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Previous Support For Evergreener
Debut single ‘Deciduous’ added to Triple J’s Short.Fast.Loud playlist
“With both a modern and 90s edge to it, Deciduous bursts with angst, emotion and riffs.”
(Hysteria Mag) [About ‘Deciduous’]
“Evergreener, have turned that notch beyond eleven with their explosive new single”
(AAA Backstage) [About ‘Deciduous’]
“What I like about their new single Deciduous is the raw energy (I love the sound of the guitars, above all), the performance (great drumming!) and the overall no-frills/straightforward attitude of the band.”
(Given To Rock) [About ‘Deciduous’]
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I remember thinking, about a year ago that when covid starts to give way, clubbing could be a really different experience. That the idea of dancing in a large sweaty, crowd, might have a bit of an edge to it. Then I wondered if this “good dirty fun” would herald a renaissance in the indie dance/electro house sound that was huge 15 years ago. A movement where Australia truely punched above our weight and a time when filth and grit were properly adored.
There are elements of this renaissance in the new CLAIRE KNIGHT single SCORPIO SZN.
Thumpin percussion with grainy synths & brazen vocals. Sounds that remind me tuesday night raves, cheap shots & dear friends.
Claire played with this sound on her debut track KILLIN THE VILLAIN earlier this year & the new single SCORPIO SZN crystalises the style. Drawing major inspiration from the golden era of 00s electro, Claire’s vocals are dripping with pixelated sass. Constantly moving and morphing the bass rhythm is supported by a chic, house backbeat. Suitable for modern dance floors.
Malcolm Besley of Northeast Party House did a superb job mixing this cheeky track, giving it the kind of sparkle that will make it pop at high volume
Stay tuned for the EP release coming from CLAIRE KNIGHT in the subsequent months but in the meantime you can catch her at the following shows.
SCORPIO SZN Launch party at Saferoom Sydney on tonight, 21st October 2022
22nd October LOVE CLVB Boat Party on Glass Island
22nd October Hotel Harry, Surry Hills
4th Nov – The Gertrude Hotel, Fitzroy
11th Nov – Francesca’s Bar, Northcote
Commercial Link: https://noisehive.ffm.to/
Spotify URL: http://open.spotify.com/track/
Instagram: https://instagram.com/ck.dj
The best way to plan your weekend is with the Harvest Rock app, where you can create your own personalised planner which allows you to select all the artists you want to see, creating a customised schedule right in the palm of your hand. The app is also your go-to destination for all the latest event info, artist profiles, site map, notifications, ticket purchases and more. The Harvest Rock app is available now for both iOS and Android.
Harvest Rock is just as much about the food and drinks as it is the music, so you can expect to see some of Australia’s best chefs, cellar doors and innovative bars dotted around the festival for you to salivate over. The pinnacle of this is WILDWOOD by Jake Kellie of arkhé, a unique high-end dining experience created exclusively for Harvest Rock which will see the Michelin-starred chef and restauranteur collaborate with acclaimed Australian wine critic Nick Stock, to host two intimate lunches with a specially curated menu and wine pairing. Tickets are on sale now and with a limited number of 150 per session, they will sell out.
So go on, treat yourself to the very best music, food and beverages on offer at Harvest Rock in Adelaide this November.
Saturday 19 & Sunday 20 November 2022
Rymill Park / Murlawirrapurka & King Rodney Park / Ityamai-itpina
Adelaide
harvestrock.comTICKETING INFO
Tickets on sale now
MEDIA ACCREDITATION
Legitimate media can apply for accreditation before Monday 31 October here
FACEBOOK | INSTAGRAM | TIKTOK
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“An authentic expression of something,” is an apt turn of phrase when viewing TNSW, the album, more widely, which finds them honing in on These New South Whales – the serious punk band – more closely than ever before. It’s a far cry from the band’s more tongue-in-cheek work across both their series as well as their talk show-style comedy TNSW Tonight! and exalted podcast, What a Great Punk, which has seen them chat to guests including Tame Impala, Adrian Grenier, Shame, Amyl and The Sniffers, and King Gizzard & the Lizard Wizard.
Over the years, the band’s music has developed rapidly, evolving out of the realm of distinctly Aussie basement punk into a more sprawling, international space. Following the trajectories of bands like Ceremony and Turnstile from nuts and bolts basement punk to a more genre-defying sound, TNSW encompasses a broader range of influences. Blending the dark energy of their debut album You Work For Us and the CBGB’s heyday of its follow-up I Just Do What God Tells Me To Do, TNSW is both downtrodden and uptempo.
