villainess storyline.
“Visually, I pictured this song being about a cunning anime demon girl in a video game seducing her enemies and killing them at the end. But this song’s message is really about being in charge of your own fate and winning the game of life itself throughout its challenges. Sort of like you’re the game master behind everything pulling the strings. I often face a lot of issues, and I feel like it’s constantly a boys club. I talk about overthrowing the patriarchy in this song with the lyrics – ‘the boys think that I’m here for company, but I’m conducting all the symphonies. I’m the final boss that’s gonna tear them down‘” – JVNA about “Play With You” single
California-based singer-songwriter and multi-instrumentalist JVNA produces electronic music that plays at the dichotomy of light and dark, bass and melody, organic and synthetic. Raised by Taiwanese immigrants, JVNA studied classical piano from the age of 6 and started writing songs when she was 11. Her studies continued at the San Francisco Conservatory of Music, where she learned to score films and video games. Initially, JVNA made fun edits and remixes of her favorite anime and video game soundtracks; her take on MapleStory‘s “Login Theme” caught fire on the internet, earning half a million views in 24 hours. Her 2018 song “I’m With You,” inspired by her father’s death two years earlier, dared to dive deep into an emotional world. JVNA self-directed the song’s music video. The Follow-up single “Catch Me,” released in 2019, took JVNA on a sold-out tour across the United States. Due to the pandemic, it was canceled, and JVNA returned to the studio to focus on the album’s production. She pushed herself to incorporate more live keys, piano, and organic textures. In 2021 JVNA released her debut studio album – “Hope In Chaos,” which is a diverse collection of styles featuring JVNA‘s voice like it’s never been heard before, opening up about so much more than the standard dance floor love songs.