It’s still a post-punk record at heart, full of sonic depth and dejected storytelling but equally, it embraces their 90s alternative, hardcore and metal influences. Guitarist Todd Andrews found himself using references for certain guitar parts that he would never have touched on in the past (among them: Pixies, The Cure and Placebo), while Timony’s lyrics take a turn towards the poetic. ”I feel like they’re honest songs,” says Timony, who sees TNSW as the band’s most definitive album to date. “I feel very connected to them, and that’s probably a result of not trying too hard to force the album’s hand.”
TNSW marks a refined new era for the band and is comfortably their most sophisticated body of work yet: a 14-track tome of barrelling punk rock that polishes its heavier moments – heavier than ever – with sing-along choruses, sharp arrangements, and plenty of trademark irony and self-awareness. For every ’90s alternative reference, there’s a blast beat; for every big radio moment, a cursed instrumental aside.
‘Under the Pressure‘ follows on from the album’s two singles so far: the existential anthem ‘Rotten Sun’, which was inspired by a poem of the same name written by Ceremony‘s Ross. J. Farrar, and ‘Bending at the Knee‘, an art-punk masterclass that found them pulling from the darker half of their palette. Between them, the singles have received acclaim and support from the likes of The Fader, NME, DIY, The Line of Best Fit and more. With the album due out in November, season three of their Comedy Central series in the works and tours in Australia, the UK and the EU lined up for early 2023, These New South Whales look set to continue confirming themselves as a once-in-a-generation Australian punk proposition.
TNSW LP
Nov 18 via Damaged Records
PRE-ORDER HERE
‘Under The Pressure‘ is out now, buy/stream it here.
TRACKLIST
Bending at the Knee
Rotten Sun
That’s the Life
Under the Pressure
Changes
Back To You
Tartan & Chrome
Faceless
Signal is Strong
Going Outta My Mind
Wherever I Am, There I Am
Best of the Night
Win
Reset of the World
Stay connected with These New South Whales:
Official Website | YouTube | Instagram | Twitter
The Killers announce special guests Alex Cameron and Jack Ladder on ‘Imploding The Mirage Tour 2022’
The Killers return to Australia & New Zealand next month!
Special guests Alex Cameron and Jack Ladder confirmed
Imploding The Mirage Tour 2022 plays Auckland, Christchurch, Brisbane, Barossa Valley, Perth, Geelong, Melbourne, Hunter Valley & Sydney
Final tickets on sale now via: frontiertouring.com/thekillers
Frontier Touring and The Killers are thrilled to announce tour special guests, the genre-busting pop narrator Alex Cameron with his full band and Australian rock singer-songwriter, guitarist, composer Jack Ladder for their Imploding The Mirage Tour 2022. Kicking off next month the tour will play a huge 11-date mix of arena and outdoor shows across Australia and New Zealand!
Australian raised Alex Cameron will perform as the special guest in Brisbane, Perth, Geelong, Melbourne, Hunter Valley and Sydney, with Sydney based artist Jack Ladder opening proceedings in Auckland, Christchurch, Barossa Valley, Geelong and Hunter Valley.
Final tickets on sale now via: frontiertouring.com/thekillers
THE KILLERS
IMPLODING THE MIRAGE TOUR 2022
AUSTRALIA & NEW ZEALAND
SPECIAL GUESTS ALEX CAMERON & JACK LADDER
November/December 2022
Presented by Frontier Touring, Roundhouse Entertainment (Geelong and Barossa Valley), Triple M (AU), K Rock (Geelong) & Geelong Advertiser (Geelong)
ALL SHOWS ON SALE NOW
via frontiertouring.com/thekillers
ALL SHOWS LICENCED ALL AGES
Monday 21 November 2022
Spark Arena | Auckland, NZ
Lic. All Ages
Special guest Jack Ladder
ticketmaster.co.nz | Ph: 0800 111 999
Friday 25 November 2022
Christchurch Arena | Christchurch, NZ
Lic. All Ages
Special guest Jack Ladder
ticketek.co.nz | Ph: 0800 842
Tuesday 29 November 2022
Brisbane Entertainment Centre | Brisbane, QLD
SOLD OUT
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
Wednesday 30 November 2022
Brisbane Entertainment Centre | Brisbane, QLD
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
Saturday 3 December 2022
Peter Lehmann* | Barossa Valley, SA | a day on the green
Lic. All Ages
Special guest Jack Ladder and Floodlights
ticketmaster.com.au | Ph: 136 100
Tuesday 6 December 2022
RAC Arena | Perth, WA
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
Saturday 10 December 2022
Mt Duneed Estate* | Geelong, VIC | a day on the green
Lic. All Ages
Special guests Alex Cameron & Jack Ladder
ticketmaster.com.au | Ph: 136 100
Tuesday 13 December 2022
Rod Laver Arena | Melbourne, VIC
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
Wednesday 14 December 2022
Rod Laver Arena | Melbourne, VIC
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
Saturday 17 December 2022
Hope Estate | Hunter Valley, NSW
Lic. All Ages
Special guest Alex Cameron & Jack Ladder
ticketmaster.com.au | Ph: 136 100
Monday 19 December 2022
Qudos Bank Arena | Sydney, NSW
Lic. All Ages
Special guest Alex Cameron
ticketek.com.au | Ph: 132 849
thekillersmusic.com | facebook.com/Thekillers
Twitter @thekillers | Instagram @thekillers
Spotify | YouTube
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TOUR DATES
Fri 18 Nov – Coalesce 004 w/ Special Guests @ The Red Rattler – Eora / Sydney (TIX)
Sat 19 Nov – Coalesce 004 w/ Special Guests @ 524 Flinders – Naarm / Melbourne (TIX)
Sat 26 Nov – Spilt Milk Festival – Ngunnawal / Canberra
Fri 2 Dec – Coalesce 004 w/ Special Guests @ Woolly Mammoth – Meanjin / Brisbane (TIX)
Sat 3 Dec – Spilt Milk Festival – Wadawurrung / Ballarat
Sun 4 Dec – Spilt Milk Festival – Ngarangwal / Gold Coast
Fri 30 Dec – Wildlands Festival – Boorloo / Perth
Sat 7 Jan – Wildlands Festival – Meanjin / Brisbane
Thu Dec 29 – Beyond The Valley – Barunah Plains, VIC
Sun Jan 1 – Field Day – Eora / Sydney
Stay connected with Ninajirachi:
Website | Instagram | Facebook | Twitter | SoundCloud
Overcoming compounding struggles with addiction and the protracted idleness of lockdown, Melbourne emcee Poppy Rose has emerged more resilient and determined than ever.
Poppy first came to the attention of hip-hop audiences in 2017 with the breakout single, ‘Ocean’, a startling DIY effort featuring stanza after stanza of effortless flow and clever turn of phrase that struck a chord with disciples of the genre, none more so than the queer community from which she hails, and has accrued more than a million streams to date.
What would follow would be nearly two years of battling issues with addiction buttressed by the forced sidelining of musicians globally brought about by the pandemic.
If there was a silver lining to Poppy’s time away from the limelight, it was that it provided her with an opportunity to process the tumultuous series of events leading up to that point and engage in a process of soul-searching that saw her redefine herself as a musician and now, producer.
Investing in a basic home-recording rig segued into Poppy teaching herself how to make beats on Garageband in the solitude of her bedroom and threading these new skills into her artistry. The music that has resulted, totalling nearly a hundred unreleased demos and counting, reveals a born artist emerging from a long period of uncertainty stronger than ever before.
The first taste of her vast unreleased repertoire, new single ‘My God’ showcases Poppy’s talents as a natural storyteller whose ability to weave life experience into her music makes for effortless listening. The track, written and produced by Poppy, features additional production from HAMLEY (Stan Walker, Pania) and was mixed and mastered by Matt ‘Xiro’ Fioravanti (Tasman Keith, Jesswar).
Originally hailing from Wagga Wagga in rural NSW, Poppy grew up as one of six siblings with music as a constant presence in her life. Drawing early inspiration, owing in part to her older brothers’ iPods, from the likes of Kanye West, J. Cole, A Tribe Called Quest, Tupac and Biggie, Poppy fused her burgeoning love affair with hip-hop with a natural flair for poetry as a means of self-expression.
A trip to Melbourne at age 16 to see A$AP Rocky in concert served to crystallize her desire to realize her own dreams of becoming a rapper and prompted a move to the nation’s unofficial musical capital where she honed her skills in situ at the city’s open mic scene.
During a time of global pause, Poppy put work in, throwing herself headlong into her craft; letting music seep into every pore and take over her being in a new way, largely driven by the freedom producing music herself.
“My God is an anthem about reclaiming myself from a struggle with addiction. I wanted to create a song that was empowering and fun that reminded me of all the things I’m capable of. I started playing around with 808 melodies and MIDI trumpets which kicked off the melody for the chorus
and the inspiration for the verses. I like trumpets because they remind me of the word ‘triumphant’. My God is just the beginning of the story I want to tell about myself in the hope that someone else out there can relate to it in one way or another. I wanted to create a song that’s catchy, fun and also serious, because I figured if I put all of those together, then maybe I can get some points across. I wanna destigmatize the stigmas.” – Poppy Rose
INSTAGRAM | TIKTOK | FACEBOOK | SPOTIFY | APPLE MUSIC
AUSTRALIAN TOUR DATES:
Friday 10th March – Showgrounds Dome, SYDNEY
Saturday 11th March – Riverstage, BRISBANE
Sunday 12th March – Melbourne Showgrounds, MELBOURNE
(Labour Day Long Weekend)
TICKETS GO ON SALE:
General Public on sale:
Thursday 20 October – 10am AEDT
For all Tickets, go to: TEGLIVE.COM.AU
‘Echo’ Out October 19
‘The Stories We Are Afraid Of | Vol 1’ EP – Out November 25
Previous support for Circles
‘Sleepwalking’ – First Play on Triple J (The Racket)
‘Sleepwalking’ added to Spotify’s Homegrown + Heavy, All New Metal
and Apple Music’s Heaps Heavy
‘Dig’ added to Spotify’s Rock Out and Apple Music’s The New Rock
“. . . One of Australia’s most successful international prog experts . . .”
(Maniac) [About ‘Dig’]
“Their music soars as much as it djents, the vocals and harmonies, delivered by the three members across the front of the stage, are absolutely on the money, and it is all delivered with a tightness and precision that only comes from being together for well over a decade”
(The Music) [‘Sleepwalking’ AUS Tour Live Review]
“With more sonic meat than your local butcher and a simultaneous scintillating assault and caress of the senses on full display via Sleepwalking, 2022 is shaping up to be a particularly eventful one for Melbourne’s Circles”
(Hysteria) [About ‘Sleepwalking’]
“Some things in life are worth the wait . . . and it gives me pleasure this week to grace Melbourne rock outfit Circles as our featured artist”
(HEAVY Magazine) [About ‘Sleepwalking’]
‘The Last One’ (2018) landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, #4 TheMusic’s Album Of The Year (Writers’ Poll), and reached close to 3 Million Spotify streams worldwide.
(Metal Hammer – UK) [About ‘The Last One’ Album]
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The band’s release ahead of their debut EP after supporting Ken Paulo, Young Robin and Noah Dillion. Previous press support from AAA Backstage, Australian Music Scene, SYN Radio, RTR FM and various radios in Australia.
Lead Singer: Josh Ellis
Perth/Boorloo based band Coco Elise are releasing their flavour filled single ‘Wish you’d show’.
‘Wish you’d show‘, the lead single of the EP ‘Brian’s view’ is a unique and creative work showcasing Ellis’ crisp falsetto tones of his vocals and the instrumental talents in the band.
Chances are if you are around the Perth live music scene you’ve heard of Coco Elise – composed of lead singer Josh Ellis, Isaiah Quintana, Harry Playford and Seb Price. Bringing an indie pop sound which has had them supporting acts such as Ken Paolo & The Space Cadets, Spici Water, Airline Food, Young Robin & Noah Dillon, establishing themselves as one of Perth’s hidden Jewels.
The track list for the EP is as follows:
Shower in the daytime
Brian’s views
Sun may shine
Wish you’d show
In their own words, “Wish you’d show is a short love song about being somewhere and wanting a certain person to comeIt’s probably the most accessible song we have and definitely the easiest to understand lyrically.”
When asked who is Brian? Ellis states that it is a mystery; maybe that’s up to you to decide, but one thing is for sure: Coco Elise’s EP will take you in a whole other dimension, a whole other vibe and with a whole new view (AKA Brian’s View).
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INSTAGRAM // SPOTIFY // FACEBO
Where are you currently based?
We are currently based in Brisbane.
How did you first start playing music?
Cant speak for all members of the group, but i would be confident in saying we were lucky enough to be exposed to music early on in our childhoods. I know I was lucky enough to be given the opportunity to learn an instrument during my schooling years and took it forward from there.
What’s been happening recently?
Since covid we have been focusing our energies on writing new material. We hope that this new track is the first in a series of exciting new releases and content. We were especially excited to welcome our newest member Toby Alexander to the group who was instrumental in the writing and production of ‘You Save Me’.
How did the band form?
In the early days the group consisted of a few of us who knew each other from high school. Then over the years the rest of us came together through the Brisbane music scene and eventually formed our current lineup.
Your latest single ‘You save me’ is out now, what influenced the sound and songwriting?
Our newest member Toby Alexander was instrumental in establishing the initial sound and feel of the song, drawing inspiration from artists such as Rufus Du Sol and Kx5 for his initial demos. Lyrically the song evolved into a kind of fictional telling a failing relationship, and one party’s journey of self realisation and sacrifice in order to set their partner free.
How did You save me come about?
What’s the Brisbane music scene like at the moment?
As the post – covid period continues, we believe this is perhaps as exciting a time as any in the Brisbane music scene. There are countless new artist that have emerged from the online community over the past two years, and as the Brisbane inner city infrastructure continues to develop as it has in recent years we expect Brisbane’s live music to amaze on a national level.
You were the recent winner of ‘Best Live Artist’ and ‘Best Emerging Artist’ that was presented by the Brisbane Council, please tell us about this experience and how it all came about:
We are extremely fortunate that the Brisbane City Council hosts such incredible initiatives such as the Qube Effect awards and City Sounds live music in order to uncover and showcase the city’s emerging artists. For city Sounds were able to play a number of gigs within the city and Southbank areas to large crowds of passers by, and for the Qube Effect awards we were given the opportunity to be mentored by industry professionals, as well as have a music video filmed and produced for us. These experiences were unforgettable and incredibly valuable to us as a band. Our awards were a bonus, but also extremely encouraging showing we were on the right track!
Who are you listening to at the moment?
Again I can’t speak for all the boys, but I always like to have a radiohead song in whatever playlist is on. Lately I have also found myself giving some early Elton John a run…
What’s planned for the remainder of 2022 going into 2023?
At this stage we will look to release several more singles over the coming months, possibly leading to an EP in 2023.
Official Website | Facebook | Twitter | Instagram | Youtube | Triple J Unearthed
Photo by: Nathan Carol
PLAY/LISTEN
Oly Sherman basks in the beauty of the everyday in latest single ‘Dancin’ in the Rain’. A beautiful, vulnerable display of strength, Oly’s sumptuous vocal tones take us on a journey of pure joy and artistry.
Speaking to his philosophy of enjoying the simple pleasures of life, Oly’s confident vocals exude a power that draws you in. Soulfully dancing over luxurious jazz instrumentation, the result is nothing short of exceptional.
Pulling aural influences from international favourites Daniel Ceasar, Omar Apollo and Loyle Carner, and closer to home with Tash Sultana, Kaiit, and Matt Corby. Sherman’s aurally decadent soundscapes are nestled in between that beautiful space of soul-fused jazz and RnB.
Slightly more stripped back then previous releases, Oly showcases his confidence in his experimentation, leaning more heavily into the late night jazz dive bar, spotlighting his vocals.
“Dancin’ In The Rain is about enjoying the little things and getting out of your own head. The rain is a symbol for doing things that aren’t necessarily comfortable at first, but doing them because of the valuable people around you, and the ultimate joy of jumping in.” Oly Sherman
‘Dancin’ in the Rain’ sees airy synths, a deliciously grooving baseline, and fluttering sporadic keys work in harmony, elevating Olys honeyed vocal tones. The shining strength of this single is the crooning, saxophone solo that brings to life the feeling of walking through Paris at midnight under spheres of illumination from weathered street lamps.
Like previous releases, ‘Dancin’ in the Rain’ was recorded at Sherman’s home studio, with final touches applied at A-Sharp Studios. The single was then refined by both Oly Sherman and engineer Daniel Natoli.
Since releasing his first single in 2017, Sherman has carved out a devout following of listeners yearning for his soul-laden songs. In that time he has seen break-out success from single ‘Homeboy’ which accumulated 120k+ streams alongside a steady fan base of monthly listeners on Spotify that hovers at around 20k, Oly Sherman has proven his dynamism in spades.
With two sold out shows at iconic Sydney venue The Lansdowne, the Newtown Festival and notable support slots for Slum Sociable, Alex The Astronaut and Matthew Young, Oly Sherman will be sharing his honeyed vocals and grooving beats with a number of shows across the country over September through to November.
OLY SHERMAN TOUR DATES
Friday 2nd September The Taproom Castlemaine, VIC*
Saturday 3rd September The Drunken Poet Melbourne, VIC*
Sunday 4th September Austin’s Winery Sutherlands Creek, VIC*
Friday 23rd September Sol Bar – The Lounge Maroochydore, QLD*
Saturday 24th September Junk Bar with Alys North Brisbane, QLD Tickets
Thursday 13th October The Royal Bondi, NSW*
Friday 25th November Beach Hotel Byron Bay, NSW*
* Free Show
PRAISE FOR OLY SHERMAN
“There are few things you can rely on in this world. One of those things is the quality of Oly Sherman’s uploads. Matt Corby fans, listen up!”
triple j, Abby Butler
“It’s stirring world class folk and that pay off at the end is so worth it.”
Triple J, Declan Byrne
“A folk sensation echoing the dreamy work of Matt Corby, Boy & Bear and Josh Pyke”
Happy Magazine
“True to the theme, this one from Oly Sherman has a golden and sunny hue to it. It’s like he’s dipped all the parts in honey for the sweetest feel.”
Triple J Unearthed, Dave Ruby Howe
‘DANCIN’ IN THE RAIN’ is out now.
Oly Sherman: Official Website | Triple J Unearthed | Facebook | Instagram | Youtube | Twitter
Where are you currently based?
Sydney – AUS
How did you first start playing music?
At home, I was always surrounded by music. My dad plays electric guitar and my mum used to send my sister & I to piano lessons (I hated that!)
Then I picked up the Saxophone and joined the school band – and that was my main instrument all through school (Jazz Band, Stage Band & Concert Bands)
In my final years of high school I really wanted to start singing – so I would steal my dads guitars to accompany my singing and would watch tutorials on Youtube. I even started playing piano again when I got into music production.
What’s been happening recently?
I’ve spent the past 2 years writing a bunch of new music. Put together my band and rehearsed it all so we could play our first headline gig (whilst shooting the music video for “Tomorrow”)
I’m excited to announce I will be performing at my first music festival in December and have been working alongside the team at SunSets Festival to promote the event.
Your single ‘Tomorrow’ is out now, what influenced the sound and songwriting?
I’ve always loved listening to rap music and the rhythmic delivery of the vocals/rhyming…intertwining melodies with fast paced delivery. I initially sat down to see how many words I could rhyme and for it to somewhat make sense to the listener. Once I had written the hook, I had something catchy to come back to – and I would find pockets to deliver the verses in between.
How did you go about writing Tomorrow and what does this song mean to you?
I worked with producer Thomas Porter on the new single. It was our first session working together and I went into the room with a bunch of songs I had been writing. He encouraged me to throw everything out the window and to see what happened naturally when we started working from a blank canvas. A janky guitar progression and some drums was all we needed to get the songwriting flowing. A few hours later the song was finished. We sat with the song for a while and re-tracked vocals + added some horns to give it some character.
Where and when did you record/produce/master and who did you work with?
It was my first time working with high school friend and producer Thomas Porter at his home studio. We used to both play Saxophone in the school band. We wrote/recorded this song 2 years ago and I have been holding onto it ever since – so I thought it was finally time to put it out. It was a bit of a school reunion, the horns were played by Liam Thomas, who also went to the same high school as us.
How did you approach the recording process?
We finalised the instrumental on the first day, and used it as a guide to write lyrics to. Then we recorded the hook and bounced the track with empty verses so I could take it away and play around with it. On the final production day – I had recorded the horns and we came back to record fresh vocals on the whole track + some BV’s and harmonies.
Who are you listening to at the moment?
I love variety. Right now I’m listening to heaps of Blake Rose, Lewis Capaldi, Russ, Mac Miller, Lime Cordiale.
Pretty much anything with a strong male pop vocal.
What’s planned for 2023 and beyond?
– More Live Shows
– Support tour
– Studio Sessions and writing trips (Collaborating with new and old friends)
– Rehearsals with the band and polishing up the live show
Favourite food and place to hangout?
Salty Rooster in Manly do the best chicken burgers and chips – you can thank me later!
Socials:

